Get ready for a thrilling movie marathon as we unveil this week’s exciting releases! Whether you’re in the mood for spine-tingling scares, heartwarming dramas, or high-octane action, we’ve got you covered. Grab your popcorn and immerse yourself in the cinematic world of ‘A Haunting In Venice,’ ‘Ang Huling Sayaw,’ ‘Immersion,’ ‘Mannequin,’ ‘Strays,’ and ‘The Equalizer 3.’ Whether you’re a horror enthusiast, a fan of romance, or simply seeking a fantastic night out, this week’s lineup has something special for everyone.
2023 • PG • 1 hr 44 mins CRIME, DRAMA MYSTERY BUY TICKETS
In the heart of Venice, amidst its winding canals, the legendary detective Hercule Poirot seeks a quiet retirement. But the past has a way of catching up. Drawn to a hauntingly decaying palazzo for a Halloween séance, the night takes a dark turn as a guest meets a chilling end. Now, Poirot finds himself ensnared in a web of mysteries, where shadows whisper of secrets and danger lurks in every corner. Can he unravel the truth before the ghostly canals claim another? Discover a tale where every echo might be a clue, and every shadow hides a secret.
Amidst the bustling heart of Manila, three inseparable friends – Danilo, Tiffany, and Stephanie – excitedly step into their senior year at a renowned high school. But when Danilo, lured by temptation, veers off track, their lives shift unexpectedly. Faced with the aftermath of poor decisions and chasing fading dreams, Danilo must now dance between past mistakes and a future he yearns for. Can the rhythm of friendship help him reclaim his passion for dance and withstand life’s toughest challenges? Experience a story of redemption, dreams, and the enduring steps of friendship.
When the boundary between reality and the virtual world blurs, employees of a cutting-edge VR-tech firm find themselves ensnared in a web of inexplicable fatalities. But within the coded confines of the digital realm lies a chilling secret. As the line fades, so does the distinction between the living and the doomed. Brace yourself for a gripping journey where reality isn’t just virtual, but deadly.
In a world where the lifeless can turn lethal, a young woman and her circle stumble upon a sinister force. This is no ordinary mannequin; it’s silent, relentless, and if you lock eyes with it – your fate is sealed. Hold your breath, resist the urge to glance, because this entity won’t stop until its eerie mission is complete. Once seen, there’s no escape. The chase is on, and survival is anything but guaranteed. Beware the stillness—it’s where danger lurks.
Navigating the gritty urban jungle, Reggie, once pampered and adored, finds himself heartbroken and deserted. As the lights of the city shine on, a new friendship with a savvy streetwise stray challenges his beliefs. Will Reggie continue waiting for a love that was never truly there, or will he embrace the revelations of his new ally and confront the truth about Doug? It’s a tale of loyalty, self-discovery, and learning to see beyond the illusions of love. Welcome to the wild side of city life!
In the serene landscapes of Southern Italy, Robert McCall thought he had found tranquility. But when shadows from the underworld ensnare his friends, McCall’s peaceful respite shatters. With vendettas and vendettas waiting at every turn, McCall once again embraces his old persona, standing tall against the might of the mafia. The Equalizer is back, and this time, it’s personal. Prepare for a thrilling showdown where honor meets vengeance!
FAN FAVORITES STILL SHOWING
These films continue to draw in audiences, so if you haven’t caught them yet, better make your way to the cinemas soon! Here’s a list of fan favorites that are still playing in cinemas:
These are just a few of the cinematic delights awaiting you this week. From horror to romance to dance, there’s something for everyone at the movies. So, grab your tickets, invite your friends, and get ready to immerse yourself in the world of storytelling on the big screen. This week’s lineup offers a diverse range of cinematic treats to suit every taste. Don’t miss your chance to catch these must-see flicks while they’re still showing. Have a great time at the movies!
Set against the haunting allure of Venice’s ancient waterways and architecture, “A Haunting in Venice” is more than just another ghostly tale. Inspired by Agatha Christie’s “Hallowe’en Party”, this supernatural thriller showcases Hercule Poirot in a fresh light, portrayed with finesse by Kenneth Branagh, who doubles up as the film’s director. Michael Green’s gripping screenplay is backed by a producing team that includes names like Ridley Scott and Simon Kinberg. And as for the cast? It’s a dazzling array of stars: from Jamie Dornan and Tina Fey to Michelle Yeoh. This is one cinematic experience you won’t want to miss. As we prepare to delve into this atmospheric opus, here are 6 enthralling film facts that beckon viewers to its shadowy corners. Ready to unearth the enigmas?
1) From Orient Express to Venice’s Canals: The Evolution of an Idea
Kenneth Branagh and Michael Green’s partnership in bringing Agatha Christie’s tales to the big screen began with the critically acclaimed “Murder on the Orient Express.” While Christie’s prolific career spanned 33 novels, it was during the production of their second collaboration, “Death on the Nile,” that Green’s inspiration for a third film ignited. Standing on the S.S. Karnak, overlooking what would become the cinematic Nile, the theme of the supernatural beckoned him, recalling Christie’s “Hallowe’en Party.” Despite being penned during the latter part of Christie’s career, “Hallowe’en Party,” primarily an English country house mystery, provided the skeletal narrative. Green’s decision to transplant the tale to Venice’s hauntingly beautiful landscape not only showcased his creative ambition but also aligned with their tradition of setting Christie’s mysteries in exotic locations. Further enriching the story’s tapestry, Green incorporated elements from Christie’s eerie short story, “The Last Séance,” intertwining the supernatural essence deeply into “A Haunting in Venice.” This transformative adaptation offers audiences a fresh and atmospheric perspective on the Queen of Mystery’s iconic works.
2) Reimagining Agatha Christie: From Country House to Venetian Haunt
Few names in the world of mystery are as enduring as Agatha Christie. Her tales, often guided by the brilliant detective Hercule Poirot, have mesmerized readers for generations. The dynamic duo of Oscar-winning director Kenneth Branagh and accomplished screenwriter Michael Green embarked on a cinematic journey with Christie’s “Hallowe’en Party.” However, they didn’t merely adapt the story; they orchestrated a daring transformation. Instead of the traditional English country house setting, they transported Poirot’s astute investigation to the enigmatic labyrinth of Venice’s canals and haunted palazzos. In this reimagining, they’ve seamlessly blended a classic whodunit with a spine-tingling ghost story, all unfolding in the span of one suspense-filled night. Drawing inspiration from Christie’s own forays into the supernatural in some of her short stories, this adaptation offers fans both the comfort of the familiar and the excitement of uncharted territory. While the changes are substantial, they remain faithful to the core of Christie’s storytelling, promising even the most seasoned enthusiasts an unexpected conclusion.
James Prichard, an executive producer of the film and Agatha Christie’s great-grandson, lent his approval to these narrative shifts, recognizing that they maintained the essence and spirit of his great-grandmother’s work. He lauded the depth of character brought to Poirot by Branagh and Green, a facet less explored in Christie’s original works. This depiction of Poirot, layered with psychological depth, presented an intriguing challenge for the iconic detective. According to Prichard, it is Branagh’s finest portrayal of Poirot, offering a refreshing take on a beloved character.
Branagh and Green’s mission was to craft an edge-of-your-seat experience, transporting audiences to the captivating and labyrinthine city of Venice. With its inherently eerie atmosphere, misty canals, and concealed masks, Venice served as the perfect backdrop for this tale, evoking an atmosphere of spine-tingling suspense and mystery. Green explained that Venice’s historic palazzos, laden with history and secrets, were ripe for exploration in a story that involves Halloween night, adding an undeniable sense of spookiness and allure. In their discussions about the film’s theme, the word ‘haunting’ surfaced frequently, ultimately finding its way into the title. “A Haunting in Venice” taps into various interpretations of haunting – from supernatural entities to personal demons. Poirot, a man who grapples with the question of belief in the supernatural, becomes central to this exploration. He is haunted not only by external forces but also by the specter of his own past and the constant presence of death. The line between reality and the supernatural blurs for Poirot, making his life a precarious balancing act.
“Murder on the Orient Express” delved into themes of revenge, while “Death on the Nile” explored greed. In contrast, “A Haunting in Venice” ventures into the realm of the supernatural, questioning the existence of ghosts or higher powers. Poirot’s own beliefs are put to the test in a narrative that inevitably invokes fear and uncertainty.
The filmmakers acknowledge that it’s a formidable challenge to surprise Agatha Christie’s dedicated fanbase, given their familiarity with her signature plot twists. However, with this reimagining and the liberty taken to reshape the story, fans have the opportunity to experience a new Agatha Christie tale. The film’s conclusion, unique to this adaptation, promises to deliver a surprise that will leave even the most seasoned Christie enthusiasts astounded, offering a fresh perspective on the Queen of Mystery’s timeless storytelling.
Kenneth Branagh returns as the legendary detective Hercule Poirot in “A Haunting in Venice,” surrounded by an A-list ensemble cast that includes Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, and Michelle Yeoh. Set against the picturesque backdrop of post-WWII Venice, Poirot finds himself on an introspective journey, reconciling his beliefs amidst the city’s haunting beauty. Kelly Reilly portrays the enigmatic Rowena Drake, a retired opera singer mourning her daughter’s tragic death, while Tina Fey shines as Ariadne Oliver, a bestselling mystery writer reminiscent of Agatha Christie herself. Jamie Dornan’s portrayal of Dr. Leslie Ferrier, a war-traumatized individual, and his on-screen relationship with Jude Hill’s Leopold offers a fresh perspective on the familial bond.
Under Branagh’s deft direction, the film transcends the realm of mystery to delve into the human psyche, examining intricate relationships, introspection, and the allure of the supernatural.
4) Authenticity at Its Best: Building Venice’s Haunted Palazzo
The charm and allure of Venice, with its historic palazzos and sweeping canals, have captivated many over the centuries. It’s no wonder that “A Haunting in Venice” sought to capture this essence by shooting at many of the city’s iconic landmarks, such as Piazza San Marco, Palazzo Ducale, and Ponte dei Sospiri. But what sets this film apart is the painstaking attention to detail that went into constructing an entirely believable haunted palazzo.
This journey began at Pinewood Studios, under the visionary guidance of director Ken Branagh. The set, inspired by the actual palazzos of Venice, was brought to life with a sense of urgency. Art director Peter Russell had a mere six weeks from the time he took on the project to build the first components of the set. The challenge? Meticulously recreate specific rooms from the screenplay while staying within time and budget constraints. This resulted in the decision to have a basement level, a first floor, and a second floor but to eliminate a proposed third floor.
Innovative techniques, such as the use of natural lighting, heightened the film’s eerie ambiance. Scenes were illuminated using practical light, relying heavily on the ambient light that permeated through the palazzo’s windows. This atmospheric lighting, combined with other immersive elements like a vast concrete tank for gondolas and a water catchment system, intensified the film’s enigmatic feel.
Apart from the internal sets, the production showcased its innovation prowess by constructing a vast concrete tank capable of housing gondolas, complemented by an intricate water catchment system. Perhaps the pièce de résistance was the one-third scale model of the entire palazzo. This model, assembled with extreme precision and detail, allowed filmmakers to visualize the entire structure. This miniature model was also vital for achieving exterior shots that would have otherwise been challenging in the real Venice. José Granell, emphasized the advantages of such a model, which granted the freedom to modify and enhance the design, including the addition of a rooftop garden. In the end, while the majority of exteriors were filmed at a genuine Venetian Palazzo, the meticulous efforts of the art and production teams ensured that “A Haunting in Venice” truly encapsulated the mystique of the ancient city. Producer Judy Hofflund’s words wrap it up beautifully: the art team built a Venice so authentic, it was hard to distinguish set from reality.
5) Illuminating the Night: Crafting the Cinematic Ambiance
In the hauntingly captivating world of “A Haunting in Venice,” the camera becomes a storyteller of its own. Unlike its cinematic predecessors shot on 70mm film, this haunting tale opted for digital cinematography. Director of Photography Haris Zambarloukos reveals the deliberate choice: “We wanted a camera that sees into the night, and used candles and practical lights to create the perfect mood.”
The movie embraces an unconventional aspect ratio, 1:85, setting it apart from the typical 2:40 frame. Zambarloukos’s innovative vision unfolds through a Sony VENICE 2 camera with 3200 ASA and Ultra Panatars, slightly anamorphic large format lenses. This combination not only provides a native frame at high fidelity but also lets the audience peer into the night with remarkable clarity. For director/producer Kenneth Branagh, immersion is key. The scale model they treated as a genuine location offered unparalleled control and finesse. The palazzo itself becomes a character, meticulously lit to craft the desired mood. Artificial light transforms day into night, creating a painterly, mysterious atmosphere.
Despite limitations shooting at night, the cinematography team brought brilliance to each frame. Access to cranes or drones was restricted, yet they brilliantly replicated lighting across various locations, making each shot unique. The real palazzo, the Venice set, and their meticulous model aligned perfectly, allowing for an unprecedented cinematic experience.
6) Unveiling the Soulful Symphony: The Music of “A Haunting in Venice”
In the enigmatic realm of “A Haunting in Venice,” music becomes the conduit for suspense and unease, weaving a haunting narrative that resonates deep within the soul. Renowned Icelandic composer Hildur Gudnadøttir, acclaimed for her Oscar®, Golden Globe®, and BAFTA-winning composition in “Joker” and her Emmy® and GRAMMY® accolades for “Chernobyl,” crafted a musical masterpiece that immerses audiences in an eerie, soulful, and timeless ambiance.
For this film, the musical score was envisioned as a soulful mood piece, resonating with unease, tension, and lingering questions. Interestingly, Gudnadøttir’s familiarity with Agatha Christie’s world, influenced by her mother’s fondness for the author, enabled her to infuse the score with haunting, soulful, and fractured qualities reminiscent of post-war Europe.
Gudnadøttir, a lifelong fan of Christie’s work, eagerly accepted the challenge to differentiate this film’s score from its predecessors. She aimed for a darker and moody tone, while upholding classical sensibilities. Echoing Branagh’s desires, she sought to create an intimate, almost claustrophobic chamber piece rather than an overwhelming cinematic spectacle. Despite some unconventional play, Gudnadøttir stayed loyal to classical instrumentation, incorporating primarily strings and wind instruments and forgoing electronic elements entirely.
“A Haunting in Venice” isn’t just another horror film; it’s a cinematic experience. From its authentic Venetian setting to its gripping plot twists, it’s a movie that stays with you long after the credits roll. So, whether you’re watching it for the first time or revisiting its chilling scenes, these facts surely add an extra layer of intrigue to this modern-day horror classic. Would you dare to explore the mysteries of Venice?
Directed by Um Tae-hwa, Concrete Utopia is loosely based on Part 2 of the hit webtoon “Joyful Outcast” (“Pleasant Neighbors”) and stars an ensemble of A-list Korean actors including Lee Byung-hun, Park Seo-jun, Park Bo-young, Park Ji-hu, Kim Do-yoon and Kim Sun-young. It is a disaster thriller about the aftermath of a devastating earthquake. The film will follow the story that begins when the survivors gather at Hwang Gung Apartments, the only building left standing in an earthquake-ravaged Seoul.
The film is a sobering parable, following its characters’ gradual descent into ruthless tribalism in a way that eerily mirrors so many contemporary global events.
Lee Byung-hunPark Bo-youngPark Seo-jun
Concrete Utopiaopens in Philippine cinemas September 20. Can’t wait? Catch a sneak preview today. Sneak previews are available only until September 12. For the list of cinemas, see here.
Headlined by Korean superstars Lee Byung-hun (‘Squid Game,’ ‘Mr. Sunshine’), Park Seo Jun (‘Itaewon Class,’ ‘Dream’), and Park Bo-Young (‘Strong Girl Bongsoon’), the dystopian science fiction film ‘Concrete Utopia’ is a hard-look at civilization at the cold-hard grip of a disaster. It is a 129-minute relentless character study of the human race on survival mode. It is unafraid to get scary, poignant, and surprisingly funny.
Without warning, a massive earthquake ravages the city of Seoul and, in the most fantastical way, only one apartment building has remained untouched after the devastation. This touch of magic elevates the film into the level of a dark fable or a cautionary tale. At the start, the residents of the apartment building has taken in outsiders looking for shelter but as thieving and violence begins to erupt, the residents decide to take control of the space and kick everyone else out. A governing body is then formed and a system is enacted to keep the peace and to ensure the resident’s survival.
We see this through three perspectives: Lee Byung-hun’s Yeong-tak, who becomes the defacto leader when he shows decisive decision-making skills when a fire erupts early on, Park Seo Jun’s Min-sung, a civil servant who feels overwhelmed by the current state of the world, and his wife Myeong-hwa, played by Park Bo-young, who is a nurse and who is desperately clinging on to her humanity as the world gets fiercer and meaner.
Lee Byung-hun is delivering a magnificent performance of an ordinary man who is thrust with so much power. We can literally see his character change as he starts to enjoy the power and adoration he gets from the leadership position he now holds. Lee shows off his magnificent range here and is able to convey his character’s darkest corners with physically transforming on screen when his character starts to get drunk with power.
On the flip-side, Park Bo Young serves as the moral compass of the film. She is witness to the discrimination and bullying that is happening within the system and as much as she wants to fight against it, she’s also feeling alone in a world that has become worse during survival mode.
But while Lee and Park are doing excellent portrayals of these typical characters in such events, it’s Park Seo Jun’s Min-sung that is the most textured and refreshing to see. We’ve seen Park Seo Jun from common and brusque as he was in ‘Midnight Runners’ and ‘Fight for My Way’ and we’ve also seen him in refined and elegant and powerful like in ‘What’s Wrong with Secretary Kim?’ and ‘She Was Beautiful.’ Min-sung is a whole new character for Park, who invokes a sense of the everyman in Min-sung. He is unambitious and unassuming. He wants to be just below the radar and while he is determined to protect his family – Myeong-Hwa – he also doesn’t want to rock the boat too much. It’s a layered performance that isn’t as flashy as Lee Byung-hun but it helps truly sell the film’s premise of a world succumbing to darkness and how people just give in to stay alive.
Boasting of fantastic special effects scenes of the destruction of Seoul, director Um Tae-hwa adeptly balances the larger, more spectacular aspects of his story with the more tender, most intimate moments of the narrative. He easily switches from comic – sometimes even campy – to the deadly serious as the story unfolds and it keeps the movie interesting. After the initial eviction of the non-residents, a scene that is immensely tension-filled and riveting, the film then cuts to a portion much like a corny, AVP that shows life in the apartment building. It’s funny but also scary, when you feel the contrast between the images and the tone of the moment. It’s aspects such a these that keeps the film from falling completely within Western mainstream Hollywood disaster films.
It’s also incredible to see Park Seo Jun, the superstar of so many top Kdramas and movies, play someone so passive, so easily corrupted. He is torn between the seductive pull of Yeong-tak’s credo of survival and the love of his kind-hearted wife Myeong-hwa. Min-sung then becomes the fulcrum by which the film has the most to say.
‘Concrete Utopia’ hits all the necessary narrative beats to stay enjoyable and riveting throughout its rather dark and disturbing look at humanity but it also manages to say what it has to say about our human capacity for caring for others. It’s not subtle at all but it’s well-executed that it’s worth every penny.
My Rating:
Concrete Utopia is now showing in sneak previews at your favorite cinemas on September 11 and 12, one week before the regular release on September 20. Get your tickets and screening times here.
New Line Cinema’s latest installment, “The Nun II,” has once again sent shivers down the spines of horror enthusiasts in the Philippines. As the newest chapter in “The Conjuring” Universe, this film, directed by Michael Chaves and produced by Peter Safran and James Wan, made a hair-raising debut, securing the top spot at the box office with an impressive PHP 90 million in its opening weekend on September 6.
A representative from Warner Bros. Distributors (WBD) expressed their excitement, stating, “This weekend’s success is a testament to the high want-to-see factor of fans of “The Conjuring” Universe, the evergreen franchise that continues to frighten cinemagoers around the globe. New Line Cinema has become the ‘haunted’ home of horror, and ticket buyers were back for more of the iconic Demon Nun, continuing its evil trek across Europe. We are excited by these impressive opening numbers and anticipate that great word of mouth will continue to drive business in the coming weeks as we head into Halloween.”
About the Film
Set in 1956 France, “The Nun II” unveils a chilling tale of murder and malevolence. The storyline follows Sister Irene, portrayed by Taissa Farmiga (“The Nun,” “The Gilded Age”), as she confronts the malevolent demon nun Valak once again.
Returning cast members include Jonas Bloquet (“Tirailleurs,” “The Nun”) as Maurice, Storm Reid (“Missing,” “The Suicide Squad”) as Sister Debra, Anna Popplewell (“Reign,” “The Chronicles of Narnia” trilogy) as Kate, and Bonnie Aarons (reprising her role from “The Nun”) reprising her role as the Demon Nun. They are joined by a talented ensemble of international actors, including Katelyn Rose Downey (“The Princess”) as Sophie, Suzanne Bertish (“Dead Ringers”) as Madame Laurent, Léontine D’Oncieu (“Two Tickets to Greece”) as Simone, Anouk Darwin Homewood (“The Flood”) as Celeste and Gael Raës (“Simone: Woman of the Century”) as Cedric.
Michael Chaves (“The Conjuring: The Devil Made Me Do It”) directs the film, with a screenplay by Ian Goldberg and Richard Naing (“Eli,” “The Autopsy of Jane Doe”), and Akela Cooper (“M3GAN,” “Malignant”). The story is based on characters created by James Wan and Gary Dauberman.
The Safran Company’s Peter Safran and Atomic Monster’s James Wan produce, continuing their collaboration as filmmakers on all of the previous “Conjuring” films. “The Nun II” is executive produced by Richard Brener, Dave Neustadter, Victoria Palmeri, Gary Dauberman, Michael Clear, Judson Scott and Michael Polaire.
“The Conjuring” Universe stands as the highest-grossing horror franchise in history, with a global box office exceeding $2 billion. Notably, four of its titles have crossed the $300 million mark worldwide: “The Nun” ($366 million), “The Conjuring 2” ($322 million), “The Conjuring” ($320 million), and “Annabelle: Creation” ($307 million). Each of the seven films in the franchise has grossed over $200 million.
“The Nun” remains the franchise’s top-earning film, with a staggering $366 million in worldwide earnings.
Presented by New Line Cinema and produced by Atomic Monster and Safran Company, “The Nun II” is distributed globally by Warner Bros. Pictures. This spine-tingling horror film is currently showing in theaters, inviting brave souls to experience the terror firsthand.
Join the conversation online and share your thoughts using the hashtag #TheNun2.
It has been around 5 years since ‘The Nun’ has scared its way to a 365-million box office payday and, while reviewing my critique of that movie, and realising how much I disliked the first movie, I’m quite surprised at how much better ‘The Nun II’ is in comparison to its predecessor.
‘The Nun II’ has a more grounded story as it takes its time to build characters that we can invest in so that when the demon nun Valak returns, there are people we can empathize with and genuinely root for. While the film, set in the 50s and just a few years after the events of the first move, it still has a contemporary feel that can affect the reality of the world that is created but at least the film is not as ridiculous as the first.
In this movie Valak has returned and by possessing a body, it has begun a killing spree across Europe. Sister Irene (Taissa Farmiga) is sent on a mission to find Valak and stop her (as she had done in the first movie) and this time she is joined by an American novitiate Sister Debra (Storm Reid). While the two sisters are giving chase, Valak is now haunting a girl’s boarding school in France where Maurice (Jonas Bloquet), called “Frenchie” in the last movie, is now working. Here, he has taken to a young student Sophie (Katelyn Rose Downey) and her mom, Anna Popplewell. It seems that Valak is looking for something and it might just be in the boarding school.
Again, ‘The Nun II’ offers nothing new to the genre. It is another case of demon possession and the typical battle between good and evil, as represented by the church (Sister Irene) and the devil (represented by the demon Valak). There is no representational aspect to the horrors of this movie, as directed by Michael Chaves and written by Ian Goldberg, Richard Naing, and Akela Cooper.
But at the very least, there’s a bit more story now as the film tries to connect what Valak is after to Sister Irene’s past, which honestly comes off as unrealistically fortuitous. It’s such a mainstream connection, a deus ex machina (pun intended), that works around the singular hero trope and complete with mystical relic. There’s no mystery or wonder to these spiritual artefacts and are instead just used as simply as tools or weapons against the demon. It’s this Western treatment of spiritualism that takes away from the magic and thrill out of the supernatural.
But while the film now has a heart – from the relationships between Maurice, Sophie, and her mother and even from the friendship formed between Sister Irene and Sister Debra – which grounds the plot and gives the horror a place of actual fear; director Michael Chaves has some very interesting directorial set ups that gives actual cinematic fright for the audiences.
Taking advantage of Valak’s appearance, and using the black shade of the nun’s habit, he allows the camera to linger in darkness where Valak may just suddenly appear. He does some pretty fun and cool scary sequences that is sometimes predicated by Marco Beltrami’s aggressive score. There are some genuine scares here as well as a few enjoyable jump scares that makes ‘The Nun II’ quite a ride. While I was having trouble connecting to the film, I was enjoying the thrill of tension and suspense that was created by the filmmaking. While the movie ended and I felt nothing new or surprising when it finished, I felt that it was still a good time in the cinema. A good movie to watch with friends.
My Rating:
The Nun II is now showing. Check the screening times and buy your tickets here.
Amid a landscape of horror films, “The Nun II” takes center stage. Emerging as a successor in suspense, “The Nun II” continues the spine-tingling narrative of “The Nun”—a cornerstone of the illustrious $2 billion “The Conjuring” Universe, which proudly celebrates its tenth anniversary this year. Transporting audiences to the eerily atmospheric backdrop of 1956 France, the film unfurls a tapestry of disturbing mysteries and an omnipresent malevolent force. With fans on the edge of their seats, Sister Irene, masterfully embodied by Taissa Farmiga, prepares to face off once again against Valak, the dreaded demon nun. But there’s more to this tale than meets the eye.
NUN2
Every frame is infused with meticulous detail, from ancient fabric manufacturing to subtle nods to legendary cinematic masterpieces. Whether you’re a dedicated horror enthusiast or simply enjoy a well-crafted cinematic experience, these ten intriguing facts about ‘The Nun II’ will surely deepen your appreciation and possibly ignite the urge for another viewing. Prepare to delve deeper into the haunting world of “The Nun II” and uncover secrets that may have eluded your initial gaze. Here are 10 film facts about “The Nun II” to further whet your appetite.
1) Historical Backdrops: How “The Nun II” Brought 1950s France to Life on Screen
The selection of filming locations was not just about visual appeal but a commitment to historical authenticity. The picturesque town of Aix-en-Provence was central to the film’s setting. The Chapelle de la Visitation Catherine de Sienne, a Baroque chapel constructed in the mid-17th century, became the cinematic representation of Tarascon Church. Erected in the mid-17th century, this architectural jewel has garnered attention not just for its artistic style but its status as a historical monument since 1924. Meanwhile, the Silvacane Abbey in La Roque-d’Anthéron, Bouches-du-Rhône with its storied past dating back to 1144, stood in for the Italian abbey, becoming the stage for multiple critical scenes. This former Cistercian monastery, nearly a millennium old, resonates with simplicity and the weight of history, which provided an apt setting. What’s even more fascinating is that despite its long history, the site saw major renovations only in the last few decades.
The Couvent des Prêcheurs in Aix-en-Provence, a 13th-century convent, was transformed into St. Mary’s Boarding School. It wasn’t just a shooting location but also became an operational hub, housing the production offices, makeup rooms, and more. Its intricate 1950s detailing was particularly impressive, from its ground floor courtyard garden to the art department’s creation of an old chapel inside a gymnasium, complete with frescoes and stained-glass windows.
Further enriching the film’s backdrop, the bustling Place des Martyrs de la Resistance offered a perfect setting for the entrance to St. Mary’s School, while the enchanting town of Tarascon provided a rich tapestry of cobbled streets for nighttime scenes. The production later transitioned to Provence Studios in Martigues, where more controlled environments were necessary for dramatic stunts and special effects.
These locations, each steeped in history, served as more than just sets. They breathed life into the narrative, creating a palpable connection between the audience and 1950s France.
2) Behind the Seams: Crafting Authentic Costumes
Costumes often breathe life into characters, but in “The Nun II”, they echo both authenticity and creativity. Take, for instance, Maurice’s vest made of hemp. This fabric is not just any cloth, but a time-honored weave with its roots deep in history. Sourced from Tissages d’Autan, the last-standing hemp weaver in France established in 1937, it exemplifies the sustainable traditions of Occitan.
Intriguingly, the Demon Nun’s outfit reveals the meticulous attention to detail. The signature wimple alone underwent over 20 iterations, a collaborative effort between costume designer Agnès Béziers, director Michael Chaves, and a skilled milliner to achieve perfection. This commitment to precision extends to the veils worn by Sisters Irene and Debra, who, as the film’s ‘Action Nuns,’ required veils that appeared flawless from every camera angle while allowing for unrestricted movement. For the sinister Demon Nun, the veil held particular importance. Collaborating closely with milliner Laurence Binet, they crafted a veil that was both eerie and intricately detailed, giving the malevolent entity its distinct identity.
In a fascinating blend of faith and fashion, Béziers referenced the 1952 Vatican dictate on nuns’ habits, particularly the prescribed 17 cm distance from the ground for the hems, enabling her to modernize the nun’s habits without compromising on authenticity.
A special nod goes to the uniforms of St. Mary’s School. While Béziers initially visualized a distinctive brown checked linen for these outfits, it was discovered that the fabric had been retired by its manufacturer. Yet, the solution was a mix of determination and collaboration. Emblem Weavers, an Irish fabric manufacturer, resurrected the linen fabric specifically for this project, weaving an impressive 350 meters exclusively for “The Nun II” resulting in 70 uniforms. And over 100 pairs of shoes made both in France and the UK for the schoolgirls.
Lastly, the costuming process wasn’t without its peculiar occurrences. Odd coincidences surrounding the Demon Nun’s outfit, such as lost crosses and misdirected fabric orders, culminated in the costume department’s decision to cleanse their workspace with white sage and offer a bouquet of yellow flowers as a sign of respect. Perhaps a tacit acknowledgment of the powerful energies they were working with!
3) Eerie Details: Behind the Creepy Elements
Every horror film thrives on its creepy elements, and “The Nun II” is no exception. In making this chilling movie, the crew didn’t rely solely on special effects; they also harnessed some unsettlingly real details to enhance the film’s atmosphere.
One of the eeriest facts revolves around the authentic cockroaches that plague Madame Laurent, played by Suzanne Bertish. Instead of turning to CGI or fabricated props, propsmaster Alexis Imbert chose the real deal. How? By collaborating with an old prop house in Marseille, Maison Opera. This wasn’t your typical prop house transaction. Each week, the shop’s manager informed Imbert about the number of roaches captured, and they were then collected to make their appearance in the film.
Meanwhile, the film creatively paid homage to past cinematic masterpieces. The location of Sophie’s hiding place, played by Katelyn Rose Downey, directly references the belltower scene from Hitchcock’s iconic film, “Vertigo.” But in a thrilling twist, Sophie faces far more harrowing challenges than Judy Barton from Hitchcock’s classic. Facing a possessed Maurice, the menacing Demon Nun, and a perilous staircase, Sophie’s ordeal presents a fresh, heightened sense of suspense for the audience.
But not all creepy elements in the movie were of the supernatural kind. Filming in a region known for its exquisite goat cheese, the cast and crew often traversed a coastal highway frequented by wild goats. It was the unexpected yellow warning signs reading “Chevre Savage” (wild goat) that added a light, eerie humor to their commutes, reminding everyone of the unpredictable nature of filming in such a diverse location.
4) The Evolution of Sister Irene: Taissa Farmiga’s Insight into “The Nun II”
In her return as Sister Irene for “The Nun II,” Taissa Farmiga delves into a narrative filled with layers, relationships, and haunting backdrops. A significant focal point of her excitement is the profound depiction of empowered female characters. The story beautifully showcases the evolving relationship between Sister Irene and Sister Debra, played by the talented Storm Reid. This dynamic highlights two strong, independent women navigating challenges together, breaking away from typical cinematic tropes.
The atmospheric South of France serves as the main shooting location, adding a touch of authenticity and enhancing the eerie ambiance of the film. These locations, including Aix-en-Provence, Tarascon, and Marseille, not only transport the cast and crew but also promise to immerse audiences into the very heart of the story. The ’50s setting is further brought to life in the quaint alleyways of Tarascon and the costume designs, allowing Farmiga and others to truly feel a part of that era.
Collaboration emerges as a recurring theme, both on-screen and behind the scenes. Director Michael Chaves receives immense appreciation from Farmiga for his open, direct, and collaborative style. This partnership ensures the character of Sister Irene remains true to her origins, while also evolving naturally within the story.
A surprising and complex element of “The Nun II” is the relationship between Sister Irene and Maurice, played by Jonas Bloquet. This relationship tests Irene’s morals and decisions, as she’s caught between saving her friend and confronting the lurking evil within him.
5) Behind the Nun’s Habit
Jonas Bloquet’s Dual Role: Returning as Maurice, Jonas Bloquet explores the eerie setting of “The Nun II” in a school, amplifying the horror against Aix-en-Provence’s historic backdrop. Bloquet reveals the complexity of playing Maurice’s dual nature – the relatable “Frenchie” and his tormented side. In a twist, the film sees Maurice as the “squire in distress” with female characters rallying to his rescue.
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Storm Reid’s Resilient Character: Storm Reid brings to life Sister Debra, a resilient young novitiate from Mississippi who’s had to face her own demons before tackling the supernatural ones. Born into challenging family circumstances, Debra’s path to becoming a nun wasn’t by choice but by necessity. With characters like Sister Debra, “The Nun II” not only promises supernatural chills but also powerful tales of human perseverance.
Anna Popplewell’s Fresh Perspective: Anna Popplewell, who stars as Kate, offers a fresh take on her character and the broader narrative of the film. Popplewell remarks on the refreshing portrayal of women in the film, noting a clear departure from traditional horror damsel-in-distress tropes. Instead, the film celebrates a host of strong female characters joining forces against evil. Her experience with co-stars, especially Taissa Farmiga and Storm Reid, makes for a harmonious set. Popplewell paints a picture of a film where horror meets depth, character, and a touch of feminism.
As the credits roll on “The Nun II,” it becomes clear that this film is more than just a sequel; it’s a meticulously crafted journey into the eerie depths of horror. From the historically rich backdrops to the authentic costumes, from the spine-tingling real-life details to the complex characters, every aspect has been carefully woven together to create a cinematic experience that lingers long after the lights come on. As fans prepare to revisit the haunting halls of the Abbey of St. Carta, it’s these film facts that add an extra layer of intrigue and appreciation for the dark world of Valak in 1950s France. So, whether you’re a die-hard horror enthusiast or simply seeking a well-crafted cinematic adventure, “The Nun II” promises to captivate, chill, and leave you craving more from “The Conjuring” Universe. Don’t miss out – check the screening times and prepare to immerse yourself in the world of Valak.
TBA Studios is excited to announce its upcoming line-up of films for the rest of the year. Among the highly anticipated titles are the surprise US box office hit Sound of Freedom and the Korean dark comedy Cobweb. Both films are set to premiere in Philippine cinemas on September 20 and October 4 respectively.
Sound of Freedom – Image from TBA Studios
“We are thrilled to bring these two amazing films to our Filipino audiences this year,” said TBA Studios CEO E.A. Rocha. “These films are sure to entertain and engage viewers with their compelling storylines and unique cinematic styles.”
Sound of Freedom – Image from TBA Studios
Sound of Freedom is a crime drama that follows the story of former U.S. government agent Tim Ballard as he rescues kidnapped and enslaved children from sex traffickers in Colombia. The film features a stellar cast led by Jim Caviezel and Mira Sorvino, as well as Bill Camp, John Rhys-Davies, and Michael Roark. The film was written and directed by Alejandro Monteverde. Since its release in the US on Independence Day weekend this year, Sound of Freedom has been a surprise commercial success, grossing $181.9 million in the US alone and becoming the highest-grossing independent film of the year.
Cobweb – Image from TBA Studios
Premiering at this year’s Cannes Film Festival, Cobweb is a dark yet hilarious tale of a director in the 1970s haunted by the desire to reshoot the ending of his latest film. Chaos ensues when a web of complications starts to rise on the film set. It stars Song Kang-ho, best known for his award-winning and critically acclaimed performance in 2019’s Parasite. The supporting cast features some of the most recognizable faces in South Korean entertainment, including Lim Soo-jung (A Tale Of Two Sisters), Oh Jung-se (It’s Okay Not To Be Okay), Jeon Yeo-been (Vincenzo), Jang Young-nam (It’s Okay Not To Be Okay), and Krystal Jung (famously of the K-pop girl group f(x) and romcom movie Sweet & Sour). The film was written and directed by Kim Jee-woon, whose previous works include A Tale Of Two Sisters (2003), A Bittersweet Life (2005), and The Good, The Bad, The Weird (2008). Barunson E&A, the same studio behind Parasite, is the producer and the global distributor of the film.
Cobweb – Image from TBA Studios
Both films will be exclusively distributed locally through TBA Studios. Sound of Freedom will be released in partnership with Axinite on September 20 and Cobweb on October 4.
When a magical meteor crash lands in Adventure City, it gives the PAW Patrol pups superpowers, transforming them into The MIGHTY PUPS! For Skye, the smallest member of the team, her new powers are a dream come true. But things take a turn for the worse when the pups’ archrival Humdinger breaks out of jail and teams up with Victoria Vance, a meteor-obsessed mad scientist, to steal the superpowers and turn themselves into supervillains. With the fate of Adventure City hanging in the balance, the Mighty Pups have to stop the supervillains before it’s too late, and Skye will need to learn that even the smallest pup can make the biggest difference.
Directed by Cal Brunker, based on the television series created by Keith Chapman. Screenplay by Cal Brunker and Bob Barlen. Produced by Jennifer Dodge, p.g.a., Laura Clunie, p.g.a., Toni Stevens, p.g.a.
Voice cast includes Mckenna Grace, Taraji P. Henson, Marsai Martin, Christian Convery, Ron Pardo, Lil Rel Howery, Kim Kardashian, Chris Rock, Serena Williams, Alan Kim, Brice Gonzalez, North West, Saint West, Christian Corrao, Luxton Handspiker, Nylan Parthipan, Callum Shoniker, with James Marsden and Kristen Bell.
Opening in cinemas October 11, PAW Patrol: The Mighty Movie is distributed in the Philippines by Paramount Pictures through Columbia Pictures. Connect with #PawPatrolMovie and tag paramountpicsph
Photo and Video Credit: “Paramount Pictures International”
Be among the first to see Concrete Utopia in the Philippines! Catch sneak previews in your favorite cinemas on September 11 and 12, one week before the regular showing on September 20.
Directed by Um Tae-hwa, Concrete Utopia is loosely based on Part 2 of the hit webtoon “Joyful Outcast” (“Pleasant Neighbors”) and stars an ensemble of A-list Korean actors including Lee Byung-hun, Park Seo-jun, Park Bo-young, Park Ji-hu, Kim Do-yoon and Kim Sun-young. It is a disaster thriller about the aftermath of a devastating earthquake. The film will follow the story that begins when the survivors gather at Hwang Gung Apartments, the only building left standing in an earthquake-ravaged Seoul.
The film is a sobering parable, following its characters’ gradual descent into ruthless tribalism in a way that eerily mirrors so many contemporary global events.
Watch the main trailer below :
Concrete Utopia has been picked by the Korean Film Council (KOFIC) to represent South Korea in the selection for Best International Feature Film at the 2024 Academy Awards, and will soon have its North American premiere and gala presentation at the 48th Toronto International Film Festival (TIFF) on September 9.
