Category: Movies

  • New Movies This Week: Ramayana: Rise of a Legend, Paradise Lost, Wicker, The Cat in the Hat, and More!

    New Movies This Week: Ramayana: Rise of a Legend, Paradise Lost, Wicker, The Cat in the Hat, and More!

    Ready for your weekly big screen fix? Today, theaters are rolling out a lineup that swings from timeless mythic adventures and giant monster chaos to whimsical comedies, poignant family dramas, and front-row K-pop concert experiences. Whether you are looking for the heroic mythos of Ramayana: Rise of a Legend, deep emotional healing in Buddy, destruction on a global scale in Godzilla Minus Zero, offbeat seaside humor in Wicker, magical chaos in The Cat in the Hat, mind-bending tech mystery in Paradise Lost, or live stadium energy with Stray Kids World Tour Run It Live Viewing and EXO Planet #6 – EXhOrizon [dot] in Cinemas, today’s slate has a ticket with your name on it.

    Whether you’re planning a family movie day, craving a little monster mayhem, or hoping to catch your favorite K-pop artists on the big screen, here are the eight new movie experiences showing this week.

    Now Showing November 4, 2027 Ramayana Rise of a Legend, The Cat in the Hat, Buddy, Wicker, Paradise Lost

    Ramayana: Rise of a Legend

    OPENING DATE: NOVEMBER 5, 2026
    2026 • PG • 2h 47m
    ACTION, ADVENTURE, FANTASY
    GET SHOWTIMES

    An epic tale of love, duty, and destiny begins in Ramayana: Rise of a Legend. The story follows a young prince and princess whose marriage and subsequent exile set them on a legendary journey.

    Ramayana Rise of a Legend

    What begins as a story of love soon leads to greater challenges, testing their courage and sense of duty. Drawing from an ancient epic, the film brings a sweeping tale of adventure and fantasy to the big screen.

    Buddy

    2026 • PG • 2h 6m
    DRAMA, FAMILY
    GET SHOWTIMES

    Some family bonds are tested in ways no one could ever expect. Buddy explores the weight of heartbreak, the pain of old wounds, and the difficult work of finding forgiveness.

    As a family faces unexpected challenges, past hurts and mistakes resurface, forcing its members to confront their choices and reconsider their relationships. Through sacrifice and the long road toward healing, they discover what it truly means to stand by the people they love.

    It’s a family drama about second chances, understanding, and the ties that hold people together even when life gets difficult.

    Godzilla Minus Zero

    2026 • PG • 2h 14m
    ACTION, HORROR, SCIENCE FICTION
    GET SHOWTIMES

    Japan has barely begun to recover from the devastation of war and Godzilla’s attack when another threat emerges in Godzilla Minus Zero.

    Two years after the country was plunged into chaos, people are still working to rebuild their lives and regain a sense of normalcy. Just as a hard-won peace seems within reach, a new danger arrives and threatens to destroy everything once more.

    With the stakes higher than ever, humanity faces a fight that could determine its future. Monster movie fans can expect another intense big-screen experience from the Godzilla universe.

    Paradise Lost

    2026 • R-13 • 1h 40m
    DRAMA, SCIENCE FICTION, THRILLER
    GET SHOWTIMES

    A missing bus full of children. A grieving mother. And a son who returns years later, but isn’t quite the same.

    In the Korean thriller Paradise Lost, the mysterious disappearance of a bus carrying children leaves families facing unimaginable loss. Years later, an altered version of one mother’s son returns, forcing her to confront the reality she has created through technology.

    Paradise Lost

    As questions arise about what is real and what has been changed, she must come to terms with her grief and the consequences of her choices. The film combines family drama, science fiction, and suspense in a story that keeps its central mystery at the forefront.

    Wicker

    2026 • R-13 • 1h 45m
    COMEDY, FANTASY, ROMANCE
    GET SHOWTIMES

    Forget the usual romantic meet-cute. In Wicker, a lonely Fisherwoman decides to make herself a husband, and he’s made of wicker.

    Living in a seaside village where she’s constantly ridiculed, the Fisherwoman finally reaches her limit with her conservative, small-minded neighbours. Her unusual solution is to commission a husband of her own. But her unconventional romance quickly becomes the talk of the town, stirring up outrage, jealousy, and plenty of chaos.

    Led by Olivia Colman, Alexander Skarsgard, and Peter Dinklage, this comedy-fantasy offers a wonderfully unusual take on romance and village life.

    The Cat in the Hat

    2026 • R-13 • 1h 45m
    COMEDY, FANTASY, ROMANCE
    GET SHOWTIMES

    A mischievous cat, a magical hat, and a mission that could get completely out of hand. The Cat in the Hat brings Dr. Seuss’s beloved character to the big screen in his animated theatrical feature film debut.

    Voiced by Bill Hader, the Cat takes on a challenging assignment from the Institute for the Institution of Imagination and Inspiration. His job is to cheer up Gabby and Sebastian, two siblings struggling to adjust after moving to a new town.

    The Cat in the Hat

    Of course, things are never quite simple when the Cat is involved. Known for pushing mischief too far, he sets off on an adventure filled with magic, mayhem, and plenty of laughs. But this time, he has something important to prove: complete his mission or risk losing his magical hat.

    It’s a playful choice for families looking for an animated adventure to enjoy together.

    Stray Kids World Tour Run It Live Viewing

    OPENING DATE: NOVEMBER 7. 2026
    2026 • PG • 3h 30m
    MUSIC
    GET SHOWTIMES

    STAYs, your next concert experience is coming to the cinemas! Stray Kids World Tour Run It Live Viewing brings the group’s RUN IT tour to the big screen through a live broadcast.

    All eight members take the stage with their signature high-energy choreography and performances, giving fans a chance to experience the concert together, complete with the excitement of a cinema audience.

    It’s a chance to sing along, enjoy the performances, and share the moment with fellow STAYs without having to be at the concert venue.

    EXO Planet #6 – EXhOrizon [dot] in Cinemas

    OPENING DATE: NOVEMBER 8, 2026
    2026 • R-18 • 1h 48m
    CONCERT, MUSIC
    GET SHOWTIMES

    EXO-Ls, get ready for a special concert screening! EXO Planet #6 – EXhOrizon [dot] in Cinemas brings the grand finale of EXO’s sixth solo tour to cinemas around the world.

    The [dot] encore concert will be broadcast live on November 8, 2026, with delayed screenings in select territories. Fans can look forward to experiencing the group’s performances on a larger screen with immersive sound, making this a special occasion to share with fellow EXO-Ls.

    What’s On Your Movie List This Week?

    This week’s lineup covers a lot of ground, from the legendary journey of Ramayana: Rise of a Legend and the return of Godzilla in Godzilla Minus Zero to the quirky romance of Wicker and the family fun of The Cat in the Hat. If emotional stories are more your thing, Buddy and Paradise Lost offer very different takes on family, loss, and healing. And of course, K-pop fans have two concert events to look forward to with Stray Kids and EXO.

    Whatever you’re in the mood for, there’s a new movie ready for your next cinema run. Grab your favorite snacks, round up your barkada, and secure your tickets for your next big-screen fix.

    Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!

  • ‘2 Valid IDs’ to Compete at Prestigious Mar del Plata International Film Festival in Argentina

    ‘2 Valid IDs’ to Compete at Prestigious Mar del Plata International Film Festival in Argentina

    A familiar Filipino frustration is about to take center stage in Argentina.

    “2 Valid IDs,” a powerful social realist drama starring Cinemalaya 2026 Best Actress Marietta “Pokwang” Subong, has been selected to compete at the 41st Mar del Plata International Film Festival, one of Latin America’s most prestigious cinematic events.

    Directed by award-winning filmmaker Ma-an Asuncion-Dagñalan, the film will represent the Philippines in the festival’s International Feature Film Competition, where it will go head-to-head with 13 other films from around the world.

    Zaijian Jaranilla and Marietta Pokwang Subong in a scene from 2 Valid IDs
    Zaijian Jaranilla and Marietta ‘Pokwang’ Subong in a scene from 2 Valid IDs

    Taking place from November 5 to 15, 2026, the festival will also feature new works by internationally acclaimed directors Danny Boyle, Miwa Nishikawa, and Simon Stone.

    For Philippine cinema, the selection marks another exciting international milestone. But for the filmmakers behind “2 Valid IDs,” it also presents an opportunity to bring an all-too-familiar Filipino reality to a global audience.

    One Simple Requirement, One Desperate Fight for Survival

    We’ve all heard it before: “Kailangan po ng two valid IDs.”

    For many Filipinos, the requirement is an inconvenient but routine part of everyday transactions. For others, particularly those living in poverty, it can become an almost impossible obstacle.

    That frustrating reality drives the story of “2 Valid IDs,” written by award-winning screenwriter Abet Pagdagdagan Raz.

    2 Valid IDs behind the scenes photo2
    2 Valid IDs behind-the-scenes

    The film follows Sylvia, an impoverished farmer desperately trying to claim money sent by a relative through a remittance center. Her husband, Ramon, is suffering from severe Chronic Obstructive Pulmonary Disease (COPD), and the money is urgently needed to pay for his medical treatment.

    But when Sylvia reaches the counter, she encounters a requirement that threatens everything: she must present two valid government-issued identification cards.

    The problem? She doesn’t have a single one.

    What begins as a seemingly ordinary financial transaction soon becomes an emotionally charged struggle against a system that refuses to bend, even when someone’s life is at stake.

    Through Sylvia’s predicament, the film asks a troubling question: What happens when the people who need help the most are the very ones who cannot meet the requirements to receive it?

    Pokwang Steps Into the Spotlight With a Career-Defining Role

    Best known for her sharp comedic timing and larger-than-life personality, Pokwang takes on one of her most emotionally demanding roles as Sylvia.

    Her performance has already earned her the Best Actress award at Cinemalaya 2026, further establishing her range as a performer beyond comedy.

    2 Valid IDs behind the scenes photo3
    2 Valid IDs behind-the-scenes

    In “2 Valid IDs,” Pokwang portrays a woman whose desperation is matched only by her determination to keep her family afloat. Sylvia’s struggles reflect those of countless Filipinos who must navigate complicated systems while dealing with financial hardship and personal crises.

    Joining Pokwang is a formidable ensemble featuring veteran actors Joey Marquez and Meryll Soriano, alongside Zaijian Jaranilla.

    Together, they bring to life a story that finds its emotional weight not in extraordinary circumstances, but in the painful realities of ordinary people trying to survive.

    Ma-an Asuncion-Dagñalan Exposes the Human Cost of Red Tape

    For director Ma-an Asuncion-Dagñalan, the film’s premise may sound absurd, but its implications are deeply serious.

    It’s only in the Philippines that we are asked to show 2 valid IDs to get another ID. What happens to those who don’t have any? What happens to the people trapped in a chaotic and inhumane system?, Asuncion-Dagñalan stressed.

    Her questions strike at the heart of the film’s social commentary.

    Marietta Pokwang Subong Joey Marquez and Zaijian Jaranilla in 2 Valid IDs
    Marietta ‘Pokwang’ Subong, Joey Marquez, and Zaijian Jaranilla in 2 Valid IDs

    While identification requirements are intended to establish identity and protect transactions, “2 Valid IDs” examines what happens when those safeguards become barriers for people who lack the resources to comply.

    The director emphasized that the film “is more than a story of bureaucracy, it is a reflection of the truth where access to basic needs is hindered by poverty, excessive red tape, rigid rules, and a system that demands documentation rather than urgency and compassion.”

    It’s a subject that resonates strongly in the Philippines, where securing government-issued identification can itself involve navigating multiple requirements, expenses, and procedures.

    Yet the film’s message extends beyond any single country’s bureaucracy. At its core is a universal conflict between following institutional rules and recognizing human suffering.

    From ‘Blue Room’ to the International Stage

    “2 Valid IDs” also marks another significant achievement for Asuncion-Dagñalan, whose filmmaking career has been distinguished by emotionally resonant stories and critically recognized work.

    Her previous feature, “Blue Room,” received the Best Foreign Film award at the LA Femme International Film Festival. The filmmaker also earned Best Director honors at Cinemalaya and the FAMAS Awards.

    With her latest project, Asuncion-Dagñalan continues her exploration of social realities, this time focusing on how seemingly small bureaucratic demands can have devastating consequences for marginalized communities.

    2 Valid IDs behind the scenes photo1
    2 Valid IDs behind-the-scenes

    The production brings together a strong team of Filipino film professionals.

    Executive producers Geo Lomuntad, Claudia Diaz Cojuangco, Ben Tsai, HJ Li, Paolo Fernandez, Mitch Fernandez, Jim Baltazar, and Lydia Gapas supported the project.

    Behind the scenes, the film features cinematography by Neil Daza, production design by Mao Fadul, editing by Vanessa Ubas-De Leon, and sound design by Jannina Mikaela Minglanilla.

    Musicians Mikey Amistoso and Jazz Nicolas provide the film’s musical score.

    Their combined efforts bring a distinctly Filipino experience to the screen while giving the story the emotional depth needed to connect with international audiences.

    A Filipino Story That Demands to Be Heard

    As “2 Valid IDs” prepares for its South American premiere, its selection at the Mar del Plata International Film Festival offers another platform for Filipino filmmakers to share stories that challenge, provoke, and inspire conversation.

    Competing alongside 13 international features, the film carries a message that is both culturally specific and universally relevant.

    Zaijian Jaranilla Joey Marquez Marietta Pokwang Subong and Marife Necesito in 2 Valid IDs
    Zaijian Jaranilla, Joey Marquez, Marietta ‘Pokwang’ Subong, and Marife Necesito in 2 Valid IDs

    After all, the frustration of being turned away for lacking proper documentation is something many people can recognize. But when access to urgently needed medical care hangs in the balance, the consequences become far more devastating.

    By placing Sylvia’s struggle at the center of the narrative, “2 Valid IDs” reminds viewers that behind every application, transaction, and institutional requirement is a person whose circumstances may not fit neatly into the rules.

    And sometimes, the difference between compassion and indifference can come down to something as ordinary as two pieces of identification.

    “2 Valid IDs” will compete in the International Feature Film Competition at the 41st Mar del Plata International Film Festival, happening November 5 to 15, 2026, in Argentina.

  • Ranbir Kapoor, Nitesh Tiwari, and Namit Malhotra Reveal the Vision Behind ‘Ramayana: Rise of a Legend’

    Ranbir Kapoor, Nitesh Tiwari, and Namit Malhotra Reveal the Vision Behind ‘Ramayana: Rise of a Legend’

    An ancient epic. A legendary hero. A cinematic spectacle unlike any other.

    The timeless story of Ramayana is getting a grand big-screen adaptation, and the creative minds behind it are giving audiences an exciting glimpse of what it took to bring this beloved tale to life.

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    In a newly released Ramayana: Rise of a Legend vignette, producer Namit Malhotra, director Nitesh Tiwari, and lead star Ranbir Kapoor share their passion, creative vision, and the extraordinary effort behind one of Indian cinema’s most ambitious productions.

    From a massive international production team to Academy Award-winning visual effects talent, the film promises a spectacular retelling of a story that has inspired generations.

    Watch the Ramayana: Rise of a Legend vignette here:

    A Legendary Story, Decades in the Making

    For producer Namit Malhotra, bringing Ramayana to theaters feels less like an ordinary filmmaking project and more like a defining moment in his career.

    When the opportunity of Ramayana came along, it was something I felt we had to do. Some films don’t get made, they happen, Malhotra shares in the vignette.

    And the scale of this production? Nothing short of extraordinary.

    Just to give people a sense of numbers, we have over ten thousand people on this film, worldwide, he reveals.

    feature 12

    Malhotra is also the CEO of DNEG, the acclaimed visual effects company behind cinematic masterpieces such as Inception, Interstellar, Blade Runner 2049, Dune, and Dune: Part Two.

    With eight Academy Awards to its name, DNEG brings an impressive legacy of groundbreaking visual storytelling to the project.

    Reflecting on his journey, Malhotra explains how decades of experience have prepared him for this ambitious undertaking.

    I built this little company from a garage. Three decades later, having won eight Academy Awards. We have all the best filmmaking talent, acting talent, production capabilities. Everything I ever did in my life was to be able to do this properly.

    Ranbir Kapoor on Bringing the Hero Rama to Life

    Stepping into the role of Rama is acclaimed actor Ranbir Kapoor, who describes being captivated by director Nitesh Tiwari’s extraordinary vision.

    The kind of cast, crew that Namit put together. The kind of opportunity that you gave us, scale that you gave us creative people, that’s really rare in this industry. Kapoor says to Tiwari. When you took me through your vision, I was bedazzled.

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    With a character deeply rooted in Indian culture and mythology, Kapoor takes on a role that carries enormous significance for audiences familiar with the epic.

    His portrayal of Rama stands at the heart of a story exploring sacrifice, courage, destiny, and the enduring battle between good and evil.

    Nitesh Tiwari Reveals Why Ramayana Is a Story for Everyone

    While Ramayana is deeply connected to India’s cultural heritage, director Nitesh Tiwari believes its themes have the power to resonate far beyond geographical and cultural boundaries.

    There’s something in it for everyone. People from around the world can connect to it. There’s a great father-son story. There’s a great underdog story. A brave love story, Tiwari explains.

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    Known for directing Dangal, the highest-grossing Indian film worldwide, Tiwari brings his storytelling expertise to a tale that blends family, romance, heroism, and destiny.

    At its core, Ramayana: Rise of a Legend follows Rama, a prince bound by sacrifice, and Ravana, an immortal king driven by vengeance, as an ancient prophecy draws their fates together.

    It’s a legendary conflict with timeless emotional stakes, now reimagined for a new generation of moviegoers.

    An Epic Collaboration of World-Class Talent

    Beyond its powerful story and impressive visuals, Ramayana: Rise of a Legend brings together a remarkable lineup of international creative talent.

    Joining Ranbir Kapoor are Yash, Sai Pallavi, Ravie Dubey, and Sunny Deol, forming an ensemble cast that promises to breathe life into the epic’s unforgettable characters.

    Adding to the excitement is a musical collaboration between Academy Award-winning composers Hans Zimmer and A.R. Rahman.

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    With Zimmer’s cinematic compositions and Rahman’s celebrated musical artistry, the film’s score is another major highlight to anticipate.

    Combined with DNEG’s visual effects expertise and Tiwari’s storytelling vision, Ramayana: Rise of a Legend aims to deliver a larger-than-life theatrical experience.

    Experience Ramayana: Rise of a Legend at SM Cinemas This November 5

    The countdown to an epic cinematic adventure is on!

    Ramayana: Rise of a Legend arrives exclusively at SM Cinemas on November 5, 2026, including IMAX and other premium formats, as part of its global theatrical release.

    Whether you’re a longtime admirer of the ancient epic or discovering Rama’s legendary journey for the first time, this ambitious adaptation offers a fresh opportunity to experience one of the world’s most enduring stories on the big screen.

    Witness the legend unfold at SM Cinemas starting November 5! Distributed locally by Columbia Pictures PH.

    Ramayana poster

    Film Details

    Title: Ramayana: Rise of a Legend
    Director: Nitesh Tiwari
    Screenplay: Shridhar Raghavan
    Producer: Namit Malhotra
    Cast: Ranbir Kapoor, Yash, Sai Pallavi, Ravie Dubey, Sunny Deol
    Music: Hans Zimmer and A.R. Rahman
    Philippine Release Date: November 5, 2026
    Cinema: SM Cinemas, including IMAX and premium formats

    Film credits are not final.

  • ‘Silenced Nights’ Makes History as First Filipino Film to Compete at Skopje International Film Festival

    ‘Silenced Nights’ Makes History as First Filipino Film to Compete at Skopje International Film Festival

    Filipino cinema is making another remarkable mark on the global stage!

    Fresh from its historic selection at the Toronto International Film Festival (TIFF), Lawrence Fajardo’s gripping drama Silenced Nights is heading to North Macedonia as the first Filipino feature film to compete at the Skopje International Film Festival.

    Nico Antonio and Jorrybell Agoto in Silenced Nights
    Nico Antonio and Jorrybell Agoto in ‘Silenced Nights’

    The festival’s 26th edition runs from November 4 to 9, 2026, bringing together international filmmakers and cinema enthusiasts for a celebration of compelling storytelling.

    Fajardo is expected to travel to North Macedonia to personally represent the film, connect with international audiences, and participate in festival discussions.

    Lawrence Fajardo
    Lawrence Fajardo

    A Gripping Story of Survival in Manila

    Set against the gritty streets of Tondo, Manila, Silenced Nights explores the unsettling realities of urban survival, morality, and the pursuit of justice.

    At the center of the story is an ordinary laborer, portrayed by Nico Antonio, whose life takes a terrifying turn after he accidentally witnesses a brutal killing.

    Silenced Nights still photo

    Suddenly caught in a dangerous situation he never asked for, the laborer faces difficult moral choices as he struggles to survive.

    Inspired by real-world struggles for justice, the film examines what happens when an ordinary person is confronted with extraordinary danger. How far can someone go to protect themselves when doing the right thing comes at a devastating cost?

    With its raw storytelling and emotionally charged premise, Silenced Nights offers a powerful look at fear, accountability, and the human instinct for survival.

    A Stellar Filipino Ensemble Brings the Story to Life

    Leading the film is Nico Antonio, supported by an impressive ensemble of Filipino performers.

    The cast includes Lotlot de Leon, Ina Feleo, Joel Saracho, Tanya Gomez, Dylan Ray Talon, Jorrybell Agoto, Simon Ibarra, Mario Magallona, Rom Factolerin, Soliman Cruz, Hector Macaso, Raul Morit, Bombi Plata, Apollo Abraham, DMs Boongaling, Mae Paner, Tess Jamias, Timothy Castillo, Kenken Nuyad, Micko Laurente, Enzo Osorio, and newcomer Aquisha Tombiga.

    Silenced Nights production team
    ‘Silenced Nights’ production team

    Behind the camera, Fajardo teams up with screenwriter Troy Espiritu and director of photography Albert Banzon.

    The production also brings together executive producers Atty. Joji Alonso, Perci Intalan, Hsin-Hung Tsai, and Vincent Wang, alongside producers Ferdy Lapuz and Patricia Sumagui.

    A Global Collaboration for Filipino Storytelling

    Adding to the film’s international appeal, Silenced Nights is a co-production involving Quantum Films (Philippines), House on Fire (France), and House on Fire International (Taiwan).

    Atty. Joji Alonso
    Atty. Joji Alonso

    The project was developed with support from the Film Development Council of the Philippines (FDCP), reflecting the growing opportunities for Filipino filmmakers to collaborate with international production partners.

    This cross-border effort brings a distinctly Filipino story to a wider audience while highlighting the country’s creative talent on the global film circuit.

    From Toronto to Skopje: A Historic Journey for Philippine Cinema

    Before its upcoming appearance in North Macedonia, Silenced Nights had already achieved a significant milestone at the prestigious Toronto International Film Festival.

    The drama became the first Filipino feature selected for TIFF’s Platform competition, a highly selective, juried section recognizing distinctive filmmaking voices from around the world.

    Lotlot De Leon in Silenced Nights
    Lotlot De Leon in ‘Silenced Nights’

    Now, with its selection at the Skopje International Film Festival, the film adds another exciting chapter to its international journey.

    More than a festival achievement, Silenced Nights shines a spotlight on Filipino storytelling and its ability to resonate with audiences beyond the Philippines.

    As the film heads to Skopje, one thing is clear: powerful Filipino stories continue to find their place on the world stage.

  • Jumanji Takes Over the Real World in the New Trailer for ‘Jumanji: Open World,’ in PH Cinemas January 13

    Jumanji Takes Over the Real World in the New Trailer for ‘Jumanji: Open World,’ in PH Cinemas January 13

    The tables have turned, and this time, the game is coming for us.

    After years of sending unsuspecting players into dangerous jungles filled with deadly creatures, outrageous challenges, and unpredictable surprises, Jumanji is flipping the script. In the newly released trailer for Jumanji: Open World, the beloved adventure game breaks free from its console, bringing its signature brand of chaos straight into reality.

    And who better to save the day than the familiar faces who have already survived Jumanji’s wildest challenges?

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    Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan reunite for one last adventure in Jumanji: Open World, the final chapter of the blockbuster action-adventure trilogy, arriving in Philippine cinemas on January 13.

    This Time, Jumanji Is Playing by Its Own Rules

    Our world. New rules. One final game.

    The heroes have beaten Jumanji before, escaping its treacherous landscapes and overcoming seemingly impossible odds. But just when they thought they understood how the game worked, Jumanji has one more trick up its sleeve.

    Instead of pulling players into its digital universe, the game itself has found a way out.

    The result? A world where the line between fantasy and reality has vanished, and the dangers once confined to a video game are suddenly everyone’s problem.

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    The new trailer introduces this game-changing premise, setting the stage for an adventure that takes the franchise beyond its familiar jungle setting.

    With Jumanji’s unpredictable rules now threatening the real world, the heroes face a different kind of challenge: containing a game that no longer wants to stay in its place.

    And if their previous adventures have taught us anything, it’s that surviving Jumanji is never as simple as following the rules.

    Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan Are Back

    Of course, a Jumanji adventure wouldn’t be complete without the hilarious chemistry and larger-than-life personalities of its central cast.

    Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan return to headline the film, bringing back the dynamic that helped make the modern Jumanji movies such crowd-pleasers.

    Jumanji OpenWorld

    Whether it’s their comedic timing, unexpected teamwork, or knack for finding themselves in ridiculous situations, the four stars have become an essential part of the franchise’s appeal.

    Also returning are Alex Wolff, Madison Iseman, Morgan Turner, Ser’Darius Blain, and Rhys Darby, alongside Nick Jonas and Danny DeVito.

    With the ensemble back together, Jumanji: Open World promises another entertaining mix of action, humor, and high-stakes adventure, this time with the entire real world caught in the middle.

    A Bigger Playing Field for Jumanji’s Final Adventure

    What makes Jumanji: Open World particularly intriguing is how it turns the franchise’s central idea on its head.

    In the previous films, entering Jumanji meant leaving the ordinary world behind. Players had to navigate unfamiliar environments, understand their new abilities, and work together to survive long enough to finish the game.

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    Now, there’s no need to enter Jumanji to experience its dangers.

    By bringing the game into reality, the final installment opens the door to a completely different kind of adventure. Familiar places are no longer necessarily safe, and the heroes must confront a threat that could affect far more than just the players.

    It’s a clever reversal of the formula audiences have come to know, giving the franchise an opportunity to raise the stakes for its final chapter.

    After all, how do you beat a game when the whole world has become its playground?

    Watch the New ‘Jumanji: Open World’ Trailer

    The adventure is far from over, and the latest trailer offers a first look at Jumanji’s bold new direction.

    Watch the Jumanji: Open World trailer

    Jake Kasdan returns to direct the final installment, working from a screenplay written with Jeff Pinkner and Scott Rosenberg. The film is based on the beloved children’s book Jumanji by Chris Van Allsburg.

    Producers include Matt Tolmach, Jake Kasdan, Dwayne Johnson, Dany Garcia, and Hiram Garcia.

    One Last Roll of the Dice

    From its dangerous jungles to its unpredictable challenges, Jumanji has always been a world where anything can happen. But for its final adventure, the franchise is taking its biggest gamble yet by bringing the game into our own backyard.

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    With its returning all-star cast, a fresh twist on the familiar premise, and one last opportunity for the heroes to outsmart the game, Jumanji: Open World is setting the stage for a fittingly chaotic farewell.

    The question is no longer whether our heroes can escape Jumanji.

    It’s whether they can stop Jumanji from taking over our world.

    Jumanji: Open World opens in Philippine cinemas on January 13. Distributed locally by Columbia Picures PH.

  • Jane Austen’s ‘Sense and Sensibility’ Finds New Life on the Big Screen, Now Exclusively at Ayala Malls Cinemas

    Jane Austen’s ‘Sense and Sensibility’ Finds New Life on the Big Screen, Now Exclusively at Ayala Malls Cinemas

    Some stories never get old, especially when they involve complicated romances, broken hearts, and the eternal struggle between following your feelings and doing what’s expected of you.

    More than 200 years after Jane Austen first introduced readers to the Dashwood sisters, Sense and Sensibility continues to capture the messy, funny, and often frustrating realities of love. Now, the beloved literary classic gets a fresh cinematic interpretation, bringing Austen’s signature wit, emotional depth, and unforgettable characters to a new generation.

    Now showing exclusively at Ayala Malls Cinemas, the film offers more than a traditional period romance. At its heart is a story about two sisters discovering who they are, what they want, and how to hold on to each other when life takes an unexpected turn.

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    And as it turns out, Austen understood the complications of modern relationships long before dating apps and TikTok existed.

    A 200-Year-Old Story That Still Feels Surprisingly Modern

    When Jane Austen published Sense and Sensibility in 1811, she chose to remain anonymous, identifying herself on the novel’s title page simply as “By a Lady.”

    It was a modest introduction for a writer whose sharp observations about love, social expectations, and human behavior would eventually make her one of literature’s most celebrated voices.

    But beyond the elegant prose and romantic entanglements, Austen had another remarkable gift: she knew how to make people laugh at themselves.

    That blend of intelligence, humor, and emotional honesty is precisely what inspired producer India Flint to revisit the classic.

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    Interestingly, the idea began while Flint was reading Love & Virtue, the acclaimed 2021 debut novel by Australian author Diana Reid.

    What struck me with Diana’s writing was her ability to capture a very specific kind of cultural moment, and her ability to capture the voice of her generation, Flint says

    She immediately recognized a connection between Reid’s contemporary storytelling and Austen’s ability to capture the attitudes and contradictions of her own time.

    Of course, this is also true for what we love about Austen. Diana’s about the same age as Austen was when she wrote the novel, and she’s not that different in age to the hero characters. I also knew that she was going to inject such a witty sense of humor.

    The discovery eventually led to Reid taking on the screenplay, bringing a younger perspective to a story that has already captivated generations.

    What Would Jane Austen Think of Modern Dating?

    If there’s one thing Austen understood exceptionally well, it’s that matters of the heart rarely go according to plan.

    Unspoken feelings, questionable romantic choices, mixed signals, and the occasional frustrating admirer are all familiar territory in Sense and Sensibility.

    Sound like something straight out of your social media feed?

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    For screenwriter Diana Reid, that’s exactly the point.

    Just because the labels have changed, doesn’t mean that people have,” Reid says. “Some of the heartbreak in the novel felt like the kind of thing that you would see someone complain about on TikTok.

    It’s an amusing observation, but one that reveals why Austen remains so relevant. Centuries may separate her characters from today’s audiences, yet the emotions behind their decisions remain remarkably familiar.

    And beneath all the social comedy is something surprisingly tender: the desire to find someone who truly understands you.

    As Reid observes, much of Austen’s humor comes from the realization that people can be incredibly annoying. That only makes finding someone who shares your outlook on life feel even more extraordinary.

    In other words, the real romance isn’t simply about falling in love. It’s about finding a person whose company makes the world feel a little less complicated.

    Watch the official trailer:

    Meet the Dashwood Sisters: Two Hearts, Two Ways of Loving

    Of course, no discussion of Sense and Sensibility would be complete without its two unforgettable heroines.

    Following the death of their father, sisters Elinor and Marianne Dashwood find their lives upended by circumstances beyond their control. As they navigate an uncertain future, both encounter the joys, disappointments, and painful lessons that come with falling in love.

    Yet despite sharing a home, a family, and a deep affection for each other, the sisters couldn’t be more different in how they approach matters of the heart.

    Elinor is thoughtful, composed, and constantly aware of her responsibilities. She carefully considers the feelings of others, even when doing so means keeping her own desires hidden.

    Marianne, meanwhile, is passionate, outspoken, and unapologetically romantic. She believes in expressing her feelings freely and pursuing love with everything she has.

    For Reid, their differences are not about one sister being more emotional than the other.

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    They both are very intelligent and they’re both deeply empathetic, but it’s just a question of what they do with those emotions, Reid explains.

    For Elinor, I always thought about it as a conflict between duty and desire—she’s always thinking about what other people want. Marianne is very sure of what she wants, and she pursues her desire ardently and without inhibition.

    It’s a fascinating contrast because both approaches feel so human.

    Who hasn’t struggled between saying what they truly feel and choosing what seems sensible? Or wondered whether protecting their heart might mean missing out on something wonderful?

    Through Elinor and Marianne, Austen reminds us that neither reason nor passion holds all the answers.

    The Film’s Greatest Love Story Might Not Be the Romance

    While the Dashwood sisters experience their share of romantic excitement and heartbreak, director Georgia Oakley believes the most compelling relationship in Sense and Sensibility is the one they share with each other.

    I was drawn to the relationship between the sisters, Oakley reveals.

    For the director, Elinor and Marianne are more than contrasting personalities. They represent two opposing impulses that can exist within the same person: the desire to remain in control and the longing to surrender to one’s emotions.

    They represent these two opposing forces that a lot of women have within themselves that are always at war, Oakley explains.

    She also credits Austen’s understanding of gender and power dynamics, qualities that remain central to Reid’s adaptation.

    What particularly fascinated Oakley was the idea that the story’s emotional center isn’t necessarily a conventional romantic relationship.

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    The fact that the central love story was between the two sisters—I think Austen was really writing about the two sides of herself that were often in disagreement with each other, and she splintered them out into these characters.

    It’s a perspective that gives the familiar story added meaning.

    After all, romantic relationships may come and go, but the bond between the Dashwood sisters survives disappointment, uncertainty, and the difficult process of growing up.

    They disagree, make mistakes, and see the world differently. Yet when everything around them changes, they continue to find strength in each other.

    And perhaps that’s the most beautiful kind of love story of all.

    Rediscover the Wit, Romance, and Heart of ‘Sense and Sensibility’ at Ayala Malls Cinemas

    With Diana Reid’s witty screenplay and Georgia Oakley’s character-driven vision, this adaptation of Sense and Sensibility invites audiences to see Jane Austen’s enduring classic from a fresh perspective.

    It’s a story for anyone who has ever loved too deeply, kept their feelings to themselves, made a questionable romantic decision, or found comfort in someone who knows them better than anyone else.

    For longtime Austen admirers, the film offers another opportunity to reconnect with beloved characters and familiar themes. For first-time viewers, it’s an introduction to a world where romance is wonderfully complicated, humor is delightfully sharp, and family remains a source of strength.

    Because while the rules of courtship have certainly changed since Austen’s time, the search for love, belonging, and understanding remains as relatable as ever.

    Experience Sense and Sensibility, now showing exclusively at Ayala Malls Cinemas, home to timeless classics, internationally acclaimed films, and exciting local and global releases.

    For more movie updates and upcoming exclusive screenings, follow Ayala Malls Cinemas on Facebook and Instagram.

    Some stories are worth telling again. And when it comes to love, heartbreak, and the people who stand by us through it all, Sense and Sensibility proves that Jane Austen still knows exactly how to speak to our hearts.

  • David Leitch’s Action-Packed Heist Comedy “How to Rob a Bank” Hits PH Cinemas November 11

    David Leitch’s Action-Packed Heist Comedy “How to Rob a Bank” Hits PH Cinemas November 11

    Forget everything you know about bank robberies. In a world where going viral can be just as valuable as getting rich, pulling off the perfect heist might be easier than you think. But getting away with it? That’s another story.

    From David Leitch, the acclaimed director behind Bullet Train and The Fall Guy, comes How to Rob a Bank, an explosive action-comedy that gives the classic heist genre a thrilling, social media-savvy makeover.

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    Starring Nicholas Hoult, Zoë Kravitz, and John C. Reilly, the film brings high-stakes robberies, outrageous action, and a fresh perspective on crime in the digital age to Philippine cinemas on November 11.

    A Bank Heist With a Surprisingly Dangerous Twist

    What if robbing a bank wasn’t as difficult as everyone imagined?

    That’s the unexpected question that inspired screenwriter Mark Bianculli to rethink the traditional heist movie.

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    Rather than focusing solely on how criminals pull off a robbery, Bianculli became fascinated by something more intriguing: what motivates an ordinary person to become a bank robber in the first place?

    Suddenly the question for me wasn’t just how someone robs a bank, it was why,” screenwriter Mark Bianculli says. “If the barrier to entry is so much lower than most people imagine, what would it take to convince you to cross that line? From there, everything else was born.

    That unconventional idea became the foundation for How to Rob a Bank, a film that combines adrenaline-fueled action with sharp observations about modern society.

    Meet the Bank Robbers Who Livestream Their Crimes

    In How to Rob a Bank, crime isn’t just about making money. It’s also about building an audience.

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    Leading the chaos is The Wolf, played by Nicholas Hoult, the mastermind behind a crew of bank robbers who livestream their daring heists to an ever-growing online following.

    With every robbery, their popularity skyrockets. But the bigger their audience becomes, the more attention they attract from law enforcement.

    Enter a seasoned FBI agent, played by John C. Reilly, who enlists the help of a software engineer under house arrest, portrayed by Zoë Kravitz.

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    Together, the unlikely pair attempts to outsmart the increasingly notorious criminals before they execute their boldest robbery yet.

    As the stakes rise, the line between online spectacle and real-world danger becomes increasingly blurred.

    Watch the official How to Rob a Bank trailer

    David Leitch Brings His Signature Action Style to the Heist Genre

    If there’s one thing audiences can expect from a David Leitch film, it’s spectacular action with plenty of personality.

    Known for delivering inventive fight choreography and exhilarating set pieces, Leitch brings his extensive stunt background to films like Bullet Train and The Fall Guy.

    Now, he takes that same creative energy into the world of high-tech bank robberies.

    David is the right guy because this movie needed style, and David obviously oozes style, Bianculli says.

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    According to the screenwriter, Leitch wanted more than impressive physical confrontations. He envisioned a story where every character clashes with someone else, every scene carries tension, and every action sequence serves a purpose.

    But he also stressed the idea of collision, and not just physical collision. He wanted every character pushing against someone else, every scene to have tension, every set piece to be earned. I always joke that he took my script, plugged it into an amplifier and played the electric version, Bianculli adds.

    And with Leitch behind the camera, audiences can look forward to a heist movie packed with thrilling encounters, unexpected twists, and larger-than-life personalities.

    A Modern Heist Film That Reflects Our Social Media Obsession

    Beyond the explosive action, How to Rob a Bank explores something surprisingly familiar: the power of online attention.

    For longtime Leitch collaborator and producer Kelly McCormick, the story stood out because of its connection to the frustrations and conversations shaping today’s society.

    McCormick saw an opportunity to create something that felt unmistakably 87North: wildly entertaining, visually exciting, and rooted in timely ideas.

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    The challenge was bringing those themes to life without sacrificing the fun that audiences expect from a big-screen action comedy.

    For Leitch, achieving that balance meant combining two distinct visual worlds: the cinematic spectacle of a Hollywood heist film and the spontaneous, immersive energy of digital content.

    Our job was to build one cohesive world out of two very different visual languages, Leitch says. The movie had to feel cinematic, but it also had to feel immediate and authentic to the way this generation creates and consumes media. Every choice we made came back to serving the characters and making those two worlds feel like they belonged together.

    The result promises a bank robbery experience where every livestream, every confrontation, and every unexpected move contributes to the excitement.

    Catch How to Rob a Bank in Philippine Cinemas This November 11

    With Nicholas Hoult leading a crew of internet-famous criminals, Zoë Kravitz and John C. Reilly racing to stop them, and David Leitch orchestrating the action, How to Rob a Bank is gearing up to deliver a wild cinematic ride.

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    After all, when the entire internet is watching, pulling off the perfect crime becomes a whole different challenge.

    Will The Wolf and his crew pull off their biggest heist, or will their thirst for online fame become their ultimate downfall?

    Find out when How to Rob a Bank opens in Philippine cinemas on November 11. Distributed locally by Columbia Pictures PH.

  • The Final Battle for Arrakis Begins! Watch the ‘Dune: Part Three’ Final Trailer, Catch Sneak Previews on December 15

    The Final Battle for Arrakis Begins! Watch the ‘Dune: Part Three’ Final Trailer, Catch Sneak Previews on December 15

    The sands of Arrakis are shifting one last time, and the fate of an empire hangs in the balance.

    The epic journey that captivated audiences around the world is heading toward its breathtaking conclusion. Warner Bros. Pictures and Legendary Pictures have unveiled the final trailer for “Dune: Part Three,” offering an electrifying glimpse into the final chapter of filmmaker Denis Villeneuve’s acclaimed sci-fi trilogy.

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    Starring Timothée Chalamet, Zendaya, Robert Pattinson, Florence Pugh, Jason Momoa, and Javier Bardem, the highly anticipated film promises a thrilling showdown where power, betrayal, and destiny collide.

    And here’s even better news for Filipino moviegoers! Tickets are now on sale, with sneak previews happening on December 15, ahead of the film’s December 16, 2026, theatrical release in the Philippines.

    Watch the Final ‘Dune: Part Three’ Trailer

    The end is coming, but the fight for Arrakis is far from over.

    With an empire at stake and powerful enemies closing in, the final installment takes Paul Atreides into darker, more dangerous territory. The newly released trailer teases the devastating consequences of his rule and the extraordinary battles that await.

    Watch the final trailer here:

    Whether you’ve followed Paul’s journey since the beginning or simply can’t resist a spectacular cinematic experience, this is one epic finale worth catching on the biggest screen possible.

    A New Era of Power, Betrayal, and Rebellion

    Nearly two decades have passed since Paul Atreides seized control of the Imperium. Once hailed as a prophetic leader, Paul, played by Timothée Chalamet, now rules as a ruthless Emperor, facing the painful consequences of the empire he built.

    But holding on to power comes at a terrifying price.

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    As familiar allies return and dangerous new enemies emerge, Paul finds himself entangled in a far-reaching conspiracy that threatens to tear his reign apart. Haunted by visions of Imperial collapse and the unexpected reappearance of his long-lost love, he must navigate a treacherous world where loyalty is fragile and betrayal waits around every corner.

    At the center of the unfolding mystery is Chani, portrayed by Zendaya, whose role becomes increasingly crucial as rebellion spreads across the Imperium.

    With everything he loves at risk, Paul faces an impossible question: How much is he willing to sacrifice to protect his empire, his future, and the people closest to his heart?

    A Star-Studded Cast Returns for the Epic Finale

    The final chapter brings together a powerhouse ensemble of familiar faces and exciting additions.

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    Leading the cast are Academy Award nominee Timothée Chalamet and Zendaya, joined by Jason Momoa, Academy Award nominee Florence Pugh, Rebecca Ferguson, Isaach de Bankolé, Academy Award nominee Charlotte Rampling, Anya Taylor-Joy, Robert Pattinson, and Academy Award winner Javier Bardem.

    Behind the camera, Villeneuve once again leads the production, co-writing the screenplay with Brian K. Vaughan, based on Frank Herbert’s celebrated novels.

    The film also reunites an impressive creative team, including Academy Award-winning cinematographer Linus Sandgren, production designer Patrice Vermette, editor Joe Walker, and composer Hans Zimmer, alongside Oscar-nominated costume designer Jacqueline West and casting director Francine Maisler.

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    Together, they bring the sweeping world of Arrakis to life for one unforgettable conclusion.

    Experience ‘Dune: Part Three’ in Cinemas and IMAX This December

    Some stories deserve to be experienced on the biggest screen possible, and the final chapter of “Dune” is one of them.

    From the vast deserts of Arrakis to the political intrigue that threatens the Imperium, “Dune: Part Three” is set to deliver the kind of immersive cinematic spectacle that makes a trip to the movies an event in itself.

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    Filipino fans can be among the first to witness the epic conclusion during sneak previews on December 15, before the film officially opens in Philippine cinemas and IMAX on December 16, 2026.

    Tickets are now on sale! Visit www.dunepart3.com.ph to check screening schedules and book your seats.

    The final chapter is almost here. The battle for Arrakis awaits.

    “Dune: Part Three” opens in Philippine cinemas and IMAX on December 16, 2026, distributed by Warner Bros. Pictures.

  • Critically Acclaimed ‘You Can See Everything’ Opens in PH Cinemas this November 18

    Critically Acclaimed ‘You Can See Everything’ Opens in PH Cinemas this November 18

    One of 2026’s most buzzed-about documentaries is officially headed to the Philippines.

    Columbia Pictures Philippines has announced that You Can See Everything, the provocative new film from directors Nathan Fielder and Lance Oppenheim, will open in Philippine cinemas on November 18.

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    Centered on controversial Silicon Valley founder Elizabeth Holmes, the documentary follows her during the final weeks before she is scheduled to begin her prison sentence. What starts as a seemingly intimate portrait soon evolves into something far stranger, more layered, and increasingly difficult to define.

    Watch the trailer:

    A documentary that refuses to play it safe

    Thirty-four days before entering prison, Holmes invites a skeptical film crew to document her life and every move.

    That setup alone promises an unusually close look at one of the most infamous figures in recent Silicon Valley history. But under the direction of Fielder and Oppenheim, the film pushes beyond a conventional profile.

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    Instead, You Can See Everything becomes an ambitious examination of perception, control, performance, and the unstable line between truth and manipulation.

    The result has already generated major critical attention in the United States.

    The film currently holds a 98% score on Rotten Tomatoes, alongside a 96% Popcornmeter audience rating, signaling strong reception from both critics and moviegoers.

    Critics are calling it one of the year’s best films

    Among the film’s most enthusiastic reviews is one from Cultured Pop, which praises its immersive and unconventional approach.

    You Can See Everything offers such a uniquely involving experience and is easily one of the best movies of the year.

    A startling, radical, evolutionary work of documentary cinema built on a triangulation of characters who are the evil geniuses of our era – not only the greatest movie of the year, but also the most essential. It will destroy you, for the better. – The Globe and Mail

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    The publication adds, “It will destroy you, for the better.”

    Meanwhile, The Guardian awarded the documentary five stars, highlighting the film’s slippery exploration of trust and intent.

    What I can tell you is that You Can See Everything is a masterpiece of who’s playing who, the fragility and absurdities of trust, seemingly begotten by chance.

    Nathan Fielder and Lance Oppenheim turn the camera into part of the story

    Much of the early praise has focused not only on Holmes, but also on how Fielder and Oppenheim challenge the usual boundaries of documentary filmmaking.

    The Hollywood Reporter commends the boldness of the concept, writing:

    What begins as a fascinatingly intimate portrait of a deluded or disingenuous scammer reveals as something even wilder, more ambitious and less predictable, until we’re left to ponder what value a personal truth has at all.

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    IndieWire, which gave the film a Grade A, also praised the filmmakers’ contrasting strengths and the tension created by their approach.

    Fielder’s side-eye, always directed at Evans, gives viewers insight into his position, while Oppenheim’s expertise in feature narrative and documentary filmmaking elevates the film’s craft. Together, the duo keeps us on the edge of our seats, glued to the screen.

    That tension appears to be central to the film’s appeal. Rather than simply presenting Holmes as a subject to be observed, You Can See Everything repeatedly questions who is controlling the narrative, who is performing for whom, and how much viewers can truly trust what is happening in front of the camera.

    A closer look at Elizabeth Holmes before prison

    Holmes became one of Silicon Valley’s most notorious figures following the collapse of Theranos, the health technology company she founded and once led.

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    In You Can See Everything, however, the focus is narrowed to an especially charged period in her life.

    With only 34 days remaining before her imprisonment, Holmes allows cameras unusually close access, creating the foundation for a film that gradually expands into a three-year journey.

    According to the film’s official synopsis:

    Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

    For viewers expecting a straightforward true-crime documentary, the early reviews suggest something much more unpredictable awaits.

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    ‘You Can See Everything’ arrives this November

    With near-unanimous critical praise, a provocative subject, and two filmmakers known for unconventional storytelling, You Can See Everything is shaping up to be one of the most intriguing documentary releases of the year.

    Philippine audiences will get to experience the acclaimed film when it opens in cinemas on November 18.

  • Movie Review: To Fully Enjoy ‘Multwoh,’ One Must Embrace Its Unconventional Filmmaking and Its Powerful Leads, Sassa Gurl and Joao Constancia

    Movie Review: To Fully Enjoy ‘Multwoh,’ One Must Embrace Its Unconventional Filmmaking and Its Powerful Leads, Sassa Gurl and Joao Constancia

    There is a confidence and certainty in Rodina Singh’s direction that I’m envious of, and it is on full display in her latest film, the romantic horror-comedy Multwoh. The film foregoes a conventional plot and linear narrative, preferring to tell its story through an emotional journey. Singh uses multiple approaches to her storytelling, opening with a flashback that is cut, rewound, and replayed alogside a voiceover that allows Marcel (Sassa Gurl) to offer editorial comments on her own memories. It is a fitting device, as Marcel is recounting her history with her high school best friend, Miguel (Joao Constancia), to her dormmates, Suzy (Pipay Kipay) and Jamba (Gaia Polyhymnia), a friend who had cut ties with Marcel and has now returned to their shared space. 

    Multwoh often uses these non-conventional techniques, choosing not to rush the plot, but rather to encapsulate the film’s emotional weight, something I did not realise until the final twenty minutes of the film. For audiences accustomed to watching conventional movies, this pacing can initially feel jarring, even indulgent. Early in the film, after Suzy and Jamba are furious upon learning what Miguel did to Marcel and that he has returned, they march over to his room and knock. When Miguel opens the door, revealing how much he has changed from the flashback, the film instantly cuts to a fast MTV-style glamour shot of Constancia flexing and showing off his attractive looks before cutting back to the scene.

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    Image Source: Official ‘Multwoh’ Facebook Page

    The film is filled with these breaks away from the plot and conventional filmmaking of Multwoh, which can range from comedic gags and music video-style montages to fourth-wall breaks and a pivotal shift in point of view from Marcel to Miguel in the second half. 

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    Image Source: Official ‘Multwoh’ Facebook Page

    It was hard for me to follow along this route until the very end, when everything suddenly clicked into place. I finally felt like I understood what Singh was trying to do, and the execution was so surprisingly effective that I found myself tearing up and ultimately crying right there in the cinema.

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    Image Source: Official ‘Multwoh’ Facebook Page

    Multwoh follows Marcel, who has long fallen for her high school best friend, Miguel, believing the feeling was mutual, right up until he abruptly cut ties with her before they moved to college. Now, he is living in the same dorm, but he is a changed person. Though they run into each other constantly, neither can breach the awkwardness to say what they really want to say. Miguel eventually asks Marcel out on a date, but she never makes it. She unexpectedly passes away, leaving her spirit with just forty days to find her closure or else she’ll never have her chance again.

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    Image Source: Official ‘Multwoh’ Facebook Page

    Because the film never truly takes a linear or strictly logical path to its finale, what we see are a lot of scenes that show how deeply Miguel really means to Marcel, and how much effort Marcel does to either try to forget him or to become someone he cannot avoid. Often, these scenes are wildly funny; at other times, they linger a bit too long when one might prefer to stay on the plot. They even veer into complete tangents, like a news report of gay individuals suddenly getting possessed coming up every now and then.

    Once Marcel passes on and becomes a ghost, she watches Miguel, and now we see Miguel’s side and the film does the same. We witness his perspective as a former classmate (Yannie Villarosa) makes advances on him, and as he grieves while remembering Marcel. There’s a recurring video game motif that frames their entire friendship, cleverly suggesting that is often used in the film and it gives the idea that all these extra moments are side quests leading toward the film’s eventual finale.

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    Image Source: Official ‘Multwoh’ Facebook Page

    And it works. By the time we reach the end, the film finds the exact right moment to connect the two leads, weaving every prior scene – whether tangential or essential – come together to fully encompass what it feels like to have a chance to say what it is you have always wanted to say to someone very dear to you. It packs an emotional wallop, powerful enough to move me tears even after I had spent most of the time resisting the film’s form. Yet what Multwoh speaks to goes far beyond its queer themes, that are portrayed – from discrimination and the importance of a found family – but the universal truth of how important it is to say how you really feel. It is terrifying prospect, but time is short, fragile and utterly unpredictable.

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    Image Source: Official ‘Multwoh’ Facebook Page

    Singh bends the rules of filmmaking to construct a vibrant patchwork of scenes that, when taken as a whole, wraps the viewer in a gorgeous emotional blanket, especially those who are afraid to say what needs to be said. It is profoundly touching, and Sassa Gurl and Joao Constancia serve as excellent vessels for this unconventional love story that really hits hard. Their total commitment to these roles really sells the film’s big, beautiful heart.

    My Rating: 4 Stars

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    Catch Sassa Gurl and Joao Constancia in Rodina Singh’s hilarious yet tear-jerking Multwoh, showing at a cinema near you. Click here for showtimes.