Denzel Washington and director Antoine Fuqua team up for the fifth time in “The Equalizer 3,” which ties Fuqua with the late Tony Scott as Washington’s most frequent director collaborator.
Washington says there are many reasons why he looks forward to reteaming with Fuqua: “His spiritual maturity, his collaboration, his humility, his eye,” says the actor. “There was never a question about his talent, his experience. We’re brothers – I trust him completely, he trusts me, and I’m excited about our future together. The deeper he goes, the higher he’ll go, and I’m not talking about movies.”
Fuqua returns the compliment: “Denzel constantly surprises me because the environment changes. He’s like an athlete,” says Fuqua of Washington. “If Michael Jordan is playing against the Celtics, it’s one game. If he’s playing against the Lakers, it’s another game. Each situation Denzel is in, he’s so much in the moment of the character, that there’s times I’m discovering constantly, ‘What’s he going to do?’”
Watching Washington be “in the moment” of his character, in Fuqua’s words, is a unique experience. “I’ll go to Denzel to give him a note about something he did, and he’ll literally ask, ‘What did I do? What did I say?’ He’s so in the moment,” shares Fuqua. “So I tell other actors that they have to be in the moment with Denzel. Your instinct has to be heightened and you have to really listen. You can’t come in with preconceived ideas, because that won’t work. It’s just like a dance – Denzel will stick to the intention of the scene, but you must move with him.”
Watch the trailer below:
While waiting for “The Equalizer 3” to open in cinemas on September 13, let’s take a look back at the previous films that the critics-favorite duo have worked on together:
TRAINING DAY (2001)
Also stars: Ethan Hawke, Eva Mendes
Synopsis: Every day a war rages between drug dealers and cops on the streets of America’s inner cities. With every war comes casualties, none greater than 13-year veteran Los Angeles narcotics officer Alonzo Harris (Washington), whose questionable methods blur the line between legal and corrupt. Today Alonzo gets a new partner, idealistic rookie Jake Hoyt (Hawke), and Jake has one day – and one day only – to prove his mettle to his fiercely charismatic superior. Over 24 hours, Jake will be dragged into the ethical mire of Alonzo’s logic as both men risk their careers and their lives to serve conflicting notions of justice.
Fun fact: Washington’s portrayal of Alonzo earned him a Best Actor Oscar.
THE EQUALIZER (2014)
Also stars: Chloë Grace Moretz, David Harbour, Melissa Leo, Bill Pullman
Synopsis: McCall (Washington) has put his mysterious past behind him and is dedicated to living a new, quiet life. But when he meets Teri (Moretz), a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.
THE MAGNIFICENT SEVEN (2016)
Also stars: Chris Pratt, Ethan Hawke
Synopsis: In Director Antoine Fuqua’s modern vision to a classic story, the desperate townspeople of Rose Creek employ protection from seven outlaws, bounty hunters, gamblers and hired guns after the town falls under the deadly control of industrialist Bartholomew Bogue. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
THE EQUALIZER 2 (2018)
Also stars: Pedro Pascal, Melissa Leo, Bill Pullman
Synopsis: Washington returns to one of his signature roles in the first sequel of his career. Robert McCall serves an unflinching justice for the exploited and oppressed – but how far will he go when it is someone he loves?
And don’t forget:
THE EQUALIZER 3 (September 13, 2023)
Also stars: Dakota Fanning
Synopsis: Since giving up his life as a government assassin, Robert McCall (Denzel Washington) has struggled to reconcile the horrific things he’s done in the past and finds a strange solace in serving justice on behalf of the oppressed. Finding himself surprisingly at home in Southern Italy, he discovers his new friends are under the control of local crime bosses. As events turn deadly, McCall knows what he has to do: become his friends’ protector by taking on the mafia.
The Equalizer 3 opens in Philippine cinemas September 13.
**The interviews for this article were done before the SAG-AFTRA strike.**
Buckle up, because we’re about to take you on a thrilling ride through the world of “Gran Turismo: Based on a True Story.” This film has been making waves since its release, and there’s more to it than meets the eye. Whether you’re a racing enthusiast or just a lover of compelling cinema, we’ve got five film facts that will make you appreciate this adrenaline-pumping masterpiece even more. From the incredible real-life journey that inspired it to the groundbreaking filmmaking techniques employed, here’s the pit stop of facts you need before this thrilling ride begins!
1) From Gamer to Racing Legend: The Unbelievable Journey of Jann Mardenborough
Jann Mardenborough’s journey starts with his obsessive love for the Gran Turismo video game, where he experiences the thrill of high-speed racing virtually. But his life takes an unexpected turn when he competes against the best players, vying for a spot on Nissan’s GT Academy race team. Plucked from thousands of contenders, he finds himself under the guidance of a cynical former driver and behind the wheel of some of the world’s fastest machines.
At just 31, Mardenborough boasts over a decade of international racing experience, having competed in notable series such as Super GT, Formula E, LMP1, LMP2, GT3, and various single-seaters. His prowess as a racer is not just limited to track performance; he has also demonstrated immense technical skill and expertise, particularly in tire development. Remarkably, Mardenborough’s entry into professional racing wasn’t conventional: he started his journey by winning the GT Academy in 2011, a competition by Nissan and “Gran Turismo”, besting 90,000 other participants. Transitioning from a “gamer-to-racer”, he soon established himself as a formidable name in racing circles globally, with accolades including Japanese Formula 3 Vice Champion in 2016 and clinching third in the LMP2 class at the 24 Hours of Le Mans in 2013. Apart from his on-track endeavors, Mardenborough played crucial roles off-track, especially as a simulator driver for Nissan’s Formula E program, contributing significantly to the team’s second-place finish in the 2019-20 ABB FIA Formula E Championship. Director Neill Blomkamp describes Mardenborough’s story as a series of dreams coming true, and the film captures this remarkable journey with astonishing authenticity.
2) ‘Gran Turismo’ Realism: How Blomkamp and the Sony Venice 2 Camera Revolutionized Racing Cinema
Neill Blomkamp took realism to the next level. Every car scene is authentically shot, resisting the usual film temptation to utilize digital cars and background plates. Instead, when an actor is portrayed driving, they are genuinely on the track, driving at speeds close to reality. To provide the most authentic racing experience for viewers, real cars were used, and filming took place on genuine tracks such as the Slovakia Ring, Dubai Autodrome, Nurburgring, and more. Additionally, unique camera techniques such as first-person-view drones, more common in drone racing, were employed to offer audiences never-before-seen racing perspectives. This dedication to realism is further highlighted with the use of first-person-view drones during races, offering audiences perspectives rarely seen before in cinema.
Blomkamp employed the innovative Sony Venice 2 camera with the Rialto extension. This groundbreaking technology allowed the director to separate the sensor from the camera body, placing the camera in compact, once-unreachable spaces. This meant that for the first time, cinematic-level 6K or 8K sensors could fit inside the tight confines of a racecar cockpit, capturing intimate shots without the barrier of polarized glass, creating a truly immersive racing experience on screen. This unique filming technique, combined with the actual racing talent of Jann Mardenborough, who both inspired and served as the stunt driver for his character, resulted in a truly immersive racing experience on screen.
3) Archie Madekwe’s Gran Turismo Journey
Did you know? Archie Madekwe, who brilliantly plays Jann Mardenborough in “Gran Turismo,” not only had to learn how to drive for his role but also underwent rigorous training to master the “Gran Turismo” game! In real life, he had no driving experience, but his commitment led him to take driving lessons while working on another project. Yet, learning to drive was only the beginning of his challenges.
To authentically portray a gamer competing in “Gran Turismo,” Madekwe had to become proficient at the game itself. His dedication to the role extended to rigorous training, including learning the game’s tracks, racing lines, and braking technique. His character had to win against formidable AI opponents, which meant he needed to excel in the game. He trained extensively and received guidance from David Perel, a former sim driver turned Ferrari racer.
Despite his training, Madekwe’s experience made him realize that professional racing wasn’t for him. He describes the challenges of being inside a racing car, including the heat, claustrophobia, and anxiety, especially given his 6’5″ stature, all while making split-second decisions. His respect for racecar drivers grew immensely, acknowledging their athleticism and the intense demands of the sport.
4) Real Cars, Real Speed – An Inside Look at Authentic Filmmaking
To capture the essence of being a racecar driver, the film utilized genuine cars driven by former racecar drivers, creating an exhilarating experience. Executive producer Matt Hirsch took on the logistical challenge of making Neill Blomkamp’s vision come to life. One ingenious solution was the creation of pod cars for scenes inside the racing vehicles. These modified cars allowed experienced stunt drivers to control the vehicle from the roof while the actors performed from the driver’s seat, complete with dummy steering wheels, gearshifts, and pedals. This setup enabled the actors to deliver genuine reactions to the exhilarating speeds. A fleet of cars was assembled, with each type serving a specific purpose: a hero car for close-up shots, a backup in case of accidents, and a pod car for the stunt driving. The film featured an impressive lineup of racecars, including the Nissan GT-R Nismo GT3, Lamborghini Huracan GT3, Corvette C8.R GT3, and many others, totaling 65 cars in the fleet, 22 being hero cars.
Locations spanned from Budapest to Tokyo, the production team needed to gather not only the cars but also a team of skilled mechanics, technicians, and computer experts to ensure the vehicles stayed in optimal condition throughout the shoot. In total, the crew consisted of up to 500 individuals who traveled across various locations, creating an authentic racing experience, some of whom have been in the business for over 40 years.
Adding to the authenticity, the film featured an exceptional team of stunt drivers, including Jann Mardenborough, who portrayed himself in the movie. These skilled professionals, ranging from racecar drivers to seasoned stunt drivers, contributed to the film’s realistic portrayal of high-speed racing across six different tracks worldwide. The production meticulously prioritized an authentic representation of the racing world. Notably, the Hungaroring, a Formula 1 track, was transformed by production designer Martin Whist into the world-renowned Le Mans. To convey the full throttle of high-speed racing, director Neill Blomkamp and his director of photography Jacques Jouffret innovatively employed first-person view (FPV) drones. The drones provided a fresh perspective, capturing the cars’ velocity as never seen before. Additionally, these drones allowed a switch from aggressive, fast-paced sequences to serene, “in-the-zone” moments for drivers. The authenticity extended even to the wardrobes, where FIA-approved, fireproof racing suits were used, proving crucial in the actors’ immersion into their roles.
5) From Digital Dreams to Racetrack Realities: A Closer Look at ‘Gran Turismo’s’ Characters
David Harbour’s portrayal of Jack is a poignant journey of passion, setback, and redemption. Once a respected chief engineer, Jack’s life takes a tragic turn, leading him to become a humble mechanic. Despite this demotion, his love for racing remains unwavering as he spends over a decade in the pits, silently observing the sport he adores. As the GT Academy unfolds, we witness a fascinating shift in Jack’s character. Harbour explores the depths of a man initially skeptical of young gamers from the digital realm. His cynicism hides a deep desire to help these newcomers experience the tangible intensity of real-world racing. Harbour’s multi-dimensional portrayal adds depth to the film, highlighting the challenges of bridging generational gaps in motorsports.
Orlando Bloom embodies Danny, a character brimming with optimism and an unshakable passion for racing. In stark contrast to Jack’s skepticism, Danny is an uplifting figure who sees every dream as a conquerable challenge. His infectious enthusiasm and unwavering belief in the power of passion drive him forward. Danny’s dynamic with Jack creates a classic ‘odd couple’ scenario, where their differences complement each other. Despite initial doubts, they become each other’s strengths. Danny’s unshakeable faith in Jann Mardenborough is a pivotal moment, raising questions about his true intentions. Orlando Bloom clarifies that Danny’s belief in Jann and the GT Academy’s vision is genuine, going beyond commercial interests. Danny’s commitment to the Academy sets the stage for a story where hope, ambition, and genuine human connection take center stage.
Family dynamics are central to the film, with Geri Halliwell Horner as Jann’s mother, Lesley, and Djimon Hounsou as his father, Steve. The movie delves into the emotional turmoil of a young Jann seeking approval from his parents as he pursues his racing passion. Steve, in particular, grapples with accepting his son’s unconventional dreams, a conflict echoing Hounsou’s personal journey of defying expectations in pursuit of an acting career. This story serves as a poignant reminder that well-meaning parental intentions can sometimes pose challenges for their children’s aspirations, resonating deeply with audiences.
“Gran Turismo: Based on a True Story” is not just a racing film; it’s a thrilling journey that combines real-life drama, high-speed action, and the human spirit’s unyielding determination. As the film enters its second week on the screens, audiences are in for an immersive experience that transcends the typical racing movie. So, if you haven’t already, make sure to catch it on the big screen. Experience the breathtaking true story of passion, racing, and the drive to defy all odds in “Gran Turismo: Based on a True Story.” Buckle up, and let’s race to new horizons!
“I think that it’s the idea of the ultimate evil possessing the vessel for the ultimate good,” says Peter Safran, producer for “The Nun II.” “I think nuns are supposed to be unabashedly good in the service of goodness, and the most evil thing is mocking that goodness by taking her form. I think that’s what it is that people really respond to.
“And let’s be honest, a lot of people are very scared of nuns in general, but I think from a supernatural thriller perspective, the idea of that evil embedded in what should be the epitome of good is just so sacrilegious and compelling.”
Directed by Michael Chaves, “The Nun II” finds Sister Irene (Taissa Farmiga) once again coming face-to-face with Valak, the demon nun, this time in France, where a priest has recently been murdered.
“I think Sister Irene is very reluctant to come back into this realm because of how close she had come to death in her first encounter with Valak,” says Safran. “But I think she realizes that because she’s the only one who’s faced Valak and survived, and she has vanquished the demon in battle at least once – I think she realizes that for the sake of good, she must do it. She was a novitiate in the first movie, but she is a nun now, and it is her duty to fight on the side of good. I think she realizes that her duty overcomes the natural fear that pervades her as a result of knowing she’s going to have to go back into battle against this epitome of ultimate evil.”
Another familiar face returning in the sequel is Frenchie, now called by his name Maurice. “Because Maurice [played by Jonas Bloquet] is based on a real character – and we introduced him in the original ‘Conjuring’ with Ed and Lorraine Warren [played by Patrick Wilson and Vera Farmiga] in that old footage – we loved the idea of the Maurice story and knew that we wanted to continue it well before it ever gets to the time in the late ’60s/early ’70s,” says Safran. “But what happens in the interim? Here he was in Romania, he survived the demon, and now what happens? We loved the idea of following him.”
Though some characters may be familiar, audiences must get ready for new and more frightening scare sequences. “It’s important that every movie that we make be a worthy successor to ‘The Conjuring’ name, so we wanted to make sure that we had a really original story that did not feel derivative,” Safran shares. “We love the idea of switching it up, and it’s more of an investigation this time. Then the stories coincide in the third act for the big, exciting finale. We wanted to make sure that the scare sequences felt fresh and not derivative of the earlier films… it was just about making sure that we delivered on every front – true stakes, great characters, unique scares – and just an intensity that makes it live up to ‘The Conjuring’ name. I think that [director] Michael Chaves brought it all together and that audiences are really going to enjoy ‘The Nun II.’”
“The Nun II” opens only in cinemas September 6. Calendar your day with Valak and book your tickets to see “The Nun II” (midnight screenings on opening day are also available!): https//www.nun2.com.ph
Join the conversation online and use the hashtag #TheNun2
With their contributions not just to the local film industry but also to the country’s popular culture, the FDCP will bring into the forefront the significance of Philippine comedy over and beyond the entertainment value it serves to the public by honoring Filipino personalities whose names have become synonymous with what Pinoy comedy is.
Michael V.
In his more than three decades in the industry, Beethoven Bunagan, most popularly known as “Bitoy” or Michael V., has been widely regarded as one of the most prolific comedians in the country.
As one of the brains behind “Bubble Gang,” the longest-running comedy show in the Philippines, Bitoy, with his genius in creating characters such as “Yaya Angelina,” “Bonggang Bonggang Bongbong,” “Mr. Assimo,” and “Doña Yna Moran” among others, has skillfully pulled off and made his brand of comedy, mixed with satire and social commentary, a phenomenon in itself.
Eugene Domingo
Known in the industry as “Uge,” Eugene Domingo started out as a theater stalwart who has worked with theater icons and National Artists Tony Mabesa and Ishmael Bernal before she became the film and tv actress that she is now.
Among the films she starred in include her titular role in the “Kimmy Dora” franchise and in Marlon Rivera’s award-winning film “Ang Babae sa Septic Tank” which was also the country’s official entry to the Academy Awards in 2011.
Uge has managed to bring the discipline and nuances shaped by theater to television and screen to create intelligent characters and to raise the level of comedy to more than just a popular art.
Ai-Ai Delas Alas
Martina Eileen Hernandez, also known as Ai-Ai Delas Alas, is widely regarded as the country’s Queen of Comedy. Her comedic talent has earned her some box office hits like the “Ang Tanging Ina” franchise directed by the late Wenn Deramas.
Aside from doing comedy shows and films, Ai-Ai Delas Alas also excels in dramatic roles which earned her accolades in numerous award-giving bodies here and abroad. Among the recognitions she received were the Best Actress Award from the Los Angeles Philippine International Film Festival in the USA for the drama titled “Area” and the PMPC Star Awards for TV Best Single Performance for her role in the drama-anthology series “Maalaala Mo Kaya.”
Ai-Ai’s more than three decades in showbiz has allowed her to craft the style of acting that can range from slapstick to dramatic, while personifying the faces of entertainment in her iconic roles on both the small and big screen.
Vice Ganda
From doing standup comedy at comedy bars to becoming one of the most sought-after comedians in the country, Jose Marie Viceral popularly known as “Vice Ganda,” has truly become an icon in her own rights.
Blockbuster hits, high-rating television shows, advertisements, and sold out concerts here and abroad are proof of the influence she holds in the industry. Vice Ganda has established a distinction in the industry never before achieved by a member of the LGBTQIA+ community.
Tito, Vic, and Joey
Continuously standing the test of time is the trio of Tito and Vic Sotto and Joey De Leon, collectively known as the TVJ. For more than five decades, TVJ has been able to transcend the changes brought by time and has since become everyone’s “dabarkads” through the longest-running television show in GMA Network.
TVJ is also able to embody authentic Filipino humor, proving their ability to build and establish rapport with the evolving audience in a highly-competitive market of the industry.
The late Comedy King, Dolphy
The undisputed and irreplaceable King of Comedy, the late Rodolfo “Dolphy” Quizon, is the highlight of this year’s PFIM as the industry pays tribute to his contributions to the entertainment industry.
Dolphy was the ultimate personification of the Filipino Everyman, representing the fusion of the two faces of entertainment—both tears and laughter. His brand of comedy was able to transcend beyond different generations and eras of entertainment that include bodabil, television, and films.
The late King of Comedy will be conferred with the FDCP’s Highest Honors for being the multimedia artist who represents the brightest of Filipino comedy.
The Awarding Ceremony will be held on September 29 at Acacia Hotel Manila during the Closing Ceremony of PFIM 2023. A grand tribute for the late King of Comedy will also happen as the tradition of humor and laughter continues and be carried by the younger generation of comedians.
Through the celebration of the PFIM 2023, the FDCP aims to celebrate Philippine Comedy—what it meant to us before and how important it is to us now.
For more updates on PFIM 2023, follow FDCP on Facebook, Twitter, and Instagram.
To create opportunities for filmmakers to collaborate with industry leaders and financiers for the development of their film projects, the Directors’ Guild of the Philippines, Inc. (DGPI) partners with the Film Development Council of the Philippines (FDCP) for the DGPI-FDCP Film Pitch, which will be held on September 16 and 29 during the celebration of the Philippine Film Industry Month (PFIM).
The DGPI-FDCP Film Pitch is open to filmmakers and producers with upcoming film projects in need of financing and assistance in various stages of filmmaking—development, production, or post-production. Participants include filmmakers, producers, post-production companies, distributors, government agencies, and industry stakeholders.
A selection panel will choose 15 outstanding projects based on their synopsis, filmmaker profile, and project feasibility with a proposed budget, financial plan, and timetable. The finalists will then pitch their projects during the DGPI-FDCP Film Pitch at PFIM on September 29, with the aim of finding a business partner such as a co-producer or financier.
Using the speed-dating format, each filmmaker gets a maximum of seven (7) minutes to discuss the details and objectives of their project with their partner. Afterwards, the participants and panel members will select the best project pitch that will receive a special prize by the end of the event.
Prior to this event, a Film Pitch Workshop will take place at the Cinematheque Centre Manila on September 16. This workshop aims to guide the finalists in pitching their projects to potential financiers and develop their knowledge and competence in film financing.
In line with the celebration of PFIM and its goal of fostering the local film industry, the DGPI-FDCP Film Pitch aims to aid selected filmmakers in gaining knowledge about film financing and forming partnerships with co-producers. This film pitch is also an opportunity to discover new, innovative talents in the industry and start a creative discourse between filmmakers and industry stakeholders.
Applications are open until September 1. The application form and guidelines are available on DGPI’s Facebook page.
For more news and announcements, follow FDCP on Facebook, Twitter, and Instagram.
Universal Pictures International (PH) prepares to unleash the terror of the acclaimed horror game “Five Nights at Freddy’s” will open in cinemas nationwide on November 1, just in time for a spine-tingling Halloween cinematic treat. Blumhouse, renowned for its mastery in horror with blockbusters like M3gan, The Black Phone, and Invisible Man, brings this iconic game to life. Directed by the talented Emma Tammi, the film boasts an impressive cast lineup including Josh Hutcherson, Elizabeth Lail, Kat Conner Sterling, and Piper Rubio, further enriched by performances from Mary Stuart Masterson and Matthew Lillard. The hauntingly realistic animatronics springing forth from the game are brought to life by none other than the legendary Jim Henson’s Creature Shop.
Meet Freddy: Horror’s New Poster Child
This Halloween, Freddy and the gang are dying to meet you at the cinemas – the terrifying horror game phenomenon jumps on the big screen that follows a troubled security guard, played by Hutcherson, Mike (Josh Hutcherson; Ultraman, The Hunger Games franchise) a troubled young man caring for his 10-year-old sister Abby (Piper Rubio; Holly & Ivy, Unstable), and haunted by the unsolved disappearance of his younger brother more than a decade before.
Now, facing personal and professional challenges, and desperate to provide for his young sister Abby (played by Piper Rubio), Mike finds himself accepting a seemingly mundane job as a night security guard. Little does he know, his new workplace, the desolate Freddy Fazbear’s Pizzeria, hides more than just old pizza crusts.
Freddy’s Dark Secrets
Out of work and with responsibilities mounting, desperation drives Mike to accept a night security job at an eerie, abandoned restaurant – Freddy Fazbear’s Pizzeria. What could possibly go wrong? As it turns out, quite a lot. The maze-like corridors of Freddy’s hide dark secrets, and Mike soon realizes he’s not alone. With Vanessa, a local police officer (portrayed by Elizabeth Lail), Mike’s nocturnal shifts spiral into a haunting escapade, peppered with supernatural phenomena and soul-chilling discoveries.
Elizabeth Lail and Josh HutchersonJosh Hutcherson in Five Nights at Freddy’sJosh Hutcherson in Five Nights at Freddy’s
Ready for a movie experience that will make your skin crawl and heart race? On November 1, let “Five Nights at Freddy’s” blur the lines between fiction and reality. Face the terror, embrace the thrill, and remember: once you enter Freddy’s world, there’s no turning back.
New Line Cinema brings you the horror thriller “The Nun II,” the next chapter in the story of “The Nun,” the highest grossing entry in the juggernaut $2 billion “The Conjuring” Universe. As a treat to fans of scary movies, “The Nun II” will hold simultaneous midnight screenings in participating cinemas on September 6 (also the film’s opening day). Fans can get their tickets now at https://www.nun2.com.ph/
“I’m really excited for audiences to see this movie, and I think that it is nightmarishly scary,” says Michael Chaves in an interview provided by the studio. “I love the theater-going experience, especially with horror movies. Being in a packed theater with friends and strangers is such an incredible and powerful experience. Along with the scares, it is filled with truly unique set pieces and a compelling story that takes characters whom we love further on their journey and into really hard places while making tough choices. The times that I’ve seen it with an audience have been really special and exciting, and I can’t wait for moviegoers to see this film.”
On his fascination with Valak, Chaves shares, “I think that the Demon Nun is one of those iconic movie monsters. I mean, you see it on a poster and it’s like a little bit of a throwback to Dracula. You see a little bit of Pennywise. You see a little Nosferatu. It’s so timeless and has such an iconic look. It’s one of the ultimate horror movie icons and one of the ultimate movie villains. With this film, I just wanted to take it further. I wanted to explore the manifestations. And I also just wanted to dig more into the story, or at least the myth or the theories, of what its origins could be. I think it’s really important to do that, but to never be too specific. I think that part of the mystery and part of not knowing what it is, that’s really powerful. It’s what makes it truly scary.”
1956 – France. A priest is murdered. An evil is spreading. The sequel to the worldwide smash hit follows Sister Irene as she once again comes face-to-face with Valak, the demon nun.
Taissa Farmiga (“The Nun,” “The Gilded Age”) returns as Sister Irene, joined by Jonas Bloquet (“Tirailleurs,” “The Nun”), Storm Reid (“The Last of Us,” “The Suicide Squad”), Anna Popplewell (“Fairytale,” “The Chronicles of Narnia” trilogy) and Bonnie Aarons (reprising her role from “The Nun”), surrounded by an ensemble cast of international talent.
Michael Chaves (“The Conjuring: The Devil Made Me Do It”) directs, from a screenplay by Ian Goldberg & Richard Naing (“Eli,” “The Autopsy of Jane Doe”) and Akela Cooper (“M3GAN,” “Malignant”),with a story by Cooper, based on characters created by James Wan & Gary Dauberman.
The Safran Company’s Peter Safran and Atomic Monster’s James Wan produce, continuing their collaboration as filmmakers on all of the previous “Conjuring” films. “The Nun II” is executive produced by Richard Brener, Dave Neustadter, Victoria Palmeri, Gary Dauberman, Michael Clear, Judson Scott and Michael Polaire.
In cinemas September 6, “The Nun II” is distributed in the Philippines by Warner Bros. Pictures, a Warner Bros. Discovery company.
Join the conversation online and use the hashtag #TheNun2
Get ready to step into the captivating world of 1920s Oklahoma with a cinematic masterpiece that’s been generating massive buzz! We’re talking about none other than Martin Scorsese’s highly anticipated film, “Killers of the Flower Moon.” Apple Original Films has just unveiled the stunning key art for this gem, and the excitement is real. But that’s not all – mark your calendars for October 18, as this film is hitting theaters around the world in partnership with Paramount Pictures. And yes, the silver screen experience will be available in IMAX® too!
Leonardo DiCaprio, Robert De Niro, and Lily Gladstone Shine Bright!
This star-studded flick brings together some of Hollywood’s finest talents. The dream team of Leonardo DiCaprio, Robert De Niro, and Lily Gladstone is ready to mesmerize audiences with their incredible performances. The film was actually premiered at the prestigious 76th Cannes Film Festival earlier this year, earning itself a shower of critical acclaim and a thunderous standing ovation. Now, we’re all eagerly awaiting its theatrical release and its subsequent arrival on Apple TV+.
IMAX® Delivers an Epic Cinematic Journey
But wait, there’s more excitement in store! “Killers of the Flower Moon” isn’t just hitting regular theaters; it’s also gracing the larger-than-life screens of IMAX® theaters. That’s right, the IMAX Experience® is gearing up to take you on an unparalleled cinematic journey. With crystal-clear visuals, immersive audio, and IMAX’s signature theater geometry, you’re in for an extraordinary experience that will literally transport you into the heart of the movie.
Leonardo DiCaprio and Lily Gladstone in “Killers of the Flower Moon”
Unraveling a Dark Tale of Intrigue
So, what’s this gripping story all about? Set against the backdrop of the 1920s, “Killers of the Flower Moon” unfolds a chilling narrative based on David Grann’s bestselling book. Brace yourselves for a journey into the dark heart of a series of murders targeting the oil-wealthy Osage Nation. This horrifying spree of crimes, known as the Reign of Terror, will keep you on the edge of your seat. Directed by Martin Scorsese himself and brought to life on screen by the talented Eric Roth, this promises to be a cinematic experience like no other.
Robert De Niro and Leonardo DiCaprio in “Killers of the Flower Moon”
Meet the Star-Studded Cast
Beyond the legendary DiCaprio and De Niro, the film features an ensemble cast that’s nothing short of remarkable. Lily Gladstone, Jesse Plemons, Cara Jade Myers, JaNae Collins, Jillian Dion, and Tantoo Cardinal lend their talents to create an unforgettable on-screen presence.
Lily Gladstone and Martin Scorsese in “Killers of the Flower Moon”
Behind the Scenes Magic
“Killers of the Flower Moon” is a result of creative collaboration at its finest. Apple Studios, Imperative Entertainment, Sikelia Productions, and Appian Way have joined forces to bring this cinematic marvel to life. With luminaries like Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi leading the production, you can expect nothing less than perfection. The film’s executive producers, including DiCaprio himself, have woven their magic behind the scenes to ensure this movie’s success.
JaNae Collins, Lily Gladstone, Cara Jade Myers and Jillian Dion in “Killers of the Flower Moon”
Coming Soon to Theaters Near You!
Are you as excited as we are? Paramount Pictures, through Columbia Pictures, is all set to distribute “Killers of the Flower Moon” in the Philippines. The countdown has begun, so stay connected with #KillersOfTheFlowerMoon and tag @paramountpicsph to keep up with the latest updates.
Photo and Video Credit: Paramount Pictures International
The latest dog movie, not for children though, Strays starring the voices of Will Ferrell, Jamie Foxx, Isla Fisher, Park Randall, Josh Gad, Sofia Vergara, Harvey Guillen, Robb Riggle, Brett Gelman and Jamie Demetriou is an R-rated (R-16 in PH) live-action comedy that trails the misadventures of an abandoned Border Terrier who learned to survive on the streets along with his newfound pals while trying to find his way back home.
From the highly-successful Barbie, Will Ferrell takes off his CEO suit and lends voice to Reggie, a naïve optimistic Border Terrier who found genuine friendship on the streets with a fast-talking, foul-mouthed horny Boston Terrier named Bug (voiced by Oscar® winner Jamie Foxx), a smart Australian Shepherd named Maggie (Isla Fisher, Now You See Me) and Hunter (Randall Park, Always Be My Maybe), an anxious Great Dane – together, they hatch a plan and embark on an epic adventure to help Reggie find his way home and make his owner Doug (Will Forte) pay for abandoning him. Reggie believes he has the best life, and owner ever. Blinded by love, Reggie doesn’t see that Doug is repeatedly trying to ditch him. So, when Doug finally abandons Reggie on the streets during a game of “fetch and fuck,” Reggie doesn’t initially think that he has much in common with the stray dogs he meets.
Directed by Josh Greenbaum, Strays reinvents the dog movies we’re all used to while retaining what the world loves about dogs – on love, loyalty, and friendship. While the core of the adventure is Reggie and his hilarious, disgusting journey of redemption and triumph over an abusive owner, ultimately, it’s the bond of ride-or-die friendship that develops between Reggie and his fellow strays that gives the film it’s emotional bite.
Director Josh Greenbaum with ReggieJamie Foxx voices BugWill Ferrell voices Reggie
Ferrell was immediately amused by the concept of an R-rated dog film, but it was the heart of it that hooked him. “I immediately loved that the premise emulated a Homeward Bound type of dog movie with a journey behind it, yet it’s filthy and R-rated,” Ferrell says. “I remember thinking it could be really great and could be something we’ve never seen before. The audaciousness of the premise and the sweet, earnest relationships between the dogs surprised me.”
Foxx connected with Bug’s canine-liberation ethos and hedonist world view. “He’s the friend that Reggie never knew he needed because Reggie has been burned by this blind commitment to a human who treats him like garbage. Bug’s got some battle scars, and he is the only one who can help Reggie survive on the streets. Strays is over-the-top funny and raunchy, but it also has a ton of heart. I think that’s what audiences will be drawn to when they see it,” says Foxx.
Isla Fisher voices Maggie
Fisher was drawn to Maggie because of the character’s fearlessness. “What I love about Maggie is that she is surrounded by neurotic male dogs and is certain of her own worth in the pack,” Fisher says. “She’s unapologetic, brave and willing to fight for what she believes in. I couldn’t imagine a better role model, canine or otherwise, and I’m proud to give voice to her.”
Strong as a mastiff and fast as a Whippet, the only thing Great Dane Hunter can’t handle is physical violence. Randall Park who voices Hunter Park immediately sparked to the film’s script and premise. “Hunter’s this big dopey Great Dane who just couldn’t cut it as a police dog, but he has the heart of a lion,” Park says. “He’s very unsure of himself at the beginning of this journey but comes into his own through the help of his fellow strays. He’s the perfect example of not judging a book by its cover.”
Randall Park as Hunter
Once the dogs completed production on Strays, any animal who didn’t already have a permanent home with the trainers was found a loving one with screened individuals who would give their beloved new family member a fulfilling life. In fact, one of the dogs was adopted by director Josh Greenbaum. “When we brought in two adorable puppy Border Terriers to play young Reggie in an early scene of the film, it was made known to me that these dogs wouldn’t have a home after the shoot,” Greenbaum says. “So, I decided to adopt one of them and asked my kids to name him. They immediately said we’ve got to name him Reggie because he played Reggie in the movie. I came home after shooting the film, introduced Reggie to the family, and now I have Will Ferrell in my house.”
A dog film only for adults, rated R-16 by the local censors board, Strays is from Universal Pictures International and will open September 13 in cinemas nationwide.
‘Gran Turismo’ has all the glitz and the gloss that comes with a movie based on a PlayStation game. It has a particular sheen in the cinematography and a snap in its editing rhythm that gives you the feel that its youthful and fresh and money was spent on this movie. Right in the first 15 minutes of the film, you are presented with a marketing pitch to try and bring interest back into buying cars by Orlando Bloom playing marketing executive Danny Moore. He talks about how the PlayStation Game Gran Turismo is less of a game than it is a simulator and whips up a scheme to get people talking. He wants to take the best Gran Turismo players from all over the world and train them to be actual race car drivers and race for Nissan.
From the get-go, you are already being sold something: from how great the game is to how innovative and open-minded Nissan is to such a crazy idea. Throughout the film, you are reminded how close to reality the game Gran Turismo is to real racing, how incredible the Nissan team are, and all the other product shots that you see scattered throughout the film.
‘Gran Turismo’ can sometimes feel like a 134-minute commercial for a whole lot of things.
Except, a good underdog, sports movie – when executed very well – can overshadow a lot of its flaws if it hits all its narrative beats properly and told with a sincerity that feels genuine (or at the very least familiar). And this is something that director Neil Blomkamp manages to deliver, surprisingly, by the halfway mark of the film. Known for more bombastic fare like ‘Chappie’ and ‘Elysium,’ he hadn’t been able to show this level of heart as he has in his debut film ‘District 9.’ He’s grown as a director and has learned to balance out the fun, race car stunts with the emotional core of the film.
Because at the center of the story is Jann Mardenborough (played by an arresting Archie Madekwe of ‘Teen Spirit’ and ‘Midsommar’ fame). Jann is a young man of working-class origin and whose love for the game Gran Turismo is a disappointment for his working class father (played by Djimon Hounsou), a former football player. He makes it to GT Academy, the name of the school that would train the video game players and turn them into real race car drivers. Here, he has to prove to everyone, including the head trainer at GT Jack Salter (played by David Harbour of ‘Stranger Things’ fame) that he has what it takes to achieve his dream of being an actual race car driver.
In the first half of the film, Blomkamp does everything he can to prove that not only is Gran Turismo an excellent simulator for actual racing (and by doing so, is probably trying to convince more people to buy the game, if they already haven’t) but also to prove that Mardenborough really has what it takes to become a race car driver and compete professionally. The film starts to break down from its capitalist shine and starts to take on the emotional beats of an underdog film.
Yes, Jann is great and he’s a natural, but can he get over all the things that are in his head that gets in his way? Will the fallen-from-grace trainer find redemption through his new protege? Will Team Nissan prove that Gran Turismo players can learn race car driving just like that and go toe-to-toe with the pros?
Blomkamp uses great music, fast editing, and puts his camera right at the spaces where Mardenborough is tested as a human being and as an athlete. Madekwe carries the film with such charisma that somehow you get drawn to the story and it becomes even more shocking when you find out it’s really a true story and they show you photos of the actual people and the actual events side-by-side with the stills of the movie at the end.
As someone who was not at all aware of these events, everything hit me quite strongly and it had that full inspirational effect that a good underdog sports movie can give you. It makes you believe in the world and in yourself.
And as wonderful as the real-life story of Jann Mardenborough is, the big winners in all of this was Nissan and PlayStation. Regardless of what would have become the outcome of the story, the attention that it brought in, fueled also by the profits they gained sort of overshadows any underdog appeal. The bright, glitzy, polished sheen of the movie also hijacks the tone. Sure, it makes you feel good until you realise you may just want to buy something afterwards.
So great filmmaking, solid performances, but like the opening of the movie showed us: it was a marketing pitch through and through.
