At the Doreen Black Box Theater in Arete, Ateneo, the stage design for Lucy Prebble’s The Effect, as imagined by director Sarah Facuri and set designer D. Cortezano places the stage right at the center, completely surrounded by the audience. On the raised platform sit two chairs, tucked into opposite corners of each other. The moment I saw it, I thought of a boxing ring sans ropes. I knew nothing coming into this play, having missed the successful staged reading of CAST which was the reason it was mounted as a full production. But the armbands handed to us with our tickets were fashioned like the hospital identification tags, which already prompted us for what was to follow.
The Effect follows Connie and Tristan, played by Sue Ramirez and Brian Sy, two volunteers who have joined a clinical trial for a new antidepressant. They have to stay in a facility throughout the experiment with no contact with the outside world. They are monitored by Dr. Lorna James (Cathy Azanza-Dy), who reports her findings to Dr. Toby Sealy (Dean Daniel Rosen). As the trial runs, Connie and Tristan begin developing feelings for each other, which threatens to compromise the findings and results of the experiment. And as Dr. Lorna is trying to keep the integrity of the process intact, her personal history with Dr. Toby gets in the way.
The Effect is a very modern examination of mental health and human connection. It tries to reduce the concepts of love and attachment to a scientific process that the body undergoes but the play understands that the whole thing is much messier than that. The science sounds believable but that’s not important, it helps dissect the trouble that is brewing between the characters. We see each rule of the clinical trial being broken one rule at a time, Connie and Tristan getting more and more entangled romantically, but also questioning if this is really love or just a side effect of the new drug. Meanwhile, Dr. Lorna has her own issues that are highlighted by the juxtaposition of Dr. Toby’s own success in the scientific community, of which she feels may be unearned.
Director Sarah Facuri keeps the play casual and energetic. Everything feels spontaneous as Facuri and her cast steadily build emotions, pushing towards the play’s rather unexpected finale. Through the use of lights (designed by Jethro Nibaten) to play out scenes of the experiments to create a sort of order and then blacking out the stage during Connie and Tristan’s intimate – and forbidden – encounters. We get the feeling that we are losing control, much like the characters feel like they are losing control of their own emotions or rationality. The effect is arresting.
The cast is completely committed to the performances. Sue Ramirez’s Connie is a bundle of nerves, hiding anxiety behind a tough exterior that questions everything in order to have some measure of control. Brian Sy’s Tristan is the total opposite: carefree, reckless, and aimless, he takes action regardless of the consequence. The dynamic is electric on stage, and you never question that they are falling in love right in front of you, despite the possibility it is all a chemical reaction. Dean Daniel Rosen embodies the smugness of a successful man who believes he knows better than everyone else. But there’s a charm to him that makes you believe how he got to where he is.
It is Cathy Azanza-Dy’s Dr. Lorna, however, who proves to be a true force of nature. In the first act, she is all business, more like a guide for Connie and Tristan, but there are aspects to her character’s dark side just rumbling beneath the surface. But come Act II, Azanza-Dy’s character has a moment and steals the show. She owns her pivotal moment with a monologue so effectively delivered, it turns the entire play upside down.
Facuri does not tone down the play’s distinct British sensibilities, recognizing that the themes that are tackled in The Effect are deeply universal regardless of culture. It is a hard-hitting piece that can make you laugh and tickle your romantic bone before it hits you with the cold, hard truths in its second act.
My Rating: 4.5 Stars
And that’s a wrap! The Effect by Lucy Prebble officially closed its run at Areté, Ateneo tonight. Missed the show or want to keep up with CAST’s next production? Stay tuned for more theater reviews, coverage, and upcoming show announcements!
