Grab the midnight margaritas and call your coven. The Owens sisters are ready to cast their spell on the big screen once again.
The full trailer for “Practical Magic 2” has arrived, offering a magical new look at the long-awaited sequel to the beloved 1998 film. Led once again by Sandra Bullock and Nicole Kidman, the enchanting follow-up opens in cinemas internationally beginning September 9, 2026.
Watch the Full Trailer here:
Sandra Bullock and Nicole Kidman Reunite as the Owens Sisters
Fans of the original film have plenty to celebrate. “Practical Magic 2” brings Bullock and Kidman back to the world of the Owens family, where love, loss, sisterhood, and supernatural secrets have always gone hand in hand.
This time, the Owens sisters must confront a dark curse that threatens to tear their family apart once and for all. With moonlit mischief in the air and ancestral magic rising, the sequel promises a thrilling mix of heart, humor, mystery, and mayhem.
A Spellbinding New Chapter
Based on “The Book of Magic” by Alice Hoffman, “Practical Magic 2” continues the story of a family bound by extraordinary power and complicated destiny.
The full trailer teases a return to the film’s signature blend of romance, danger, and witchy charm, while introducing a new chapter that feels both familiar and fresh. Bewitching and bold, the sequel invites audiences back into a world where every secret has a shadow and every spell comes with a cost.
Warner Bros. Pictures presents, in association with Alcon Entertainment, a Di Novi Pictures / Fortis Films / Blossom Films production, a Susanne Bier film: “Practical Magic 2.”
See “Practical Magic 2” in Cinemas This September
Distributed worldwide by Warner Bros. Pictures, “Practical Magic 2” opens only in theaters in North America on September 11, 2026, and internationally beginning September 9, 2026.
So, midnight margaritas ready? Summon your coven and prepare for a powerful, magical, and wonderfully wicked return when “Practical Magic 2” opens in cinemas September 9.
The Deadites are back, and this time, terror comes wrapped in grief, family ties, and vows that refuse to stay buried.
Evil Dead Burn, the latest installment in the long-running horror franchise, brings audiences into a secluded family home where mourning quickly turns into mayhem. Fresh, ferocious, and emotionally charged, the film offers a new nightmare for longtime fans while pushing the beloved series into more intimate and unsettling territory.
Watch the Official Trailer:
Rated R-18 with no cuts, Evil Dead Burn opens in Philippine cinemas on July 8.
A Widow’s Grief Becomes a Deadite Nightmare
In Evil Dead Burn, a recently widowed woman stays with her in-laws at their isolated family home to grieve the loss of her husband. What begins as a painful reunion soon spirals into a savage fight for survival when members of the family are possessed one by one and transformed into Deadites.
Trapped in the home, surrounded by people who were supposed to share her sorrow, she discovers that love, death, and evil can form a horrifying bond. Worse, the promises made at the altar may not end at the grave.
By centering the story on a widow and her in-laws, the film turns familiar Evil Dead chaos into something more personal. The fear is not only in the blood, fire, and violence. It is also in the silence of grief, the tension of a broken family, and the terrifying feeling of being trapped with people who are no longer themselves.
Sébastien Vaniček Brings Fire, Fear, and Fresh Energy
French director Sébastien Vaniček, who earned international acclaim for his skin-crawling horror film Vermines, known globally as Infested, steps into the franchise with a bold vision. Together with co-writer Florent Bernard, he takes on one of horror cinema’s most iconic worlds with both reverence and nerve.
For Vaniček, the experience of making Evil Dead Burn was as wild as the film itself.
“It starts with an idea in your apartment in Paris,” he laughs, “and then cut to a crew of 200 in front of three people on fire, in front of a house on fire. It’s pretty crazy, but I’m surrounded by people who are really professional and very good at what they do, so I’m in good hands.”
Oh, and with that kind of scale, the film promises not just scares, but spectacle. Fire, chaos, and practical intensity fuel the director’s take on a franchise known for going all in.
Honoring Evil Dead Without Playing It Safe
While Evil Dead Burn carries the bloody spirit of the franchise, Vaniček was determined not to simply copy what came before. For him, respecting the fans meant understanding the rules, then daring to twist them.
“There’s obviously an immense respect for the franchise and the fans. That’s where it all begins. But I know I wasn’t offered this role to simply do what the audience expects. Respect is also understanding that Evil Dead is not just about blood and chainsaws. There is so much more to explore in this world. And that’s what I was determined to do. Understand the rules and twist them. Try to bring a new vision, a unique vision to this amazing world. I think that’s why Evil Dead is still alive today – because it gives directors freedom to do new things.”
That freedom is what keeps the franchise burning. With every new filmmaker comes a new way to unleash the Deadites, and Vaniček appears ready to deliver a chapter that feels unmistakably Evil Dead while carving out its own wicked identity.
A More Violent, More Emotional Kind of Horror
For co-writer Florent Bernard, the challenge was clear: find a way into the story that did not feel like a repeat. Instead of another group of friends, the film looks at a woman uprooted by loss and forced to face horror alongside the family she married into.
“The biggest challenge was avoiding too much repetition of what had already been done. That’s why we decided not to use a group of friends or people of the same age. But a woman uprooted and stuck with her in-laws—especially after a loss that affects them all—carried real narrative promise. Sébastien didn’t want to make the bloodiest Evil Dead, but definitely the most violent one.”
It is a chilling promise. Rather than chasing gore for gore’s sake, Evil Dead Burn builds its terror from emotional pressure, physical danger, and the painful ties that bind people together even when evil tears them apart.
The Deadites Return to Philippine Cinemas
Brutal, bold, and built to shake audiences, Evil Dead Burn aims to give horror fans a theatrical experience that is scary, funny, emotional, and deeply uncomfortable in all the right ways.
“If audiences walk out of the theatre feeling like they’ve experienced a horror-action film that’s emotional and funny, as well as uncomfortable and exhilarating,” says Bernard, “that’s what we’re aiming for.”
With no cuts and an R-18 rating, Evil Dead Burn is set to unleash its full force on the big screen. Fearless fans can catch the Deadites when the film opens in Philippine cinemas on July 8. Distributed locally by Columbia Pictures PH.
Ready for your weekly big screen fix? This Wednesday, the cinemas are buzzing with a spectacular lineup that swings from the cosmic vengeance of Supergirl to the terrifying sci-fi anthology of V/H/S/Beyond. Whether you are looking for the heartfelt local storytelling of A Quiet Bloom, Drags to Riches, and First Light, the musical clash of Power Ballad, or the intense psychological tension of The Eyes, this week’s slate has a ticket with your name on it. Tag your movie squad, grab some extra-buttered popcorn, and catch these must-watch films at a theater near you!
Here are the new movies opening in cinemas this week.
When a ruthless enemy threatens everything close to her, Kara Zor-El, also known as Supergirl, is forced to team up with an unexpected ally on a journey across the galaxy. As she searches for justice and answers, Kara must confront challenges that test both her power and purpose.
With high-stakes action and a massive cosmic setting, Supergirl brings a fresh chapter to the superhero universe.
A quiet connection grows into something unforgettable.
After returning to Cebu, marketing specialist Iris finds herself struggling with family expectations and pressure about marriage. Following a difficult confrontation at home, she escapes to a flower café where she meets Hyacinth, the warmhearted owner who offers her comfort and kindness.
What begins as a simple arrangement develops into a meaningful relationship built through late-night conversations, motorcycle rides, and shared dreams. But as their love grows, Iris and Hyacinth must face the challenges of family, acceptance, and the fears that can stand between two people.
A tender romance about love, identity, and choosing who you want to become.
Andre and Troye are desperate employees looking for a promotion, and their solution is anything but ordinary. They convince drag queen Jonas to impersonate his long-lost straight twin in an attempt to fool their homophobic father.
With mistaken identities, outrageous situations, and plenty of humor, Drags to Riches brings a fresh comedy about friendship, family, and being true to yourself.
When an elderly nun witnesses a young construction worker’s fatal accident, she begins questioning the values and principles of the institution she has dedicated her life to serving.
This emotional drama explores faith, morality, and the difficult choices that come when long-held beliefs are challenged.
2026 • R-13 • 1h 39m COMEDY, DRAMA, MUSIC GET SHOWTIMES
A forgotten song gets a second chance.
Rick, a former wedding singer past his prime, meets fading boy-band star Danny during a gig. Their unexpected friendship begins with a late-night jam session, where Rick’s song catches Danny’s attention. When the track becomes the hit that brings Danny back into the spotlight, Rick begins fighting for the recognition he believes he deserves. But reclaiming his moment may come at the cost of the relationships he values most.
A music-filled story about ambition, friendship, and chasing one last dream.
Renowned photographer Seo-jin is devastated after the mysterious death of her twin sister. Determined to uncover the truth, she begins investigating the circumstances surrounding the tragedy.
But as her search continues, an unseen presence starts closing in. With reality becoming harder to trust and her vision slowly fading, Seo-jin finds herself trapped in a terrifying mystery that changes everything she thought she knew.
The terrifying anthology returns with even bigger nightmares.
Exploring strange worlds, dangerous creatures, and unsettling sci-fi horror scenarios, V/H/S/Beyond pushes the franchise into new territory with a collection of frightening stories.
For fans of unpredictable horror and mind-bending thrills, this latest entry delivers another wild cinematic experience.
What’s On Your Movie List This Week?
From Supergirl’s intergalactic mission to emotional romances, musical dreams, and chilling horror stories, this week brings a lineup filled with different worlds and unforgettable characters. Whether you’re in the mood for superhero action, a love story, or a terrifying mystery, there’s a new movie waiting for you in cinemas.
Whether you’re planning a family movie day, a fun night out with your barkada, or a suspense-filled screening, this week has plenty of new movies waiting on the big screen. So grab your favorite snacks, round up your friends, and secure your tickets now.
Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!
They are cute, chaotic, and ready to take over Hollywood.
In “Minions & Monsters”, a new tribe of Minions sets off on a wildly funny adventure filled with dreams, friendship, filmmaking, and, yes, monsters. What starts as one Minion’s bold attempt to create the next big movie quickly turns into a mishap of monstrous proportions.
Opening in Philippine cinemas on June 30, the film introduces audiences to a fresh batch of lovable henchmen with big personalities, hilarious quirks, and a whole lot of heart.
Meet James, the Creative Minion With Big Screen Dreams
At the heart of the story is James, a sensitive and imaginative Minion who is not quite like the others.
James with a film camera in Minions & Monsters
Instead of following the usual Minion instinct of finding an evil boss to serve, James dreams of telling stories. Drawn to art, creativity, and self-expression, he eventually discovers the powerful world of film.
Naturally, with a Minion behind the camera, things do not exactly go according to plan. James’ dream of making the next big movie leads to a massive accident, unleashing monsters into the world. Suddenly, his creative journey becomes a high-stakes mission to fix the chaos he helped create.
Henry, the Loyal Best Friend Everyone Needs
Every dreamer needs a cheerleader, and for James, that is Henry.
Kind, supportive, and endlessly encouraging, Henry has been by James’ side from the very beginning. Even when the rest of the tribe does not understand James’ artistic ambitions, Henry continues to believe in him.
Their friendship adds a sweet and uplifting layer to the film, proving that sometimes, one loyal friend is enough to keep a dream alive.
Ed Brings Heart and Teamwork to the Adventure
Completing the trio is Ed, a hearing-impaired Minion who communicates nonverbally.
Together, James, Henry, and Ed have developed their own system of signs, allowing them to connect in a way that is uniquely theirs. As the adventure pulls the trio away from the rest of the tribe, Ed becomes an essential part of the filmmaking team.
With his presence, “Minions & Monsters” brings a meaningful reminder that teamwork comes in many forms, and every voice matters, even without spoken words.
Dick Wants to Keep Things Classic
Then there is Dick, the tribe’s self-appointed leader.
Dick leading the pack in Minions & Monsters
Unlike James, Dick is fully committed to the classic Minion mission: finding a villain to serve. For him, James’ filmmaking dreams are strange, impractical, and completely unnecessary.
With no interest in chasing movie magic, Dick pushes back against James’ outlandish plans. Of course, that only makes the adventure even funnier, messier, and more entertaining.
Pierre Coffin Returns as the Voice Behind the Minions
Directing “Minions & Monsters” is Pierre Coffin, the longtime voice of the Minions since their creation.
Henry with the gang’s new monster pal Goomi in Minions & Monsters
In this new film, Coffin brings to life James, Henry, Ed, and Dick, giving each character a distinct personality while keeping the iconic Minion charm fans know and love.
Catch “Minions & Monsters” in Cinemas This June 30
Get ready for a hilarious big-screen adventure packed with adorable chaos, monster-sized trouble, and plenty of Minion mayhem.
“Minions & Monsters” opens in Philippine cinemas on June 30. Tickets are available now. Head to your local cinema or check online ticketing websites to reserve your seats.
A quiet rocket mechanic, a brilliant astro-botanist, and three tiny alien fugitives are about to make moviegoers feel a little less alone.
Illumination has revealed the first poster for “Not Alone,” its upcoming original animated film featuring the voices of Timothée Chalamet and Selena Gomez. Set for release in Philippine cinemas in April 2027, the film promises a charming mix of science, comedy, romance, and adorable intergalactic mayhem.
When Joe and Fran are paired for the rocket’s first launch, the mission seems simple enough. Get the rocket ready. Make history. Avoid awkward romantic tension.
Naturally, the universe has other plans.
A plant-powered rocket, alien chaos, and a spark between strangers
Just as Joe and Fran begin working together, three tiny aliens named Dunk, Welly, and Shirm suddenly take shelter in Joe’s home. Cute, chaotic, and very much on the run, the trio is being chased across space by Zandro, a determined but not exactly competent officer of the law.
Their ticket home may be Fran’s revolutionary rocket, which means Joe’s quiet life and the launch team’s historic mission are about to collide in the most unexpected way.
As the aliens stir up trouble, Joe and Fran find themselves navigating more than just technical challenges. With sparks flying and feelings getting tangled, the two must figure out how to work together while everything around them launches into delightful disorder.
A stellar voice cast brings “Not Alone” to life
“Not Alone” marks Chalamet’s first feature-length animated film role, adding another milestone to the four-time Academy Award nominee and Golden Globe and Actor Award winner’s career. Gomez, an Actor Award winner and Emmy and Grammy nominee, joins him as Fran, bringing heart and wit to the film’s inventive heroine.
From the studio behind “Minions” and “Despicable Me”
For nearly 20 years, Illumination has built a beloved universe of animated characters and stories, from “Minions” and “Despicable Me” to “Sing,” “The Secret Life of Pets,” “Migration,” and the record-breaking “Super Mario Bros.”films.
With “Not Alone,” the studio introduces an entirely original story filled with heart, humor, and big-screen wonder.
The film is directed by Eric Guillon, co-director of “Despicable Me 3” and the designer behind the iconic look of “Despicable Me” and “Minions.” He directs alongside Claire Dodgson, editor of “The Lorax,” “Minions,” “Despicable Me 3,” and “Minions: The Rise of Gru,” and Jonathan Del Val, co-director of “Minions: The Rise of Gru” and “The Secret Life of Pets 2.”
Filled with tiny aliens, big feelings, and one impossible rocket launch, “Not Alone” is shaping up to be a fresh animated adventure for families, fans of Illumination, and anyone who loves stories about finding connection in the unlikeliest places.
Catch “Not Alone” in Philippine cinemas in April 2027.
Getting cast in a superhero film is already a dream. For Eve Ridley, landing the role of Ruthye Marie Knoll in “Supergirl” was the kind of moment that felt too big to process right away.
The young Filipino-British actress had gone through several auditions for the role, with long pauses in between. Naturally, the waiting came with uncertainty. Would she hear back? Was the part still possible? Then, finally, the call arrived.
“But then I did get the call with the news and it’s the best feeling ever,” shares the young Filipino-British actress. “It’s a feeling that you can’t describe, you know? You’re so happy and proud of yourself, but then it also takes a while to sink in.”
Once the news began to feel real, Ridley stepped into research mode. She read the comic, learned more about Supergirl, and studied the iconic look and personality of Kara Zor-El.
“That’s when I read the comic and I did lots of research about Supergirl and her iconic look and the difference between Kara and Supergirl. And I loved it and I’m so happy that I got to be part of this amazing film.”
Meet Ruthye, Supergirl’s Fierce New Ally
In “Supergirl,” Ridley plays Ruthye Marie Knoll of the Danastia Clan. Headstrong, focused, and scrappy, Ruthye is driven by one goal: to avenge her family and bring justice to the man who killed them.
Her mission leads her to Kara Zor-El, also known as Supergirl, played by Milly Alcock. Together, the two characters set out on an epic interstellar journey shaped by grief, courage, vengeance, and justice.
Watch the trailer here:
At first glance, Kara and Ruthye seem like an odd match. Ruthye is controlled and composed, while Kara moves through the world with a more relaxed, unpredictable energy. For Ridley, that clash is part of the fun.
“Ruthye’s quite upright and very composed and put together, but then Kara… she’s got that sort of energy where she doesn’t care what she says and she’s using a lot of slang language and it’s all really casual. You can see the difference between them and how it clashes. I think that’s really funny.”
A Big-Sister Bond With Milly Alcock
The connection between Ridley and Alcock was not limited to their characters. Screenwriter Ana Nogueira says the two actors built a warm, supportive dynamic while working on the film.
“Milly was like a big sister to Eve throughout this challenging thing that they both were doing, and I think all of that sisterly love and respect comes through on screen,” says Nogueira.
She also describes Ridley as a standout discovery.
“Eve Ridley is just an unbelievable find, such a gem. She’s self-actualized, she’s just herself, nice and sweet, professional.”
Ridley shares the same admiration for Alcock, calling her a dream to work with.
“Milly is such a dream to work with. I really look up to her,” says Ridley. “She taught me so much, and she’s such an amazing actress.”
For Ridley, Alcock’s take on Kara is both powerful and emotional.
“And I think Kara is such a strong and emotional character and Milly really takes on all of those emotions and really showcases her talent. I loved working with her. She’s a bit like a big sister.”
Before filming started, Gillespie walked the actors through one of the cave scenes during a readthrough. He even sketched Ruthye and Kara, adding arrows to show where they would move in the scene. For Ridley, that simple drawing became a helpful window into the director’s vision.
“I loved how he envisioned that scene to be and the way that he explains things,” says Ridley. “And learning different terms and phrases that he used will really help me for my future as well, because different directors have different methods and ways.”
Before “Supergirl,” Ridley had already appeared on television, with credits including “The Witcher” and “3 Body Problem.” Still, stepping into a major film role brought new lessons, bigger sets, and fresh challenges.
The Villain Who Truly Scared Her
One of the most unforgettable moments for Ridley happened early in production, when she met Matthias Schoenaerts, who plays the villainous Krem.
“I met him on my second day of filming, when we were doing the scene where my family gets murdered,” shares Ridley. “I’d never met him before, and he was in full costume, hair, makeup…”
That first meeting was intense. Ridley had not seen photos of what Krem would look like, so the sight of Schoenaerts in full transformation caught her completely off guard.
“I was too scared to even make eye contact with him. I was physically shaking.”
Although the fear was real, it ended up helping the scene.
“I thought I liked horror films, but this was a different kind of fear, and I think that really helped with the scene because it was the first time I was seeing him and the first time Ruthye was seeing him. So, to channel all those emotions, that really helped a lot.”
Off camera, however, Schoenaerts was far from frightening.
“But under all of the prosthetics and under all of the makeup and the creepy voice, he is such a nice guy and he’s really fun to work with.” she adds.
Jason Momoa’s Rock n’ Roll Lobo
Ridley also has a fun story about working with Jason Momoa, who plays Lobo.
According to Ridley, Momoa brings “a rock n’ roll Super-Villain vibe” to the character. Even with Lobo’s tough and wild presence, Momoa was thoughtful on set, especially during action scenes.
“He’s such a great actor and he’s also really kind as well, because when he had to strangle me, he was always making sure that the blades on his gloves weren’t hurting me,” shares Ridley with a laugh.”
It is the kind of behind-the-scenes detail that shows how much care goes into making a big superhero spectacle feel safe, exciting, and believable.
Why Supergirl Matters
Beyond the action and cosmic adventure, Ridley hopes audiences connect with the heart of “Supergirl.”
“I think that she’s such an inspirational character, and especially younger children who are growing up watching all of these superhero films, they can really look up to Kara and think, wow, I want to be as brave as her when I’m older.”
For Ridley, Kara’s story is a reminder that dreams are not just meant to be imagined. They can also be pursued.
“If she can make her dream come true, so can I. I don’t need to just dream it, but I can make it reality.”
Most of all, she sees Supergirl as a symbol of courage and possibility.
“I feel like Supergirl really is the definition of girl power. Every kid wants to find their superhero. I’m just happy I found mine.”
Academy Award-winning filmmaker Taika Waititi brings a tender, luminous story of love, loss, and healing to the big screen with “Klara and the Sun”, coming soon to cinemas in the Philippines.
Based on the bestselling novel by Nobel Prize-winning author Kazuo Ishiguro, the film stars Jenna Ortega as Klara, an Artificial Friend, or AF, who longs for one thing: to be chosen and welcomed into the right home.
Watch the trailer here:
A Story of Friendship, Wonder, and Healing
In “Klara and the Sun,” Klara waits patiently for a family to bring her home. Bright-eyed and full of innocent wonder, she observes the world around her with quiet hope. Then she meets Josie, played by Mia Tharia, and the two instantly recognize something familiar in each other.
Josie convinces her mother, portrayed by Amy Adams, to take Klara in. From there, an extraordinary bond begins to grow, one shaped by devotion, vulnerability, and the need to recover from painful loss.
As Klara enters Josie’s complicated world, her unwavering loyalty starts to bring warmth back into a family still carrying grief. Bit by bit, and with a heart full of hope, Klara becomes more than a companion. She becomes a light in the middle of uncertainty.
Taika Waititi Brings Kazuo Ishiguro’s Beloved Novel to Life
Known for his emotionally rich and imaginative storytelling, Taika Waititi writes and directs this adaptation of Ishiguro’s acclaimed novel. With its blend of futuristic ideas and deeply human emotions, “Klara and the Sun” explores what it means to love, to belong, and to see the beauty in someone else’s world.
The film features an impressive cast led by Jenna Ortega, Amy Adams, and Mia Tharia, alongside Aran Murphy, with Steve Buscemi and Natasha Lyonne.
About “Klara and the Sun”
Based on the bestselling novel from Nobel Prize-winner Kazuo Ishiguro and written and directed by Academy Award winner Taika Waititi of “Jojo Rabbit,” “Klara and the Sun” introduces audiences to Klara, an Artificial Friend who wants nothing more than to find the perfect home.
When Klara meets Josie, each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother, and they have suffered great loss. Yet Klara’s innocent wonder and steadfast loyalty begin to heal the family and bring light to Josie’s complicated world.
I am consistently surprised by how resilient, wonderful, and relevant the Toy Story franchise has remained over the years. As critics and audiences have said many times before, the creators realised the fans of the original movie have grown up and may now have children of their own. So the stories always reflected that of the first audience of the first film and reflected their own relationship with youth, play, and toys. I even enjoyed the fourth installment, despite it not being remembered as fondly. I felt that the story of Woody (Tom Hanks), and his realisation that he had to move on to other things, to pursue a different purpose separate from the one he fought so hard for in previous installments was such a fitting life lesson for me, when I watched it seven years ago; as a man who just turned forty.
The fifth installment sidelines Woody and Buzz Lightyear (Tim Allen) to center its focus now on Jessie (Joan Cusack), the new sheriff of the children’s room. Having experienced being given away twice before – first by Emily and later by Andy as he outgrew his childhood – Jessie serves as the main protagonist of this story that directly deals with her trauma of being replaced. This time, however, the threat isn’t that their new owner, Bonnie, has outgrown them, at eight years old, she is still young enough to play. Instead, Jessie and the rest of the gang are being displaced by modern tech toys. Joining the franchise is Lily (Greta Lee), a sleek tablet short for “Lilypad”, who promises to help Bonnie make friends.
Toy Story 5 deals with the impersonal world of tech and the changing nature of social interactions, making a good case for how digital screens can arrest a child’s social development. This leaves Jessie fighting a battle on two fronts: first, for the emotional well-being of her child, Bonnie; and second, against her own unresolved issue of abandonment. Cusack is wonderful in the role, imbuing Jessie with an urgency. This heightened emotional tension is brilliantly articulated through both Cusack’s frantic voice acting and the animators’ incredible character design work and expressive animation.
However, director and writer Andrew Stanton (alongside co-writer Kenna Harris), doesn’t quite capture the same magic found in the previous installments, considering he co-wrote the first two films, the fourth, and wrote a draft of the story for the third. Despite knowing this material so well but somehow Stanton struggles with the movie’s first half, creating a heightened sense of drama when a subtler, more grounded approach might have eased us into the world more effectively. It feels as though Stanton and his team were overcompensating for switching the protagonist to Jessie and sidelining Buzz and Woody in this sequel.
Once the story gets into full swing and the characters are fully established, the second half feels a lot more secure as the film’s emotional weight starts to carry through. Jessie finds herself at the home of Emily, her original owner. While Emily is no longer there, Jessie meets a new child alongside an older generation of tech, which beautifully deepens the ongoing toys-versus-tech debate. I am not surprised that Pixar and Disney chose to find a middle ground here. As someone who is inherently wary and cautious of technology, especially for children, I feel this balanced point-of-view to be the safe choice, though not necessarily the strongest one. But, of course, that is just my own prejudice talking.
Toy Story 5
There is an undeniable predictability to Toy Story 5. While it still hits narrative beats that surprise us, the ending is signaled loud and clear; at a certain point, you can practically see Stanton, Harris, and Pixar steering the story toward the safer choice. What keeps the film interesting, however, is a gripping subplot involving a wrecked container filled with new versions of Buzz Lightyear toys. Serving as transitional sequences throughout the movie, this subplot delivers the most surprising plot insertion in the entire film. But before it reaches that point, it builds a sense of tension and mystery that keeps the movie’s energy running. That sort of energy could have also been afforded to Jessie’s storyline as well.
Ultimately, while this is not the strongest entry in the franchise, it is still a good movie. It is charming and poignant that I even caught myself holding back tears. The classic Pixar magic still has that charm, but like the very first generation of children who watched the original ‘Toy Story’ as kids in 1995, this franchise is getting old. Five is a good number to end on.
My Rating: 3.5 Stars
Toy Story 5 is still playing exclusively in theaters! Check showtimes and grab your tickets today to see Jessie take the reins in the gang’s latest battle against tech, then head back here and drop a comment to share your thoughts on the new sequel!
The 9th Sine Negrense: Negros Island Film Festival honored the region’s outstanding filmmakers and student storytellers during its Awarding Ceremony held on June 20, 2026, at the Negros Occidental Provincial Capitol Social Hall.
The festival showcased films from both the Open Competition and Inter-School categories, recognizing excellence in directing, acting, screenplay, cinematography, and other filmmaking disciplines. Festival screenings were conducted from December 3 to 6, 2025, at the Cinematheque Centre Negros.
In the Open Competition Category, “Babaye sa Bubon” emerged as the festival’s top winner, earning the Best Film award along with a cash prize of P30,000. The film also garnered several major awards, including Best Director for Ginboy Bataclit, Best Actress for Jonah Sabijon, and Best Sound Design for Ry Cortez and Wenny Lord Bacabac.
The Jury Prize, accompanied by P20,000 in cash, was awarded to “Pagdumdom,” which also secured awards for Best Screenplay (Mhika Jhella Cenizal), Best Supporting Actress (Jing Torrecampo), and Best Actor (Jessiah Makilan).
Other Open Category winners included Jade Clarence Susper for Best Cinematography for “Hilum,” Kyle Decana for Best Editing for “Handurawan,” Jehu Peria for Best Production Design for “Hilum,” Chaz Katalbas for Best Musical Score for “Kabay Pa,” and Johnwine Janipin for Best Supporting Actor for “Maria.”
The award for Best Original Song went to “Kaisog sa Imo Makita,” written by Jabez Rees Gonzales and Angel Kay Dejaros for the film “Hilum.”
Special Awards in the Open Category were presented to “Kabay Pa” for Best Trailer, “Pagdumdom” for Best Poster, and “Snatcher” for the People’s Choice Award.
Meanwhile, in the Inter-School Category, “Kundoktor” emerged as Best Film, receiving the top prize and P20,000 cash award. Its director, Joshua Pastora, also won Best Director and Best Screenplay honors.
The Jury Prize, together with P10,000 in cash, was awarded to “Ngaa Tugnaw ang Gab-i.” The film also produced the category’s Best Actor, Paco Gloria, and earned Best Production Design for Kyle David Ebro.
“Gugma sa Balod” dominated several technical awards, winning Best Cinematography, Best Editing, Best Musical Score, Best Sound Design, and Best Original Song. Khyle Anasta received multiple recognitions for his contributions to the film.
Acting honors in the student category were awarded to Fourth Dillomes of “Isa Ka Higayon” as Best Supporting Actor, Jing Torrecampo of “Gugma sa Balod” as Best Supporting Actress, Wilma Larrazabal of “Isa Ka Higayon” as Best Actress, and Paco Gloria of “Ngaa Tugnaw ang Gab-i” as Best Actor.
Special Awards in the Inter-School Category went to “Hinangpanay” for both Best Trailer and Best Poster, while “Libod Para sa Handum” received the People’s Choice Award.
The Inter-School Category was judged by filmmaker and “Love Child” director Jonathan Jurilla, Negros Director and Manager Candy Nagrampa, and film professor Jag Garcia, who served as jury chairman.
The Open Competition jury was composed of Bakunawa Fest Festival Director Elvert Bañares, film critic and National Commission for Culture and the Arts (NCCA) Committee on Cinema head Tito Valiente, and award-winning filmmaker Jeffrey Jeturian, who served as jury chairman.
Serving as the guest and inspirational speaker during the awarding ceremony was Butch Ibañez, Chief Content Officer of Solar Studios, Inc. Addressing filmmakers, students, and festival supporters, Ibañez shared insights from his decades-long experience in the Philippine media and entertainment industry and encouraged aspiring storytellers to pursue excellence in filmmaking while remaining true to their unique voices and cultural roots.
Festival organizers expressed their gratitude to the Film Development Council of the Philippines headed by Chairman Joey Reyes, Cinematheque Centre Negros, The Performance Laboratory Inc., The Negros Museum, and the National Commission for Culture and the Arts led by Chairman Dr. Eric B. Zerrudo for their continued support of regional filmmaking initiatives.
The organizers also acknowledged the NCCA Committee on Cinema, former committee chair and Solar Studios Chief Content Officer Butch Ibañez, volunteers from the University of St. La Salle’s IWAG Image Makers Collective and the Maskara Theatre Ensemble, and the Province of Negros Occidental under Governor Eugenio Jose “Bong” V. Lacson and Provincial Administrator Atty. Rayfrando P. Diaz II for helping make the event possible.
Now on its ninth edition, the Sine Negrense: Negros Island Film Festival continues to serve as a platform for showcasing the talents of filmmakers across Negros Island and nurturing the next generation of regional storytellers.
BINI Brings P-pop Power to a Proudly Filipino Animated Adventure
BINI is adding their signature P-pop sparkle to DreamWorks Animation’s “Forgotten Island.” The nation’s girl group has joined the film’s original soundtrack with their upcoming track “A Parallel World,” marking another exciting moment for Filipino music on the global entertainment stage.
Blooms were treated to a wonderful surprise at the start of BINI’s Signals World Tour, where the group performed a sneak peek of the song for the first time. Complete with special choreography, the performance gave fans an early taste of the vibrant sound and emotion that BINI is bringing to the film.
The soundtrack of “Forgotten Island” brings together an impressive lineup of Filipino and Filipino-American artists. Alongside BINI, the film features SB19 with a cover of Francis Magalona’s “Mga Kababayan,” as well as Ruby Ibarra and Carl Angelo with “Salbahe Ako.”
The star-studded roster also includes H.E.R., KATSEYE’s Sophia Laforteza, and Lea Salonga, making the soundtrack a heartfelt celebration of Filipino artistry, heritage, and sound.
With each artist bringing something unique to the mix, the music of “Forgotten Island” is set to deepen the film’s emotional story while proudly spotlighting Filipino culture.
A Magical Story of Friendship, Memory, and Growing Up
At the center of “Forgotten Island” is an emotional story about lifelong best friends Jo and Raissa, who find themselves on one last extraordinary adventure before life pulls them in different directions.
After discovering a mysterious portal, the two are transported to Nakali, a mythical island filled with magical beings inspired by Filipino folklore. Some are friendly, some are fearsome, and some may change the way Jo and Raissa see their friendship forever.
As they search for a way home, the best friends uncover a heartbreaking truth: returning to the real world may cost them the memories of their entire friendship. Suddenly, their journey becomes a race against time as they fight to hold on to the bond that shaped their lives.
A DreamWorks Film with a Stellar Voice Cast
DreamWorks Animation, the studio behind beloved stories of friendship in “How to Train Your Dragon,” “Shrek,” and “The Wild Robot,” brings another dazzling bond to the big screen with “Forgotten Island.”
Written and directed by Academy Award nominee Joel Crawford and Januel Mercado, and produced by Academy Award nominee Mark Swift, the film comes from the creative team behind “Puss in Boots: The Last Wish.”
“Forgotten Island” Opens in PH Cinemas September 23
Fantastical, emotional, and proudly rooted in Filipino culture, “Forgotten Island” invites audiences to rediscover the magic of friendship and the stories passed down through generations.
Catch DreamWorks Animation’s “Forgotten Island” in Philippine cinemas starting September 23.
