Category: Movies

  • ‘Street Fighter’ Cast Andrew Koji, Noah Centineo and Jason Momoa Reveal Why the Movie Is a Must-Watch, Now Showing in Cinemas

    ‘Street Fighter’ Cast Andrew Koji, Noah Centineo and Jason Momoa Reveal Why the Movie Is a Must-Watch, Now Showing in Cinemas

    Some games are simply meant to feel larger than life.

    With Street Fighter, that means bone-crunching battles, unmistakable characters, explosive moves and a world that generations of players already know by heart. Now, the iconic fighting game is stepping into cinemas once again, this time with a cast and creative team determined to deliver something both longtime fans and first-time audiences can enjoy.

    Led by Andrew Koji as Ryu and Noah Centineo as Ken, the new Street Fighter brings together an impressive ensemble that includes Jason Momoa as Blanka, WWE superstar Joe “Roman Reigns” Anoa’i as Akuma and David Dastmalchian as Lord M. Bison.

    Watch the trailer:

    For the actors and filmmakers behind the movie, however, this is more than another game adaptation. It is a chance to bring the energy, personality and spectacle of Street Fighter to the big screen in a way they believe audiences have not seen before.

    Roman Reigns Says the Movie Builds a World Audiences Can Get Lost In

    Stepping into the role of Akuma is Joe “Roman Reigns” Anoa’i, whose commanding presence makes him a natural fit for one of the franchise’s most intimidating fighters.

    For Anoa’i, one of the movie’s biggest strengths is the way it expands the world fans already love.

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    We’ve done properly what hasn’t been done before – fleshing out a world that so many people of all ages know and love, he says.

    There’s that escapism. You can leave everything behind and get lost in this universe, and we’ve put that on film. Audiences are going to immerse themselves in this world of Street Fighter.

    It is that sense of scale and escapism that the cast repeatedly points to when talking about the movie. Rather than simply recreating familiar images from the games, the film aims to make audiences feel as though they have stepped directly into its universe.

    Andrew Koji Wants Hardcore Fans and Newcomers to Feel Welcome

    For Andrew Koji, taking on the role of Ryu came with a major responsibility.

    The character is one of the most recognizable figures in gaming history, and Koji says the filmmakers were conscious of making a movie that could satisfy devoted players while remaining accessible to newcomers.

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    We all wanted to make sure that not only can we get new fans to love it, but the hardcore fans too, says Andrew Koji, who plays Ryu. There are so many nods we put in there and we’re bringing a Street Fighter film that has never been done before and hopefully will be remembered for a long time to come.

    That balance is crucial for a franchise with decades of history behind it. Fans know the moves, rivalries, costumes and personalities intimately, which means every detail matters.

    At the same time, Street Fighter is aiming to introduce its colorful universe to audiences who may have never picked up the game.

    Noah Centineo Says Street Fighter Should Be Seen Big

    While Koji embodies the disciplined Ryu, Noah Centineo takes on the role of Ken, one of the franchise’s most popular and recognizable characters.

    And if Centineo has one recommendation for audiences, it is simple: see the movie on the biggest screen possible.

    It’s a huge movie. It is so visually stimulating that seeing that on a huge screen is the way to see it, he says.

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    The fights are sweaty, and bloody, you want to see that huge, and the sound design – the seats are going to shake. Street Fighter is one of those movies that should be seen in an IMAX theater.

    For a franchise built around spectacular combat, that theatrical scale makes sense.

    Every punch, kick and special move is designed to land with maximum impact, while the movie’s sound design and visuals push the experience beyond what audiences can get from a smaller screen.

    David Dastmalchian Promises Action, Comedy and Plenty of Surprises

    David Dastmalchian, meanwhile, takes on the villainous role of Lord M. Bison.

    Known for bringing intensity and unpredictability to his performances, Dastmalchian teases a movie that refuses to settle into just one tone.

    The high-octane action and adventure, the fighting, the comedy, the brutal stuff that is going to just totally shock people, says the actor.

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    And the performances, the design. Street Fighter is going to feel like a roller coaster, and I can’t wait to see what people look like as the rollercoaster comes in for landing.

    That combination of larger-than-life action and humor is an important part of the franchise’s appeal.

    After all, Street Fighter has always thrived on contrast. Its fighters can be serious, eccentric, intimidating or wildly theatrical, sometimes all within the same match.

    Bringing that spirit to a feature film means embracing both the spectacle and the fun.

    Jason Momoa Calls Street Fighter Part of His Childhood

    For Jason Momoa, the project is personal.

    Momoa not only appears in the movie as Blanka, he also serves as a producer, giving him a role both in front of and behind the camera.

    Street Fighter will make you laugh, and cry, and have a really great time, he says.

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    This is my childhood. Street Fighter was everything growing up. For existing fans, and new fans, it’s such a diverse world and cast – there’s something for everyone in it.

    That connection to the games is shared by several members of the team, helping give the adaptation a sense of genuine affection for the source material.

    Momoa’s comments also point to the movie’s broader ambition. It is not only trying to reproduce familiar characters and moves. It wants audiences to become emotionally invested in them, too.

    Director Kitao Sakurai Brings a Lifelong Fan’s Perspective

    At the center of the production is director Kitao Sakurai, who grew up with the games himself.

    For Sakurai, making Street Fighter carried both personal and cultural significance.

    As a Japanese-American filmmaker, to have the honor to do Street Fighter makes me feel incredibly proud, he says

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    To be able to incorporate the feelings I had as a child, to be able to bring to life the aspects of the game that as a fan, you felt in your heart, is exactly what I hope the movie captures.

    That emotional connection also shaped the film’s approach to authenticity.

    According to Sakurai, the production paid close attention to the elements fans immediately associate with Street Fighter, from fighting styles and costumes to signature moves and character personalities.

    We’re excited that this is the most accurate Street Fighter adaptation ever made, in terms of the fighting styles, the moves, the costumes and the tone and spirit of the characters, he says.

    And I hope people go see it in IMAX or other premium exhibition formats, for the incredible visuals, and the soundtrack where these needle drops are immersive and banging.

    A Street Fighter Movie Made for the Cinema

    There is no shortage of pressure when adapting a game as beloved as Street Fighter.

    Fans arrive with decades of memories, favorite characters and expectations. New audiences, meanwhile, need a reason to care about a world they may be experiencing for the first time.

    The cast and filmmakers seem well aware of that challenge.

    Their answer is to go bigger.

    Bigger fights. Bigger personalities. Bigger visuals. Bigger sound.

    And beneath all that spectacle is a clear affection for the franchise that inspired it.

    Whether you grew up mastering combos at the arcade or are meeting Ryu, Ken, Blanka and Akuma for the first time, Street Fighter wants to offer the kind of energetic, crowd-pleasing experience that feels right at home in a packed cinema.

    Street Fighter is now showing in cinemas nationwide, including IMAX. Distributed locally by Paramount Pictures PH.

    #StreetFighterMovie

  • Greta Gerwig Opens the Door to a New World in the First Trailer for “Narnia: The Magician’s Nephew”

    Greta Gerwig Opens the Door to a New World in the First Trailer for “Narnia: The Magician’s Nephew”

    Before there was a wardrobe, there was a world waiting to be born.

    Greta Gerwig takes audiences back to the very beginning of C. S. Lewis’ beloved fantasy universe in “Narnia: The Magician’s Nephew,” a sweeping new adventure that reveals how the magical land of Narnia first came to life.

    The first trailer offers an enchanting glimpse into a story filled with wonder, mystery, music, and extraordinary new worlds, setting the stage for what could be one of 2027’s most anticipated fantasy films.

    Watch the trailer:

    The Beginning of Narnia Comes to the Big Screen

    Based on C. S. Lewis’ timeless novel, “The Magician’s Nephew” takes viewers to a point long before the events most audiences associate with Narnia.

    This is the story of its creation.

    At the center of that beginning is one of Lewis’ most unforgettable images: a cosmic lion singing a world into existence. It is a moment that left a lasting impression on Gerwig, who has loved the story since childhood.

    I was a child when I first read The Magician’s Nephew, and I fell in love with the gorgeously improbable but completely brilliant concept of a cosmic lion singing the world of Narnia to life, Gerwig says.

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    I didn’t know that I would grow up to make films, but a universe built out of music is an idea that has always lived in my heart. It is the honor of a lifetime to be asked to imagine it into being.

    For Gerwig, the appeal of Narnia goes beyond fantasy. The books shaped the way she saw imagination, adventure, and the possibility of discovering something extraordinary in the ordinary.

    Because of C. S. Lewis’s The Chronicles of Narnia, I believed in magic and hidden worlds and adventure. I believed that anywhere could be enchanted, and that anyone could be swept up into an epic. That wonder and awe was available to everyone, even ordinary people like me…It transformed me, she says.

    Greta Gerwig Brings Her Own Sense of Wonder to Narnia

    Gerwig has built a reputation for films that balance emotion, wit, character, and visual storytelling.

    From Lady Bird to Little Women and the global phenomenon Barbie, the filmmaker has repeatedly brought familiar ideas into fresh, distinctive worlds. With “Narnia: The Magician’s Nephew,” she now turns to one of fantasy literature’s most enduring universes.

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    The project also marks the first time The Magician’s Nephew has been adapted for the screen, giving audiences the chance to experience a chapter of Narnia that has never before received a major cinematic treatment.

    For longtime readers, that alone makes the film especially exciting.

    For newcomers, it offers a natural place to begin.

    A Story of Magic, Hidden Worlds, and New Beginnings

    “The Magician’s Nephew” is often regarded as the origin story of Narnia, revealing how the world was created and laying the foundation for the adventures that follow.

    That sense of discovery is at the heart of the new film.

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    Rather than returning audiences to a world they already know, Gerwig is inviting them to witness Narnia at its most mysterious and unfamiliar. It is a place not yet shaped by legend, where every forest, creature, sound, and spell feels new.

    And for a story built around creation itself, that sense of possibility could be its greatest strength.

    An All-Star Cast Enters the World of Narnia

    The film features an ensemble cast that includes David McKenna, Beatrice Campbell, Emma Mackey, Carey Mulligan, Ciarán Hinds, Daniel Craig, Meryl Streep, Kobna Holdbrook-Smith, Denise Gough, and Susan Wokoma.

    Gerwig writes and directs the film, with Mark Gordon, Amy Pascal, Vincent Sieber-Smith, and Gerwig serving as producers.

    Patricia Whitcher, Racheline Benveniste, Christine Crais, Douglas Gresham, and Melvin Adams for the C. S. Lewis Estate serve as executive producers.

    A New Narnia Adventure Arrives in 2027

    With its rich mythology, beloved source material, and Gerwig’s distinctive creative vision, “Narnia: The Magician’s Nephew” is shaping up to be a major new chapter for the franchise.

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    More importantly, it is a return to the feeling that made Narnia special in the first place: the idea that another world might be closer than we think.

    A universe awakens when “Narnia: The Magician’s Nephew” opens in Philippine cinemas on February 10, 2027. Distributed locally by Columbia Pictures PH.

    About “Narnia: The Magician’s Nephew”

    Academy Award-nominated filmmaker Greta Gerwig brings C. S. Lewis’ beloved story The Magician’s Nephew to the screen for the first time in a sweeping adventure that invites dreamers of all ages to experience the creation of Narnia.

    Narnia poster

    Written for the screen and directed by: Greta Gerwig

    Based on the novel by: C. S. Lewis

    Cast: David McKenna, Beatrice Campbell, Emma Mackey, Carey Mulligan, Ciarán Hinds, Daniel Craig, Meryl Streep, Kobna Holdbrook-Smith, Denise Gough, and Susan Wokoma

    Produced by: Mark Gordon, Amy Pascal, Vincent Sieber-Smith, and Greta Gerwig

    Executive producers: Patricia Whitcher, Racheline Benveniste, Christine Crais, Douglas Gresham, and Melvin Adams for the C. S. Lewis Estate

  • New Movies This Week: Street Fighter, 2 Valid IDs, Pee Mak, Whalefall, and More!

    New Movies This Week: Street Fighter, 2 Valid IDs, Pee Mak, Whalefall, and More!

    Wednesday means new movies, and giving moviegoers plenty of reasons to head back to the cinema. Street Fighter steps into the ring with Ryu, Ken, and Chun-Li, while Always Lalisa puts BLACKPINK star LISA front and center. Closer to home, 2 Valid IDs turns an all-too-familiar frustration into compelling drama, while Pee Mak mixes scares, laughs, and romance. Rounding out this week’s seven releases are Amazon-set creature thriller Beware Boiuna, K comedy-drama The Intern, and the seriously claustrophobic Whalefall.

    Action? K-pop? Horror? Something with a little more heart? Here’s what’s new in cinemas this week.

    New Movies October 14, 2026 Street Fighter, Always Lalisa, 2 Valid IDs, Whalefall, Pee Mak, The Intern, Beware Boiuna

    Street Fighter

    2026 • R-13 • 1h 59m
    ACTION, FANTASY
    GET SHOWTIMES

    Hadouken! The World Warriors are back on the big screen.

    Set in 1993, Street Fighter finds Ryu and Ken Masters estranged until the mysterious Chun-Li pulls them back into action for the next World Warrior Tournament. Waiting for them is a brutal competition where fists fly and old rivalries come roaring back.

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    Noah Centineo, left, and Andrew Koji star in PARAMOUNT PICTURES AND LEGENDARY PICTURES In Association with CAPCOM.
    A LEGENDARY PICTURES Production “STREET FIGHTER”

    There is something much bigger brewing behind the tournament, however. A deadly conspiracy forces Ryu and Ken to reckon with their past and puts the former friends on a collision course with each other.

    Street Fighter
    Eric André stars in PARAMOUNT PICTURES AND LEGENDARY PICTURES In Association with CAPCOM.
    A LEGENDARY PICTURES Production “STREET FIGHTER”

    Andrew Koji steps into the role of Ryu, with Noah Centineo as Ken and Callina Liang as Chun-Li. For anyone who grew up choosing a fighter and hearing “Round One, Fight!” this is easily one of the week’s biggest nostalgia plays.

    2 Valid IDs

    2026 • PG • 1h 30m
    DRAMA
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    Two pieces of identification. One simple transaction. A problem that quickly becomes anything but simple.

    In 2 Valid IDs, a poor farmer attempts to claim a remittance only to be turned away because she cannot provide the required identification. Her struggle to overcome the obstacle eventually pushes her into circumstances that test her character, beliefs, and sense of right and wrong.

    It is a distinctly Filipino premise built around something many viewers will immediately recognize. With Pokwang at the center of the story, joined by Joey Marquez and Zaijian Jaranilla, the film finds drama in the frustrating realities of everyday life.

    Always Lalisa

    2026 • PG • 1h 37m
    DOCUMENTARY, MUSIC
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    What comes after becoming one of the most recognizable K-pop stars on the planet?

    Always Lalisa follows LISA through a transformative year away from BLACKPINK as she begins shaping the next phase of her career. The documentary captures a period defined by big decisions, reinvention, and self-discovery. Away from the familiar dynamic of the group that helped turn her into a global superstar, LISA gets the chance to define what comes next on her own terms.

    For fans, it is an opportunity to experience that chapter on the big screen and see another side of the performer behind the worldwide phenomenon.

    Beware Boiúna

    2026 • R-13 • 1h 39m
    THRILLER
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    The Amazon is already intimidating enough. Now imagine something ancient waking up beneath it.

    Beware Boiuna follows a medical mission deep in the rainforest that takes a terrifying turn when Boiúna, a colossal predator, awakens and begins reclaiming its domain. The expedition quickly becomes a battle for survival as the group realizes they are trapped somewhere nature holds absolute power. The deeper they go, the clearer it becomes that they are visitors in a territory where something much larger is calling the shots.

    Creature-feature fans looking for their next monster-sized thrill may want this one on the list.

    Pee Mak

    2026 • PG • h m
    COMEDY, HORROR, ROMANCE
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    Scares do not always have to be serious.

    Pee Mak brings together three genres that make for an irresistible movie-night combination: comedy, horror, and romance.

    Bea Binene, Wilbert Ross, and Vandolph lead the cast, setting up a supernatural outing that offers something lighter for audiences who enjoy getting startled one minute and laughing the next.

    For anyone assembling a spooky-season watchlist but still wants plenty of fun in the mix, this could be the ticket.

    The Intern

    2026 • PG • 2h 12m
    COMEDY, DRAMA
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    There is a new intern at the office, but he is bringing a lot more life experience than the usual fresh recruit.

    The Intern follows Seon-wu, the intensely dedicated CEO of a fashion company, whose working life changes when she hires Ki-ho as a senior intern.

    The unusual arrangement brings two generations and two very different perspectives into the same workplace. Seon-wu may know how to run her company, but Ki-ho arrives with something that cannot be learned from a business manual: years of hard-earned experience.

    Choi Min-sik and Han So-hee headline this Korean comedy-drama about work, age, and what happens when different generations finally start listening to each other.

    Whalefall

    2026 • PG • 1h 50m
    THRILLER
    GET SHOWTIMES

    How do you escape when you have been swallowed by a sperm whale?

    That nightmare becomes reality for Jay Gardiner in Whalefall. After his father dies, Jay heads into the waters off California searching for his remains. Instead, he finds himself swallowed by a massive whale.

    He has just one hour of oxygen. Trapped inside the animal with time running out, Jay must figure out an escape using whatever he has available. And in an unexpected turn, the lessons his father left behind may be the very things that keep him alive.

    Part survival thriller and part father-son story, Whalefall has one of the week’s wildest premises and a ticking clock built to keep the tension high.

    What’s On Your Movie List This Week?

    There is no single mood defining this Wednesday’s releases. Street Fighter brings the punches, Always Lalisa gives K-pop fans a closer look at LISA’s next chapter, and 2 Valid IDs turns an everyday Filipino struggle into a dramatic story. Horror fans can choose between the monster-sized danger of Beware Boiuna and the lighter supernatural fun of Pee Mak, while The Intern and Whalefall offer two very different stories about lessons learned from experience.

    Whatever you’re in the mood for, there’s a new movie ready for your next cinema run. Grab your favorite snacks, round up your barkadas, and secure your tickets for your next big-screen fix.

    Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!

  • Movie Review: Not Fully Committing to Its Camp Potential, “Verity” Wastes Fine Performances by Anne Hathaway, Dakota Johnson, and Josh Hartnett

    Movie Review: Not Fully Committing to Its Camp Potential, “Verity” Wastes Fine Performances by Anne Hathaway, Dakota Johnson, and Josh Hartnett

    There’s a lot of good things going for Verity. First of all, its cast is amazing. Anne Hathaway, Dakota Johnson, and Josh Hartnett, I love these actors. The premise looks enticing: a writer is asked to ghost write the book of an author of a popular series after she gets into an accident, but not all is as it seems. And then there’s the genre. From my initial impression of the trailer, I thought it was going to be a horror film, but it’s actually more of an erotic thriller, which is just as good. As the movie progressed, though, I started to feel that its ambitions were not quite being achieved and that the film was veering into camp territory. Seeing Hathaway and Johnson’s performances sort of sealed it for me. It helps that director Michael Showalter is also a comedian, so there is an underlying understanding in the film’s structure and presentation that it should lean into those campy elements.

    Unfortunately, the film is neither campy enough nor erotic enough to fully embrace its potential.

    Verity
    Verity | Image Source: Columbia Pictures PH FB Page

    Johnson plays Lowen Ashleigh, a struggling writer who is propositioned to finish the last three books of a popular series by Verity Crawford (Hathaway), who is unable to finish the book. She is encouraged by Verity’s husband, Jeremy (Hartnett), to accept the offer because Verity read her work and thought she was very good. The money offered, an attraction to Jeremy, and the praise given are enough for Lowen to take the job. She drives up to Vermont to stay in Jeremy and Verity’s house for a few days, going through all of Verity’s notes and outlines to start writing. There, she discovers Verity is now a paraplegic and can no longer talk or move. As Lowen begins her work, she is drawn into Verity’s life after finding an unpublished autobiography amongst her files, and a secret that turns her whole world upside down.

    Verity
    Verity | Image Source: Columbia Pictures PH FB Page

    From the beginning, we are already made aware of Lowen’s mental state. Her mother died just a week prior, she’s being evicted from her place, her books are not selling well, and she takes medication daily, which tells us she’s not in the best frame of mind. So her choices become questionable every step of the way. When she starts seeing Verity move, we think that either one, she is going crazy or two, something else is going on. The film ensures that both possibilities could be true to mess with us.

    Verity
    Verity | Image Source: Columbia Pictures PH FB Page

    Hartnett is so effective at playing Jeremy. As a loving father and husband, it’s easy to see why Lowen’s attraction to him grows stronger and stronger as the film unfolds. He has a gentle, everyman aura, and the care he shows Lowen can be enticing for a woman all wrung out by life. Johnson approaches the role with a delicate touch, oftentimes she’s a blank slate (likely due to the meds), but in later scenes, she becomes increasingly attached and invested. There are a wink and a smile to her performance that tells us she’s in on the joke, especially since her character can be a little silly. Hathaway, though, who appears primarily through flashbacks and interviews, really has fun with the role. Verity is a dangerous woman with dark, twisted thoughts, much like her books, and Hathaway clearly enjoys playing the villain, which makes us enjoy watching it all the more.

    Verity
    Verity | Image Source: Columbia Pictures PH FB Page

    But the film relies on unnecessary jump scares to amp up the tension, and the sex scenes and nudity feel tame for the darkness at the core of the story. It has an R-16 rating after all, and for it to fully embrace its genre, it needs to get messier and sexier so we can truly feel that the movie is entering dangerous territory. For a film to be genuine camp, it has to be dead serious in its ambitions and fail spectacularly to earn that distinction. The film, though, knows it is a little silly but doesn’t totally commit to it. It also features a soundtrack with some songs that sound very “of the moment,” which undercuts the campiness of it all. 

    The film has quite a lot of twists and turns in its plot, which is all fine and good, but its final reveal and chosen conclusion run contrary to what it tries to make us believe. Instead of leaving me feeling amazed and impressed by the manipulation of my thoughts and feelings, the explanation of the film’s actual truth just doesn’t carry me over to its intended emotional destination, even if it was set up earlier. 

    My Rating: 2 Stars

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    Curious to see Anne Hathaway, Dakota Johnson, and Josh Hartnett unravel this twisted thriller on the big screen? Verity is showing in theaters nationwide. Catch it at a cinema near you, click here for showtimes.

  • DC Studios’ “Clayface” Brings R-Rated Body Horror Thriller to Cinemas This October 21

    DC Studios’ “Clayface” Brings R-Rated Body Horror Thriller to Cinemas This October 21

    DC Studios is about to show audiences a side of Gotham they have never seen before.

    With “Clayface,” the studio is stepping beyond the usual superhero formula and into full-blown psychological and body horror. Dark, unsettling and deeply personal, the film gives one of Batman’s most distinctive villains a long-overdue origin story while pushing the DC universe into bold new territory.

    For DC Studios co-chair and co-CEO Peter Safran, that creative freedom is exactly the point.

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    One of the things that’s really important to us is that our slate of movies, television, gaming and experiences covers a vast spectrum of entertainment,” shares Safran. “We want to make sure that everything feels different.

    That philosophy takes a particularly chilling turn with “Clayface,” which Safran describes as a dream project for the studio.

    The idea of doing a horror movie under the DC banner is something that audiences have never seen before and are not expecting but I think are going to embrace fully. The fact that we can make a true R-rated horror movie for DC Studios, that’s just a dream come true.

    Watch the trailer:

    One of Gotham’s most tragic villains takes center stage

    “Clayface” stars Tom Rhys Harries as Matt Hagen, a Gotham street kid whose life changes dramatically when he rises to become a Hollywood leading man.

    His success, however, is brutally cut short after a local crime boss leaves him horribly disfigured.

    With his career shattered and his support system gone, Matt turns to an experimental treatment that promises the impossible. It works, at least at first. His appearance is restored, but the procedure also begins to alter his relationship with reality.

    What follows is a descent into obsession, rage and revenge.

    Safran believes the character is perfectly suited for that kind of darker treatment.

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    Clayface is one of the great Batman villains, and he’s never had his time in the sun. And so along with this, we’re getting an opportunity to tell his origin story.

    For audiences used to traditional comic book adaptations, Safran promises something much more unexpected.

    You’ve certainly never seen anything like it in the comic book space, but we’re really excited to bring it to the world.

    Horror rooted in fear, identity and loss

    At the center of “Clayface” is director James Watkins, who approaches horror from a psychological angle rather than relying only on shock value.

    For Watkins, the most effective fears are often the most recognizable.

    We all have those anxieties. Fears of losing our ability to work, our reputations, our identity. These are horrors we can all really identify with.

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    Those fears become even more disturbing when the human body itself becomes unpredictable.

    We all have those anxieties. Fears of losing our ability to work, our reputations, our identity. These are horrors we can all really identify with – likewise, fears of our bodies going wrong.

    I think these primal fears make the most compelling horrors, and I wanted to lean into them.

    That makes Matt Hagen more than just a villain in the traditional sense. His transformation is physical, emotional and psychological, with each stage of his descent raising questions about how far a person can go when everything they value is taken away.

    Revenge becomes the real monster

    Revenge also plays a major role in Matt’s story.

    Watkins sees it as something painfully human rather than purely villainous.

    I find the dangers of revenge fascinating, because it’s also such a primal human instinct to want to right wrongs, he says.

    That instinct becomes a driving force behind Matt’s downfall.

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    To some extent, we are all hostages to our primal urges and I thought this was an interesting element to Matt’s tragedy: to make the film ask whether we can control our emotions, or do they control us.

    That question gives “Clayface” an emotional foundation beneath the grotesque imagery and horror set pieces.

    The result is not simply a story about a man turning into a monster. It is about a man losing control of himself while desperately trying to reclaim what he believes was stolen from him.

    More than jump scares

    Audiences expecting a standard collection of horror beats may also be surprised.

    Watkins says he is less interested in predictable scares and more drawn to horror that lingers.

    Whether you call them horror or psychological thrillers, I like to operate in the space between those two things,” he says. “Doing clockwork scares doesn’t particularly interest me.

    Instead, the filmmaker wants the fear to stay with viewers after the movie ends.

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    I want to have scares that get under your skin and that speak to anxieties we all share, so when you leave the theater, they stick with you more than just a jump scare.

    Body horror gives him the perfect vehicle for that approach.

    Body horror taps into such a primal fear – essentially fear of our bodies betraying us, Watkins says.

    Combined with Matt’s fractured sense of identity and buried impulses, that fear gives the film room to explore both spectacle and character.

    James Gunn on why horror fans are special

    For James Gunn, horror also comes with another advantage: its audience.

    I love making horror movies. It is a lot of fun. And I think horror fans are probably the nicest fans in the world, says the filmmaker.

    He finds the contrast especially amusing.

    There’s something about the vibe of people who like to watch this really crazy, scary stuff, who have this other side that’s just so nice.

    That enthusiasm could make “Clayface” one of the more intriguing experiments in the growing DC Studios slate.

    Rather than fitting neatly into one familiar superhero mold, the film leans into the unsettling, tragic and grotesque sides of a character whose story has always been ripe for horror.

    Clayface R18

    A very different kind of DC movie

    Written by Mike Flanagan and Hossein Amini, with a story by Flanagan, “Clayface” also stars Naomi Ackie, David Dencik, Max Minghella, Eddie Marsan, Nancy Carroll and Joshua James.

    The film is produced by Matt Reeves, Lynn Harris, James Gunn and Peter Safran, with Michael E. Uslan, Chantal Nong Vo, Lars P. Winther, Rafi Crohn and Paul Ritchie serving as executive producers.

    Watkins’ creative team includes cinematographer Rob Hardy, production designer James Price, editor Jon Harris and costume designer Keith Madden. Music is by Volker Bertelmann.

    DC Studios presents a 6th & Idaho Production, a James Watkins Film.

    “Clayface” opens in cinemas internationally beginning October 21, 2026, with its North American theatrical release set for October 23, 2026. The film is rated R-18 by the MTRCB. Distributed locally by Warner Bros. Pictures.

    #ClayfaceMovie

  • Movie Review: A Straightforward Horror Film, “Other Mommy” Shines Through the Performances of Jessica Chastain and Arabella Olivia Clark

    Movie Review: A Straightforward Horror Film, “Other Mommy” Shines Through the Performances of Jessica Chastain and Arabella Olivia Clark

    From the very first ten minutes of Other Mommy, we are immediately thrust into the terror. It’s a straightforward horror film that spends no time establishing the first act. Right from the get-go, we meet the titular Other Mommy, and the thrills and frights begin. It’s a really novel way to start a scary movie, wasting no time and going straight into the action. Director Rob Savage and screenwriter Nathan Elston (adapting Josh Malerman’s novel Incidents Around the House) get everything moving right away and it’s a wildly entertaining ride.

    The story centers on seven-year-old Bela (Arabella Olivia Clark), who can tell something is not right with her mom and dad, Ursula (Jessica Chastain) and Russell (Jay Duplass). Ursula seems to be the more career-oriented parent, while Russell is the carefree, fun-loving stay-at-home dad. Luckily, or perhaps unfortunately, for Bela, she has a friend: a supernatural entity she calls Other Mommy. Other Mommy wants something from Bela; she wants permission to “be in her heart.” Within the first ten minutes of the film, the entity commits her first violent act and from then on, forcing Ursula and Russell to do whatever it takes to protect their daughter while guarding a dark secret of their own.

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    Arabella Olivia Clark (Bela) and Jessica Chastain (Ursula) in ‘Other Mommy’. (Courtesy of Universal Pictures)

    This film cuts away from many traditional narrative beats seen in movies involving hauntings and children. Ursula and Russell immediately believe Bela. They never question what it is that they see, nor is there a plotline where the parents refuse to believe Bela or what they see. In fact, they remain quite level-headed about it considering they just experienced a paranormal event. It feels deeply refreshing to watch a horror film where the main characters make practical, sensible decisions. 

    But how do you stop an entity that can shape-shift and move matter at will?

    Savage, alongside cinematographer Lowell A. Meyer and editor John Cutler, manipulates the mise-en-scene and mise-en-shot so that every camera movement and every jump cut becomes a potentially frightening moment. The film is not afraid to use jump scares, but they never feel cheap or unwarranted. Other Mommy is a playful demon. Surprise is part of its strategy. For the audience, though, it keeps you firmly on the edge of your seat.

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    Jessica Chastain (Ursula) in ‘Other Mommy’. (Courtesy of Universal Pictures)

    While Chastain gets top billing – playing both Ursula and the primary form of Other Mommy – she earns every bit of it. She keeps the two characters distinctly separate, but when the music turns up and you realize you are looking at Other Mommy rather than Ursula, Chastain uses her entire physicality to embody the strain required for the entity to assume this human form. As Bela says early in the film, “she’s still new” at this. Chastain uses this raw physical tension to fully show this and it is remarkable to watch. 

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    Arabella Olivia Clark (Bela) in ‘Other Mommy’. (Courtesy of Universal Pictures)

    But this film ultimately belongs to Clark. The young actress carries the movie with her delicate portrayal of childhood innocence and being overwhelmed by all that is happening. When she observes her surroundings, she knows exactly the full context of what she is seeing. We understand the entire story through her eyes. It’s an incredible performance from such a young actor and it helps ground the film and gives the audience someone truly worth rooting for.

    My only issue is the usual classic American approach to horror. The protagonists feel compelled to fight back, and American exceptionalism comes into play, and it undercuts the fear that is established. It is such an American response that if something is in your way, you have to get rid of it – kill it, even – regardless of what it is. Having watched plenty of Asian horror, where characters simply focus on surviving, Americans have to fight back, and it comes off as arrogant. At the same time, as good as the CGI can be, the overuse of it takes us away from the fear. Fortunately, Cutler is good at keeping the visuals very brief, cutting away quickly before the audience can linger on the CGI effects. Still, by the second half, some of the initial magic established at the beginning is gone.

    There is a lot to enjoy in Other Mommy, and it will get the crowd screaming in fright. While it grows a little bit corny by the end, the film delivers enough suspense and thrills to make it well worth the price of the ticket.

    My Rating: 4 Stars

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    Ready to meet Other Mommy? Catch Other Mommy in theaters now, just make sure you know who’s really tucked in at night. Click here for showtimes.

  • Filipino-American Stunt Choreographer Jon Valera Brings Iconic Moves to “Street Fighter,” Opening October 14

    Filipino-American Stunt Choreographer Jon Valera Brings Iconic Moves to “Street Fighter,” Opening October 14

    Bringing Street Fighter to the big screen meant more than recreating familiar characters. For director Kitao Sakurai, it meant honoring the legendary fighting moves that generations of gamers know by heart, while giving them a cinematic edge.

    To pull it off, Sakurai assembled a creative team filled with fellow fans of the beloved video game franchise, including Filipino-American stunt choreographer Jon Valera and VFX supervisor Sandra Balej.

    In the same way that the actors were all super involved with how they thought about their characters, Jon Valera, our stunt choreographer, Sandra Balej, our VFX supervisor, are also huge fans of the game, so they were super passionate about bringing all the iconic moves from the game to life, says Sakurai. I think audiences are going to be totally blown away by how many of the signature moves we were able to put in the movie.

    Watch the trailer:

    Jon Valera takes on a legendary fighting franchise

    When Valera was first approached to design the stunts and direct second unit for Street Fighter, he felt both excitement and pressure.

    There was a lot of pressure behind this movie, Valera shares, very high profile, one of the most iconic video games out there. I call it ‘the Bruce Lee effect.’ As martial artists, we always say you never want to touch a Bruce Lee film because it’s almost sacred to us.

    For Valera, that same reverence applied to Street Fighter.

    Street Fighter ranks up there, but if I’m not afraid of a job, then it doesn’t make me work.

    The Filipino-American stunt professional is renowned in Hollywood for his work across major action franchises, including the John Wick films, the Marvel Cinematic Universe, and the DC universe.

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    Valera has also frequently collaborated with Jason Momoa, who plays Blanka in Street Fighter and serves as one of the film’s producers.

    Bringing classic martial arts back to the screen

    Sakurai and producer Cale Boyter wanted the movie’s fight sequences to stay faithful to the video game while still feeling spectacular on the big screen.

    For Valera, that meant looking back at the clean, visually striking martial arts style associated with action movies of the 1990s.

    In the beginning I wanted to go a little more clean martial arts because it’s been a while since we’ve seen a clean martial arts movie like The Matrix, adds Valera. A lot of the fight styles now have gone more John Wick style. Brutal, gritty, messy. Street Fighter takes place in the 1990s, and ’90s action movies were cheesy, clean martial arts. I didn’t want to make it the cheesy, campy, clean martial arts, but to capture the beauty of it.

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    Each Street Fighter character gets a distinct fighting style

    A trained martial artist himself, Valera also wanted the choreography to reflect the franchise’s Japanese roots.

    Most of my team are also martial artists. We studied Goju-ryu, Shotokan and Judo. We wanted to take a lot of the moves in the game – Japanese based with a little flare – to stay true to the Japanese martial arts and show off the beauty of it.

    That approach also helped give each fighter a distinct physical identity.

    Chun-Li draws from Chinese martial arts such as Wushu, Tai Chi, and Kung Fu. Blanka fights with a wild, animalistic approach mixed with capoeira flair, while Guile relies on a military-inspired style filled with powerful, hard-hitting attacks.

    Dhalsim has a unique style – we built his character on a yoga style break dancing movement, explains Valera. If yogis were throwing punches, that’s how you get the feel of it.

    For Balrog, Valera looked to two famously powerful boxers.

    Mike Tyson was a good model for Balrog, as well as one of my favorite characters in boxing, ‘Clubber Lang’ from the Rocky films because his style was all power hits.

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    An international stunt team pushes the action further

    Valera assembled an international stunt team with specialists from the United Kingdom, France, New Zealand, Australia, Canada, and Japan.

    Their wide range of skills helped the filmmakers recreate some of the franchise’s most memorable moves.

    One of our guys who helped with the spinning bird kick was a Cirque du Soleil performer, who has all kinds of special harnesses and rigs. With them, a character could be suspended in the air, with a little bit of an assist so they could stay up just a little longer than a normal human. Most of these characters are not superheroes, they’re just above a regular human.

    Pre-visualizations also became an essential part of production, allowing cast members to understand complicated action sequences before cameras started rolling.

    David Dastmalchian, who plays M. Bison, explains that the process helped actors prepare for elaborate scenes involving wires, breakaway walls, and intricate fight choreography.

    The stunt team and VFX created these fully acted out, fully blocked, fully choreographed fights, so we could watch and get the complete sense of how this goes from beginning to end, all the little beats.

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    Practical stunts, VFX, and explosive action

    While the production leaned heavily on practical stunt work, visual and special effects teams stepped in whenever safety or logistics demanded it.

    We worked with SFX on explosions and breakaways, with everything safety tested, Valera says. Plus, there’s always situations where we can’t do everything with a real human, it’s either a safety issue or highly time consuming, so the VFX team was amazing too. This was one of the most collaborative efforts I’ve been on with those two departments.

    One of the movie’s biggest sequences took nearly two weeks to film.

    Known as the “burlesque scene,” the massive set piece features dozens of extras, fighters flying through the air, and precisely timed pyrotechnics.

    The burlesque scene is insane, it’s the longest fight sequence in the movie, says Orville Peck (Vega). It’s pretty much every fighter. We were all really looking forward to it because it’s the moment where all of us are together in one massive explosion of action.

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    A Street Fighter movie made with genuine love

    Andrew Koji, who plays Ryu, says the dedication behind the production could be felt throughout the entire shoot.

    There was so much love put into Street Fighter, from so many people – Cale, all the producers, the writers, from Kitao, from the stunt team trying to find every little technique, from all the crew and cast. The level of care and love put into this film is unlike the making of any big film that I’ve heard of or been involved with.

    Sakurai shares the same sentiment.

    There was a special energy on the set that goes beyond words. A lightning in a bottle feeling of this group of people together creating something special. I think that also comes across on screen. That special energy is something that people can experience in the theater when they see Street Fighter.

    He adds that he hopes audiences will feel that same energy when the movie hits theaters.

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    Get ready for Street Fighter on the big screen

    Ready, fighters?

    Street Fighter also stars Noah Centineo, Callina Liang, WWE superstar Joe “Roman Reigns” Anoa’i, and Cody Rhodes.

    Catch the epic and thrilling action when Street Fighter opens in Philippine cinemas on October 14. Distributed locally by Paramount Pictures PH.

    Get your tickets now.

    #StreetFighterMovie

  • Movie Review: Blowing the Whistle: A Review of “The Social Reckoning”

    Movie Review: Blowing the Whistle: A Review of “The Social Reckoning”

    A lot has happened since director David Fincher and screenwriter Aaron Sorkin released The Social Network 16 years ago. The social media landscape has shifted dramatically, and Sorkin was right to feel that there was more than enough material for a sequel. Written and directed by Sorkin, The Social Reckoning functions as a standalone sequel defined as a legal thriller. It follows a whistleblower exposing Facebook’s internal policies, detailing how they pose a danger to its users, and leading up to the January 6 Capitol insurrection.

    We follow real-life whistleblower Frances Haugen (played by Mikey Madison) as she is contacted by investigative reporter Jeff Horwitz (Jeremy Allan White), for an interview. Frances, a data engineer who is part of a team that is tasked to create safeguards for Facebook’s social and community interactions, has made several concerning observations. She has been trying to alert management, but no one seems willing to listen. So, she turns to Jeff so her voice can finally be heard. This leads to the discovery that the algorithm of the social media site with over 1.2 billion users has led to the radicalization of many of its users. Running parallel to her story, set three years later, Mark Zuckerberg (Jeremy Strong) prepares for a tense congressional inquiry as the reports begin to surface.

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    The film jumps between two separate timelines. One is independent of the other. Mark Zuckerberg seems unaware of what is happening in the past – where a loyal employee who loves the goal and ambition of Facebook, is talking to a reporter because the management doesn’t seem to care that the company is radicalizing its users. The use of the timeline jump emphasizes the coldness with which Zuckerberg runs his company and that the people above have no idea or care about what is happening on the ground. From the way Zuckerberg is failing the inquiry preparations, we can tell that all he cares about is the bottom line: profit.

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    It also helps that Jeremy Strong plays the older Zuckerberg almost like a robot: emotionless, cold, and guarded. He trusts no one. He is used to getting his way and treats everyone around him like they are there as subordinates. It is a calculated portrayal meant to make him feel culpable of all the things the film is blaming him for, and it does its job of creating a frightening villain for this take on the narrative.

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    While Jeremy Allen White does an amazing job as Jeff Horwitz, cool and composed as he goes about his job; he’s a real pro, not investing in the people and keeping his distance because he knows this can get ugly. But the few moments that he can show that he cares, it’s so evident. But the real heavy lifting comes from Academy Award winner Mikey Madison, who is at the center of all of this. She’s the spark that changes everything. Portraying Haugen as socially awkward and without a filter, Madison embodies someone who is accidentally funny yet completely relatable. She serves as the heart and soul of this film, and she carries it without breaking a sweat.

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    These great performances ground the film. True to Aaron Sorkin’s signature style, the dialogue comes packed with rapid-fire technical jargon line delivery, but you have to take it on faith that it will all make sense later. His world is real because he doesn’t dumb it down for the audience, he never sacrifices his world building for the audience who doesn’t pay attention. Instead, he writes his scripts in a way that allows a moment for everything to be explained and to be clear. Halfway through the movie, we understand what is at stake and there’s a lot that is at stake here.

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    This is a movie that encourages us to start asking questions about what we are exactly seeing online, how much of it is random and how much of it is intentional. It informs us that these social media sites are designed to keep us engaged, regardless of the negative effects they may have on our lives. Their goal is to make a profit out of this at the expense of our mental health and the integrity of our social fabric. 

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    The Social Reckoning | Photo courtesy of Columbia Pictures

    I really hope people get to see this film. If not to truly understand how insidious these social media platforms are doing to our society, then at least to witness the fantastic performances from its cast. Mikey Madison delivers a standout lead performance, and Betty Gilpin makes full use of her limited scenes to stand out in every scene as the editor of The Wall Street Journal. It’s a well-crafted film that hits all the right notes and delivers a hopeful ending, that is only undercut by the reality of what continues to happen today.

    My Rating: 4 Stars

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    Powerful, timely, and driven by incredible performances from Mikey Madison and Jeremy Allen White, The Social Reckoning is a sharp, necessary piece of cinema that demands to be seen, not just for its outstanding lead performances, but for the essential questions it forces us to ask about the digital world we live in. Don’t skip this one. Check showtimes here.

  • New Movies This Week: The Social Reckoning, Other Mommy, Mantsa, SB19 Wakas at Simula, and More!

    New Movies This Week: The Social Reckoning, Other Mommy, Mantsa, SB19 Wakas at Simula, and More!

    Ready for your weekly big screen fix? This week, theaters are serving up a powerful lineup that swings from the high-stakes world of corporate whistleblowing to terrifying supernatural encounters. Whether you are looking for the tense tech drama of The Social Reckoning, double-dose horror thrills in Other Mommy and Hyoketsu: The Curse of the White Lady, classic anime mystery in Detective Conan: Episode “ZERO”, psychological island suspense in Mantsa, or an epic concert finale with SB19 Wakas at Simula, today’s slate has a ticket with your name on it.

    Here are the new movies opening in cinemas this week to add to your cinema plans:

    New Movies October 7, 2026 The Social Reckoning, Other Mommy, Mantsa

    The Social Reckoning

    2026 • R-13 • 1h 52m
    DRAMA, THRILLER
    GET SHOWTIMES

    Mikey Madison, Jeremy Allen White, and Jeremy Strong lead this tense corporate thriller inspired by explosive real-world events. The story centers on Frances Haugen, a young Facebook engineer who realizes the devastating impact of the platform’s secret algorithms.

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    The Social Reckoning | Image Courtesy of Columbia Pictures

    Teaming up with Wall Street Journal reporter Jeff Horwitz, she embarks on a dangerous path to expose the tech giant’s most guarded secrets, sparking a global reckoning over power, truth, and accountability.

    Other Mommy

    2026 • R-16 • 1h 33m
    HORROR
    GET SHOWTIMES

    Horror masterminds James Wan and Rob Savage join forces for a deeply unsettling psychological terror. The film follows young Bela, a girl coping with changes at home who begins interacting with a mysterious presence inside her house. Horror turns to nightmare when the entity takes on the uncanny appearance of her mother.

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    Other Mommy | Image Courtesy of Universal Pictures

    Jessica Chastain stars in this chilling journey through fear, identity, and maternal bonds turned sinister.

    Detective Conan: Episode “ZERO”: The Shinichi Kudo Aquarium Case

    2026 • PG • 45m 55s
    ACTION, ADVENTURE, ANIMATION
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    Anime fans get a special treat with a feature-length look into Shinichi Kudo’s past before he became Edogawa Conan. Before his life-changing encounter with the Black Organization, high school detective Shinichi visits the Beika Aquarium alongside his childhood friend Ran Mōri. While secretly planning a scheme to help reunite Ran’s separated parents, Shinichi stumbles right into a puzzling new crime that demands his brilliant deduction skills.

    Hyoketsu: The Curse of the While Lady

    2026 • R-13 • 1h 38m
    HORROR
    GET SHOWTIMES

    This atmospheric Japanese supernatural horror brings an ancient legend to terrifying life. When a family moves back into their isolated ancestral home, their presence accidentally unleashes the dormant spirit of a vengeful woman in white. As supernatural occurrences escalate and dark forces take control of the estate, the family faces an unrelenting battle to survive the night.

    Mantsa

    2026 • R-13 • 1h 39m
    THRILLER
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    Pilar Pilapil and Gelli de Belen star in this eerie Philippine psychological thriller centered on buried secrets. Struggling with deep psychological trauma, a troubled teenager travels with his half-sister and friends to visit his ailing grandmother on her remote island home. Returning to his childhood roots triggers dark, forgotten memories, forcing him to confront whether the sinister threat stems from the island’s haunting past or his own mind.

    SB19 Wakas at Simula: The Trilogy Concert Finale

    2026 • PG • 2h 10m
    CONCERT, MUSIC
    GET SHOWTIMES

    Kings of P-Pop SB19 bring their monumental concert experience to cinemas worldwide for their global fanbase, A’TIN. Capturing the energy, spectacular choreography, and emotional highlights of their grand trilogy finale, this concert film offers fans an up-close seat to the group’s journey. Expect powerful live vocals, behind-the-scenes moments, and a celebration of modern Filipino music on the big screen.

    What’s On Your Movie List This Week?

    From real-world revelations and supernatural scares to anime nostalgia, psychological thrills, and a major P-Pop concert finale, this week’s movie lineup covers plenty of ground. The Social Reckoning brings a timely drama-thriller, Other Mommy turns a familiar face into something frightening, Detective Conan: Episode “ZERO”: The Shinichi Kudo Aquarium Case takes fans back to Shinichi and Ran’s younger days, while Hyoketsu: The Curse of the White Lady delivers an eerie ancestral-home nightmare. Mantsa adds a darker Filipino thriller to the mix, and SB19 Wakas at Simula: The Trilogy Concert Finale gives A’TIN a chance to celebrate the group’s journey on the big screen.

    So, which one are you watching first?

    Whatever you’re in the mood for, there’s a new movie ready for your next cinema run. Grab your favorite snacks, round up your barkadas, and secure your tickets for your next big-screen fix.

    Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!

  • Jeremy Allen White Chases the Truth in Aaron Sorkin’s “The Social Reckoning”

    Jeremy Allen White Chases the Truth in Aaron Sorkin’s “The Social Reckoning”

    When the unprecedented rise of social media began creating serious problems across the socio-political landscape, Wall Street Journal reporter Jeff Horwitz went looking for answers.

    What he uncovered, together with the invaluable evidence presented by whistleblower Frances Haugen, proved explosive. Their work became known as The Facebook Files, an investigation that helped expose troubling revelations about Facebook and ultimately laid the groundwork for director Aaron Sorkin’s upcoming film, The Social Reckoning.

    Watch the trailer:

    Aaron Sorkin Found His Jeff Horwitz in Jeremy Allen White

    Sorkin sought out Jeremy Allen White following the actor’s award-winning performance in the acclaimed series The Bear.

    Our fantastic casting director Francine Maisler, who has cast pretty much everything I’ve done, mentioned Jeremy in our first conversation and I thought we’ll never be able to get him. But I loved his performances in The Bear and as Springsteen and as soon as we met, we hit it off right away. He has all the skills, and all the intelligence, stoicism, and sense of humor to really get this character, Sorkin shares.

    White was fresh from his Golden Globe-nominated portrayal of Bruce Springsteen in Springsteen: Deliver Me from Nowhere when the opportunity arrived.

    Playing Jeff Horwitz, however, called for a very different approach.

    Rather than simply imitating the real-life journalist, White worked from the character Sorkin had created on the page.

    In the worlds that Sorkin creates, the characters take on a new life all their own,” White explains. “He likes the actors to play the character on the page, so the real Jeff and I never had contact.

    For White, that creative distance became an exciting part of understanding the role.

    For me, it was exciting to try to understand Jeff in this different way. I saw him as someone trying his best to remain curious and questioning even as the pressure on him from all sides gets overwhelming.

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    Finding the Rhythm in Sorkin’s Signature Dialogue

    White also had plenty to work with thanks to Sorkin’s famously fast, intelligent dialogue.

    His dialogue gives you beautiful rhythms while also being full of ideas,” White describes. “Things move fast, but Aaron also knows how to really let scenes breathe.

    That balance helps shape Jeff as he pursues a story with increasingly serious consequences, all while navigating the enormous responsibility attached to the information being placed in his hands.

    Jeremy Allen White and Mikey Madison Build the Film’s Crucial Partnership

    A major part of White’s role involved working opposite Mikey Madison, who portrays former Facebook employee and whistleblower Frances Haugen.

    Their rapport is crucial to the story, especially as the relationship between journalist and source changes throughout the investigation.

    I’ve long been a fan of Mikey’s,” White says, “and I found her wonderfully present, grounded, and intriguing as Frances, which made the intense pressure Jeff feels to do right by her even higher.

    White paid close attention to how Jeff and Frances gradually begin to understand each other.

    Jeff is at first frustrated by Frances, but he becomes increasingly protective of her,” White observes. “She starts out wary of Jeff, uncertain of what she wants out of this. She still has a lot of love for Facebook, for all that Zuckerberg has built and all that it means to people, and she’s very proud of her work at the company.

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    That emotional conflict makes Frances’ decision even more consequential.

    Jeff tries to respect that, but he wants the truth to come out, and I don’t think he fully realizes how big a sacrifice it is for her until she has already made it.

    A Story With Enormous Stakes

    With White as Horwitz and Madison as Haugen, The Social Reckoning turns one of the most consequential technology investigations of recent years into a gripping story about journalism, responsibility, power, and the cost of exposing the truth.

    Directed by Aaron Sorkin, the film brings audiences inside an investigation that forced the world to confront difficult questions about Facebook, social media, and the companies shaping modern public life.

    The Social Reckoning arrives in Philippine cinemas on October 7. Distributed locally by Columbia Pictures PH.