Nominated for four Golden Globes and two Academy Awards, Jafar Panahi’s It Was Just an Accident is a politically charged thriller that is entertaining and insightful in so many ways. Part of the Film Development Council of the Philippines’ A Curation of World Cinema and screening in selected theaters around the city, I came into this movie not knowing a single thing about it. The film surprised me at every turn, delivering both a well-crafted thriller and powerful human moments that are equally dramatic and comic. It was a roller-coaster of emotions and it gave me a glimpse into the day-to-day world of Iran, a country I know very little about beyond what Western news has told me.
The film follows the story of Vahid (Vahid Mobasseri), an auto mechanic whose garage is visited late one night by a man with a prosthetic leg (Ebrahim Azizi) and his family, who have come to repair their car after hitting and killing a dog. Vahid is certain that the man is Eghbal, an Iranian soldier who tortured him in an Iranian prison, convinced by the sound that his prosthetic leg makes as he walks.
The next day, Vahid follows the man he thinks is Eghbal and kidnaps him to bury him in the desert. But unsure, he ends up gathering other survivors of the Iranian prisons who were also tortured by Eghbal. These include Shiva (Mariam Afshari), a photographer who is taking pre-wedding photos of Goli (Hadis Pakbaten) and Ali (Majid Panahi). Shiva also suspects Eghbal is their tormentor from his smell, though isn’t sure because they were blindfolded during interrogations and torture, while Goli, also a survivor of Eghbal’s torture, cannot be certain he is who they think he is. So, they then enlist the help of another inmate, Hamid (Mohammad Ali Elyasmehr).
In one van, six people – one drugged and unconscious – head to the Iranian desert to contemplate revenge, and what we see is a biting commentary on the horrors of authoritarianism.
The genius of Panahi’s film is how he manages the tone of the entire film. The four former prison mates are deadset in killing this man, but they are not sure if he is who they suspect him to be. There’s a moral line that is constantly being blurred. They feel justified in their extreme measures – drugging and kidnapping, and perhaps even murder if he is Eghbal – but until they are certain, they still operate within the bounds of societal morality. Each character is distinct and explosive, and every actor delivers an incredible performance, amplifying the reality of the situation that truly speaks about the social and political realities of the country. It’s devastating once you begin to really imagine what these characters have endured and what this means about the nation as a whole.
But what struck me the most is how Panahi leans into the absurd at times, creating humorous situations. Even the image of Goli and Ali, dressed in their wedding attire, jumping into a van with a man drugged, unconscious man in the back while contemplating murder is surreal and brings out so much laughter. Yet the humor also comes at a biting cost because we know and really feel how desperate Vahid, Shiva, Goli, and Hamid want some level of retribution.
What the film depicts is a broken society, shattered by an authoritarian regime, where people cannot move forward because the scars of the past hang fresh on their skins. It may not be evident but it’s there. And as the film’s drama unfolds, it becomes painfully obvious for us to see. This is an incredible film, and I think it’s the first Iranian film I’ve experienced. I’ve been told by my cinephile friends that this is the kind of work Panahi is known for, and I’m excited to see where else I can find his filmography.
My Rating: 5 Stars
Experience the gripping tension, dark humor, and moral complexity of Jafar Panahi’s It Was Just an Accident, now showing in select cinemas. Don’t miss this unforgettable Iranian thriller on the big screen.
