Get ready for an exhilarating return to George Miller’s dystopian universe with ‘Furiosa: A Mad Max Saga’, premiering exclusively in cinemas in 2024. This groundbreaking film features the star-studded cast of Anya Taylor-Joy, Chris Hemsworth, Alyla Browne, and Tom Burke.
The Saga Begins: A Glimpse into ‘Furiosa’
In a world ravaged by chaos, young Furiosa is torn from her utopian homeland by a formidable Biker Horde. Led by the menacing Warlord Dementus, this journey through the Wasteland to the Citadel, ruled by Immortan Joe, promises a tale of war, survival, and a relentless quest for home.
Visionary Craftsmanship Behind ‘Furiosa’
Directed by the legendary George Miller, with a script co-written by ‘Mad Max: Fury Road’ collaborator Nico Lathouris, ‘Furiosa’ is a testament to cinematic excellence. Produced by Miller and Doug Mitchell, this standalone action adventure stems from their renowned Kennedy Miller Mitchell production house.
Star Power: The Faces of ‘Furiosa’
Anya Taylor-Joy takes on the monumental title role, joined by the charismatic Chris Hemsworth, the talented Alyla Browne, and the versatile Tom Burke. Their performances promise to capture the raw essence of Miller’s post-apocalyptic vision.
A Cinematic Event Not to Be Missed
Mark your calendars for 2024, as Warner Bros. Pictures brings this epic saga to Philippine cinemas. ‘Furiosa: A Mad Max Saga‘ is not just a film; it’s a monumental event that will reignite the flames of the Wasteland.
Be part of the journey. Engage with fellow fans and follow the latest updates using #Furiosa. Prepare to be enthralled by this cinematic masterpiece that will redefine the boundaries of action and adventure.
“Wonka,” starring Timothée Chalamet as the beloved chocolate maker, will be shown in IMAX as well. The movie, directed by Paul King and also starring Hugh Grant, Rowan Atkinson, Olivia Colman, Keegan-Michael Key and Sally Hawkins, opens in Philippine cinemas December 6, one week ahead of the U.S. – yet another treat for Filipino moviegoers!
In the meantime, check out this sweet guide to the yummy treats in “Wonka”:
Hoverchoc
A marvelous morsel, an incredible edible, the Hoverchoc is an exotic combination of purest Wonka chocolate, marshmallow (from the mallow-marshes of Peru), caramel (salted with the bitter-sweet tears of a Russian Clown) and cherry (cherry-picked by the pick of the cherry pickers in the Imperial Gardens of Japan.) But the real secret lies at the center: a microscopic hover-fly that beats its wings so powerfully it allows the consumer to float. After 20 minutes, the hover-fly will tire and exit through the rear.
Silver Lining
Made of condensed thunder clouds and liquid sunlight, the Silver Lining helps you see that faint ray of hope beyond the shadow of despair. Side effects may include saying the word “huh” more often than normal.
Big Night Out
A single chocolate that mimics a night on the town. The outer layer is champagne truffle. Then comes white wine, followed by red. That’s when the singing and dancing starts. Next is a layer of whisky fudge (which may prompt deep emotions and reckless behavior), followed by some old port which prompts a deep lasting sleep.
A tiny aspirin at the center of the chocolate fizzes on the tongue causing the victim / consumer to wake up with a strange aftertaste of shame and regret, but come five o’clock they will want to do it all over again.
Giraffe Milk Macaroon
Made with the distilled milk of a giraffe, this macaroon will restore your zeal and make you feel the tallest in the room. Say farewell to feeling small, and frightened of it all. With Wonka’s Giraffe Milk Macaroon, you’ll feel ten feet tall!
Forty Second Sweet
This little marvel – known colloquially as the Broadway Choc – will make you break into song and dance. Share it with your friends and soon your whole life will be like a perfectly choreographed Broadway Show!
Hair Repair Éclair
Lost your hair? Can’t think quite where? Feeling fairly bare up there? Don’t despair! Wonka’s prepared! Behold his hair repair eclair. Made from ground vanilla, from the mountains of Manila, it includes a single drop of yeti sweat which will prompt full, thick growth. Try mixing it with chameleon juice for even more colorful results!
Acacia Mint
Along with a good scratch behind the ears, nothing soothes the inquisitive soul of Abigail the Giraffe – or puts her in a more generous mood – like a handful of Willy Wonka’s Acacia Mints.
The Wonka Bar
Every year for his birthday, Willy’s Mamma gave him a single bar of chocolate, lovingly secured in a homemade wrapper. Willy has saved the last bar of Mamma’s Chocolate, until the moment when he fulfills his promise to her, that one day he would share their chocolate with the world. A lucky few may find a golden ticket hidden within…
Get ready to feast your eyes on “Wonka,” opening exclusively in Philippine cinemas, including in IMAX, December 6. #WonkaMovie
About “Wonka”
Based on the extraordinary character at the center of “Charlie and the Chocolate Factory,” Roald Dahl’s most iconic children’s book and one of the best-selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate-maker became the beloved Willy Wonka we know today. “Wonka” is an intoxicating mix of magic and music, mayhem and emotion, all told with fabulous heart and humor. Starring Timothée Chalamet in the title role, this irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chock-full of ideas and determined to change the world one delectable bite at a time—proving that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible.
Directed by Paul King, with a screenplay he co-wrote with Simon Farnaby. Produced by David Heyman, Alexandra Derbyshire and Luke Kelly.
Starring alongside Chalamet are Calah Lane (“The Day Shall Come”), Emmy and Peabody Award winner Keegan-Michael Key (“The Prom,” “Schmigadoon”), Paterson Joseph (“Vigil,” “Noughts + Crosses”), Matt Lucas (“Paddington,” “Little Britain”), Mathew Baynton (“The Wrong Mans,” “Ghosts”), Oscar nominee Sally Hawkins (“The Shape of Water,” the “Paddington” films, “Spencer”), Rowan Atkinson (the “Johnny English” and “Mr. Bean” films, “Love Actually”), Jim Carter (“Downton Abbey”), with Oscar winner Olivia Colman (“The Favourite”). The film also stars Natasha Rothwell (“White Lotus,” “Insecure”), Rich Fulcher (“Marriage Story,” “Disenchantment”), Rakhee Thakrar (“Sex Education,” “Four Weddings and a Funeral”), Tom Davis (“Paddington 2,” “King Gary”) and Kobna Holdbrook-Smith (“Paddington 2,” “Zack Snyder’s Justice League,” “Mary Poppins Returns”).
In cinemas December 6, “Wonka” is distributed in the Philippines by Warner Bros. Pictures, a Warner Bros. Discovery company.
Join the conversation online and use the hashtag #WonkaMovie
On the return of the popular horror franchise, it seems that this latest installment is more violent than ever. I’ve been an on and off fan of this series and I don’t ever remember it being this bloody and this violent (though I have missed a few of the more recent additions to this series). All three short films that make up ‘Shake, Rattle and Roll: Extreme’ are gory, action-packed, and very bloody. There’s a self-awareness and a campy aspect to the amount of blood that’s getting splattered on each of the films but it’s all in good fun and part and parcel of the movie as it continues to explore those fears of the modern Filipino, though unevenly.
The first installment, ‘Glitch’ by director Richard Somes and written by Anton Santamaria has a classic horror set up: a single mom living in a big house with her two children and a nanny. It’s a singular location that happens within the span of two or three days and as the family is falling apart, a supernatural entity insinuates itself into the family through corrupting the youngest daughter, Lyka, via the Internet.
In its appearances, ‘Glitch’ proposes that evil – even the devil – is now capable of spreading itself through media, and now digitally by online means. There’s a colonial tone that hangs above this film as the devil disguises itself as an American children’s show called Gary the Goat and that’s such a nice touch. The devil is an American construct that makes its way here to terrorize this family.
But what makes ‘Glitch’ so strong is that it is grounded in real-world situation. Iza Calzado plays Ingrid, a single mother of two children who have different fathers. The older child, Patrick (played by Migs Cuaderno) treats Lyka (Jewel Phiona Milag) with disdain, calls her a “demon” and always stresses that she’s his half-sister. A single mom and a widower, Calzado’s Ingrid seems like a woman at the end of her rope. She’s exhausted, obviously working so hard to keep their wealthy lifestyle going but has no time for either child. She’s an imperfect mother but she loves her children. This is Calzado working her magic and creating so much depth and history with a character with such short running time.
Rounding out the cast is Donna Cariaga as the nanny, who gives Calzado a chance to really impress upon us the cracks of this family. It’s Cariaga and Calzao’s interactions that gives the film its heart and soul. So, when Gary the Goat begins to haunt this family (and in such violent ways), we are rooting for this family even if Patrick and Lyka can be quite annoying as children.
Somes has some excellent visuals, including an attack in the yard with an unusual number of white blankets hanging out to dry. It’s bloody and gruesome but it’s lovely to view. The devil is violent and there’s a lot of action here – sometimes even to a hilariously unrealistic level. The editing could use less busy-ness and give us time to see what’s happening rather than cutting so quickly as to hide the movements.
As scary and as violent as ‘Glitch’ can be, the film is grounded by its roots in family tragedy – it is the plight of the modern family, so busy with their individual lives that they are no longer communicating and thus becoming vulnerable to outside influences as represented by the internet. It’s a strong piece.
But as poignant as ‘Glitch’ can be, the second film is the deliciously funny ‘Mukbang’ by Jerrold Tarog and written by Tarog and Onay Sales-Camero. Bloggers and influences are the main characters in this piece as they all arrive at a secluded mansion for a massive collab. This is equal parts horror and comedy and while we know Tarog can do horror via his film ‘Bliss,’ his comedic touches are such a welcome tool in his arsenal as a director.
As the film’s title suggests, ‘Mukbang’ is going to involve eating. Of course, the question will always be what will be eaten and by whom. That I will leave to the audience to enjoy but what makes ‘Mukbang’ the most enjoyable installment of ‘Shake Rattle and Roll: Extreme’ is that the jokes are organic to the situation and blends in perfectly with the horror elements of the narrative. Never does Tarog make fun or ridicule the bloggers and influencers for what they do. Let’s face it: there are too many shows and movies that make fun of them for being bloggers and influencers. Here, it’s used for its comedic potential: at the height of a life-threatening situation, two bloggers decide to go live as almost a reflex. On another scene, two influencers who are known as a couple online have a fight about the status of their relationship. They continue their argument while running for their lives. It’s so funny because, in this instance, it’s emblematic of this generation’s ability to multi-task.
‘Mukbang’ is funny because it’s witty and clever. It never goes for cheap laughs, nor does it go out of its way to ridicule its characters. It treats their characters with such affection, and it shows with how the performances really push the total effect to meet its full potential. Standouts in this episode are RK Bagatsing, Esnyr Ranolo, AC Bonifacio, Phi Palmos, and Ninong Ry.
Unfortunately, the last episode of ‘Shake Rattle and Roll: Extreme’ is the weakest of the three. ‘Rage’ is about a group of friends who are caught in what appears to be an extra-terrestrial attack that sends people into a blind rage. This episode, directed by Joey De Guzman and written by Trisha Mae Delez, suffers from a lack of context and underdeveloped characters. The film is more interested in its huge set pieces and post-apocalyptic action sequences than hunkering down and laying out a proper story.
Lead by Jane De Leon, we never get to see De Leon’s Trina and her friends establish their bonds of friendship. Trina is supposed to be in a relationship with Moze (Paolo Gumabao) but we never get to see this relationship at play. The interactions between characters are never more than the need to survive as the zombie-like creatures begin to take center stage.
We don’t know who these characters are. Trina is supposed to be a med student waiting for word on whether she passed the board exam or not, but we never get to see her use this so it’s not even an important story element that could have been in a dramatic situation such as this. We don’t know where they were going, nor does it create any urgency to do so other than that Trina wants to see her mom.
Without any development of its characters, ‘Rage’ just becomes action scene after action scene where I don’t feel invested in any of the character’s survival. The film manages to showcase Jane De Leon’s capability of being a solid action actress, but ‘Rage’ gives her very little to do in terms of character work that I can’t tell the range she can bring to a project.
‘Shake Rattle and Roll: Extreme’ is a worthy continuation of the classic, legacy series that is ‘Shake Rattle and Roll.’ There’re some very good moments here, some genuine scares, and the first two films really make full use of the genre to talk about some serious issues that we are scared of. If Regal Films can continue this level of quality for the series, they should keep doing it for more years to come.
You could always trust director Ridley Scott to fill that screen with incredible visuals and very clear storytelling. From his previous movies like ‘Alien,’ ‘Blade Runner,’ ‘Thelma and Louise,’ ‘Gladiator,’ ‘Black Hawk Down,’ ‘The Counselor,’ and many others, Scott is a master filmmaker who understands the craft and can tell engaging stories through the medium. This time round he takes his vision to tell the story of Napoleon Bonaparte, the French leader who held the world captive at some point in history.
The most interesting thing about this depiction of Napoleon is how director Scott and his screenwriter David Scarpa feel more inclined to just take snapshots of Napoleon’s life – a highlight reel, so to speak – rather than try to paint a fully formed human being. Reading further online, it seems that Scott and Scarpa are also more akin to telling the story of the French leader based on impressions of Napoleon’s life leading to a whole lot of historical inaccuracies (that angered quite a lot of French critics and historians). They were more interested in the spectacle of his military leadership and the scope of what he was able to do for France but not bother to contextualize in the manners of a man with a goal.
Like one reviewer says, the film never really goes out of its way to tell us why Napoleon did what he did. On a personal note, I found that the film spends just as much time depicting Napoleon’s love for Empress Josephine but doesn’t bother to explain why or show why he loves her. His feelings for her drive motivates half his actions in the movie but we don’t see the root cause of it so it’s hard for us to grasp his character. The rest of the time, he is taking over the world around him, laying siege to Austria and firing canons at the pyramids of Egypt (which apparently didn’t happen).
So, while the film unfolds like to show us some of Napoleon’s greatest hits, you never really get to understand or feel the struggle of this enigmatic character. Instead, we get wonderfully staged battle sequences with incredible fight scenes and war choreography. It’s massive in scope and scale and it’s brutal. It looks amazing on the big screen. If anything, Ridley Scott knows how to give us a cinematic spectacle.
He leaves the humanizing to his incredible actors. Joaquin Phoenix plays Napoleon and Vanessa Kirby plays Empress Josephine and while we have no real understanding of their relationship or the source of all their emotions – their love story is very passionate and intense – it’s still a marvel to watch because of how committed these two actors are to their roles.
Phoenix instills so much brute force into his Napoleon, playing him as a sort of petulant child who also happens to be a military genius. He does not shy away from veering towards quirky representation, playing him almost child-like and childish when in front of Josephine but then switches it up to a frightening scowl of great depths when he studies a battlefield and is eager to win. Kirby meets him head-on, a woman who understands her effect on the French leader but also in fear of it. It’s a fantastic balancing act that works wonders onscreen. Their chemistry together is amazing.
But that’s what makes the film such an interesting artifact. It’s a wonderful cinematic work that’s enjoyable to watch onscreen. The action is clearly defined, and you can easily follow through the emotions – it’s an old school sort of camera use and editing that allows the narrative flow so freely – but at the same time, the film feels so alien as a biopic because instead of humanizing its subject, it keeps him at a distance. He wants us to marvel at the myth of the person but does nothing to get us to know him or understand him.
It’s an interesting approach to filmmaking in the modern age that is geared more towards authenticity and nuance. There’s none here and it feels refreshing and new and even a little rebellious. And the fact that it’s coming from a legendary filmmaker who debut in 1977 with ‘The Duellists.’
I’m all for it.
My Rating:
Napoleon is now showing. Check screening times and buy tickets here.
Get ready for a movie marathon with this week’s exciting releases! Each film carries a unique narrative, offering a diverse range of experiences for every movie lover. From the whimsical blend of fantasy and romance in “As Long As We Both Shall Live” to the uproarious comedy of “Asian Persuasion,” each film invites you to embark on a unique journey. “In His Mother’s Eyes” explores the complexities of family dynamics, while “Napoleon” takes you on an epic historical adventure. Brace yourself for the intensified horror of “Shake, Rattle & Roll Extreme,” and experience the gripping action of “Silent Night.” Lastly, delve into the musical magic with “Renaissance: A Film by Beyoncé.” (opening on Friday, Dec 1) – your movie plans are set!
Let’s take a sneak peek into what’s premiering this week:
In “As Long As We Both Shall Live,” the fusion of fantasy and romance takes center stage. This enchanting tale revolves around an unhappy young woman navigating an arranged marriage with a formidable army commander. As the narrative unfolds, the characters embark on a journey of self-discovery and love, making this film a captivating exploration of the human heart.
Prepare for laughter and unexpected romance with “Asian Persuasion.” This comedy-drama introduces us to an underachiever with an outlandish plan to escape alimony payments to his high-powered ex-wife. Brace yourself for a rollercoaster of humor and heart as the characters navigate the intricacies of love and relationships in this delightful cinematic offering.
A tale of family, love, and understanding, “In His Mother’s Eyes” tells the story of Tim, a special child left in the care of his uncle by his working mother. The film beautifully explores the challenges of reconnecting after years of separation, delving into the complexities of familial bonds and the resilience of love.
2023 • R-13 • 2 hrs 38 mins DRAMA, HISTORY, WAR BUY TICKETS
Step into the pages of history with “Napoleon,” an epic drama detailing the life of the French Emperor. This historical masterpiece unfolds the checkered rise and fall of Napoleon Bonaparte, offering a riveting narrative set against the backdrop of war, power, and his tumultuous relationship with Josephine.
The iconic Filipino horror franchise returns with “Shake, Rattle & Roll Extreme,” promising a spine-chilling experience like never before. Horror enthusiasts, get ready for an extreme ride as the film resurrects the legacy of terror, bringing forth a new chapter in the acclaimed horror series.
“Silent Night” takes the genre of action, crime, and thriller to new heights. This gripping tale follows a tormented father on a path of vengeance after witnessing his son’s death in a gang’s crossfire on Christmas Eve. Brace yourself for intense sequences, emotional depth, and a relentless pursuit of justice.
For music enthusiasts, “Renaissance” offers an intimate look into Beyoncé’s creative journey during the Renaissance World Tour. From its inception in Stockholm to the grand finale in Kansas City, the film accentuates Beyoncé’s intention, hard work, and dedication to creating a musical legacy. Immerse yourself in the magic of music and witness the evolution of a global icon.
FAN FAVORITES STILL SHOWING
Meanwhile, don’t forget to catch up on some of the movies that are still captivating audiences in theaters. Here’s a list of fan favorites that are still showing in cinemas:
2023 • G • 1 hr 44 mins ACTION, ADVENTURE, SCIENCE FICTION BUY TICKETS
That’s a wrap for this week’s new movie releases. So, don’t wait! Secure your tickets, grab your popcorn, and immerse yourself in the captivating worlds of these new releases. As always, we recommend booking your tickets in advance to avoid missing out on these must-see releases. Stay tuned for next week’s movie updates, and happy watching!
Director Ridley Scott’s latest masterpiece, “Napoleon,” has emerged as an undisputed champion at the box office. This action-packed historical epic, graced by the talents of Joaquin Phoenix and Vanessa Kirby, has garnered a massive $78.8 million globally in its opening weekend. This includes an impressive $46.3 million from international markets, firmly establishing its worldwide appeal.
Joaquin Phoenix, director Ridley Scott and Vanessa Kirby at the London premiere of Napoleon on November 16. A few days later, the film opened at the top of the UK box office.
Stellar Performances and Strategic Releases
Phoenix’s portrayal of the renowned French emperor and Kirby as his wife Josephine has resonated with audiences across the globe. The film’s strategic debut in countries like France, the United Kingdom, Germany, and Italy has propelled it to the top spot in these regions. Anticipation is high in Asia, particularly in the Philippines, where the film is set to release on November 29.
A Director’s Vision: Bridging History and Art
Ridley Scott, known for his visionary filmmaking, brings a unique perspective to the historical figure of Napoleon. “History’s very interesting, because we don’t learn from all of our mistakes,” remarks Scott. The film is more than just a historical recount; it’s a portrayal of Napoleon’s tumultuous journey to power and his intense relationship with Josephine. It’s a blend of personal drama and grand-scale military tactics, brought to life through some of the most elaborate battle scenes ever captured on film.
Joaquin Phoenix and director Ridley Scott at the Madrid premiere of Napoleon on November 20.
Critics Acclaim: A Spectacular Display of Filmmaking
The New York Times has praised the film’s battle sequences as ““The war scenes are extraordinary, vigorous, harrowing and rightly grotesque.” The sheer scale, coupled with Scott’s intricate staging using a multitude of actors and horses, adds a raw, visceral power to these scenes, making them a cinematic spectacle.
Joaquin Phoenix, director Ridley Scott and Vanessa Kirby at the Paris premiere of Napoleon on November 14. The film would go on to debut at No. 1 in France.
Distribution and Anticipation in the Philippines
Produced by Apple Original Films and distributed locally by Columbia Pictures, a division of Sony Pictures Releasing International, “Napoleon” is all set to captivate Philippine audiences. The film’s imminent release is generating significant buzz, as fans eagerly await its arrival in theaters on November 29. Join the conversation online with the hashtag #Napoleon and be part of this cinematic event.
Get ready to paint the city blue, red, and white as the French Film Festival makes it iconic and celebrates 26 years of bringing some of the best contemporary movies from France to the Filipino audience.
The French Embassy in the Philippines and Micronesia, in partnership with SM Supermalls and SM Cinema, stages the 26th French Film Festival from November 25 to December 3. A suite of about 21 French feature films will be shown simultaneously at SM Mall of Asia and SM Megamall, with a selection of new releases, some of the biggest box office hits of the year, and a few classics featuring icons of French cinema.
In a country that pioneered cinema in Asia, film is perhaps the most suitable medium to promote cultural understanding in the Philippines. Through the moving images, the values and traditions of society are conveyed and appreciated by the public, allowing them to identify or at least react to situations that may be shared by different people across the globe.
The French Film Festival is also a platform to engage the public on certain advocacies, beginning with the Environment. This year’s French film fest opens with ACIDE (Acid Rain) which tells the story of the plight of a family caught in a climatic catastrophe. To commemorate the International Day for the Elimination of Violence against Women and Children, the documentary film UN SILENCE SI BRUYANT (Such A Resounding Silence) by Emmanuelle Béart and Anastasia Mikova prompts the victims of incest to speak out and is currently a controversial topic in French society.
BERNADETTE (The President’s Wife), the latest movie starring French icon Catherine Deneuve provides a glimpse into French politics as she portrays the life of former First Lady Bernadette Chirac in the corridors of the Elysée Palace.
The festival selection also includes two films about the hip-hop scene in France: the fusion of opera singing and urban dance in INDES GALLANTES, and the birth of Suprême NTM.
Other films show different angles of modern-day French society: family life in the comedy ALIBI.COM 2, romantic relationships and friendships in LES CHOSES QU’ON DIT, LES CHOSES QU’ON FAIT (The Things We Say, The Things We Do), while forging new forms of familial love – father-son in a dystopic, sci-fi film LE REGNE ANIMA (Animal Kingdom).
Literary adaptations like LES TROIS MOUSQUETAIRES – D’ARTAGNAN (The Three Musketeers – D’Artagnan), from the classic novel by Alexandre Dumas and ASTERIX ET OBELIX: L’EMPIRE DU MILIEU (Asterix and Obelix: The Middle Kingdom) from the popular comic books have become international blockbusters.
The French Film Festival renews its partnership with the QCinema International Film Festival in bringing some of the most critically-acclaimed titles of World Cinema to the local moviegoers such as DAAAALI and LA PASSION DE DODIN BOUFFANT (The Taste of Things), the French entry in the Oscars.
The French Film Festival will also be the occasion to officially launch in the Philippines the campaign “Make It Iconic – Choose France.” This promotes the French “love of action and craftsmanship, the willingness to defend an original vision, the art of not doing anything like others do,” perfectly illustrated through this year’s movie selection.
This year’s selection presents the diversity of French cinema that may appeal to different types of audiences. French Cultural Counsellor Marc Piton states that through the French Film Festival, Filipinos will have the opportunity to see the new French movies that are released worldwide. “French films are commercially successful everywhere and that is why we partner with SM Cinema to be able to reach a wider audience in the country.”
French Ambassador to the Philippines and Micronesia Her Excellency Marie Fontanel believes that the young vibrant population of the Philippines should be exposed to the diversity of cultures, and through cinema, the Filipino youth can have the chance to see a different perspective of life beyond the regular programming of theaters.
In the words of French President Emmanuel Macron, “The French spirit continues to astonish, fascinate and change the world.” French cinema entertains the audience with unexpected twists and turns and delivers messages that can help build a better world. The French Film Festival in Manila is making it iconic.
Regular tickets are at P150 and P100 for students, seniors, and PWDs at the SM MOA and SM Megamall Cinema ticket booths. For the French Film Festival schedule and further information, visit the French Embassy’s Facebook page: https://www.facebook.com/FrenchEmbassyPH
Timothée Chalamet is proud to be a part of “Wonka.”
All the singing and dancing aside, Chalamet, who plays the beloved chocolatier in the film, is most proud of being part of “a joyous movie, that is about bringing a light into a world that is in desperate need of it,” he says.
When Chalamet read “Wonka,” he did feel “the classic thespian challenge—the singing, the dancing.” But when he thinks about the film’s reason for being, “it is to bring joy into the world,” he says. “It’s to encourage dreaming; to encourage the dreamers to continue dreaming; to encourage declaring yourself as you are, who you are, without question. It’s to declare that to share in kindness and enthusiasm is to paint a way forward, not only for yourself, but for those around you. It’s about community, and it’s about community surviving in spaces of erosion. It’s about light and love. I’m so proud to have been a part of that.”
Wonka, an intoxicating mix of magic and music, mayhem and emotion, tells the story of Willy Wonka’s younger days, when he was just starting out as a chocolate-maker hoping to share his chocolate with the world by setting up shop at the cathedral of candy known as the Galeries Gourmet—with nothing but a few sovereigns (coins) and a hat full of dreams. A prequel to the 2005 hit Charlie and the Chocolate Factory, Wonka, based on the beloved character created by best-selling children’s book author Roald Dahl, is written and directed by Paul King (Paddington films) and produced by David Heyman (the Harry Potter movies).
To make sure he does the iconic character of Willy Wonka justice, Chalamet worked hard in preparation for the role, especially for the singing and dancing bits. “I had a lot of singing and vocal training with our head of the music department, the British James Taylor, not the other James Taylor,” shares Chalamet. “Also, there was a lot of dance training with Chris Gattelli, a fellow New Yorker and a fantastic choreographer. Then, repetition, repetition, repetition, repetition. It was smart, because by the time the movie started, the physical stamina was there.
“And I have to say that this was the most physically challenging project I’ve ever been on. This was every scene. There’s the enthusiasm of the character coupled with the fact that there isn’t a scene that’s really static. That’s not only great for the story, but it was also a great lesson as an actor. I was grateful to have that run up because of the shape I was able to get into.”
Watch Chalamet talk about “Becoming Wonka” in this featurette:
It helped that he had a great co-star in Calah Lane, who plays Noodle, a smart, cynical, sardonic young orphan who befriends Willy. Chalamet was very much impressed with his younger co-star. “It’s a huge endeavor to be on a project when you’re this young. I was working as an actor at this age, but not on things this long—maybe a day or two here or there. She really has her head on her shoulders; she’s a fantastic actress,” says Chalamet.
Lucky for Lane, there were days on set when she wasn’t the only kid. And Chalamet treasured such days too because they brought about a very positive energy. “The days when we had a lot of kids around, it brought a sincerity, an earnestness and a joy to the set, especially when you’re wearing the burgundy coat and you see the way people are reacting… It was great.”
Get ready for your sweet holiday treat. Wonka opens in Philippine cinemas December 6, one week ahead of the U.S. A perfect Christmas indeed!
About “Wonka”
Based on the extraordinary character at the center of “Charlie and the Chocolate Factory,” Roald Dahl’s most iconic children’s book and one of the best-selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate-maker became the beloved Willy Wonka we know today. “Wonka” is an intoxicating mix of magic and music, mayhem and emotion, all told with fabulous heart and humor. Starring Timothée Chalamet in the title role, this irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chock-full of ideas and determined to change the world one delectable bite at a time—proving that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible.
Directed by Paul King, with a screenplay he co-wrote with Simon Farnaby. Produced by David Heyman, Alexandra Derbyshire and Luke Kelly.
Starring alongside Chalamet are Calah Lane (“The Day Shall Come”), Emmy and Peabody Award winner Keegan-Michael Key (“The Prom,” “Schmigadoon”), Paterson Joseph (“Vigil,” “Noughts + Crosses”), Matt Lucas (“Paddington,” “Little Britain”), Mathew Baynton (“The Wrong Mans,” “Ghosts”), Oscar nominee Sally Hawkins (“The Shape of Water,” the “Paddington” films, “Spencer”), Rowan Atkinson (the “Johnny English” and “Mr. Bean” films, “Love Actually”), Jim Carter (“Downton Abbey”), with Oscar winner Olivia Colman (“The Favourite”). The film also stars Natasha Rothwell (“White Lotus,” “Insecure”), Rich Fulcher (“Marriage Story,” “Disenchantment”), Rakhee Thakrar (“Sex Education,” “Four Weddings and a Funeral”), Tom Davis (“Paddington 2,” “King Gary”) and Kobna Holdbrook-Smith (“Paddington 2,” “Zack Snyder’s Justice League,” “Mary Poppins Returns”).
In cinemas December 6, “Wonka” is distributed in the Philippines by Warner Bros. Pictures, a Warner Bros. Discovery company.
Join the conversation online and use the hashtag #WonkaMovie
To celebrate its 100th year, Disney releases the new animated feature ‘Wish,’ which oddly enough stumbles and flounders at its beginning, weighted down by a muddled world building exercise before it finds its stride. While a lot of the movie doesn’t explore new territory, what does feel fresh is how the movie double downs on Disney’s continuous attempt to cater to a more progressive audience and how ‘Wish’ seems to champion the voices of dissent. There is a strong sense of a revolutionary tone that is pervasive throughout the film that feels new and surprising. It manages to find its magic at its finale that managed to send shivers down my spine and got me genuinely teary-eyed.
The film, directed by Chris Buck and Fawn Veerasunthorn and written by Jennifer Lee and Allison Moore, is about the fictional city of Rosas, on an island “deep in the Mediterranean Sea,” whose king is a sorcerer who can grant wishes. There is a mix and mash of different cultures at play here as the mystical nature of Rosas has made it a melting pot of various cultures that seems to just blend and mix so unnaturally well. The sorcerer king, Magnifico, and his wife, Queen Amaya, have made a haven for its people. Magnifico asks everyone for their wishes, and he keeps them safe and protects them while he grants some of them and makes them true.
HOW DID THE WISHING STAR, UPON WHICH SO MANY CHARACTERS WISHED, COME TO BE? — Walt Disney Animation Studios’ original fairytale adventure “Wish” is an all-new story is set in the magical kingdom of Rosas, where Asha, an optimist with a sharp wit and a deep caring for her community, turns to the sky in a moment of need, and makes a wish. Asha’s plea is answered by a cosmic force, a little ball of boundless energy, Star. Together, they will face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars – wondrous things can happen. The voice cast includes Ariana DeBose as Asha and Alan Tudyk as the pajama-wearing goat, Valentino. Featuring original songs by Julia Michaels, “Wish” is helmed by Chris Buck and Fawn Veerasunthorn, and produced by Peter Del Vecho and Juan Pablo Reyes. The feature film releases Fall 2023.
But a young girl, Asha, discovers a dark secret. Not all the wishes that Magnifico keeps and protects will ever be granted. This utopian city is nothing more but a falsehood, buying into a veneer of niceties. It’s an autocracy in disguise and everyone is a willing victim, with their wishes held hostage for their compliance.
In a fit of rage and disgust, Asha wishes upon a star and the star magically appears before her and starts to make enchant the world around her.
Essentially, ‘Wish’ is an exploration on the nature and importance of wishes into our lives. The movie sells it hard, and it does not go unnoticed that it’s definitely part and parcel of a propaganda to continue to entrench Disney into our lives, what with all the easter eggs of various Disney cartoons and stories placed generously around the film. It can even serve as a sort of origin story for many of Disney’s animated feature if you catch the motifs at play.
In trying to explain this new world and how it operates, the first half of ‘Wish’ comes across as long and drawn-out exposition. There’s so much talking, not much showing. There’s just so much explaining. It slows everything down and it made the kids in the audience disengage at the start. The moment Asha sings the title song, ‘This Wish,’ and the star comes down and starts to stir trouble, then the film starts to find its footing.
And this when the magic really starts to happen. There’s an interesting new perspective offered in the song ‘I’m a Star’ that becomes a fulcrum to the film’s extraordinary message that is later compounded by more songs and story points that pushes the film to take a revolutionary tone. The film actually incites the viewers to dissent against any sort of mind-control or oppression. The extremely charming (and rather media savvy King Magnifico) starts to show his spots and while all of this is sort of on-the-nose, it effectively sells the idea that the world we live in is not that far behind.
Chris Pine is excellent and charming as Magnifico, singing and acting his way through the character with his voice that it helps create a person we want to be brought down. Pine’s Magnifico is every gaslighting, overprotective, and narcissist leader who charms us out of our ability to choose for ourselves. He is an excellent counterpoint to a very solid performance from Arianna DeBose, who kills it as Asha. She sings with such fervor that it helps sell the Disney magic so much more.
When the film fully pushes for a revolution against the autocracy, it’s akin to a ‘Les Misérables’ chorus that can be infectious. Surprisingly, despite all of the things I didn’t like about the film at the beginning, I began to see the beauty of its message and its stance. Yes, ‘Wish’ is as much a celebration of Disney and all its capitalist stance but, at the same time, ‘Wish’ is also a call to find it within us to fight for what we love and what we believe in.
And it does this in a way that Disney has perfected over its 100 years – through spectacle and song. ‘Wish’ is not the best Disney movie but it is wonderfully idealistic and unabashedly progressive and during these times of severe conflict and strife, it is a welcome message of hope. There’s something right in the timing of this movie and as I held back tears at the reprise of its titular song, I was actually excited to see where Disney will continue bringing their stories in the future.
My Rating:
Wish is now showing. Check screening times and buy tickets here.
As part of the grand Disney 100 celebration, marking a century of unparalleled storytelling, Walt Disney Animation Studios unveils its latest spectacle, “Wish.” This animated musical fantasy, now enchanting audiences in cinemas, invites Disney fans from every generation to embark on a journey woven with dreams and wonder.
In the mystical realm of Rosas, where wishes turn into reality, we meet our hero, Asha, voiced by the talented Ariana DeBose. Asha, an aspirant apprentice to King Magnifico (Chris Pine), uncovers Rosas’ concealed secrets. Her discovery leads to a powerful wish, introducing her to Star, a lively ball of energy. Accompanied by her loyal goat, Valentino, voiced by Alan Tudyk, Asha embarks on a valiant quest to protect the kingdom and preserve the power of wishing.
Zephanie sings her heart out with a rousing performance of “Aking Hiling.”
Helmed by acclaimed directors Chris Buck and Fawn Veerasunthorn, “Wish” is brought to life by producers Peter Del Vecho, Juan Pablo Reyes, and Lancaster Jones. The narrative’s heart is penned by Jennifer Lee and Allison Moore, ensuring a tale that resonates with depth and delight. The film is further elevated by seven original songs from Julia Michaels and Benjamin Rice, alongside a captivating score by Dave Metzger.
Disney fans of all generations gathered to watch “Wish’s” Philippine premiere.
Adding a unique cultural touch, Filipino fans can revel in “Aking Hiling,” a special Filipino rendition of the film’s anthem “This Wish,” performed by the gifted Zephanie. Available on Spotify and soon on YouTube, this version promises to strike a chord with local audiences.
Young Disney fans are very thrilled to see Asha and Star on the big screen.
Mark your calendars for the Wish 107.5 music caravan, set to enthral fans on November 22 at SM City Clark, and November 25 at Ayala Malls Central Bloc and SM Seaside Cebu.
Families are excited to experience “Wish” at the Philippine Premiere and add it to their list of tales.
For the latest updates and promotions, follow Disney Studios Philippines on Facebook, Instagram, and YouTube. Engage with the magic online using #WishPH.
ABOUT WISH
“Wish” invites you into Rosas, a land where Asha’s indomitable spirit meets the magic of the stars. Facing off against King Magnifico, Asha and Star prove that courage, combined with the celestial, can create miracles. This musical-comedy, featuring an Oscar-winning cast and crew, opens exclusively in theaters on November 22, 2023. Experience the magic of dreams and the power of wishes in this Disney masterpiece.
