Director Ridley Scott’s latest masterpiece, “Napoleon,” has emerged as an undisputed champion at the box office. This action-packed historical epic, graced by the talents of Joaquin Phoenix and Vanessa Kirby, has garnered a massive $78.8 million globally in its opening weekend. This includes an impressive $46.3 million from international markets, firmly establishing its worldwide appeal.
Joaquin Phoenix, director Ridley Scott and Vanessa Kirby at the London premiere of Napoleon on November 16. A few days later, the film opened at the top of the UK box office.
Stellar Performances and Strategic Releases
Phoenix’s portrayal of the renowned French emperor and Kirby as his wife Josephine has resonated with audiences across the globe. The film’s strategic debut in countries like France, the United Kingdom, Germany, and Italy has propelled it to the top spot in these regions. Anticipation is high in Asia, particularly in the Philippines, where the film is set to release on November 29.
A Director’s Vision: Bridging History and Art
Ridley Scott, known for his visionary filmmaking, brings a unique perspective to the historical figure of Napoleon. “History’s very interesting, because we don’t learn from all of our mistakes,” remarks Scott. The film is more than just a historical recount; it’s a portrayal of Napoleon’s tumultuous journey to power and his intense relationship with Josephine. It’s a blend of personal drama and grand-scale military tactics, brought to life through some of the most elaborate battle scenes ever captured on film.
Joaquin Phoenix and director Ridley Scott at the Madrid premiere of Napoleon on November 20.
Critics Acclaim: A Spectacular Display of Filmmaking
The New York Times has praised the film’s battle sequences as ““The war scenes are extraordinary, vigorous, harrowing and rightly grotesque.” The sheer scale, coupled with Scott’s intricate staging using a multitude of actors and horses, adds a raw, visceral power to these scenes, making them a cinematic spectacle.
Joaquin Phoenix, director Ridley Scott and Vanessa Kirby at the Paris premiere of Napoleon on November 14. The film would go on to debut at No. 1 in France.
Distribution and Anticipation in the Philippines
Produced by Apple Original Films and distributed locally by Columbia Pictures, a division of Sony Pictures Releasing International, “Napoleon” is all set to captivate Philippine audiences. The film’s imminent release is generating significant buzz, as fans eagerly await its arrival in theaters on November 29. Join the conversation online with the hashtag #Napoleon and be part of this cinematic event.
Get ready to paint the city blue, red, and white as the French Film Festival makes it iconic and celebrates 26 years of bringing some of the best contemporary movies from France to the Filipino audience.
The French Embassy in the Philippines and Micronesia, in partnership with SM Supermalls and SM Cinema, stages the 26th French Film Festival from November 25 to December 3. A suite of about 21 French feature films will be shown simultaneously at SM Mall of Asia and SM Megamall, with a selection of new releases, some of the biggest box office hits of the year, and a few classics featuring icons of French cinema.
In a country that pioneered cinema in Asia, film is perhaps the most suitable medium to promote cultural understanding in the Philippines. Through the moving images, the values and traditions of society are conveyed and appreciated by the public, allowing them to identify or at least react to situations that may be shared by different people across the globe.
The French Film Festival is also a platform to engage the public on certain advocacies, beginning with the Environment. This year’s French film fest opens with ACIDE (Acid Rain) which tells the story of the plight of a family caught in a climatic catastrophe. To commemorate the International Day for the Elimination of Violence against Women and Children, the documentary film UN SILENCE SI BRUYANT (Such A Resounding Silence) by Emmanuelle Béart and Anastasia Mikova prompts the victims of incest to speak out and is currently a controversial topic in French society.
BERNADETTE (The President’s Wife), the latest movie starring French icon Catherine Deneuve provides a glimpse into French politics as she portrays the life of former First Lady Bernadette Chirac in the corridors of the Elysée Palace.
The festival selection also includes two films about the hip-hop scene in France: the fusion of opera singing and urban dance in INDES GALLANTES, and the birth of Suprême NTM.
Other films show different angles of modern-day French society: family life in the comedy ALIBI.COM 2, romantic relationships and friendships in LES CHOSES QU’ON DIT, LES CHOSES QU’ON FAIT (The Things We Say, The Things We Do), while forging new forms of familial love – father-son in a dystopic, sci-fi film LE REGNE ANIMA (Animal Kingdom).
Literary adaptations like LES TROIS MOUSQUETAIRES – D’ARTAGNAN (The Three Musketeers – D’Artagnan), from the classic novel by Alexandre Dumas and ASTERIX ET OBELIX: L’EMPIRE DU MILIEU (Asterix and Obelix: The Middle Kingdom) from the popular comic books have become international blockbusters.
The French Film Festival renews its partnership with the QCinema International Film Festival in bringing some of the most critically-acclaimed titles of World Cinema to the local moviegoers such as DAAAALI and LA PASSION DE DODIN BOUFFANT (The Taste of Things), the French entry in the Oscars.
The French Film Festival will also be the occasion to officially launch in the Philippines the campaign “Make It Iconic – Choose France.” This promotes the French “love of action and craftsmanship, the willingness to defend an original vision, the art of not doing anything like others do,” perfectly illustrated through this year’s movie selection.
This year’s selection presents the diversity of French cinema that may appeal to different types of audiences. French Cultural Counsellor Marc Piton states that through the French Film Festival, Filipinos will have the opportunity to see the new French movies that are released worldwide. “French films are commercially successful everywhere and that is why we partner with SM Cinema to be able to reach a wider audience in the country.”
French Ambassador to the Philippines and Micronesia Her Excellency Marie Fontanel believes that the young vibrant population of the Philippines should be exposed to the diversity of cultures, and through cinema, the Filipino youth can have the chance to see a different perspective of life beyond the regular programming of theaters.
In the words of French President Emmanuel Macron, “The French spirit continues to astonish, fascinate and change the world.” French cinema entertains the audience with unexpected twists and turns and delivers messages that can help build a better world. The French Film Festival in Manila is making it iconic.
Regular tickets are at P150 and P100 for students, seniors, and PWDs at the SM MOA and SM Megamall Cinema ticket booths. For the French Film Festival schedule and further information, visit the French Embassy’s Facebook page: https://www.facebook.com/FrenchEmbassyPH
Timothée Chalamet is proud to be a part of “Wonka.”
All the singing and dancing aside, Chalamet, who plays the beloved chocolatier in the film, is most proud of being part of “a joyous movie, that is about bringing a light into a world that is in desperate need of it,” he says.
When Chalamet read “Wonka,” he did feel “the classic thespian challenge—the singing, the dancing.” But when he thinks about the film’s reason for being, “it is to bring joy into the world,” he says. “It’s to encourage dreaming; to encourage the dreamers to continue dreaming; to encourage declaring yourself as you are, who you are, without question. It’s to declare that to share in kindness and enthusiasm is to paint a way forward, not only for yourself, but for those around you. It’s about community, and it’s about community surviving in spaces of erosion. It’s about light and love. I’m so proud to have been a part of that.”
Wonka, an intoxicating mix of magic and music, mayhem and emotion, tells the story of Willy Wonka’s younger days, when he was just starting out as a chocolate-maker hoping to share his chocolate with the world by setting up shop at the cathedral of candy known as the Galeries Gourmet—with nothing but a few sovereigns (coins) and a hat full of dreams. A prequel to the 2005 hit Charlie and the Chocolate Factory, Wonka, based on the beloved character created by best-selling children’s book author Roald Dahl, is written and directed by Paul King (Paddington films) and produced by David Heyman (the Harry Potter movies).
To make sure he does the iconic character of Willy Wonka justice, Chalamet worked hard in preparation for the role, especially for the singing and dancing bits. “I had a lot of singing and vocal training with our head of the music department, the British James Taylor, not the other James Taylor,” shares Chalamet. “Also, there was a lot of dance training with Chris Gattelli, a fellow New Yorker and a fantastic choreographer. Then, repetition, repetition, repetition, repetition. It was smart, because by the time the movie started, the physical stamina was there.
“And I have to say that this was the most physically challenging project I’ve ever been on. This was every scene. There’s the enthusiasm of the character coupled with the fact that there isn’t a scene that’s really static. That’s not only great for the story, but it was also a great lesson as an actor. I was grateful to have that run up because of the shape I was able to get into.”
Watch Chalamet talk about “Becoming Wonka” in this featurette:
It helped that he had a great co-star in Calah Lane, who plays Noodle, a smart, cynical, sardonic young orphan who befriends Willy. Chalamet was very much impressed with his younger co-star. “It’s a huge endeavor to be on a project when you’re this young. I was working as an actor at this age, but not on things this long—maybe a day or two here or there. She really has her head on her shoulders; she’s a fantastic actress,” says Chalamet.
Lucky for Lane, there were days on set when she wasn’t the only kid. And Chalamet treasured such days too because they brought about a very positive energy. “The days when we had a lot of kids around, it brought a sincerity, an earnestness and a joy to the set, especially when you’re wearing the burgundy coat and you see the way people are reacting… It was great.”
Get ready for your sweet holiday treat. Wonka opens in Philippine cinemas December 6, one week ahead of the U.S. A perfect Christmas indeed!
About “Wonka”
Based on the extraordinary character at the center of “Charlie and the Chocolate Factory,” Roald Dahl’s most iconic children’s book and one of the best-selling children’s books of all time, “Wonka” tells the wondrous story of how the world’s greatest inventor, magician and chocolate-maker became the beloved Willy Wonka we know today. “Wonka” is an intoxicating mix of magic and music, mayhem and emotion, all told with fabulous heart and humor. Starring Timothée Chalamet in the title role, this irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chock-full of ideas and determined to change the world one delectable bite at a time—proving that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible.
Directed by Paul King, with a screenplay he co-wrote with Simon Farnaby. Produced by David Heyman, Alexandra Derbyshire and Luke Kelly.
Starring alongside Chalamet are Calah Lane (“The Day Shall Come”), Emmy and Peabody Award winner Keegan-Michael Key (“The Prom,” “Schmigadoon”), Paterson Joseph (“Vigil,” “Noughts + Crosses”), Matt Lucas (“Paddington,” “Little Britain”), Mathew Baynton (“The Wrong Mans,” “Ghosts”), Oscar nominee Sally Hawkins (“The Shape of Water,” the “Paddington” films, “Spencer”), Rowan Atkinson (the “Johnny English” and “Mr. Bean” films, “Love Actually”), Jim Carter (“Downton Abbey”), with Oscar winner Olivia Colman (“The Favourite”). The film also stars Natasha Rothwell (“White Lotus,” “Insecure”), Rich Fulcher (“Marriage Story,” “Disenchantment”), Rakhee Thakrar (“Sex Education,” “Four Weddings and a Funeral”), Tom Davis (“Paddington 2,” “King Gary”) and Kobna Holdbrook-Smith (“Paddington 2,” “Zack Snyder’s Justice League,” “Mary Poppins Returns”).
In cinemas December 6, “Wonka” is distributed in the Philippines by Warner Bros. Pictures, a Warner Bros. Discovery company.
Join the conversation online and use the hashtag #WonkaMovie
To celebrate its 100th year, Disney releases the new animated feature ‘Wish,’ which oddly enough stumbles and flounders at its beginning, weighted down by a muddled world building exercise before it finds its stride. While a lot of the movie doesn’t explore new territory, what does feel fresh is how the movie double downs on Disney’s continuous attempt to cater to a more progressive audience and how ‘Wish’ seems to champion the voices of dissent. There is a strong sense of a revolutionary tone that is pervasive throughout the film that feels new and surprising. It manages to find its magic at its finale that managed to send shivers down my spine and got me genuinely teary-eyed.
The film, directed by Chris Buck and Fawn Veerasunthorn and written by Jennifer Lee and Allison Moore, is about the fictional city of Rosas, on an island “deep in the Mediterranean Sea,” whose king is a sorcerer who can grant wishes. There is a mix and mash of different cultures at play here as the mystical nature of Rosas has made it a melting pot of various cultures that seems to just blend and mix so unnaturally well. The sorcerer king, Magnifico, and his wife, Queen Amaya, have made a haven for its people. Magnifico asks everyone for their wishes, and he keeps them safe and protects them while he grants some of them and makes them true.
HOW DID THE WISHING STAR, UPON WHICH SO MANY CHARACTERS WISHED, COME TO BE? — Walt Disney Animation Studios’ original fairytale adventure “Wish” is an all-new story is set in the magical kingdom of Rosas, where Asha, an optimist with a sharp wit and a deep caring for her community, turns to the sky in a moment of need, and makes a wish. Asha’s plea is answered by a cosmic force, a little ball of boundless energy, Star. Together, they will face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars – wondrous things can happen. The voice cast includes Ariana DeBose as Asha and Alan Tudyk as the pajama-wearing goat, Valentino. Featuring original songs by Julia Michaels, “Wish” is helmed by Chris Buck and Fawn Veerasunthorn, and produced by Peter Del Vecho and Juan Pablo Reyes. The feature film releases Fall 2023.
But a young girl, Asha, discovers a dark secret. Not all the wishes that Magnifico keeps and protects will ever be granted. This utopian city is nothing more but a falsehood, buying into a veneer of niceties. It’s an autocracy in disguise and everyone is a willing victim, with their wishes held hostage for their compliance.
In a fit of rage and disgust, Asha wishes upon a star and the star magically appears before her and starts to make enchant the world around her.
Essentially, ‘Wish’ is an exploration on the nature and importance of wishes into our lives. The movie sells it hard, and it does not go unnoticed that it’s definitely part and parcel of a propaganda to continue to entrench Disney into our lives, what with all the easter eggs of various Disney cartoons and stories placed generously around the film. It can even serve as a sort of origin story for many of Disney’s animated feature if you catch the motifs at play.
In trying to explain this new world and how it operates, the first half of ‘Wish’ comes across as long and drawn-out exposition. There’s so much talking, not much showing. There’s just so much explaining. It slows everything down and it made the kids in the audience disengage at the start. The moment Asha sings the title song, ‘This Wish,’ and the star comes down and starts to stir trouble, then the film starts to find its footing.
And this when the magic really starts to happen. There’s an interesting new perspective offered in the song ‘I’m a Star’ that becomes a fulcrum to the film’s extraordinary message that is later compounded by more songs and story points that pushes the film to take a revolutionary tone. The film actually incites the viewers to dissent against any sort of mind-control or oppression. The extremely charming (and rather media savvy King Magnifico) starts to show his spots and while all of this is sort of on-the-nose, it effectively sells the idea that the world we live in is not that far behind.
Chris Pine is excellent and charming as Magnifico, singing and acting his way through the character with his voice that it helps create a person we want to be brought down. Pine’s Magnifico is every gaslighting, overprotective, and narcissist leader who charms us out of our ability to choose for ourselves. He is an excellent counterpoint to a very solid performance from Arianna DeBose, who kills it as Asha. She sings with such fervor that it helps sell the Disney magic so much more.
When the film fully pushes for a revolution against the autocracy, it’s akin to a ‘Les Misérables’ chorus that can be infectious. Surprisingly, despite all of the things I didn’t like about the film at the beginning, I began to see the beauty of its message and its stance. Yes, ‘Wish’ is as much a celebration of Disney and all its capitalist stance but, at the same time, ‘Wish’ is also a call to find it within us to fight for what we love and what we believe in.
And it does this in a way that Disney has perfected over its 100 years – through spectacle and song. ‘Wish’ is not the best Disney movie but it is wonderfully idealistic and unabashedly progressive and during these times of severe conflict and strife, it is a welcome message of hope. There’s something right in the timing of this movie and as I held back tears at the reprise of its titular song, I was actually excited to see where Disney will continue bringing their stories in the future.
My Rating:
Wish is now showing. Check screening times and buy tickets here.
As part of the grand Disney 100 celebration, marking a century of unparalleled storytelling, Walt Disney Animation Studios unveils its latest spectacle, “Wish.” This animated musical fantasy, now enchanting audiences in cinemas, invites Disney fans from every generation to embark on a journey woven with dreams and wonder.
In the mystical realm of Rosas, where wishes turn into reality, we meet our hero, Asha, voiced by the talented Ariana DeBose. Asha, an aspirant apprentice to King Magnifico (Chris Pine), uncovers Rosas’ concealed secrets. Her discovery leads to a powerful wish, introducing her to Star, a lively ball of energy. Accompanied by her loyal goat, Valentino, voiced by Alan Tudyk, Asha embarks on a valiant quest to protect the kingdom and preserve the power of wishing.
Zephanie sings her heart out with a rousing performance of “Aking Hiling.”
Helmed by acclaimed directors Chris Buck and Fawn Veerasunthorn, “Wish” is brought to life by producers Peter Del Vecho, Juan Pablo Reyes, and Lancaster Jones. The narrative’s heart is penned by Jennifer Lee and Allison Moore, ensuring a tale that resonates with depth and delight. The film is further elevated by seven original songs from Julia Michaels and Benjamin Rice, alongside a captivating score by Dave Metzger.
Disney fans of all generations gathered to watch “Wish’s” Philippine premiere.
Adding a unique cultural touch, Filipino fans can revel in “Aking Hiling,” a special Filipino rendition of the film’s anthem “This Wish,” performed by the gifted Zephanie. Available on Spotify and soon on YouTube, this version promises to strike a chord with local audiences.
Young Disney fans are very thrilled to see Asha and Star on the big screen.
Mark your calendars for the Wish 107.5 music caravan, set to enthral fans on November 22 at SM City Clark, and November 25 at Ayala Malls Central Bloc and SM Seaside Cebu.
Families are excited to experience “Wish” at the Philippine Premiere and add it to their list of tales.
For the latest updates and promotions, follow Disney Studios Philippines on Facebook, Instagram, and YouTube. Engage with the magic online using #WishPH.
ABOUT WISH
“Wish” invites you into Rosas, a land where Asha’s indomitable spirit meets the magic of the stars. Facing off against King Magnifico, Asha and Star prove that courage, combined with the celestial, can create miracles. This musical-comedy, featuring an Oscar-winning cast and crew, opens exclusively in theaters on November 22, 2023. Experience the magic of dreams and the power of wishes in this Disney masterpiece.
James Wan, the acclaimed director of “Aquaman,” is back with a vibrant sequel, “Aquaman and The Lost Kingdom.” This time, the underwater world of Atlantis is not just revisited but expanded, revealing new, unseen realms that promise to captivate audiences.
Rediscovering Atlantis and Beyond
Atlantis, in the sequel, is portrayed as more vivid and lively than ever. But the true allure lies in the exploration of entirely new territories, including the enigmatic Lost Kingdom, Necrus. In the first film, we glimpsed the richness of the seven Kingdoms of Atlantis, with Necrus being the unexplored frontier, now ready to be unveiled.
The Creation of Necrus: Inspired by Antarctica
James Wan’s creative vision transports viewers to Necrus, drawing inspiration from the remote and icy landscapes of Antarctica. This novel setting in the Aquaman universe introduces an array of unique visual elements and dark, mysterious creatures, a hallmark of Wan’s directorial style.
Crafting a Frozen World
Creating Necrus became a cinematic endeavor in itself. Despite the English summer setting at Leavesden Studios, Wan’s team recreated Antarctica’s frozen tundra. Giant fans simulated snowstorms, while the cast, adorned in high-tech cold weather costumes, navigated an icy world. The crew, in shorts, battled the glare of the white set. The result is a breathtaking frozen kingdom brought to life with real-world location plates and aerial footage from Antarctica, Greenland, and Iceland.
Peter Safran on the Visual Feast
Producer Peter Safran highlights the film’s visual splendor, emphasizing James Wan’s talent in bringing fantastical colors and environments to the screen, “James Wan has an incredible ability to capture the colors and the fantasy that exist in these never-before-seen worlds,” says Safran. “We wanted to take the audience on a travelogue of these astounding new environments above and below the surface… By embracing the mythic nature of Aquaman’s quest and combining it with these stunning visuals, James gives us something uniquely compelling—it is worldbuilding and visual storytelling at its zenith.”
The Human Element: A Tale of Brothers and Heroes
Despite the out-of-this-world settings, “Aquaman and The Lost Kingdom” stays grounded in its characters’ human aspects. The sequel delves into the relationship between Arthur (Jason Momoa) and Orm (Patrick Wilson), portraying them as brothers overcoming differences for a greater cause. The formidable Black Manta (Yahya Abdul-Mateen II) adds a darker layer to the narrative, driven by love and vengeance. This action-packed adventure delves deeper into character development and promises an engaging, immersive experience.
Aquaman: A Hero’s Journey Continues
At the core of this story is Arthur/Aquaman, portrayed with the signature charm and humor by Jason Momoa. The sequel explores his dual role as both a father and a king, navigating the challenges and responsibilities that come with his position in Atlantis.
The Star-Studded Cast
Joining the adventure are familiar faces like Amber Heard, Nicole Kidman, Dolph Lundgren, and Randall Park, reprising their roles and adding depth to this rich cinematic universe.
Join the Adventure
“Aquaman and The Lost Kingdom” is set to premiere exclusively in cinemas on December 20. This film is not just a sequel but a leap into uncharted cinematic waters, offering an experience that combines visual wonder with heartfelt storytelling.
Join the conversation online using the hashtag #Aquaman and prepare to be swept away by this visual and narrative spectacle.
Get ready for a movie marathon with this week’s exciting releases! With a spectrum of genres unspooling on the big screen, we’ve got something that caters to every cinematic palate. Whether you’re a fan of animated adventures, spine-chilling horrors, heartfelt dramas, thrilling mysteries, or heartwarming stories, there’s something for everyone this week at the movies. This week’s releases offer an immersive journey into the realms of fantasy, dance, horror, friendship, holiday terror, and emergency drama. Get ready for ‘Wish,’ ‘Dancing Queen,’ ‘Marita,’ ‘Not Friends,’ ‘Thanksgiving,’ and ‘Tokyo MER: Mobile Emergency Room‘ – your movie plans are set!
Let’s take a sneak peek into what’s premiering this week:
2023 • G • 1 hr 34 mins ADVENTURE, ANIMATION, FAMILY, FANTASY BUY TICKETS
Embark on an enchanting adventure with Asha, a spirited idealist whose powerful wish summons Star, a cosmic force ready to take on the formidable King Magnifico. In a tale where the will of a courageous human meets the magic of the stars, ‘Wish’ is a heartwarming animation that proves the extraordinary can happen when dreams align with cosmic energies.
Join Mina, a 12-year-old caught in the whirlwind of emotions when a famous hip-hop dancer, ED Win, enters her world. Love, dance, and determination take center stage as Mina auditions for ED’s new dance group, despite a small hiccup – she can’t dance. ‘Dancing Queen’ promises a delightful drama that explores the magic of following your passion against all odds.
In the eerie realms of horror, ‘Marita’ unfolds a chilling tale. A theatre becomes the haunting ground for an actress who, even in death, seeks revenge on those who dare to enter. Brace yourself for a spine-tingling experience as the supernatural and the real world collide in this haunting cinematic journey.
High school, friendship, and filmmaking take center stage in ‘Not Friends.’ A group of students, bonded by their love for creating films, embark on a journey that unravels hidden secrets. What begins as a lighthearted project soon transforms into a revelation that challenges their perspectives on passion and friendship. Get ready for a rollercoaster of emotions with this comedy-drama.
In the birthplace of Thanksgiving, Plymouth, Massachusetts, a sinister killer with a holiday-themed agenda emerges. After a Black Friday riot ends tragically, the town becomes the stage for revenge killings that are part of a larger, ominous plan. ‘Thanksgiving’ promises a gripping blend of horror, mystery, and thriller, leaving you on the edge of your seat.
Explore the high-stakes world of emergency response with ‘Tokyo MER.’ When disaster strikes Yokohama, the Tokyo MER team faces a critical decision. Chief Kitami pushes for immediate action, while Chief Kamoi insists on ensuring safety first. As the drama unfolds, ‘Tokyo MER’ takes you on a thrilling journey into the challenges of life-saving missions in the midst of chaos.
FAN FAVORITES STILL SHOWING
Meanwhile, don’t forget to catch up on some of the movies that are still captivating audiences in theaters. Here’s a list of fan favorites that are still showing in cinemas:
That’s a wrap for this week’s new movie releases. So, don’t wait! Secure your tickets, grab your popcorn, and immerse yourself in the captivating worlds of these new releases. As always, we recommend booking your tickets in advance to avoid missing out on these must-see releases. Stay tuned for next week’s movie updates, and happy watching!
Despite my own disbelief in the need for a prequel of ‘The Hunger Games’ franchise, there’s actually a lot of strong story points that is made in the origin story of Coriolanus Snow, the villain and main antagonist of the original trilogy. ‘The Hunger Games: The Ballad of Songbirds & Snakes’ manages to highlight the importance of media and spectacle in any autocracy and oppressive government. As a prequel, the film is set during the period of the tenth Hunger Games (for reference, the movie was set during the 74th Hunger Games, 64 years later) and the games were much more crude and primitive in comparison. Televising the games was a new concept and through it, the film showcases elements of media theory that come into play. It’s a riveting examination of how intrinsically linked media and public perception is to government control.
What also elevates the film are spectacular (and rather surprising) performances from Viola Davis and Rachel Zegler, giving us two characters to really dig into. It’s surprising coming from material as commercial as this but a good actor knows how to make most of the parts that their given.
Davis can do wonders with any role thrown at her and she makes her portrayal of Dr. Gaul, the head game maker of The Hunger Games an exploration of jadedness and cruelty. This is a woman who has seen the worst of humankind and is just mirroring it in her life. It’s quite a performance. It is wonderful counterpoint to that of Zegler’s Lucy Gray Baird, the female tribute of District 12. Zegler’s carefree and no-non-sense balladeer who is fighting for her life truly brings you in to the film. While Dr. Gaul seems to find no joy in life (other than taking it in surprising ways in the Hunger Games), Zegler’s Lucy Gray is full of life and is adamant in staying that way.
And this is my main issue with the film. ‘The Hunger Games: The Ballad of Songbirds and Snakes’ is a film that narrates the rise of Coriolanus Snow (played by Tom Blyth), the future enemy of Katniss Everdeen, a man who will be ruthless and sadistic and evil. The film is wrapped around in a dystopian world that is suffering from the oppression of a tyrannical regime. Snow is but collateral damage, his once wealthy-family has lost all of its political capital and Snow must exceed all expectations at University if he is to save his grandmother and cousin from starvation and being kicked out into the streets. In an effort to survive and thrive, he has to do well as a mentor to Lucy Gray and get noticed by those in power to receive the grand prize that will change his fortune.
As the film challenges autocratic states and gives a rather spirited argument on the value and price of human lives, the film puts front and center the desires of a man who would choose to sacrifice friends and principles to succeed. Yes, the blossoming love story between Snow and Lucy Gray creates the necessary tension that underlines what Snow lost in order for him to become the man he will become but is that really the best protagonist for this story?
As compelling a performance as Blyth can deliver, he is completely overshadowed by the nuanced and vital role Zegler infuses her portrayal of Lucy Gray. From the desperation and willingness, she has to live and survive her ordeal as a tribute, to the way she empowers every song number she has in the film with anger and rebellion, Zegler creates a character that is larger than life – a character that is in full defiance of everything the world of The Hunger Games calls for. I wouldn’t mind if the film began with Coriolanus but I would have wanted it to have finished with Lucy Gray. There’s so much more to the character than what we get to see in the film, and when we see the complex decisions the character makes at the final act of the film – that’s when you realise Zegler’s portrayal is far more layered and nuanced than you expect.
The film and its story, directed by Francis Lawrence (who directed the ‘Catching Fire’ and ‘The Mockingjay: Part One’ and ‘The Mockingjay: Part Two’), feels more in tune to humanizing and empathizing with Coriolanus Snow but to what end? For all its arguments about the loss of humanity in something brutal and cruel as the Hunger Games, to the importance of breaking free from that oppressive state, we continue to follow the story of a man who will only serve to make this world even harsher and crueller.
By following Snow’s story from his challenging beginnings to how he beats all odds to become the person he will be, from his complex relationship with his tribute Lucy Gray, and such, we are meant to empathize with him, feel sorry for him, maybe even root for him and I feel that this goes against everything that the film is trying to convey against this sort of oppressive system.
Maybe ten or fifteen years ago, we could find value in the humanizing of anti-heros such as Snow. But in this current political climate and in this day and age where real life monsters exist and control governments, I am very wary of Hollywood’s continued representation of villains and humanizing them and giving them nuance and texture. In a film as political as any of ‘The Hunger Games’ franchise, in its dystopian view of a future that is grappling with its humanity, I would very much prefer a film that was less in favour of its villains.
I agree with the stance of its characters like Lucy Gray. I wish it was more of her movie than that of Snow.
Ridley Scott’s latest cinematic venture, “Napoleon,” brings back Academy Award® winner Joaquin Phoenix, not as the infamous Joker, but as the legendary French Emperor Napoleon Bonaparte. Scott, reminiscing their time on “Gladiator,” instantly recognized Phoenix as the ideal fit for this intricate role. “I saw him and it all came flooding back – how we worked on Gladiator, and what journey he went on with that character, and I thought, ‘God damn, there’s Napoleon.’” Scott shares.
Unearthing the Layers: Phoenix’s Discovery of Napoleon
Phoenix, initially unfamiliar with the depths of Napoleon’s persona, admits to being captivated by the complexities he unearthed. “I found him to be a much more complex person than I initially imagined, especially the dynamic between him and Josephine,” says the actor who plays Napoleon. “I found him mysterious, and that mystery is something that is always interesting to explore.” Phoenix reveals, delving into the enigmatic character of the Emperor. This intriguing mystery became a cornerstone in Phoenix’s portrayal.
Behind the Scenes: The Director-Actor Synergy
Producer Mark Huffam highlights the unique bond between Scott and Phoenix, a synergy that transcends mere collaboration. “Ridley and Joaquin like to challenge each other on a regular basis, but it’s always done with a smile,” says Huffam. “Joaquin had his concerns about taking on the role, and I think anybody would about this character. But thanks to conversations with Ridley, he got comfortable with it quite quickly and he is fantastic.”
For Scott, rekindling this partnership was nothing short of exhilarating. “He’s the only actor where we talk for weeks beforehand, just chatting and arguing in an office over aspects of the character. At the end, we are on the same page,” says the director. “He’s good for me, because he keeps me honest, and I’m good for him, because I keep him in line. Physically, he’s perfect for the role – some of his facial features are strikingly similar to Napoleon’s,” Scott remarks.
The Art of Spontaneity: Phoenix’s Approach to Character Building
Phoenix credits Scott’s meticulous groundwork for granting him the artistic liberty to explore and embody Napoleon on set. ““What I like is not having it all figured out in my head beforehand – I like to have several possibilities to play with on the day,” explains Phoenix. “Ridley not only allows that process, he encourages it – he wants you to move as freely as the character would.”
About “Napoleon”
The film, directed by Ridley Scott, is a visually stunning action epic depicting Napoleon Bonaparte’s tumultuous rise and fall. Phoenix’s portrayal of Bonaparte is complemented by Vanessa Kirby’s depiction of Josephine, his great love. Set against the backdrop of monumental battle scenes and political intrigue, the film is a testament to Scott’s mastery in large-scale filmmaking.
Scripted by David Scarpa and produced by Ridley Scott, Kevin J. Walsh, Mark Huffam, and Joaquin Phoenix, “Napoleon” is a testament to historical storytelling infused with modern cinematic techniques.
Starring Joaquin Phoenix and Vanessa Kirby, “Napoleon” is set to premiere in cinemas on November 29, exclusively distributed in the Philippines by Columbia Pictures, a division of Sony Pictures Releasing International. Engage with the film using the hashtag #Napoleon.
A Feast of Fright: Patrick Dempsey in “Thanksgiving”
Eli Roth’s newest horror spectacle, “Thanksgiving,” materialized its cast rapidly, with the renowned Patrick Dempsey, crowned People magazine’s Sexiest Man Alive for 2023, leading the ensemble. In this chilling slasher flick, Dempsey embodies the role of Sheriff Newlon. He faces the daunting task of unraveling a series of horrific deaths in his town, reminiscent of a Thanksgiving plate overloaded with food.
Why Dempsey Said ‘Yes’
Dempsey’s motivation for joining the project stemmed from two sources: his son’s desire to see him in a horror film and his personal ambition to don a uniform. This movie marks a significant shift from his early heartthrob roles to a more mature, commanding presence.
A Killer in Pilgrim’s Land
Set against the backdrop of Plymouth, Massachusetts, the birthplace of Thanksgiving, the film unfolds a terrifying narrative. A mysterious killer, drawing inspiration from the holiday, begins a spree of what appears to be revenge killings. These soon unveil themselves as part of a larger, more ominous plot.
Young Talent Meets Seasoned Star
The cast features a blend of emerging and established talents, including Nell Verlaque, Milo Manheim, and TikTok sensation Addison Rae. They portray local high school students caught in the midst of the unfolding horror. Dempsey, reflecting on his transition from a teen icon to a seasoned actor, notes the joy in witnessing the young cast’s development and camaraderie, contributing to the film’s authenticity and appeal.
Behind-the-Scenes Chemistry and Fun
The cast’s dynamics extended beyond the screen, with Dempsey’s co-stars expressing admiration for his professionalism and leadership. Anecdotes from the set, like Dempsey’s playful pranks in a clown costume, add a layer of lightheartedness to the otherwise dark narrative.
Dempsey’s Horror Comeback
For Dempsey, “Thanksgiving” represents a thrilling return to the horror genre after a considerable hiatus. His excitement for the role shines through, promising audiences a fresh and engaging experience.
Awaiting the Premiere
“Thanksgiving” is set to premiere on November 22 in Philippine cinemas. The film promises a blend of horror and suspense, set against the backdrop of a town grappling with a sinister killer.
About the Film
“Thanksgiving” explores the aftermath of a Black Friday tragedy in Plymouth, Massachusetts. The town becomes the hunting ground for a Thanksgiving-inspired killer, leading to a suspenseful struggle for survival. Directed by Eli Roth, co-written with Jeff Rendell, and starring an ensemble cast including Dempsey, Rae, and Manheim, the film is a must-watch for horror aficionados.
Mark Your Calendars
Distributed by Columbia Pictures, a division of Sony Pictures Releasing International, “Thanksgiving” invites audiences to uncover its dark secrets. Join the conversation using the hashtag #ThanksgivingMovie and brace yourself for a holiday-themed horror unlike any other.
In a blend of horror and dark comedy, “Thanksgiving” promises to be a memorable addition to the horror genre. With a star-studded cast led by Patrick Dempsey, this film is set to captivate audiences with its unique take on the Thanksgiving holiday. Get ready to be thrilled this November 22!
