Category: Movies

Cinemalaya 19 Winners: Unveiling the Best of Philippine Independent Cinema

With Cinemalaya 19 drawing to a close, the Philippine Independent Film Festival etches an unforgettable legacy in the minds of film enthusiasts. This year’s gala has proven to be more than just a showcase of films — it’s been a testament to unparalleled creativity, profound narratives, and compelling performances. Journey with us as we shine a light on the cinematic masterpieces and show-stopping talents that made this season truly unforgettable.

Explore award-winning films, standout performances, and behind-the-scenes talent that defined this year’s festival.

Animated film Iti Mapukpukaw made history as it brought home the Balanghai trophy for Best Film in the Full-Length Category of the 19th Cinemalaya Philippine Independent Film Festival.

The film directed by Carl Joseph Papa was cited for “for boldly taking on the challenges of technology in crafting a very engaging narrative of a young man confronting the demons of his past, and for its overall cinematic excellence.”

Meanwhile, Januar Yap’s Sibuyas ni Perfecto won the Best Film in the Short Film Category for its “quiet but coruscating take on social iniquity and how the poor’s exploitation by the rich is driven by their own denigration and self-abasement.”

Best Director Balanghai trophies go to filmmakers Ryan Espinosa Machado and Mike Cabarles. For his film Huling Palabas, director Machado has effectively summoned “the resources of art to come up with a deeply personal film that evokes fond memories of pre-digital cinema while paying homage to one’s small-town roots, and how all of this contributes to fashioning self-respect and self-identity.”

(Photo by Kiko Cabuena)

Director Mike Cabarles, on the other hand, employed “the resources of cinema in effectively evoking the loneliness of two brothers missing their mother whom they have lost to the sea” in his film Makoko sa Baybay.

Jopy Arnaldo’s Gitling and Arvin Belarmino’s Hinakdal received the Best Screenplay awards. The film Gitling was cited for “its very tender tale of two persons bridging the divide between races and cultures and, through constructed language and through silence and even evasion, coming to a poignant understanding of the heart.”

(Photo by Kiko Cabuena)

Hinakdal, co-written by Belarmino and Kyla Romero, won the award for the “very striking narrative that remakes the horror genre while humanizing zombies and endowing them with heart and soul.”

NETPAC (Network for the Promotion of Asia Pacific) Awards went to Iti Mapupukaw and Hinakdal. The full-length film by Papa was praised for “its finely nuanced, masterfully crafted, tale of healing, friendships and young love, effectively utilizing state-of-the-art technology that is integral to its storytelling.” Citation for the short film Hinakdal mentioned “its pithy, layered and strong social commentary laced with dollops of humor.”

Mikoy Morales and Pat Tingjuy (Photos by Kiko Cabuena)

Actor Mikoy Morales and actress Pat Tingjuy were cited for their Best Performance of An Actor and An Actress, respectively. Morales won the jury’s nod for “his compelling performance of a charming but predatory womanizer who gets his just desserts” in the film Tether; while Tingjuy won the award for “her refreshing portrayal of a young girl coming to terms with her sexual identity as she comes of age in the exciting world of volleyball.”

Dolly de Leon (Photo by Kiko Cabuena)

Actres Dolly de Leon and actor Bon Andrew Lentejas won the Best Performance of a Supporting Actress and Actor, respectively. Dolly de Leon, who starred in the film Iti Mapukpukaw, was recognized for her “pellucid performance of an affectionate mother helping her son confront the demons of his past.” Meanwhile, Lentejas got the award for his “engaging portrayal of a young man trying to understand his best friend’s difficult ways as the latter comes of age” in Huling Palabas.

(Photo by Kiko Cabuena)

Technical awards include:

BEST EDITING – Ilsa Malsi (Rookie), for “effective splicing and intercutting that unravels a girl’s coming-of-age in the exciting world of volleyball.”

BEST CINEMATOGRAPHY – Martika Escobar (When This Is All Over), for her “effective camera work and lighting to depict the world of drugs and the lifestyle that sustains it.”

BEST ORIGINAL MUSICAL SCORE – Kindred, composed of Justin Punzalan, Vince Dalida, Luis Montales, Jaime San Juan, Moses Webb, Fern Tan, Jorge Juan Wieneke V, Othello Intia, (When This Is All Over), for “its original musical soundtrack that helps propel its depiction of the drug subculture obtaining in high condominium living.”

BEST PRODUCTION DESIGN – KAYE BANAAG (When This Is All Over), “for successfully conjuring the contrasting worlds of affluence and want in condominium living.”

BEST SOUND – Gian Arre (Tether), “for its effective sound design in which both noise and silence are melded well together to heighten psychological realism.”

Special Jury Prize winners were: Dustin Celestino’s Ang Duyan ng Magiting, cited for “its trenchant portrait of the wages of political violence, for its highly discursive and dialectical take on the culture of impunity that seems to have entrenched itself in Philippine politics, and for arousing among audiences awareness on the need to come to grips with the country’s escalating political violence”; and Sam Villa-Real and Kim Timan’s Hm Hm Mhm, for “its boldly experimental verve to depict a woman revisiting the darker aspects of her childhood.”

Special Award was given to Ang Duyan ng Magiting for Best Ensemble Acting, for its actors “powerful acting that credibly renders the opposing viewpoints in the history of political violence and culture of impunity that seem to have bedevilled the Philippines since the turn of the new century.”

Hinakdal and Rookie won the hearts of the Cinemalaya theater goers and audiences, receiving the Audience Choice Award for Short Film and Full-Length categories, respectively.

As Cinemalaya 19 wraps up, we’re left with a richer appreciation for the depth and diversity of Philippine cinema. The stories told, the talents unveiled, and the conversations ignited are a testament to the ever-evolving film landscape. Here’s to another year of groundbreaking films, awe-inspiring artists, and avid film lovers uniting in their passion. Until we gather once more for the magic of Cinemalaya, keep the spirit of independent cinema alive in your hearts.

August 14, 2023
From karate champion to Super Hero: “Cobra Kai” standout Xolo Maridueña plays his dream role in “Blue Beetle”

“It’s a dream, surreal is really the only word I can use for it,” says Xolo Maridueña, who plays Jaime Reyes / Blue Beetle in the all-new Super Hero movie from Warner Bros. Pictures, “Blue Beetle.”

“For as long as I can remember, Jaime Reyes is the biggest Latin Super Hero in the DC Universe,” says the actor. “Growing up, my mom was a huge fan of comics and I think she passed down that liking to me, and it was always a dream to play this role and to get into this character.”

For Maridueña, family is what sets “Blue Beetle” apart from other Super Hero movies. “The family aspect is one that this movie really hits right on the head,” he shares. “Getting to work alongside phenomenal actors that are playing my family – Elpidia (Carillo, plays Jaime’s mother), Damían (Alcázar, father), Adriana (Barraza, grandmother), Belissa (Escobedo, sister) – the whole core family, I look at them and I speak with them and I’m like, ‘whoa,’ from the get-go we were bonded for life, and we are now. I haven’t seen that in a Super Hero movie before, so I think the audience is really gonna relate to that.”

Unlike in most Super Hero movies where the protagonist hides their identity from family to keep them safe, in “Blue Beetle,” Jaime discovers his superpowers right in front of his family, making them all privy to his secret. “This family, really, for better or for worse, is the driving force of everything that Jaime does,” says Maridueña. “You see that, and it’s really just due in part to how much he cares about them, and that is an experience that I relate to and that I can connect with so easily.

“My family is also so integral in everything that I do, and sometimes it feels like we’re on top of each other all the time, but those are the best types of relationships. I think they really provided a support system for Jaime to excel in everything that he wanted to do, and maybe now that he has the Scarab the plans are a little bit different, but they’re ride-or-dies, they see him for who is he and they’re gonna support him, and that really is such an important part of the story.”

In “Blue Beetle,” recent college grad Jaime Reyes (Maridueña) returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the Super Hero Blue Beetle.

“Blue Beetle” opens exclusively in cinemas August 16.

**The interview with Xolo Maridueña was done before the strike.**

About “Blue Beetle”

From Warner Bros. Pictures comes the feature film “Blue Beetle,” marking the DC Super Hero’s first time on the big screen. The film, directed by Angel Manuel Soto, stars Xolo Maridueña in the title role as well as his alter ego, Jaime Reyes.

Starring alongside Maridueña (“Cobra Kai”) are Adriana Barraza (“Rambo: Last Blood,” “Thor”), Damían Alcázar (“Narcos,” “Narcos: Mexico”), Elpidia Carrillo (“Mayans M.C.,” the “Predator” films), Bruna Marquezine (“Maldivas,” “God Save the King”), Raoul Max Trujillo (the “Sicario” films, “Mayans M.C.”), with Oscar winner Susan Sarandon (“Monarch,” “Dead Man Walking”), and George Lopez (the “Rio and “Smurf” franchises). The film also stars Belissa Escobedo (“American Horror Stories,” “Hocus Pocus 2”) and Harvey Guillén (“What We Do in the Shadows”). Soto (“Charm City Kings,” “The Farm”) directs from a screenplay by Gareth Dunnet-Alcocer (“Miss Bala”), based on characters from DC. John Rickard and Zev Foreman are producing, with Walter Hamada, Galen Vaisman and Garrett Grant serving as executive producers.

A Warner Bros. Pictures Presentation, A Safran Company Production, “Blue Beetle,” in cinemas starting August 16, is distributed by Warner Bros. Pictures.

Join the conversation online and use the hashtag #BlueBeetle

_{Photo & Video Credit: “Warner Bros. Pictures”}

August 14, 2023
No. 1 movie in Korea “Concrete Utopia,” starring Lee Byung-hun, Park Seo-jun and Park Bo-young, to be released in PH on September 20

Concrete Utopia, a thrilling disaster film starring an ensemble of A-list Korean actors including Lee Byung-hun, Park Seo-jun, Park Bo-young, Park Ji-hu, Kim Do-yoon and Kim Sun-young, will be released in the Philippines by Columbia Pictures.

Directed by Um Tae-hwa, Concrete Utopia is loosely based on Part 2 of the hit webtoon “Joyful Outcast” (“Pleasant Neighbors”). Concrete Utopia is a disaster thriller about the aftermath of a devastating earthquake. The film will follow the story that begins when the survivors gather at Hwang Gung Apartments, the only building left standing in an earthquake-ravaged Seoul.

As the trailer and poster speaks for themselves, the survivors will have to go through mind-boggling thought processes, revealing the kind and dark side of human nature. Find out with us in the cinemas who will be the final survivors.

Sneak a peek into the apartments in this newly released trailer:

About Concrete Utopia

In Concrete Utopia, the world has been reduced to rubble by a massive earthquake.

While no one knows for sure how far the ruins stretch, or what the cause of the earthquake may be, in the heart of Seoul there is only one apartment building left standing. It is called Hwang Gung Apartments.

As time passes, outsiders start coming in to Hwang Gung Apartments trying to escape the extreme cold. Before long, the apartment residents are unable to cope with the increasing numbers. Feeling a threat to their very survival, the residents enact a special measure.

In cinemas September 20, Concrete Utopia is distributed in the Philippines by Columbia Pictures, local office of Sony Pictures Releasing International. Connect with the hashtag #ConcreteUtopiaMoviePH

_{Photo & Video Credit: “Columbia Pictures”}

August 11, 2023
QCinema Launches First Project Market: Opens Networking and Funding Opportunities for PH and Southeast Asian Filmmakers

The QCinema Project Market (QPM) is a platform for Southeast Asian filmmakers and producers to secure funding, expand their networks, gain exposure, develop their skills, and contribute to the growth of the international film industry. Over 15 million pesos in grants will be available.

Newly-appointed Quezon City Film Development Commission Executive Director Liza Diño-Seguerra says “In recent years, the region has shown impressive growth in its filmmaking, with high production values that rival international standards. This is evident in the diverse co produced film projects between the Philippines and SEA showcased at major festivals like Autobiography of Makbul Mubarak (IND-SG-PH), In my Mother’s Skin (PH-SG-Taiwan), Arnold is a Model Student (TH-PH-SG). With QPM, we get to support projects like that from the region and introduce them to funding and one-on-one networking opportunities so we can see their stories on the big screen.”

Through this program, which focuses on unveiling the unseen stories of Southeast Asia, QCinema will present QPM to nurture the underrepresented cultures, histories, and narratives of the Southeast Asian region.

Filipino and Southeast Asian filmmakers with projects in advanced stages of development are invited to participate.

To be eligible to join the program, the filmmaker must have at least a draft of the full script of a feature-length fiction film project. The film must also not yet be completed by the time QCinema 2023 commences and must not be fully financed yet.

Southeast Asian directors with at least one short of feature film may apply.

To join, filmmakers must complete an online application form complete with the logline, synopsis, director’s statement, production schedule, treatment, financial plan, production cost, and the profiles of the director, producer, and production company. Sample reels may also be submitted, if available.

Preference will be given to projects that highlight unique aspects of Southeast Asian culture and history. Films that demonstrate potential for international appeal will also have an advantage.

Deadline of submission of entries is September 15, 2023.

Fifteen entries will be chosen to participate in the film market, slated from November 18-20, 2023, in conjunction with the QCinema International Film Festival.

Selected filmmakers will have the opportunity to pitch to possible investors, network with possible collaborators, get mentorship, and attend workshops.

Ms. Diño-Seguerra further explains, “This program is in line with the goal to position QCinema as one of the top Southeast Asian film festivals and introduce it as a global hub for Southeast Asian cinema.”

“The market will also facilitate more collaboration and co-production opportunities between Filipino, and Southeast Asian filmmakers, and international partners that would contribute to the growth and development of the regional film industry” she adds.

For more information, visit the QPM website at https://qcinema.ph/grant/project-market/.

August 10, 2023
Hold on Tight for Liam Neeson’s Heart-Pounding Ride in “Retribution” – Premiering August 23

Get ready for a white-knuckle cinematic experience like no other as Liam Neeson steps into the driver’s seat, but this time without his famed set of skills. Brace yourselves for “Retribution,” an adrenaline-fueled action film that’s set to hit the big screens on August 23. In this high-octane thriller, Neeson portrays an ordinary man who must navigate a maze of danger while trapped in a speeding car with his children, all while trying to unravel a sinister mystery that could lead to a series of deadly consequences.

An Ordinary Man in Extraordinary Circumstances

In the heart-pounding streets of Berlin, “Retribution” introduces us to Matt Turner, a successful businessman with a knack for outsmarting competitors. However, he’s about to face a challenge far more explosive than any business deal. As he embarks on his usual commute, he discovers a shocking truth: a bomb has been planted in his car by an unknown adversary.

But the danger doesn’t stop there. On their way to school, a phone rings inside the car – a phone that doesn’t belong to Matt or his children. When he answers, a chilling revelation unfolds. Pressurized bombs lie hidden under their seats, ready to detonate if Matt deviates from a set of life-threatening instructions. From not calling the authorities to following increasingly dangerous orders, Matt finds himself in a deadly game of cat and mouse where every decision could mean life or death for his family.

Unraveling the Mystery with Neeson’s Expertise

The masterminds behind “Retribution,” producers Andrew Rona and Alex Heineman, have a history of putting Liam Neeson through the wringer in heart-pounding action scenarios, as witnessed in their collaborations on hits like “Unknown,” “Non-Stop,” and “The Commuter.” In “Retribution,” the stakes are higher than ever. Cars explode across the vibrant backdrop of Berlin as Neeson’s everyman character, Matt Turner, races against time to decipher the enigma behind his terrifying ordeal.

“The concept of it is so immediate and engaging and it’s got themes that really resonate, like money and greed. It’s a movie, Neeson says, that you will leave with a better appreciation of what truly matters. For me, that’s it. What’s really important. Sometimes you need to remember to take the time to smell the roses, to sit back and enjoy things. So that’s my advice on this. Sit back and enjoy it.”

A Cast to Remember

“Retribution” doesn’t only rely on Neeson’s commanding presence. The film boasts a stellar ensemble, including Jack Champion (known for his role in “Avatar: Way of the Water”), Lilly Aspell (who portrayed young Wonder Woman), Matthew Modine (notable for “Oppenheimer” and “Stranger Things”), and Embeth Davidtz (of “Tales of the Walking Dead” fame). Together, they bring depth and authenticity to the roller-coaster journey of suspense and survival.

Buckle Up for the Thrill Ride

Get ready for a cinematic road trip like no other, as “Retribution” roars into theaters nationwide on August 23. The heart-pounding action, suspenseful twists, and Liam Neeson’s electrifying performance promise an unforgettable experience that will keep you on the edge of your seat from start to finish.

For more updates on “Retribution,” be sure to follow Axinite Digicinema’s Facebook page and TikTok. And remember, when the tension ramps up and the stakes skyrocket, the only way to survive is to buckle up tight and enjoy the ride!

August 10, 2023
Movie Review: Cinemalaya Reports ‘Ang Duyan ng Magiting’ is a masterclass in tension and nuanced acting

With barely any music, nor complicated camera movements, director and screenwriter Dustin Celestino deftly manages to build a suite of duets to weave a story of a country falling apart at the weight of its own history and corrupt systems. ‘Ang Duyan ng Magiting’ uses theatrical elements – articulate and eloquent dialogue, a set frame, impeccable blocking – to unfold a story about the cycle of hate and anger and fear. Despite its use of theatre conventions, the film remains cinematic because the proximity of the camera is part of the storytelling; the framing, the minimal use of cuts (if at all), and the vivid production design.

The movie revolves around a bombing of a church in a remote province and the two students who were found in the scene of the crime. Within the film’s two-hour running time, the movie manages to capture the people that surround the two students and this incident: a teacher (Jojit Lorenzo), who may be the cause of their radicalization to the extreme left; a social worker (Dolly De Leon), who questions the illegal detainment of the two students; the police chief (Paolo O’ Hara), who is so sure that the two teens are behind the bombing; the police chief’s wife (Frances Makil-Ignacio); a lawyer (Bituin Escalante), who takes interest in the case; the two students (Miggy Jimenez and Dylan Rey Talon); and the mother of one of the students (Agot Isidro).

The powerhouse cast deliver incredibly nuanced performances and play off of their scene partners with incredible precision. The camera is primarily still in most of the scenes and, at the most, the scene is always covered in only two angles. Sometimes its close, sometimes its far but the actors perform with the full ferocity that the scene requires. You cannot single out any one actor here – everyone was working at an elevated level. It was wonderful to watch.

But what made it even more entrancing was that the story unfolds through the dialogue and in the process, the world gets bigger and bigger with each line delivery. The conflicts become more pronounced with every word that is uttered and the camera, remaining still, captures and builds on this tension that it feels electric. Without any music, a scene just begins to expand. From Paolo O’ Hara’s rage to Dolly De Leon’s quiet strength, from Miggy Jimenez’s fragility to Bituin Escalante’s flippant amusement, each actor fill each scene with the intended emotion that reverberates within the camera’s frame.

It also helps the Celestino and production designer Josiah Hiponia dress every sequence in such a way that makes the shot feel cluttered, claustrophobic. Each scene is just ready to explode and even when it does, it still feels like it could just keep setting off.

And what is released is a whole bunch of ideas and emotions, there are questions that is asked about nationhood, about revolution, and whether it is lost cause or something that is still worth fighting for. What is great about the writing of ‘Duyan ng Magiting’ is that it is full of anger and hatred and grief and pain but it is also undirected, unfocused. So while the enemy is clear at times, it seems that all that rage is directed at each other instead of who it should be. The film is a rebuke of the system that is in place but it is also a rebuke of all the failed attempts to change that system.

‘Ang Duyan ng Magiting’ is a work of fiction that becomes an eloquent argument without any clear answers for us. The film will disturb you, it will grip you. The theater I was in was quiet all through-out the movie, you could hear a pin drop, and we were all holding our breaths. It’s visceral and smart and also very moving. It’s definitely a masterclass in building tension, in wrestling with its themes, and of excellent performances.

My Rating:

August 10, 2023
Movie Review: Cinemalaya’s Opening Film ‘Marupok AF’ treads dangerous ground

As someone who was completely oblivious to the viral trend back in 2020 that became the basis for the story of ‘Marupok AF,’ I was taken for a wild ride as I watch the Quark Henares-directed film (with a screenplay by Henares and John Bedia). It’s a story of a horrifying catfish scheme directed primarily at transwomen and other members of the LGBTQIA+ community (at the end of the film, even one woman said she was victimized by the real-life perpetrator). It was recounted on Twitter and this formed the film that opened the 19th Cinemalaya Film Festival. ‘Marupok AF’ features much of Quark Henares’ refined, glossy, and hip filmmaking. It includes a terrific cast that includes EJ Jallorina, Maris Racal, Royce Cabrera, and a scene-stealing Gabby Padilla.

But with everything going for it, the film treads on very dangerous ground because while it shows the full range of hurt that can come from a catfish scenario, the film’s takes the tone of a comedy (and sometimes even the conventions of a heist movie) that ends up serving as a buffer to how despicable the act is. In fact, it turns the act of catfishing into a comic situation where the audience are laughing at the trans character, who is victimized by the situation and the young man who is being exploited by the catfisher.

It follows the story of Janzen (Jallorina) who meets Theo (Cabrera) via a dating app. It’s a powerful connection and Janzen finds herself falling in love except that it is quickly revealed that Theo is really Dennis, an aspiring industry professional who accepts the job of pretending to be Theo for Beanie (Maris Racal), who has a thing for catfishing transwomen like Janzen. Strangely enough, Beanie goes to the extreme with Janzen and this forms the crux of the story.

Told in a non-linear manner and through various perspectives, Janzen reveals her innermost thoughts through monologuing live on her social media, facing the camera and relating the story to her followers (the audience). Dennis ends up telling his story via an internet talk show, complete with a host. One of the many tricky areas is that Beanie gets to the talk to the audience directly. Completely unmediated, whether by social media or by a host, Beanie gets to directly talk to the audience and plead her case. In fact, her studio has a bar that she can lean on while talking and it gives her the image of a podium and she gets the most screen time. Racal is devilishly charming. She is so engaging that she takes over the three storylines and it feels like it becomes Beanie’s story.

Henares doesn’t shy away from showing us how Theo’s playing hot and cold is screwing with Janzen’s mind but while the movie does show us Janzen agonizing over it, we also get to see Beanie and her co-conspirator Dina (played deliciously by a scene-stealing Gabby Padilla) enjoying the fruits of their fiendishness. But the film plays it as a comedy and as the film feels more tilted to Beanie, it is Beanie’s triumph that feels highlighted and not Janzen’s pain.

And while this is going on, Dennis is caught between an opportunity (Beanie promised him that she’d help him be an actor and a director) and doing what he can see is a horrible thing to do. He is conflicted but he also needs the money that Beanie offers and the opportunity. So, Dennis is being exploited but he is also a butt of the jokes as his being of the common folk is also used for comedy.

Told in three different perspectives simultaneously, with varying degree of tones (though all are consistently comedic), ‘Marupok AF’ details the the inner workings of an elaborate catfish scheme but with the villain at the center. Rather than be disgusted, you find yourself amused by them (and Racal’s excellent portrayal of Beanie’s confusion as to why she might actually be so invested in taking Janzen down) and, in a way, Beanie is humanized whereas Janzen and Dennis are turned into punchlines.

It’s easy to put the camera on Beanie, she is an interesting character, especially when played by Racal, but to do so at the expense of Janzen and Dennis, both who are played so brilliantly by Jallorina and Cabrera, makes ‘Marupok AF’ a dangerous film. While I’m on my seat squirming and seething with anger at the horrors that Beanie and Dina are putting Janzen through, the crowd around me were laughing, courtesy of Henares’ slick filmmaking, witty dialogue, and hip music (composed by CRWN).

Fortunately, the film ends well (it is a comedy after all) and the final act is given to Jallorina’s Janzen but I feel like I could’ve gotten to know her better throughall of this. As the film tries to create a rally cry of understanding and compassion by its final act, it can feel like a last-minute realisation for having let Racal’s Beanie steal the movie.

With that being said, ‘Marupok AF’ is Quark Henares’ best film. It takes his strengths – directorial finesse and a pulse of what tickles the zeitgeist – and presents a story that is so rooted in the now. It’s best when it allows its characters to just be themselves (and it helps with a cast this good and working at this level) and when he puts the spotlight on Janzen and how society is so mean and cruel to transpeople (there’s a scene involving a bathroom and a vicious bathroom attendant that sends shivers down my spine). I wish the film was more of that than of Beanie.

My Rating:

August 10, 2023
“Gran Turismo: Based on a True Story” will get your blood pumping, says David Harbour

David Harbour always knew that director Neill Blomkamp (Elysium, District 9) would bring a genuinely exhilarating feel to Gran Turismo: Based on a True Story. But he didn’t realize how authentic his own experience would be while filming the movie.

“I knew Neill would bring a visceral, blood pumping feel to the movie,” says David Harbour, who plays Jack, a washed-up driver who becomes Jann Mardenborough’s chief engineer and teaches him the ins and outs of a real racecar. “What I didn’t really know was how much we were going to be working with actual cars, actual drivers, actual tracks. We’re in the cars, we’re doing pit tire changes and gassing up the cars in real-time with other drivers blazing around the track at 200mph. It’s really me in a helicopter flying 30 feet above racecars. It all plays into the intensity of the experience – which is critical to making a film about people having a very intense experience, risking everything for what they love.”

The actor says that at first, he was skeptical about a movie adaptation of a racing simulator, because for him a movie is not like a videogame. “You want to play the game, to control the characters,” Harbour says. “One of the things I really liked about this movie is that it’s not a movie about a videogame – it’s a movie that incorporates a videogame into its narrative, which is about a young man with tremendous talent who does something incredible, and about a coach who has been through a lot and become hardened – but who comes to believe in this kid.”

Gran Turismo: Based on a True Story tells the story of videogamer-turned-racecar driver Jann Mardenborough (played by Archie Madekwe). It’s the ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won a series of Nissan competitions to become an actual professional racecar driver.

One of the reasons Harbour was attracted to the movie was in seeing Mardenborough’s underdog story reflected throughout the characters. “Jack’s story is an underdog story as well,” he says of his character. “He’s suffered, but he still clearly loves this sport and doesn’t have the opportunity to participate in it at the level that he would like to.” And though he starts out cynical, Harbour says, Jack starts to see GT Academy as his chance. “He doesn’t believe in these kids, initially, but he starts to realize he has a real opportunity to teach Jann.”

Harbour’s respect for the thrilling style of the movie mirrors his character’s understanding of the cars’ power. “On the surface, the dynamic is fraught and tense,” he says. “These kids are coming out of the game world, and he doesn’t believe in them. He’s a man of a different time, a man of mechanics, of machines, of things that work a certain way, and the world is moving on. And he desperately wants them to understand the power of his world – the visceral, the real – that coming out of the screens into this physical world has value.”

Watch the inspiring true story of videogamer-turned-racecar driver Jann Mardenborough in Gran Turismo: Based on a True Story, opening in Philippine cinemas August 30.

**David Harbour’s interview was conducted before the strike.**

About Gran Turismo: Based on a True Story

Directed by Neill Blomkamp, screenplay by Jason Hall and Zach Baylin, based on the PLAYSTATION STUDIOS video game.

Produced by Doug Belgrad, Asad Qizilbash, Carter Swan, Dana Brunetti. The executive producers are Kazunori Yamauchi, Herman Hulst, Jason Hall, Matthew Hirsch.

The cast is led by David Harbour, Orlando Bloom, Archie Madekwe, Darren Barnet, Geri Halliwell Horner and Djimon Hounsou.

In Philippine cinemas August 30, Gran Turismo: Based on a True Story is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Connect with the hashtag #GranTurismoMovie

_{Photo & Video Credit: “Columbia Pictures”}

August 9, 2023
Disney’s “The Little Mermaid” returns to select cinemas in a special sing-along version

Relive Disney’s “The Little Mermaid” in a special sing-along edition, arriving in select Philippine cinemas on August 16. Sing the film’s best songs with your friends and family, and enjoy the retelling of a classic tale at your favorite cinema.

Experience this incredible, timeless tale, alongside exciting and emotional songs from the film, now with sing-along lyrics. This special edition of the film encourages everyone to sing their hearts out and enjoy each moment from the first number to the last. It’s definitely a treat for moviegoers experiencing the film for the very first time, or for ones who want to re-watch the entire tale once more.

Disney’s “The Little Mermaid” is the story of Ariel, a beautiful young mermaid with a thirst for adventure. However, she also lives in a place where mermaids are forbidden to interact with humans, especially being King Triton’s daughter.

Determined to explore the vast world above the sea, she sets off and meets the dashing and handsome Prince Eric and falls for him. After this fateful meeting, Ariel follows her heart and makes a deal with Ursula, an evil sea witch. This gives her a chance to be part of the world on land but ultimately places her life and the fate of her father’s crown in jeopardy.

The film stars singer and actress Halle Bailey (Ariel), Jonah Hauer-King (Prince Eric), Tony Award®-winner Daveed Diggs (the voice of Sebastian), Awkwafina (the voice of Scuttle), Jacob Tremblay (the voice of Flounder), Noma Dumezweni (Queen Selina), Art Malik (Sir Grimsby), with Oscar® winner Javier Bardem (King Triton), and two-time Academy Award® nominee Melissa McCarthy (Ursula).

Disney’s “The Little Mermaid” is directed by Oscar® nominee Rob Marshall, and produced by two-time Emmy® winner Marc Platt, three-time Tony Award® winner Lin-Manuel Miranda, Emmy winner John DeLuca, and Rob Marshall, with Jeffrey Silver serving as executive producer.

The film also features an incredible soundtrack and score composed by Academy Award winner Alan Menken, lyrics by Howard Ashman, and produced by Lin-Manuel Miranda. Listen to the full soundtrack on Spotify here.

Don’t miss the special sing-along screening of Disney’s “The Little Mermaid” when it arrives in cinemas.

For more updates, you can also follow Disney Studios Philippines on Facebook, Instagram, Twitter, and YouTube. #TheLittleMermaidPH

August 9, 2023
New Movies This Week: The Queen Mary, MAMAMOO: My Con The Movie, Cinemalaya 19, and more!

Hello, movie lovers! Wednesday’s here, and with it, an array of films to spice up your week. Delve into the mysteries of “The Queen Mary”, dance to the dynamic tunes of “Mamamoo: My Con The Movie”, get gripped by the intense drama of “Ransomed”, or revel in the hilarity of “The Ship Show”. In addition to these exciting releases, the 19th edition of the Cinemalaya Philippine Independent Film Festival is here, bringing a whole new dimension of cinematic exploration to theaters near you. Featuring 10 compelling full-length films and two sets of intriguing short films, Cinemalaya adds a touch of artistry and innovation to your moviegoing experience. Whatever your flavor of film interest, this week promises a varied and delightful assortment of cinematic treats. Grab your ticket and embark on a movie journey like no other!

THE QUEEN MARY

2023 • R-16 • 2 hrs 7 mins
HORROR, THRILLER
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All Aboard The Mysterious Liner!
Embark on a gripping adventure on the waves with “The Queen Mary.” This enigmatic film offers an intricate plot that twists and turns like the ocean itself. With a mystery that’s as deep and vast as the sea, the Queen Mary holds secrets waiting to be uncovered. It’s a thrilling tale that combines history, suspense, and drama in a way that will keep you on the edge of your seat. Explore the unknown and experience a maritime mystery like no other!

MAMAMOO: MY CON THE MOVIE

2023 • G • 2 hrs 4 mins
DOCUMENTARY, MUSIC

A K-Pop Concert Extravaganza!
Calling all K-Pop enthusiasts! Mamamoo invites you to a pulsating musical celebration in “My Con The Movie.” Filled with powerful vocals, mesmerizing choreography, and the charm that only Mamamoo can bring, this concert film is a love letter to fans and a testament to the artistry of one of South Korea’s beloved groups. Prepare to be swept off your feet by the melodies and feel the energy of a live concert from the comfort of your seat!

RANSOMED

2023 • PG • 2 hrs 12 mins
ACTION, DRAMA
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A Heart-Stopping Action Thriller!
If a dose of adrenaline is what you seek, look no further than “Ransomed.” This action-packed thriller takes you on a wild ride of crime, betrayal, and determination. When it’s a fight for survival, every decision counts. Hold your breath as the stakes rise higher and the tension builds in a story where every twist could be a matter of life or death.

THE SHIP SHOW

2023 • PG • 2 hrs 2 mins
DRAMA, ROMANCE
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https://www.youtube.com/watch?v=KWPaS2oMMKg

Comedy Sets Sail!
For those in need of a hearty laugh, “The Ship Show” is here to deliver. One of 2023’s breakout love teams who made everyone swoon over their hit series, The Rain in Espa؜ña, is ready to take their chemistry to the big screen and make you fall in love again.

FAN FAVORITES STILL SHOWING

These films continue to draw in audiences, so if you haven’t caught them yet, better make your way to the cinemas soon! Here’s a list of fan favorites that are still playing in cinemas:

CINEMALAYA 19 SHORT MOVIES A

CINEMALAYA 19 SHORT MOVIES B

2023

Image Source: Cinemalaya.org

Following the theme ilumiNasyon, the 10 competing full-length films are: ANG DUYAN NG MAGITING (THE CRADLE OF THE BRAVE) by Dustin Celestino; AS IF IT’S TRUE by John Rogers; BULAWAN NGA USA (GOLDEN DEER) by Kenneth De la Cruz; GITLING by Jopy Arnaldo; HULING PALABAS (FIN) by Ryan Espinosa Machado; ITI MAPUKPUKAW (THE MISSING) by Carl Joseph E. Papa; MARIA by She Andes; ROOKIE by Samantha Lee and Natts Jadaone; TETHER by Gian Arre; and WHEN THIS IS ALL OVER by Kevin Mayuga.

Short films in competition include: ANG KINING BINALAYBAY KAG AMBAHANON KO PARA SA IMO (THESE RHYMES AND RHYTHMS MEANT FOR YOU) By Kent John D. Desamparado; GOLDEN BELLS By Kurt Soberano; HINAKDAL (CONDEMNED) By Arvin Belarmino; HM HM MHM By Sam Villa-Real And Kim Timan; KOKURYO: THE UNTOLD STORY OF BB. UNDAS 2019 By Diokko Manuel Dionisio; MAKOKO SA BAYBAY (I AM GOING TO THE BEACH) By Mike Cabarles; MAUDI NGA ARAPAAP (LAST DREAM) By Daniel Magayon; SIBUYAS NI PERFECTO (PERFECTO’S ONION) By Januar Yap; SOTA (HORSE CARETAKER) by Mae Tanagon; and TONG ADLAW NGA NAG-SNOW SA PINAS (THE DAY IT SNOWED IN THE PHILIPPINES) by Joshua Caesar Medroso.

Now in its 19th year, the Cinemalaya films in competitions – 10 full-length films and two sets of short films – will be screened from August 5 to 13, 2023, at Glorietta, Ayala Malls Manila Bay, UP Town Center, and Trinoma.

COBWEB

2023 • R-13 • 1 hr 27 mins
HORROR, THRILLER
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HAUNTED MANSION

2023 • PG • 2 hrs 2 mins
COMEDY, FANTASY, HORROR
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MEG 2: THE TRENCH

2023 • PG • 1 hr 55 mins
ACTION, HORROR, SCIENCE FICTION
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BARBIE

2023 • PG • 1 hr 53 mins
COMEDY
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OPPENHEIMER

2023 • R-16 • 3 hrs
BIOGRAPHY, DRAMA, HISTORY
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TALK TO ME

2023 • R-13 • 1 hr 34 mins
HORROR, THRILLER
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MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE

2023 • PG • 2 hrs 44 mins
ACTION, ADVENTURE, THRILLER
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INSIDIOUS: THE RED DOOR

2023 • R-13 • 1 hr 46 mins
ACTION, THRILLER
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There you have it, movie buffs! So, what’s it going to be? A splash with mermaids, a rollercoaster of emotions in space, or a heart-stopping ghostly encounter? This week’s lineup offers a diverse range of cinematic treats to suit every taste. Don’t miss your chance to catch these must-see flicks while they’re still showing. Have a great time at the movies!

August 9, 2023