New Line Cinema’s latest installment, “The Nun II,” has once again sent shivers down the spines of horror enthusiasts in the Philippines. As the newest chapter in “The Conjuring” Universe, this film, directed by Michael Chaves and produced by Peter Safran and James Wan, made a hair-raising debut, securing the top spot at the box office with an impressive PHP 90 million in its opening weekend on September 6.
A representative from Warner Bros. Distributors (WBD) expressed their excitement, stating, “This weekend’s success is a testament to the high want-to-see factor of fans of “The Conjuring” Universe, the evergreen franchise that continues to frighten cinemagoers around the globe. New Line Cinema has become the ‘haunted’ home of horror, and ticket buyers were back for more of the iconic Demon Nun, continuing its evil trek across Europe. We are excited by these impressive opening numbers and anticipate that great word of mouth will continue to drive business in the coming weeks as we head into Halloween.”
About the Film
Set in 1956 France, “The Nun II” unveils a chilling tale of murder and malevolence. The storyline follows Sister Irene, portrayed by Taissa Farmiga (“The Nun,” “The Gilded Age”), as she confronts the malevolent demon nun Valak once again.
Returning cast members include Jonas Bloquet (“Tirailleurs,” “The Nun”) as Maurice, Storm Reid (“Missing,” “The Suicide Squad”) as Sister Debra, Anna Popplewell (“Reign,” “The Chronicles of Narnia” trilogy) as Kate, and Bonnie Aarons (reprising her role from “The Nun”) reprising her role as the Demon Nun. They are joined by a talented ensemble of international actors, including Katelyn Rose Downey (“The Princess”) as Sophie, Suzanne Bertish (“Dead Ringers”) as Madame Laurent, Léontine D’Oncieu (“Two Tickets to Greece”) as Simone, Anouk Darwin Homewood (“The Flood”) as Celeste and Gael Raës (“Simone: Woman of the Century”) as Cedric.
Michael Chaves (“The Conjuring: The Devil Made Me Do It”) directs the film, with a screenplay by Ian Goldberg and Richard Naing (“Eli,” “The Autopsy of Jane Doe”), and Akela Cooper (“M3GAN,” “Malignant”). The story is based on characters created by James Wan and Gary Dauberman.
The Safran Company’s Peter Safran and Atomic Monster’s James Wan produce, continuing their collaboration as filmmakers on all of the previous “Conjuring” films. “The Nun II” is executive produced by Richard Brener, Dave Neustadter, Victoria Palmeri, Gary Dauberman, Michael Clear, Judson Scott and Michael Polaire.
“The Conjuring” Universe stands as the highest-grossing horror franchise in history, with a global box office exceeding $2 billion. Notably, four of its titles have crossed the $300 million mark worldwide: “The Nun” ($366 million), “The Conjuring 2” ($322 million), “The Conjuring” ($320 million), and “Annabelle: Creation” ($307 million). Each of the seven films in the franchise has grossed over $200 million.
“The Nun” remains the franchise’s top-earning film, with a staggering $366 million in worldwide earnings.
Presented by New Line Cinema and produced by Atomic Monster and Safran Company, “The Nun II” is distributed globally by Warner Bros. Pictures. This spine-tingling horror film is currently showing in theaters, inviting brave souls to experience the terror firsthand.
Join the conversation online and share your thoughts using the hashtag #TheNun2.
It has been around 5 years since ‘The Nun’ has scared its way to a 365-million box office payday and, while reviewing my critique of that movie, and realising how much I disliked the first movie, I’m quite surprised at how much better ‘The Nun II’ is in comparison to its predecessor.
‘The Nun II’ has a more grounded story as it takes its time to build characters that we can invest in so that when the demon nun Valak returns, there are people we can empathize with and genuinely root for. While the film, set in the 50s and just a few years after the events of the first move, it still has a contemporary feel that can affect the reality of the world that is created but at least the film is not as ridiculous as the first.
In this movie Valak has returned and by possessing a body, it has begun a killing spree across Europe. Sister Irene (Taissa Farmiga) is sent on a mission to find Valak and stop her (as she had done in the first movie) and this time she is joined by an American novitiate Sister Debra (Storm Reid). While the two sisters are giving chase, Valak is now haunting a girl’s boarding school in France where Maurice (Jonas Bloquet), called “Frenchie” in the last movie, is now working. Here, he has taken to a young student Sophie (Katelyn Rose Downey) and her mom, Anna Popplewell. It seems that Valak is looking for something and it might just be in the boarding school.
Again, ‘The Nun II’ offers nothing new to the genre. It is another case of demon possession and the typical battle between good and evil, as represented by the church (Sister Irene) and the devil (represented by the demon Valak). There is no representational aspect to the horrors of this movie, as directed by Michael Chaves and written by Ian Goldberg, Richard Naing, and Akela Cooper.
But at the very least, there’s a bit more story now as the film tries to connect what Valak is after to Sister Irene’s past, which honestly comes off as unrealistically fortuitous. It’s such a mainstream connection, a deus ex machina (pun intended), that works around the singular hero trope and complete with mystical relic. There’s no mystery or wonder to these spiritual artefacts and are instead just used as simply as tools or weapons against the demon. It’s this Western treatment of spiritualism that takes away from the magic and thrill out of the supernatural.
But while the film now has a heart – from the relationships between Maurice, Sophie, and her mother and even from the friendship formed between Sister Irene and Sister Debra – which grounds the plot and gives the horror a place of actual fear; director Michael Chaves has some very interesting directorial set ups that gives actual cinematic fright for the audiences.
Taking advantage of Valak’s appearance, and using the black shade of the nun’s habit, he allows the camera to linger in darkness where Valak may just suddenly appear. He does some pretty fun and cool scary sequences that is sometimes predicated by Marco Beltrami’s aggressive score. There are some genuine scares here as well as a few enjoyable jump scares that makes ‘The Nun II’ quite a ride. While I was having trouble connecting to the film, I was enjoying the thrill of tension and suspense that was created by the filmmaking. While the movie ended and I felt nothing new or surprising when it finished, I felt that it was still a good time in the cinema. A good movie to watch with friends.
My Rating:
The Nun II is now showing. Check the screening times and buy your tickets here.
Amid a landscape of horror films, “The Nun II” takes center stage. Emerging as a successor in suspense, “The Nun II” continues the spine-tingling narrative of “The Nun”—a cornerstone of the illustrious $2 billion “The Conjuring” Universe, which proudly celebrates its tenth anniversary this year. Transporting audiences to the eerily atmospheric backdrop of 1956 France, the film unfurls a tapestry of disturbing mysteries and an omnipresent malevolent force. With fans on the edge of their seats, Sister Irene, masterfully embodied by Taissa Farmiga, prepares to face off once again against Valak, the dreaded demon nun. But there’s more to this tale than meets the eye.
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Every frame is infused with meticulous detail, from ancient fabric manufacturing to subtle nods to legendary cinematic masterpieces. Whether you’re a dedicated horror enthusiast or simply enjoy a well-crafted cinematic experience, these ten intriguing facts about ‘The Nun II’ will surely deepen your appreciation and possibly ignite the urge for another viewing. Prepare to delve deeper into the haunting world of “The Nun II” and uncover secrets that may have eluded your initial gaze. Here are 10 film facts about “The Nun II” to further whet your appetite.
1) Historical Backdrops: How “The Nun II” Brought 1950s France to Life on Screen
The selection of filming locations was not just about visual appeal but a commitment to historical authenticity. The picturesque town of Aix-en-Provence was central to the film’s setting. The Chapelle de la Visitation Catherine de Sienne, a Baroque chapel constructed in the mid-17th century, became the cinematic representation of Tarascon Church. Erected in the mid-17th century, this architectural jewel has garnered attention not just for its artistic style but its status as a historical monument since 1924. Meanwhile, the Silvacane Abbey in La Roque-d’Anthéron, Bouches-du-Rhône with its storied past dating back to 1144, stood in for the Italian abbey, becoming the stage for multiple critical scenes. This former Cistercian monastery, nearly a millennium old, resonates with simplicity and the weight of history, which provided an apt setting. What’s even more fascinating is that despite its long history, the site saw major renovations only in the last few decades.
The Couvent des Prêcheurs in Aix-en-Provence, a 13th-century convent, was transformed into St. Mary’s Boarding School. It wasn’t just a shooting location but also became an operational hub, housing the production offices, makeup rooms, and more. Its intricate 1950s detailing was particularly impressive, from its ground floor courtyard garden to the art department’s creation of an old chapel inside a gymnasium, complete with frescoes and stained-glass windows.
Further enriching the film’s backdrop, the bustling Place des Martyrs de la Resistance offered a perfect setting for the entrance to St. Mary’s School, while the enchanting town of Tarascon provided a rich tapestry of cobbled streets for nighttime scenes. The production later transitioned to Provence Studios in Martigues, where more controlled environments were necessary for dramatic stunts and special effects.
These locations, each steeped in history, served as more than just sets. They breathed life into the narrative, creating a palpable connection between the audience and 1950s France.
2) Behind the Seams: Crafting Authentic Costumes
Costumes often breathe life into characters, but in “The Nun II”, they echo both authenticity and creativity. Take, for instance, Maurice’s vest made of hemp. This fabric is not just any cloth, but a time-honored weave with its roots deep in history. Sourced from Tissages d’Autan, the last-standing hemp weaver in France established in 1937, it exemplifies the sustainable traditions of Occitan.
Intriguingly, the Demon Nun’s outfit reveals the meticulous attention to detail. The signature wimple alone underwent over 20 iterations, a collaborative effort between costume designer Agnès Béziers, director Michael Chaves, and a skilled milliner to achieve perfection. This commitment to precision extends to the veils worn by Sisters Irene and Debra, who, as the film’s ‘Action Nuns,’ required veils that appeared flawless from every camera angle while allowing for unrestricted movement. For the sinister Demon Nun, the veil held particular importance. Collaborating closely with milliner Laurence Binet, they crafted a veil that was both eerie and intricately detailed, giving the malevolent entity its distinct identity.
In a fascinating blend of faith and fashion, Béziers referenced the 1952 Vatican dictate on nuns’ habits, particularly the prescribed 17 cm distance from the ground for the hems, enabling her to modernize the nun’s habits without compromising on authenticity.
A special nod goes to the uniforms of St. Mary’s School. While Béziers initially visualized a distinctive brown checked linen for these outfits, it was discovered that the fabric had been retired by its manufacturer. Yet, the solution was a mix of determination and collaboration. Emblem Weavers, an Irish fabric manufacturer, resurrected the linen fabric specifically for this project, weaving an impressive 350 meters exclusively for “The Nun II” resulting in 70 uniforms. And over 100 pairs of shoes made both in France and the UK for the schoolgirls.
Lastly, the costuming process wasn’t without its peculiar occurrences. Odd coincidences surrounding the Demon Nun’s outfit, such as lost crosses and misdirected fabric orders, culminated in the costume department’s decision to cleanse their workspace with white sage and offer a bouquet of yellow flowers as a sign of respect. Perhaps a tacit acknowledgment of the powerful energies they were working with!
3) Eerie Details: Behind the Creepy Elements
Every horror film thrives on its creepy elements, and “The Nun II” is no exception. In making this chilling movie, the crew didn’t rely solely on special effects; they also harnessed some unsettlingly real details to enhance the film’s atmosphere.
One of the eeriest facts revolves around the authentic cockroaches that plague Madame Laurent, played by Suzanne Bertish. Instead of turning to CGI or fabricated props, propsmaster Alexis Imbert chose the real deal. How? By collaborating with an old prop house in Marseille, Maison Opera. This wasn’t your typical prop house transaction. Each week, the shop’s manager informed Imbert about the number of roaches captured, and they were then collected to make their appearance in the film.
Meanwhile, the film creatively paid homage to past cinematic masterpieces. The location of Sophie’s hiding place, played by Katelyn Rose Downey, directly references the belltower scene from Hitchcock’s iconic film, “Vertigo.” But in a thrilling twist, Sophie faces far more harrowing challenges than Judy Barton from Hitchcock’s classic. Facing a possessed Maurice, the menacing Demon Nun, and a perilous staircase, Sophie’s ordeal presents a fresh, heightened sense of suspense for the audience.
But not all creepy elements in the movie were of the supernatural kind. Filming in a region known for its exquisite goat cheese, the cast and crew often traversed a coastal highway frequented by wild goats. It was the unexpected yellow warning signs reading “Chevre Savage” (wild goat) that added a light, eerie humor to their commutes, reminding everyone of the unpredictable nature of filming in such a diverse location.
4) The Evolution of Sister Irene: Taissa Farmiga’s Insight into “The Nun II”
In her return as Sister Irene for “The Nun II,” Taissa Farmiga delves into a narrative filled with layers, relationships, and haunting backdrops. A significant focal point of her excitement is the profound depiction of empowered female characters. The story beautifully showcases the evolving relationship between Sister Irene and Sister Debra, played by the talented Storm Reid. This dynamic highlights two strong, independent women navigating challenges together, breaking away from typical cinematic tropes.
The atmospheric South of France serves as the main shooting location, adding a touch of authenticity and enhancing the eerie ambiance of the film. These locations, including Aix-en-Provence, Tarascon, and Marseille, not only transport the cast and crew but also promise to immerse audiences into the very heart of the story. The ’50s setting is further brought to life in the quaint alleyways of Tarascon and the costume designs, allowing Farmiga and others to truly feel a part of that era.
Collaboration emerges as a recurring theme, both on-screen and behind the scenes. Director Michael Chaves receives immense appreciation from Farmiga for his open, direct, and collaborative style. This partnership ensures the character of Sister Irene remains true to her origins, while also evolving naturally within the story.
A surprising and complex element of “The Nun II” is the relationship between Sister Irene and Maurice, played by Jonas Bloquet. This relationship tests Irene’s morals and decisions, as she’s caught between saving her friend and confronting the lurking evil within him.
5) Behind the Nun’s Habit
Jonas Bloquet’s Dual Role: Returning as Maurice, Jonas Bloquet explores the eerie setting of “The Nun II” in a school, amplifying the horror against Aix-en-Provence’s historic backdrop. Bloquet reveals the complexity of playing Maurice’s dual nature – the relatable “Frenchie” and his tormented side. In a twist, the film sees Maurice as the “squire in distress” with female characters rallying to his rescue.
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Storm Reid’s Resilient Character: Storm Reid brings to life Sister Debra, a resilient young novitiate from Mississippi who’s had to face her own demons before tackling the supernatural ones. Born into challenging family circumstances, Debra’s path to becoming a nun wasn’t by choice but by necessity. With characters like Sister Debra, “The Nun II” not only promises supernatural chills but also powerful tales of human perseverance.
Anna Popplewell’s Fresh Perspective: Anna Popplewell, who stars as Kate, offers a fresh take on her character and the broader narrative of the film. Popplewell remarks on the refreshing portrayal of women in the film, noting a clear departure from traditional horror damsel-in-distress tropes. Instead, the film celebrates a host of strong female characters joining forces against evil. Her experience with co-stars, especially Taissa Farmiga and Storm Reid, makes for a harmonious set. Popplewell paints a picture of a film where horror meets depth, character, and a touch of feminism.
As the credits roll on “The Nun II,” it becomes clear that this film is more than just a sequel; it’s a meticulously crafted journey into the eerie depths of horror. From the historically rich backdrops to the authentic costumes, from the spine-tingling real-life details to the complex characters, every aspect has been carefully woven together to create a cinematic experience that lingers long after the lights come on. As fans prepare to revisit the haunting halls of the Abbey of St. Carta, it’s these film facts that add an extra layer of intrigue and appreciation for the dark world of Valak in 1950s France. So, whether you’re a die-hard horror enthusiast or simply seeking a well-crafted cinematic adventure, “The Nun II” promises to captivate, chill, and leave you craving more from “The Conjuring” Universe. Don’t miss out – check the screening times and prepare to immerse yourself in the world of Valak.
TBA Studios is excited to announce its upcoming line-up of films for the rest of the year. Among the highly anticipated titles are the surprise US box office hit Sound of Freedom and the Korean dark comedy Cobweb. Both films are set to premiere in Philippine cinemas on September 20 and October 4 respectively.
Sound of Freedom – Image from TBA Studios
“We are thrilled to bring these two amazing films to our Filipino audiences this year,” said TBA Studios CEO E.A. Rocha. “These films are sure to entertain and engage viewers with their compelling storylines and unique cinematic styles.”
Sound of Freedom – Image from TBA Studios
Sound of Freedom is a crime drama that follows the story of former U.S. government agent Tim Ballard as he rescues kidnapped and enslaved children from sex traffickers in Colombia. The film features a stellar cast led by Jim Caviezel and Mira Sorvino, as well as Bill Camp, John Rhys-Davies, and Michael Roark. The film was written and directed by Alejandro Monteverde. Since its release in the US on Independence Day weekend this year, Sound of Freedom has been a surprise commercial success, grossing $181.9 million in the US alone and becoming the highest-grossing independent film of the year.
Cobweb – Image from TBA Studios
Premiering at this year’s Cannes Film Festival, Cobweb is a dark yet hilarious tale of a director in the 1970s haunted by the desire to reshoot the ending of his latest film. Chaos ensues when a web of complications starts to rise on the film set. It stars Song Kang-ho, best known for his award-winning and critically acclaimed performance in 2019’s Parasite. The supporting cast features some of the most recognizable faces in South Korean entertainment, including Lim Soo-jung (A Tale Of Two Sisters), Oh Jung-se (It’s Okay Not To Be Okay), Jeon Yeo-been (Vincenzo), Jang Young-nam (It’s Okay Not To Be Okay), and Krystal Jung (famously of the K-pop girl group f(x) and romcom movie Sweet & Sour). The film was written and directed by Kim Jee-woon, whose previous works include A Tale Of Two Sisters (2003), A Bittersweet Life (2005), and The Good, The Bad, The Weird (2008). Barunson E&A, the same studio behind Parasite, is the producer and the global distributor of the film.
Cobweb – Image from TBA Studios
Both films will be exclusively distributed locally through TBA Studios. Sound of Freedom will be released in partnership with Axinite on September 20 and Cobweb on October 4.
When a magical meteor crash lands in Adventure City, it gives the PAW Patrol pups superpowers, transforming them into The MIGHTY PUPS! For Skye, the smallest member of the team, her new powers are a dream come true. But things take a turn for the worse when the pups’ archrival Humdinger breaks out of jail and teams up with Victoria Vance, a meteor-obsessed mad scientist, to steal the superpowers and turn themselves into supervillains. With the fate of Adventure City hanging in the balance, the Mighty Pups have to stop the supervillains before it’s too late, and Skye will need to learn that even the smallest pup can make the biggest difference.
Directed by Cal Brunker, based on the television series created by Keith Chapman. Screenplay by Cal Brunker and Bob Barlen. Produced by Jennifer Dodge, p.g.a., Laura Clunie, p.g.a., Toni Stevens, p.g.a.
Voice cast includes Mckenna Grace, Taraji P. Henson, Marsai Martin, Christian Convery, Ron Pardo, Lil Rel Howery, Kim Kardashian, Chris Rock, Serena Williams, Alan Kim, Brice Gonzalez, North West, Saint West, Christian Corrao, Luxton Handspiker, Nylan Parthipan, Callum Shoniker, with James Marsden and Kristen Bell.
Opening in cinemas October 11, PAW Patrol: The Mighty Movie is distributed in the Philippines by Paramount Pictures through Columbia Pictures. Connect with #PawPatrolMovie and tag paramountpicsph
Photo and Video Credit: “Paramount Pictures International”
Be among the first to see Concrete Utopia in the Philippines! Catch sneak previews in your favorite cinemas on September 11 and 12, one week before the regular showing on September 20.
Directed by Um Tae-hwa, Concrete Utopia is loosely based on Part 2 of the hit webtoon “Joyful Outcast” (“Pleasant Neighbors”) and stars an ensemble of A-list Korean actors including Lee Byung-hun, Park Seo-jun, Park Bo-young, Park Ji-hu, Kim Do-yoon and Kim Sun-young. It is a disaster thriller about the aftermath of a devastating earthquake. The film will follow the story that begins when the survivors gather at Hwang Gung Apartments, the only building left standing in an earthquake-ravaged Seoul.
The film is a sobering parable, following its characters’ gradual descent into ruthless tribalism in a way that eerily mirrors so many contemporary global events.
Watch the main trailer below :
Concrete Utopia has been picked by the Korean Film Council (KOFIC) to represent South Korea in the selection for Best International Feature Film at the 2024 Academy Awards, and will soon have its North American premiere and gala presentation at the 48th Toronto International Film Festival (TIFF) on September 9.
Get ready for a movie marathon with this week’s exciting releases! From spine-chilling horrors to heartwarming tales, this week’s releases promise a diverse range of stories that are sure to leave an impact. Let’s take a sneak peek at what’s in store for movie enthusiasts as we introduce you to Settle in as we guide you through ‘The Nun II’, ‘A Man of Reason’, ‘Kidnap For Romance’, ‘Long Live Love!’, and ‘Wang Yibo: One and Only’. Whether you’re a horror aficionado, a romance seeker, or just looking for an entertaining night out, there’s something for everyone in this week’s cinematic showcase.
If you’ve been craving a good scare, ‘The Nun II’ is here to deliver. The chilling tale picks up four years after the spine-tingling events of the first installment. Sister Irene, played by a talented ensemble cast, returns to confront her worst nightmare, the malevolent entity Valak. Prepare to be on the edge of your seat as this sinister force returns to haunt the innocent, and Sister Irene must summon every ounce of her courage to face the darkness. If you’re a horror aficionado, this one is not to be missed.
‘A Man of Reason’ takes us on a gripping journey into the underworld. After a decade of incarceration, Su-hyuk yearns for a peaceful life with his loved ones. However, his past as a criminal isn’t so easily left behind. As his former employer seeks his involvement in a world of crime and urban development, Su-hyuk is faced with a moral dilemma that could shatter his dreams of normalcy. Get ready for a crime thriller that will keep you guessing until the very end.
‘Kidnap for Romance’ brings a unique blend of suspense and unexpected romance. Elena, a stuntwoman from a family of criminals, is tasked with abducting Fred Tan, a wealthy heir. However, their adventure takes an unexpected turn when they find themselves in a compromising situation in front of Fred’s grandfather. What follows is a hilarious tale of pretense as Elena and Fred must feign a romance that started as a botched kidnapping. With witty humor and delightful chaos, this film promises a rollercoaster of emotions.
‘Long Live Love!’ is a heartfelt exploration of love and memory. Sati and Meta, a couple on the brink of separation, face an unexpected twist of fate when Sati experiences amnesia after an accident. To recover his memories, he embarks on a journey through old photographs, uncovering a past that challenges their love. This poignant tale delves into the complexities of relationships and the enduring power of love, even in the face of forgotten memories.
Prepare to be dazzled by the world of dance in ‘Wang Yibo: One and Only.’ Ding Lei, a seasoned street dance expert, opens his doors to a young entertainer, setting the stage for a dance-off like no other. As they face a series of exhilarating challenges, the film takes you on a rhythmic journey filled with passion, energy, and stunning choreography. If you’re a fan of dance and high-energy performances, this is the movie for you.
FAN FAVORITES STILL SHOWING
These films continue to draw in audiences, so if you haven’t caught them yet, better make your way to the cinemas soon! Here’s a list of fan favorites that are still playing in cinemas:
These are just a few of the cinematic delights awaiting you this week. From horror to romance to dance, there’s something for everyone at the movies. So, grab your tickets, invite your friends, and get ready to immerse yourself in the world of storytelling on the big screen. This week’s lineup offers a diverse range of cinematic treats to suit every taste. Don’t miss your chance to catch these must-see flicks while they’re still showing. Have a great time at the movies!
Denzel Washington and director Antoine Fuqua team up for the fifth time in “The Equalizer 3,” which ties Fuqua with the late Tony Scott as Washington’s most frequent director collaborator.
Washington says there are many reasons why he looks forward to reteaming with Fuqua: “His spiritual maturity, his collaboration, his humility, his eye,” says the actor. “There was never a question about his talent, his experience. We’re brothers – I trust him completely, he trusts me, and I’m excited about our future together. The deeper he goes, the higher he’ll go, and I’m not talking about movies.”
Fuqua returns the compliment: “Denzel constantly surprises me because the environment changes. He’s like an athlete,” says Fuqua of Washington. “If Michael Jordan is playing against the Celtics, it’s one game. If he’s playing against the Lakers, it’s another game. Each situation Denzel is in, he’s so much in the moment of the character, that there’s times I’m discovering constantly, ‘What’s he going to do?’”
Watching Washington be “in the moment” of his character, in Fuqua’s words, is a unique experience. “I’ll go to Denzel to give him a note about something he did, and he’ll literally ask, ‘What did I do? What did I say?’ He’s so in the moment,” shares Fuqua. “So I tell other actors that they have to be in the moment with Denzel. Your instinct has to be heightened and you have to really listen. You can’t come in with preconceived ideas, because that won’t work. It’s just like a dance – Denzel will stick to the intention of the scene, but you must move with him.”
Watch the trailer below:
While waiting for “The Equalizer 3” to open in cinemas on September 13, let’s take a look back at the previous films that the critics-favorite duo have worked on together:
TRAINING DAY (2001)
Also stars: Ethan Hawke, Eva Mendes
Synopsis: Every day a war rages between drug dealers and cops on the streets of America’s inner cities. With every war comes casualties, none greater than 13-year veteran Los Angeles narcotics officer Alonzo Harris (Washington), whose questionable methods blur the line between legal and corrupt. Today Alonzo gets a new partner, idealistic rookie Jake Hoyt (Hawke), and Jake has one day – and one day only – to prove his mettle to his fiercely charismatic superior. Over 24 hours, Jake will be dragged into the ethical mire of Alonzo’s logic as both men risk their careers and their lives to serve conflicting notions of justice.
Fun fact: Washington’s portrayal of Alonzo earned him a Best Actor Oscar.
THE EQUALIZER (2014)
Also stars: Chloë Grace Moretz, David Harbour, Melissa Leo, Bill Pullman
Synopsis: McCall (Washington) has put his mysterious past behind him and is dedicated to living a new, quiet life. But when he meets Teri (Moretz), a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.
THE MAGNIFICENT SEVEN (2016)
Also stars: Chris Pratt, Ethan Hawke
Synopsis: In Director Antoine Fuqua’s modern vision to a classic story, the desperate townspeople of Rose Creek employ protection from seven outlaws, bounty hunters, gamblers and hired guns after the town falls under the deadly control of industrialist Bartholomew Bogue. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
THE EQUALIZER 2 (2018)
Also stars: Pedro Pascal, Melissa Leo, Bill Pullman
Synopsis: Washington returns to one of his signature roles in the first sequel of his career. Robert McCall serves an unflinching justice for the exploited and oppressed – but how far will he go when it is someone he loves?
And don’t forget:
THE EQUALIZER 3 (September 13, 2023)
Also stars: Dakota Fanning
Synopsis: Since giving up his life as a government assassin, Robert McCall (Denzel Washington) has struggled to reconcile the horrific things he’s done in the past and finds a strange solace in serving justice on behalf of the oppressed. Finding himself surprisingly at home in Southern Italy, he discovers his new friends are under the control of local crime bosses. As events turn deadly, McCall knows what he has to do: become his friends’ protector by taking on the mafia.
The Equalizer 3 opens in Philippine cinemas September 13.
**The interviews for this article were done before the SAG-AFTRA strike.**
Buckle up, because we’re about to take you on a thrilling ride through the world of “Gran Turismo: Based on a True Story.” This film has been making waves since its release, and there’s more to it than meets the eye. Whether you’re a racing enthusiast or just a lover of compelling cinema, we’ve got five film facts that will make you appreciate this adrenaline-pumping masterpiece even more. From the incredible real-life journey that inspired it to the groundbreaking filmmaking techniques employed, here’s the pit stop of facts you need before this thrilling ride begins!
1) From Gamer to Racing Legend: The Unbelievable Journey of Jann Mardenborough
Jann Mardenborough’s journey starts with his obsessive love for the Gran Turismo video game, where he experiences the thrill of high-speed racing virtually. But his life takes an unexpected turn when he competes against the best players, vying for a spot on Nissan’s GT Academy race team. Plucked from thousands of contenders, he finds himself under the guidance of a cynical former driver and behind the wheel of some of the world’s fastest machines.
At just 31, Mardenborough boasts over a decade of international racing experience, having competed in notable series such as Super GT, Formula E, LMP1, LMP2, GT3, and various single-seaters. His prowess as a racer is not just limited to track performance; he has also demonstrated immense technical skill and expertise, particularly in tire development. Remarkably, Mardenborough’s entry into professional racing wasn’t conventional: he started his journey by winning the GT Academy in 2011, a competition by Nissan and “Gran Turismo”, besting 90,000 other participants. Transitioning from a “gamer-to-racer”, he soon established himself as a formidable name in racing circles globally, with accolades including Japanese Formula 3 Vice Champion in 2016 and clinching third in the LMP2 class at the 24 Hours of Le Mans in 2013. Apart from his on-track endeavors, Mardenborough played crucial roles off-track, especially as a simulator driver for Nissan’s Formula E program, contributing significantly to the team’s second-place finish in the 2019-20 ABB FIA Formula E Championship. Director Neill Blomkamp describes Mardenborough’s story as a series of dreams coming true, and the film captures this remarkable journey with astonishing authenticity.
2) ‘Gran Turismo’ Realism: How Blomkamp and the Sony Venice 2 Camera Revolutionized Racing Cinema
Neill Blomkamp took realism to the next level. Every car scene is authentically shot, resisting the usual film temptation to utilize digital cars and background plates. Instead, when an actor is portrayed driving, they are genuinely on the track, driving at speeds close to reality. To provide the most authentic racing experience for viewers, real cars were used, and filming took place on genuine tracks such as the Slovakia Ring, Dubai Autodrome, Nurburgring, and more. Additionally, unique camera techniques such as first-person-view drones, more common in drone racing, were employed to offer audiences never-before-seen racing perspectives. This dedication to realism is further highlighted with the use of first-person-view drones during races, offering audiences perspectives rarely seen before in cinema.
Blomkamp employed the innovative Sony Venice 2 camera with the Rialto extension. This groundbreaking technology allowed the director to separate the sensor from the camera body, placing the camera in compact, once-unreachable spaces. This meant that for the first time, cinematic-level 6K or 8K sensors could fit inside the tight confines of a racecar cockpit, capturing intimate shots without the barrier of polarized glass, creating a truly immersive racing experience on screen. This unique filming technique, combined with the actual racing talent of Jann Mardenborough, who both inspired and served as the stunt driver for his character, resulted in a truly immersive racing experience on screen.
3) Archie Madekwe’s Gran Turismo Journey
Did you know? Archie Madekwe, who brilliantly plays Jann Mardenborough in “Gran Turismo,” not only had to learn how to drive for his role but also underwent rigorous training to master the “Gran Turismo” game! In real life, he had no driving experience, but his commitment led him to take driving lessons while working on another project. Yet, learning to drive was only the beginning of his challenges.
To authentically portray a gamer competing in “Gran Turismo,” Madekwe had to become proficient at the game itself. His dedication to the role extended to rigorous training, including learning the game’s tracks, racing lines, and braking technique. His character had to win against formidable AI opponents, which meant he needed to excel in the game. He trained extensively and received guidance from David Perel, a former sim driver turned Ferrari racer.
Despite his training, Madekwe’s experience made him realize that professional racing wasn’t for him. He describes the challenges of being inside a racing car, including the heat, claustrophobia, and anxiety, especially given his 6’5″ stature, all while making split-second decisions. His respect for racecar drivers grew immensely, acknowledging their athleticism and the intense demands of the sport.
4) Real Cars, Real Speed – An Inside Look at Authentic Filmmaking
To capture the essence of being a racecar driver, the film utilized genuine cars driven by former racecar drivers, creating an exhilarating experience. Executive producer Matt Hirsch took on the logistical challenge of making Neill Blomkamp’s vision come to life. One ingenious solution was the creation of pod cars for scenes inside the racing vehicles. These modified cars allowed experienced stunt drivers to control the vehicle from the roof while the actors performed from the driver’s seat, complete with dummy steering wheels, gearshifts, and pedals. This setup enabled the actors to deliver genuine reactions to the exhilarating speeds. A fleet of cars was assembled, with each type serving a specific purpose: a hero car for close-up shots, a backup in case of accidents, and a pod car for the stunt driving. The film featured an impressive lineup of racecars, including the Nissan GT-R Nismo GT3, Lamborghini Huracan GT3, Corvette C8.R GT3, and many others, totaling 65 cars in the fleet, 22 being hero cars.
Locations spanned from Budapest to Tokyo, the production team needed to gather not only the cars but also a team of skilled mechanics, technicians, and computer experts to ensure the vehicles stayed in optimal condition throughout the shoot. In total, the crew consisted of up to 500 individuals who traveled across various locations, creating an authentic racing experience, some of whom have been in the business for over 40 years.
Adding to the authenticity, the film featured an exceptional team of stunt drivers, including Jann Mardenborough, who portrayed himself in the movie. These skilled professionals, ranging from racecar drivers to seasoned stunt drivers, contributed to the film’s realistic portrayal of high-speed racing across six different tracks worldwide. The production meticulously prioritized an authentic representation of the racing world. Notably, the Hungaroring, a Formula 1 track, was transformed by production designer Martin Whist into the world-renowned Le Mans. To convey the full throttle of high-speed racing, director Neill Blomkamp and his director of photography Jacques Jouffret innovatively employed first-person view (FPV) drones. The drones provided a fresh perspective, capturing the cars’ velocity as never seen before. Additionally, these drones allowed a switch from aggressive, fast-paced sequences to serene, “in-the-zone” moments for drivers. The authenticity extended even to the wardrobes, where FIA-approved, fireproof racing suits were used, proving crucial in the actors’ immersion into their roles.
5) From Digital Dreams to Racetrack Realities: A Closer Look at ‘Gran Turismo’s’ Characters
David Harbour’s portrayal of Jack is a poignant journey of passion, setback, and redemption. Once a respected chief engineer, Jack’s life takes a tragic turn, leading him to become a humble mechanic. Despite this demotion, his love for racing remains unwavering as he spends over a decade in the pits, silently observing the sport he adores. As the GT Academy unfolds, we witness a fascinating shift in Jack’s character. Harbour explores the depths of a man initially skeptical of young gamers from the digital realm. His cynicism hides a deep desire to help these newcomers experience the tangible intensity of real-world racing. Harbour’s multi-dimensional portrayal adds depth to the film, highlighting the challenges of bridging generational gaps in motorsports.
Orlando Bloom embodies Danny, a character brimming with optimism and an unshakable passion for racing. In stark contrast to Jack’s skepticism, Danny is an uplifting figure who sees every dream as a conquerable challenge. His infectious enthusiasm and unwavering belief in the power of passion drive him forward. Danny’s dynamic with Jack creates a classic ‘odd couple’ scenario, where their differences complement each other. Despite initial doubts, they become each other’s strengths. Danny’s unshakeable faith in Jann Mardenborough is a pivotal moment, raising questions about his true intentions. Orlando Bloom clarifies that Danny’s belief in Jann and the GT Academy’s vision is genuine, going beyond commercial interests. Danny’s commitment to the Academy sets the stage for a story where hope, ambition, and genuine human connection take center stage.
Family dynamics are central to the film, with Geri Halliwell Horner as Jann’s mother, Lesley, and Djimon Hounsou as his father, Steve. The movie delves into the emotional turmoil of a young Jann seeking approval from his parents as he pursues his racing passion. Steve, in particular, grapples with accepting his son’s unconventional dreams, a conflict echoing Hounsou’s personal journey of defying expectations in pursuit of an acting career. This story serves as a poignant reminder that well-meaning parental intentions can sometimes pose challenges for their children’s aspirations, resonating deeply with audiences.
“Gran Turismo: Based on a True Story” is not just a racing film; it’s a thrilling journey that combines real-life drama, high-speed action, and the human spirit’s unyielding determination. As the film enters its second week on the screens, audiences are in for an immersive experience that transcends the typical racing movie. So, if you haven’t already, make sure to catch it on the big screen. Experience the breathtaking true story of passion, racing, and the drive to defy all odds in “Gran Turismo: Based on a True Story.” Buckle up, and let’s race to new horizons!
“I think that it’s the idea of the ultimate evil possessing the vessel for the ultimate good,” says Peter Safran, producer for “The Nun II.” “I think nuns are supposed to be unabashedly good in the service of goodness, and the most evil thing is mocking that goodness by taking her form. I think that’s what it is that people really respond to.
“And let’s be honest, a lot of people are very scared of nuns in general, but I think from a supernatural thriller perspective, the idea of that evil embedded in what should be the epitome of good is just so sacrilegious and compelling.”
Directed by Michael Chaves, “The Nun II” finds Sister Irene (Taissa Farmiga) once again coming face-to-face with Valak, the demon nun, this time in France, where a priest has recently been murdered.
“I think Sister Irene is very reluctant to come back into this realm because of how close she had come to death in her first encounter with Valak,” says Safran. “But I think she realizes that because she’s the only one who’s faced Valak and survived, and she has vanquished the demon in battle at least once – I think she realizes that for the sake of good, she must do it. She was a novitiate in the first movie, but she is a nun now, and it is her duty to fight on the side of good. I think she realizes that her duty overcomes the natural fear that pervades her as a result of knowing she’s going to have to go back into battle against this epitome of ultimate evil.”
Another familiar face returning in the sequel is Frenchie, now called by his name Maurice. “Because Maurice [played by Jonas Bloquet] is based on a real character – and we introduced him in the original ‘Conjuring’ with Ed and Lorraine Warren [played by Patrick Wilson and Vera Farmiga] in that old footage – we loved the idea of the Maurice story and knew that we wanted to continue it well before it ever gets to the time in the late ’60s/early ’70s,” says Safran. “But what happens in the interim? Here he was in Romania, he survived the demon, and now what happens? We loved the idea of following him.”
Though some characters may be familiar, audiences must get ready for new and more frightening scare sequences. “It’s important that every movie that we make be a worthy successor to ‘The Conjuring’ name, so we wanted to make sure that we had a really original story that did not feel derivative,” Safran shares. “We love the idea of switching it up, and it’s more of an investigation this time. Then the stories coincide in the third act for the big, exciting finale. We wanted to make sure that the scare sequences felt fresh and not derivative of the earlier films… it was just about making sure that we delivered on every front – true stakes, great characters, unique scares – and just an intensity that makes it live up to ‘The Conjuring’ name. I think that [director] Michael Chaves brought it all together and that audiences are really going to enjoy ‘The Nun II.’”
“The Nun II” opens only in cinemas September 6. Calendar your day with Valak and book your tickets to see “The Nun II” (midnight screenings on opening day are also available!): https//www.nun2.com.ph
Join the conversation online and use the hashtag #TheNun2
