Captured during her massive world tour, the film transforms the concert experience into a cinematic event designed for the big screen. Presented in immersive 3D, audiences can witness the scale, emotion, and artistry of Billie Eilish’s performances in a fresh and exciting way.
Even more remarkable, the film is directed by Academy Award® winners James Cameron and Billie Eilish, blending visionary filmmaking with the singer’s unique creative style.
A Concert Film That Feels Larger Than Life
Shot during Eilish’s highly successful tour, the film captures the unforgettable atmosphere of her live performances. From the thunderous cheers of fans to the intimate moments on stage, every scene is designed to bring viewers closer to the music.
The immersive 3D presentation enhances the concert’s visual spectacle, making the experience feel vivid and alive. For fans, it’s a thrilling opportunity to relive the tour—or experience it for the first time—with the sound, lights, and energy amplified on the cinema screen.
Watch the Trailer
A Creative Collaboration
This special project marks a collaboration between Billie Eilish and legendary filmmaker James Cameron, whose groundbreaking work in cinema technology has reshaped the moviegoing experience.
Together, the two directors combine innovative visuals with the raw power of a live performance. The result is a bold and memorable concert film that celebrates Billie Eilish’s artistry while embracing cutting-edge filmmaking.
With immersive 3D visuals and the electric atmosphere of a live show, the film promises a fantastic cinematic celebration of one of the most influential artists of her generation.
The web-slinger is back—and the internet can’t get enough.
Sony Pictures’ Spider-Man: Brand New Day has officially set a stunning new milestone after its first trailer racked up an astonishing 718.6 million views worldwide within just 24 hours, according to WaveMetrix. The overwhelming response from fans instantly made it the biggest trailer launch in history.
Even more impressive, the trailer reached 373 million views globally within the first eight hours, already surpassing the previous 24-hour record held by Deadpool & Wolverine, which generated 365 million views during its debut day.
Surpassing Major Entertainment Milestones
The remarkable achievement places Spider-Man: Brand New Day ahead of some of the biggest releases in entertainment.
Prior to this, the Grand Theft Auto VI trailer was considered the largest video debut ever, amassing 475 million views within 24 hours during its 2025 launch. The new Spider-Man trailer has now eclipsed that number by a wide margin.
For comparison, the trailer for Spider-Man: No Way Home—which later went on to earn $1.9 billion worldwide—generated 355.5 million views in its first 24 hours.
Clearly, excitement surrounding Spider-Man’s next chapter is reaching extraordinary levels.
Watch the Trailer here:
A New Era for Peter Parker
Following the massive global success of Spider-Man: No Way Home, the upcoming film ushers in a completely new phase in Peter Parker’s story.
Four years after the events of the previous film, Peter now lives in total anonymity. Having erased himself from the memories of everyone he cares about, he navigates life alone in a city that no longer recognizes him.
Fully devoted to protecting New York, Peter embraces his role as Spider-Man full-time. However, the relentless demands of being the city’s lone hero begin to weigh heavily on him. As the pressure intensifies, Peter undergoes a mysterious physical transformation that could endanger his very existence.
At the same time, a strange pattern of crimes begins to emerge—hinting at the arrival of one of the most formidable enemies he has ever faced.
Creative Team Behind the Film
Spider-Man: Brand New Day is directed by Destin Daniel Cretton, with a screenplay by Chris McKenna and Erik Sommers, based on the Marvel comic book created by Stan Lee and Steve Ditko.
The film is produced by Kevin Feige, Amy Pascal, Avi Arad, and Rachel O’Connor, with Louis D’Esposito and David Cain serving as executive producers.
The film features a star-studded ensemble including:
Tom Holland
Zendaya
Sadie Sink
Jacob Batalon
Jon Bernthal
Tramell Tillman
Michael Mando
Mark Ruffalo
Swinging into Philippine Cinemas
With a record-breaking trailer already fueling global excitement, anticipation continues to build for Spider-Man’s next big-screen adventure.
Is your popcorn bucket ready for a midweek refill? Wednesday is finally here, and the cinema schedule is looking absolutely stacked with seven fresh titles hitting the big screen today. Whether you are craving the survivalist chaos of Ready or Not 2: Here I Come, the supernatural chills of The Night Mother Returns Home, or the high-stakes housekeeping of They Will Kill You, there is a seat waiting for you. Animation fans can rejoice with Gintama: Kabukicho Shitennohen Arc, while those seeking depth can explore the biblical tension of The Last Supper, the mystery of Pater Noster, or the emotional resonance of Unexpected Family. Plus, indie cinema fans have an extra reason to celebrate as the Sinag Maynila Independent Film Festival 2026 festival officially takes over the city.Ready to trade the couch for the theater seat?
Now, let’s take a sneak peek at what’s premiering this week:
Grace is back, and survival just got tougher. After escaping the deadly Le Domas family, she finds herself thrown into an even bigger, more dangerous game. This time, her estranged sister joins the chaos as four rival families hunt for control of a powerful council.
Expect fast-paced action, dark humor, and relentless tension. If you loved the original’s wild energy, this sequel raises the stakes in every way.
Kabukicho’s fragile peace is held together by four powerful figures known as the Four Devas. At the center is Otose, whose influence depends on one man, the unpredictable Sakata Gintoki. When a dangerous new player enters the scene and rival factions make their move, alliances are tested and lives are put on the line.
Packed with humor, action, and emotional stakes, this arc brings one of the franchise’s most intense stories to the big screen.
Filmmaker Axl just wanted to win a festival prize. Instead, he and his crew ended up locked inside a defunct university for days. This high-energy action flick follows their struggle to survive an environment that was never meant for the living. What kind of secrets are hidden in those abandoned hallways?
Timed perfectly for those seeking a more reflective cinematic experience, The Last Supper offers a reverent look at the final days of Jesus Christ. Seen through the eyes of Peter and Judas, the film captures the heavy tension of ancient Jerusalem and the internal battles of faith and fear. It is a historical drama that focuses on the humanity behind the icons.
This supernatural story explores grief, connection, and the lingering presence of a mother who refuses to leave her loved ones behind. Emotional and eerie, the film blends heartfelt moments with chilling encounters.
A woman takes on a housekeeping job in a mysterious New York high-rise, only to uncover a disturbing pattern of disappearances. As secrets unravel, it becomes clear that something far more sinister is at play within the building’s walls.
Blending dark humor with horror and action, this one delivers thrills with a sharp edge. Would you take the job?
If you need a break from the thrills, Jackie Chan is back with a story that hits right in the feels. When an elderly man begins to lose his memory, his community rallies to recreate a pivotal family moment from his past. However, the “truth” they uncover is far more complex than anyone anticipated. It is a beautiful look at the families we choose and the secrets we carry. Are you prepared for a movie that is as funny as it is touching?
The spotlight returns to local storytelling as the Sinag Maynila Independent Film Festival launches its eighth edition. Running from March 23 to 29, 2026, this festival is a vibrant celebration of Philippine cinema, bringing together filmmakers and enthusiasts across select Metro Manila cinemas. Expect compelling narratives that reflect the heart of Filipino life and imagination. The festivities reach their peak during the Gabi ng Parangal awards night on March 28 at Gateway Cineplex. Are you ready to support local indie gems?
With seven unique stories waiting to be told, your biggest challenge this week is simply choosing which theater to hit first. From the neon-lit battles of Kabukicho to the shadowy hallways of New York high-rises, the silver screen is currently a playground for the bold and the homegrown heart of Sinag Maynila, the silver screen is currently a playground for the bold. Grab your friends, snag the best middle seats, and let the credits roll on your next favorite movie. Which of these blockbusters are you booking tickets for first?
Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity.com bookmarked for the latest showtimes, your next movie is just a click away!
The spotlight returns to Filipino storytelling as the Sinag Maynila Independent Film Festival launches its eighth edition, bringing together filmmakers, students, and movie enthusiasts for a vibrant celebration of Philippine cinema.
Happening March 23 to 29, 2026, the festival will present screenings in select Metro Manila cinemas, highlighting compelling stories that reflect Filipino life, culture, and imagination. The festivities will culminate in the Gabi ng Parangal, the festival’s highly anticipated awards night, scheduled for March 28 at Gateway Cineplex.
Championing Local Stories with Global Appeal
Sinag Maynila was founded by Solar Studios, Inc. President Wilson Y. Tieng and internationally acclaimed filmmaker Brillante Ma Mendoza, the first Filipino to win Best Director at the Cannes Film Festival. Since its inception, the festival has aimed to amplify films that present authentic Filipino voices while connecting with audiences worldwide.
This year’s theme, “Sine Lokal, Pang-Internasyonal,” emphasizes that mission—showcasing narratives rooted in local realities yet capable of resonating across borders.
The enthusiasm surrounding the festival continues to grow. For its eighth edition, more than 400 film submissions were received, marking a new milestone for Sinag Maynila and highlighting the thriving creativity of Filipino filmmakers.
Equally noteworthy is the Student category, which continues to flourish with entries from over 30 schools across the Philippines. These emerging filmmakers bring fresh perspectives and fearless storytelling to the festival’s expanding platform.
Feature Film Finalists
Six films will compete in the Feature Film category, each presenting distinctive and emotionally engaging stories.
Pinikas | Halved – Dir. Cris Fuego A slice-of-life drama about a teen breadwinner in a fishing village, torn between local love and her father’s dream of a foreigner’s promise.
Desperada – Dir. Luisito Lagdameo Ignacio A traumatized young woman rescued from the streets finds healing and unexpected love in a shelter for the mentally ill.
All About Her – Dir. Joel Lamangan A crime drama unraveling the mysterious death of a beauty queen, exposing ambition, manipulation, and psychological warfare.
Sweet Escape – Dir. Rommel C. Ricafort A medical professional entangled in malpractice tragedy enters surrogacy in Bohol, finding redemption and love with a Korean entrepreneur.
Ang Bangkay | The Embalmer – Dir. Vincent M. Tañada A psychological period piece about an embalmer widower whose coexistence with grieving relatives and corpses reveals greed, abuse, and hidden darkness.
Lanaya – Dir. Clyde Capistrano A detective enlists a nursing student to spy on an old woman suspected of murder, exploring grief, power, and moral ambiguity.
Documentary (Open) Finalists
• Del Mundo – Dir. Milo Tolentino • Hope for the Dawn to Come – Dir. Monsi Alfonso Serrano • Mga Muni-Muni sa Gitna ng Ambon | Contemplations Amidst the Mist – Dir. Gio Gonzalves • Wordplay – Dir. Che Tagyamon • Nomo Kween: The Last Woman Standing – Dir. L.A. Oraza
Documentary (Student) Finalists
• Asa ang mga Salida sa Leyte | Where Are the Films in Leyte? (Extended Cut) – Dir. Lebron Ponce and Linus Masandag • Cemento | Cement – Dir. Justine Borlagdan • Di Lalim Di Lalum | Not Easy, Not Deep – Dir. Nicole Reyes • Lila sa Gitna ng Asul | Purple in the Midst of Blue – Dir. Cristina Anandinna B. Iscala • As the Gong Finds Us – Dir. Joe Macky Bib Canal • Shalom – Dir. Kiah Resurreccion
Short Film (Open) Finalists
• Azazel (Ang Kabron) | Azazel (The Goat) – Dir. Randy Q. Villanueva and Utes Salazar • Blind Date – Dir. Victor Villanueva • Flora – Dir. Francis Ner Marañon • Hoy! Pili ka na! | Indecisive – Dir. Banjo Hinolan • Inang Reyna | Queen Mother – Dir. King Louie Palomo • Kaon | Let’s Eat – Dir. Miguel Dimaiwat • Magindara – Dir. Ryand Angelo G. Ugalde • Pagbalik sa Lawod | The Shore Awaits – Dir. Lee Joshua Sardoma and Elaiza Marie Empat • Paon | Bait – Dir. Seb Valdez • Relyebo | The Reliever – Dir. Paul Ocampo Untalan • Sakaling Malimutan Kita | In Case I Forget You – Dir. Ivan Villacorta Gentolizo • Tanan Nga Makita Kag Indi Makita | All Things Visible and Invisible – Dir. Glydel Beatisula • Tonton – Dir. Charlene Mead Tupas • Twenty Years Never Passed – Dir. Fahleen Fang Casidsid
Short Film (Student) Finalists
• Aglibas | The Escape – Dir. Louie Canieso and Yohan R. Yapchiongco • Alamat ng Anik-Anik | The Legend of Trinkets – Dir. Jann Gabaldon • Ang Paboritong Anak ni Tatay | My Father’s Favorite Child – Dir. Jun Randel Solvia • Baga-Baga | Embers – Dir. Mark Jerome Orque • BAGz – Dir. JD Mardo • Bilanggo ng Kinahinatnan | Prisoner of Consequence – Dir. Euxim Valonzo Garcia • Crossings (We Shall Return) – Dir. Josiah Tollison • Duros | Spear – Dir. Harvey Gozado • Hataw | Strong Beat – Dir. John Paul Soriano and Francis June Bayangos • Isa Ka Higayon | One Time – Dir. Chelsea Tasic • Layo ra’s Tinai | It’s Not That Bad – Dir. Klark Marquez • Lugud | To Love – Dir. Jarno Malonzo • Mga Unsa Na Lang Ta Ani | What Will Become of Us? – Dir. Keith Nemenzo • Mga Ulol | Fools – Dir. Vince Ivan Vasiete • Odds – Dir. Joshua Antiporta • Re: Living Kalipay – Dir. Mariel Joanachim Rovero • Sa Pag-uwi | Homecoming – Dir. Margareth Buendia • Sino Kamukha Ko? | Who Do I Look Like? – Dir. Darlene Ballano • Suffer Extra – Dir. Mark A. Delos Santos • Sunbird – Dir. Kate Biazon • Tililing: E-motion Sickness – Dir. Dranreb Cimatu • Under the Table – Dir. Branden Josh Domingo • Unggoy-ungguyan | Monkey in the Middle – Dir. Mark KC C. Alcaraz • Young Heart – Dir. Janine Icamen and Angela Legaspi
Awards Night (Gabi ng Parangal): March 28, Gateway Cineplex
“Sinag Maynila continues to be a beacon for Filipino filmmakers who dare to tell stories that challenge, inspire, and reflect our realities,” said Mr. Wilson Y. Tieng. Festival Director Brillante Ma Mendoza added, “This year’s entries embody resilience, creativity, and the evolving voice of Philippine cinema—local stories with international resonance.”
Festival Director Brillante Ma Mendoza added that this year’s entries reflect the evolving voice of Philippine cinema, highlighting the creativity and resilience of local storytellers whose narratives resonate beyond borders.
For screening schedules, ticket details, and festival updates, follow Sinag Maynila on Facebook and YouTube.
Amaze. Amaze. Amaze! The epic space adventure “Project Hail Mary” has blasted into theaters with unstoppable momentum, achieving the biggest global opening weekend of the year with an impressive $140.9 million worldwide debut.
The film collected $80.5 million in North America, while international markets added $60.4 million, signaling strong enthusiasm from audiences across the globe. Adapted from the bestselling novel by Andy Weir, the acclaimed author of The Martian, the film is directed by the creative powerhouse duo Phil Lord and Christopher Miller.
With its gripping storytelling, stunning visuals, and emotionally resonant moments, Project Hail Mary has quickly become one of the year’s most exciting cinematic experiences.
A Record-Breaking Opening in the Philippines
The excitement is equally strong in the Philippines. During its first five days in cinemas, Project Hail Mary earned ₱29,258,184, marking the biggest Hollywood opening weekend of 2026 in the country.
Driven by enthusiastic audience reactions and strong word of mouth, the film has also secured the largest opening for a Hollywood original non-franchise film since Oppenheimer—a remarkable milestone in today’s blockbuster landscape.
Moviegoers nationwide are embracing the film’s powerful blend of science, suspense, humor, and heart, making it a must-watch big-screen event.
An Epic Story That Captivates Audiences
Based on Andy Weir’s celebrated novel, Project Hail Mary presents a thrilling narrative that combines science-driven adventure with emotional storytelling. Under the visionary direction of Phil Lord and Christopher Miller, the story transforms into a breathtaking cinematic spectacle filled with wonder, tension, and unforgettable moments.
As audiences embark on this ambitious journey across the cosmos, the film’s themes of resilience, discovery, and hope resonate deeply—reminding viewers of the extraordinary power of human determination.
Watch the Trailer
Experience the adventure here:
Now Showing in Philippine Cinemas
The interstellar mission has begun. “Project Hail Mary” is now showing in cinemas across the Philippines.
The film is distributed locally by Columbia Pictures, the Philippine office of Sony Pictures Releasing International.
Join the conversation online using #ProjectHailMary and follow @columbiapicph for updates and exclusive content.
What if every floor of a building represented a different circle of Hell? That chilling idea fuels the blood-soaked horror-action-comedy “They Will Kill You,” arriving exclusively in cinemas March 25, 2026.
Directed and co-written by Kirill Sokolov, the film traps audiences inside The Virgil, a mysterious nine-floor building that becomes the setting for a relentless night of survival. At the center of the chaos is a young woman played by Zazie Beetz, who must fight her way through a demonic cult’s twisted lair before she becomes their next offering.
Joining Beetz in the cast are Myha’La, Paterson Joseph, Tom Felton, Heather Graham, and Patricia Arquette, forming an ensemble that fuels the film’s dark humor and brutal action.
The Virgil: A Deadly Building With Layers of Hell
At the heart of the film lies The Virgil, a seemingly luxurious condo complex hiding unspeakable horrors behind its walls.
“Our production designer is a mad genius,” Sokolov says of Jeremy Reed, who helped craft the building’s unsettling environment.
Because much of the story unfolds indoors, the creative team had to transform the structure into something visually thrilling.
“The movie mostly is inside of this Virgil building, so it’s all interior,” continues Sokolov. “Making an interior movie, you understand that people can get tired of staring at four walls, and you have to be very clever and creative in a way to make people excited – how to show the same sets differently, how to extend this world, even not leaving the place.”
The solution came from classic literature.
“The Virgil is a nine-floor building, because we used Dante’s ‘Inferno’ as inspiration, where every floor is literally a different circle of hell. That gave us this idea of how we dress the floors, what kind of theme belongs to each floor, what is actually happening on that floor. So, we used this structure to develop the visual style and design of the place.”
The concept allows the building to evolve visually and thematically as the story progresses—turning the structure itself into a character.
A Condo From Hell in the Middle of the City
Originally, the building was imagined as a remote and ominous tower. However, co-writer Alex Litvak says the team quickly realized a different approach would be even more disturbing.
Instead of isolation, they placed The Virgil right in the heart of the city.
“But we quickly pivoted and landed on the idea of an exclusive condo complex in the heart of the city – a seemingly welcoming Rosemary’s Baby-style community most would kill [or die] to live in. That helped fuel some of the film’s themes: class, disposable people, the struggle to belong, to find a home, and the cost that comes with it. We also played with the idea that each floor represents a level of Hell. At one point the metaphor was more explicit, but we felt the building was starting to overshadow the characters, so we dialed that back.”
The shift opened the door to deeper themes.
Beneath the horror, the film explores class, belonging, and the cost of finding a home. The metaphor of Hell remained part of the concept, but the filmmakers eventually softened the symbolism so the characters could stay front and center.
Still, Litvak hints that the terrifying idea might extend far beyond this one building.
“we think we’re only scratching the surface with the Virgil – and there may be more places like it all over the world…”
Watch the Trailer Here:
Escalating Action Across Every Floor
As the story climbs higher through The Virgil, the action grows increasingly wild.
Sokolov designed each level to deliver a new style of combat and spectacle.
“As we move from floor to floor, the world changes, the circles of hell changes, so the vibe of the fights and the choreography also will be different.”
The progression starts with grounded fights before exploding into larger, more stylized sequences.
We start with very grounded and naturalistic fights, a little bit exaggerated. Then we go into some kind of Viking shit with epic scale and much more graphic. Then we go full anime, crazy kung fu type of fighting. They sound different, they look different and they feel different and, I hope, bigger and bigger and bigger and more and more exciting.
The goal: make each level bigger, louder, and more exhilarating than the last.
Horror Masters Behind the Madness
The project gained extra momentum thanks to its producers: Andy Muschietti and Barbara Muschietti, the creative force behind modern horror hits “It,” “It Chapter Two,” and “Mama.”
For Litvak, their involvement felt like the perfect match.
“When we took the script to market, we were fortunate to have two competing buyers. For us, the goal wasn’t just to sell the script – it was to make the movie without losing the unconventional style and the inspired madness we had baked into the pages. The moment we met Andy and Barbara, it was clear we weren’t dealing with producers so much as fellow artists who immediately understood what we were trying to do. They believed in the tone of the film and supported our mission from the start. That ultimately made the choice to go with them a no-brainer, and it turned out to be the best decision we could have made.”
Their support ensured the filmmakers could preserve the script’s wild imagination and dark humor from page to screen.
Enter The Virgil—If You Dare
Blending explosive action, outrageous horror, and wickedly sharp comedy, “They Will Kill You” promises a uniquely bold theatrical experience.
Everyone is invited to step inside The Virgil—just don’t expect to make it out alive.
From New Line Cinema and Nocturna, They Will Kill You unleashes a blood-soaked, high-octane horror-action-comedy in which a young woman must survive a deadly night inside The Virgil, a demonic cult’s twisted lair, before becoming their next offering.
The film stars Zazie Beetz, Myha’La, Paterson Joseph, Tom Felton, Heather Graham, and Patricia Arquette.
Directed by Kirill Sokolov and written by Sokolov & Alex Litvak, the film is produced by Andy Muschietti, Barbara Muschietti, and Dan Kagan, with executive producers Russell Ackerman, John Schoenfelder, Carl Hampe, Alex Litvak, and Kirill Sokolov.
Behind the camera, Sokolov is joined by director of photography Isaac Bauman, production designer Jeremy Reed, editor Luke Doolan, costume designer Neil McClean, and visual effects supervisor Marc Smith. The film’s score is composed by Carlos Rafael Rivera, with Andrea von Foerster as music supervisor and Richard Delia as casting director.
New Line Cinema and Nocturna present They Will Kill You, distributed by Warner Bros. Pictures. The film opens in North America on March 27, 2026, and internationally beginning March 25, 2026.
There is a theatricality in Jun Lana’s filmmaking for his film Sisa that heightens the film’s themes, emphasizing the tyranny of colonialism and “colonial mentality” while underscoring the vulnerability of women, not just during war, but at all times. The film opens with a tighter aspect ratio, a box frame reminiscent of classic cinema with stunning cinematography by Carlo Mendoza.
Set during the tail end of the Philippine-American War, the story focuses on one of the concentration camps established to force the insurgents to surrender by holding entire villages hostage by American soldiers. Throughout the film, Lana and Mendoza utilize uncomfortably tight shots, crazy angles, shifting aspect ratios, and vibrant tracking shots to really emphasize the tension and emotional weight of these characters within this narrative. Oftentimes, the mise-en-scene pushes the actors to move towards a gorgeous tableau, creating singular images that emphasize the film’s core theme.
Sisa | Photos courtesy of The IdeaFirst Company
This stylistic treatment allows Sisa to sidestep realism and focus on delivering its message. The film is not so much as a complete narrative, but more of a rallying cry. It’s an illustration of the horrors of war and how much worse it is for women.
Sisa | Photos courtesy of The IdeaFirst Company
The story of Sisa unfolds in one of these concentration camps, where a seemingly crazy woman enters and attacks a guard. When brought to his commanding officers, they take pity on her and allow the villagers to take care of her. Not knowing her name or where she’s from, the village children call her “Sisa,” after the woman in Rizal’s Noli Me Tangere.
Sisa | Photos courtesy of The IdeaFirst Company
There, Sisa becomes part of the community, living under Delia’s home, doing chores and visiting every nook and cranny of the camp. Within the first ten minutes, it becomes clear that Sisa is not the “crazy woman” she appears to be. By the end of the first act, we discover that she’s a spy working with the insurgents planning a take over of the camp.
Sisa | Photos courtesy of The IdeaFirst Company
However, nothing is ever that easy as the town is primarily left with the women, most of the men are either dead, imprisoned, or have fled to join the insurrection. But then again, women are fiercer and stronger than anyone ever thinks they are, and Sisa must work quickly to turn this village of women into members of the revolution.
Sisa | Photos courtesy of The IdeaFirst Company
While the film contains elements of a spy film or a caper, Sisa doesn’t fully operate within those genres. Instead, Lana focuses his attention on the manner by which women are oppressed by both patriarchy and colonialism. He focuses on the way the Americans utilize education and the teaching of English to sway the youth, seen in the way Delia’s daughter, Nena, begins to feel connected with them. For others, like Leonor, who is courted by the camp commander, Eddie Harrison. She is treated better, granted better rations, and because of this, she is shunned by the rest of the community.
Sisa | Photos courtesy of The IdeaFirst Company
Sisa, as both outsider and informant, becomes our eyes and ears. Through her observations, we process, we watch as the patriarchy and colonialism tear away at identity and the will to resist, forcing the colonized into subservient roles to please their oppressors.
Sisa | Photos courtesy of The IdeaFirst Company
After a thirteen-year hiatus, Hilda Koronel returns to the screen to bring Sisa to life. Even with very little backstory, Koronel manages to infuse the role with a history and layers underneath her character’s charade. This is a multi-faceted role that she carries effortlessly, while leading the ensemble forward.
Sisa | Photos courtesy of The IdeaFirst Company
Adding more talents into the production is Eugene Domingo as Delia, who is a force of nature. Completely removed from her comedic persona, Domingo reveals a totally different side of her and the effect is strong. Also delivering a standout performance is Jennica Garcia, whose Leonor is swept up in the confusion of her situation. She feels safe and protected by the commander that she has forgotten how the Americans have turned her into a widow. Her character’s eventual spiral in the film when she discovers the full extent of what the war has done to her and the people around her is arresting, a performance well worth watching.
Sisa | Photos courtesy of The IdeaFirst Company
Sisa is a gorgeous film, designed to push images and themes rather than to unfold a cohesive story. By looking at our past and allowing us to fully grasp what our country had to go through during the transfer of power from one colonial empire to another, we begin to understand how difficult it is for us to unite like other countries have. The sins of these oppressions is part of our lineage which we have yet to shake off. Like many characters in the film, we’d be happy to take scraps and morsels from our tyrants and be genuinely grateful to them while they work us to the bone and treat us less than human. Much like Sisa, we must look beyond the surface and start rousing ourselves to push back and unshackle ourselves from this idea that whatever is foreign is good for us. This movie couldn’t have come at a better time, with more and more stories about women fighting back taking center stage and in the world of politics, America has shown that their public image of being a benevolent protector of democracy is a complete lie. Sisa pulls no punches in delivering this message, clear as day, emboldening us to finally follow suit.
My Rating: 4 Stars
From Hilda Koronel’s haunting presence and Eugene Domingo’s dramatic revelation to Jennica Garcia’s arresting performance, Sisa is a true masterclass in acting. Don’t miss this gorgeous, thematic powerhouse while it’s still in cinemas. Check showtimes here.
There’s something about Project Hail Mary that makes it feel better suited for a different time. Based on the novel by Andy Weir, the same novelist who also wrote the book for Ridley Scott’s 2015 hit The Martian was based on, there are many similarities between both films. It’s a science fiction movie where the science is made fun and comprehensible for the average viewer, maintaining a tone that’s light-hearted, feel-good, and inspiring. With directors Phil Lord and Christopher Miller and a screenplay by Drew Goddard, the film is really in good hands. With Ryan Gosling as the lead, there is simply no reason for this film to fail.
And for the most part, it doesn’t. Project Hail Mary’ tells the story of Dr. Ryland Grace (Gosling), who wakes up on a spaceship en route to the star Tau Ceti. He initially doesn’t remember who he is nor why he is the only crew member on the ship to survive. As his memories start to return, we discover that a cosmic event has brought an alien organism – dubbed “Astrophage” – through space, which has begun to “eat the sun.” Dr. Grace is part of a global team of scientists who try to understand Astrophage and how to stop it before it destroys all life on Earth. Only one star doesn’t seem to be affected by Astrophage and that’s the star Tau Ceti. On his way to complete his mission – investigate Tau Ceti and why it isn’t being consumed by the cosmic microorganism, Grace discovers another alien species also trying to investigate Tau Ceti. Despite the language barrier, the two figure out how to communicate, and Grace and “Rocky” join forces to save both their planets.
The film is a lengthy 156 minutes, with the first forty minutes detailing the specifics of the mission and how Grace – a disgraced molecular biologist, who is teaching in middle school – becomes part of the space mission. There, he interacts with the project commander, Eva Stratt (a magnificent Sandra Huller), as he tries to understand the science to get them into space.
Then the following act focuses on how Grace and Rocky (voiced and lead puppeteer James Ortiz) establish first contact and form their bond. Finally, the last forty minutes or so bring the mission to its conclusion. It’s a very loaded film, but the pacing is extremely quick and a lot of things are happening that it never feels boring.
Ryan Gosling stars as Ryland Grace in PROJECT HAIL MARY, from Amazon MGM Studios. Photo credit: Jonathan Olley
The film bombards you with nostalgia as they play very familiar songs, mostly from the ’90s and early 2000s (though I did catch a few older songs as well), while finding heart and humor in the interactions between Gosling’s Grace and Rocky. Their shared need to save their planets has turned two very, very different personalities into great friends. It’s so refreshing, though, to see a world so quick to cooperate; even the idea that the whole world stopped fighting each other to gather their resources and talents to form this project, which they called Hail Mary. For some reason, I find it easier to believe in an alien such as Rocky exists but I am having such a hard time believing in a world coming together to stop ourselves from becoming extinct.
This is where I feel the film seems to be lost in time. It has fantastic visual effects, creating gorgeous cosmic and interplanetary imagery for Grace and Rocky to inhabit. The action sequences on the spaceship are deeply engaging, and Daniel Pemberton’s score lends a grand, epic scale to the proceedings trying to make it feel as big as it is. In all honesty, every individual part of this film works so beautifully. It is an enjoyable film; I even found myself gasping and holding back tears during two sections because of how well the story unfolds and allows us to really invest in its characters. Gosling is at his most charming, considering the scene partner he spends most time with is an alien puppet and, in flashbacks, the cold and guarded Eva Stratt. Yet, there’s a kindness and hope to the film that feels so tone deaf in a world currently in the throes of World War III.
It doesn’t help that, later on in the film, we discover some very unsavory truths that really begs the question: is the human race really worth saving? Perhaps the film’s ending is Lord and Miller’s way of injecting a bit of cynicism and commentary into the proceedings. By all respects, Project Hail Mary is a really good film. I just wished it had been released earlier, before this global mess we currently find ourselves in. The timing undermines the film’s good intentions. I laughed, I was moved, and I held back tears, but it was the moment I left the cinema, that the film started to feel empty. Instead of being hopeful and inspiring, the film ended up feeling like an escapist fantasy.
My Rating: 3.5 Stars
Is Project Hail Mary the hopeful escape we need right now, or is it just too far-fetched for 2026? Catch it while it’s still on the big screen and let us know: are you team “Science” or team “Cynicism”?
Grace survived the night — but the game isn’t over yet.
In “Ready or Not 2: Here I Come,” the shocking events of the 2019 horror hit expand into a far more dangerous battlefield. What once seemed like a single family’s twisted tradition turns out to be part of something much larger, and far more ruthless.
This time, Grace isn’t alone. Standing beside her is Faith, her estranged sister, who suddenly finds herself dragged into the nightmare. Together, they must navigate a brutal new round of the deadly ritual — one that now involves multiple powerful families with everything to gain and nothing to lose.
And for Grace, survival is no longer enough.
A Bigger Game With Deadlier Stakes
The first film ended with Grace barely escaping the Le Domas family’s sinister game of hide-and-seek. Bloodied but victorious, she seemed to have reached the end of the nightmare.
However, the sequel reveals a terrifying truth.
The Le Domas family was only one piece of a much larger power structure. Now four rival families are hunting Grace and Faith, all competing for control of the High Seat of the Council, the mysterious authority that governs them all.
In this ruthless competition, the rules are simple: win the game and claim ultimate power — or die trying.
Grace must once again rely on her instincts, resilience, and sheer determination as the hunt escalates into an all-out battle for survival.
Filmmakers Expand the World of the Game
Directors Matt Bettinelli-Olpin and Tyler Gillett, collectively known as Radio Silence, saw the ending of the original film as an opportunity rather than a conclusion.
“From the very beginning, the idea was not to be precious about anything,” says Bettinelli-Olpin. “The first movie ended definitively, and that gave us permission, and freedom, to go bigger, bloodier, and wilder.”
For Gillett, the sequel is about expanding the universe behind the deadly tradition.
“The sequel isn’t escalation for its own sake — it’s escalation with conviction. “We know this world, and now we stretch it in every direction.”
As a result, the film promises a more expansive story filled with intense confrontations, dark humor, and unexpected twists.
Samara Weaving Leads a Star-Studded Cast
Samara Weaving reprises her role as Grace, the determined bride who captured audiences with her fierce will to survive.
Joining the franchise is Kathryn Newton as Faith, whose arrival adds both emotional stakes and fresh tension to the story.
The sisters must face a formidable group of hunters played by an impressive ensemble cast that includes:
Sarah Michelle Gellar (Scream 2, I Know What You Did Last Summer)
Shawn Hatosy (The Pitt, The Faculty)
Nestor Carbonell (The Dark Knight)
David Cronenberg (The Fly)
Elijah Wood (The Monkey)
With such a powerhouse lineup, the hunt promises to be more unpredictable and dangerous than ever.
Catch the Film Early in Cinemas
Fans eager to return to the chaotic world of Ready or Not won’t have to wait long.
Early screenings of “Ready or Not 2: Here I Come” run from March 20 to 22 in select cinemas, giving audiences a chance to see the film before its wide release.
The movie officially opens in Philippine cinemas on March 25, 2026.
A thrilling new chapter begins for one of Marvel’s most beloved heroes. The official trailer for “Spider-Man: Brand New Day” has arrived, giving fans an exciting glimpse at Peter Parker’s next adventure on the big screen.
Following the massive global success of Spider-Man: No Way Home, the upcoming film ushers in a bold new phase for the iconic web-slinger.
Watch the Official Trailer here:
Tom Holland Leads a Stellar Cast
Tom Holland returns as Peter Parker, continuing his celebrated run as the Marvel Cinematic Universe’s Spider-Man.
Reprising their roles are Zendaya as MJ and Jacob Batalon as Ned, two characters who have been central to Peter’s journey.
Set four years after the events of Spider-Man: No Way Home, the film presents a dramatically changed world for Peter Parker.
Now an adult, Peter lives completely alone after choosing to erase himself from the memories of the people he cares about most. With no one remembering who he truly is, he dedicates himself entirely to protecting New York as Spider-Man.
However, the pressure of being a full-time hero begins to take a toll. As new threats emerge across the city, Peter experiences a mysterious physical transformation that could endanger his future.
At the same time, a strange pattern of crimes begins to surface—signaling the arrival of one of the most formidable adversaries Spider-Man has ever encountered.
With a compelling new storyline, an impressive cast, and higher stakes for its hero, “Spider-Man: Brand New Day” sets the stage for an exciting new era in the Spider-Man saga.
Fans can catch the next adventure of the web-slinger when the film arrives in Philippine cinemas on July 29. Distributed locally by Columbia Pictures PH.
