The Philippine Philharmonic Orchestra (PPO) proudly stages their highly anticipated 42nd Concert Season, titled MODULATIO, running from September 2026 through April 2027. The new season brings together world‑renowned soloists and exceptional Filipino talents for a series of breathtaking orchestral performances, with the anticipated return to the newly-rehabilitated Tanghalang Nicanor Abelardo (Main Theater) of the Cultural Center of the Philippines for its finale concert.
While celebrating the orchestra’s 53 years, Modulatio presents the PPO as a musical chameleon traversing through centuries. Led by Maestro Nowak, the PPO also cements its reputation of being the nation’s premier orchestra in its 42nd concert season.
The season kicks off on September 25, 2026 with CONCERT I – DA CAPO in a program blending beloved classics and sweeping orchestral masterpieces, setting a high‑energy tone for the months ahead. Featured works are Filipino composer Jeffrey Ching’s “What Happens in Every Classical Piece Explained in 15 Minutes” (Sinfoniettina on G-C for Mozart Orchestra) and the Asian premiere of Austrian composer Carl Czerny’s Symphony No. 6. Spanish virtuoso Martin Garcia Garcia showcases his dynamic artistry in performing German composer Ludwig van Beethoven’s Piano Concerto no.5, op. 73, E flat Major “Emperor.”
Come October 16, the next concert installment, billed as CONCERT II – ELEGANCE, will feature Filipino composer Redentor Romero’s Philippine Portraits and Polish composer Zygmunt Noskowski’s The Steppe. Filipino classical pedal harpist Vien Ignacio takes center stage, bringing refined Asian flair to British-German composer Georg Friedrich Händel’s Harp Concerto in B-flat Major.
CONCERT III – BOLERO on November 6 will feature French composer Claude Debussy’s Prelude a l’apres-midi d’un faune, and French composer Maurice Ravel’s Alborada del gracioso and Bolero. Filipino violinist Kaycee Galano returns to perform classical string selections, showcasing the richness and versatility of Filipino artistry alongside full orchestral accompaniment with French composer Camille Saint-Saens’ Violin Concerto no.3, op.61, B minor.
The PPO will perform German composer Ludwig van Beethoven’s Egmont Overture and Symphony no.3, op. 55, E flat Major “Eroica” in CONCERT IV – DESTINY on December 4. Acclaimed Italian concert pianist Mario Galeani delivers festive favorites and timeless concertos with German composer Ludwig van Beethoven’s Piano Concerto no. 4, op.58, G Major, wrapping the year in warmth and virtuosity.
Ushering the New Year on January 15, 2027, the PPO will premiere Filipino composer Jerry Dadap’s Symphony no. 5 in CONCERT V – GENESIS and Filipino composer Jeffrey Ching’s Journey to the Alps and Victor’s Meditation from the Opera Frankenstein. Internationally renowned Russian-American pianist Natasha Paremski graces Manila with her signature intensity and precision, performing Russian composer Sergei Rachmaninoff’s Piano Concerto no. 3, op.30, D minor.
The PPO will take on Russian composer Dmitri Shostakovich in CONCERT VI – RESILIENCE on February 12, featuring Festive Overture, op.96 and Symphony no. 5, op.47. Home-grown violin luminary Diomedes Saraza Jr. performs iconic violin concertos, bridging local pride with world-class excellence with Russian composer Dmitri Shostakovich’s Violin Concerto no. 1, op.99.
CONCERT VII – VISIONS on March 12 will present the Philippine premiere orchestra in a performance of German composer Robert Schumann’s Manfred Overture and French composer Cesar Franck’s Symphony in D minor. Korean violin sensation Ju-Young Baek brings lyrical depth and technical brilliance, presenting works from the Romantic and modern eras through Polish composer Karol Szymanowski’s Violin Concerto no. 1, op.35.
Capping the concert season, the PPO will come home to Tanghalang Nicanor Abelardo (CCP Main Theater), following the rehabilitation of the center’s Main Building. The grand finale, CONCERT VIII – AL FINE, on April 16, 2027 will feature soloists and chorus in Filipino composer Jeffrey Ching’s completion of the Lacrimosa, Sanctus, Benedictus and Osanna fragments from Mozart’s unfinished Requiem, K626 (Sussmayr version) and French composer Hector Berlioz’s Symphonie Fantastique, op.14. Ukrainian violinist Dmytro Udovychenko closes the season with electrifying virtuosity, promising a memorable conclusion to the concert season with English composer Edward Elgar’s Violin Concerto, op.61, B minor.
A Season of Unity and Excellence
“Our 42nd season is a celebration of Filipino talent, global artistry, and the power of music to connect us. Through the Philippine Philharmonic Orchestra, we bring the world to Manila and Filipino artistry to the forefront of the international stage,” said Kaye C. Tinga, the president of the Cultural Center of the Philippines.
The Philippine Philharmonic Orchestra, the country’s premier symphony orchestra under the Cultural Center of the Philippines, has been advancing orchestral music since 1973, performing locally and touring internationally to critical acclaim.
Concerts I, III, IV, and V will take place at the Samsung Performing Arts Theater in Makati, while Concerts II, VI and VII will be held at The Metropolitan Theater. The season finale, Concert VIII, will be staged at the Tanghalang Nicanor Abelardo (CCP Main Theater).
For more updates on PPO’s 42nd concert season, visit the CCP’s official website (culturalcenter.gov.ph) or follow the CCP’s social media pages (Facebook, Instagram, TikTok, and YouTube) for more information.
TERNOCON 2027, a terno-making convention and contest, commences with its first mentoring-consultation for the 15 aspirants from August 4 to 8, 2026, at the Clark Events and Conference Center in Pampanga.
Organized by the Cultural Center of the Philippines (CCP) and Bench/Suyen Corporation, TERNOCON pursues the preservation and promotion of the Philippine dress.
It aims to encourage the use of the terno as a popular form of dress, and inspire and motivate emerging designers to create ternos that are at par with the construction skills of professional designers. Its objectives also include encouraging dialogue and scholarly discussion on issues concerning the Philippine dress and sustaining the growing awareness and interest in the Philippine dress.
Selected from 52 applications, the 15 aspirants come from Luzon – Laguna, Oriental Mindoro, Tarlac, Makati and Taguig; from Visayas – Cebu, Mandaue, Roxas, Silay and Iloilo; and from Mindanao – Zamboanga City, Maguindanao del Norte, Davao de Oro, Iligan and Koronadal.
Before the selection, all applicants attended a week-long regional workshop and a one-day Zoom lecture conducted by fashion designers and art experts, namely Dr. Nicanor G. Tiongson, Len Cabili and Gino Gonzales.
To help the aspirants achieve the competition goals, some of the country’s experts in design will mentor and guide them, led by fashion designer Inno Sotto who has been the Ternocon’s chief mentor since 2018. He will be joined by fashion designers Josie Natori, Randy Ortiz and Jojie Lloren, as well as Ternocon’s founding artistic director Gonzales and incumbent artistic director Ricardo Eric Cruz.
Following the theme “An Ode to Nature,” the fifth edition of Ternocon marks the 10-year milestone of the program, celebrating its remarkable impact on the public’s awareness and appreciation of the terno, especially among the young generation.
The first lock-in workshop is presented in partnership with the Clark Development Corporation, City Government of Mabalacat, Department of Tourism Region III, Royce Hotel, and Victory Liner.
The second lock-in workshop is set for January 27 to 31, 2027, and the final competition and cultural show will be on March 14, 2027.
The CCP Cultural Exchange Department and CCP Production Design and Technical Services Division lead the project implementation, with the Ternocon organizing team and the Bench Ad & Promo team.
For more information, visit the CCP website. Follow the official social media accounts of CCP, CCP Cultural Exchange Department, Ternocon, and Bench for more updates and the latest news.
Violinist and music educator Kaya Mendoza, one of the many scholars of the Cultural Center of the Philippines (CCP), found her fondness for melodies within the confines of the classroom. Over time, it developed into an intentional pursuit; one that gave her direction, duty, and profound purpose.
Finding the harmony between performing and teaching
As early as nine years old, Mendoza had already been playing the violin, thanks to a group class part of her curriculum at the Kolisko Waldorf School, headed by Ford Pundamiera.
While finishing her studies at Philippine High School for the Arts in Makiling, Laguna, under the mentorship of Sergio Esmilla and Gina Medina-Perez, Mendoza’s connection with music deepened, finding herself yearning for more. Later on, she pursued music education at the University of the Philippines Diliman (UPD) and profoundly examined her love for her craft. She is currently a student of Dino Decena.
“It’s just nice to connect with other people through music,” she said, recalling a performance in Kuala Lumpur along with the Orchestra of the Filipino Youth.
Through the years, Mendoza has performed with renowned orchestras, including the ABS-CBN Philharmonic Orchestra in 2020 and the Philippine Philharmonic Orchestra back in 2023. While actively performing in orchestras and freelance engagements, she began sharing her knowledge on music, navigating both spaces with equal passion and commitment.
When the COVID-19 pandemic halted live performances, Mendoza transitioned to virtual concerts and volunteered in online workshops, such as the CCP’s Hands-On Choral Workshop. She continued to facilitate workshops and classes in person even after the world slowly recovered. “I really wanted to teach. Na-inspire kasi ako sa sarili kong music education and sa mga teachers ko,” said Mendoza.
Performing and playing the violin perfectly filled Mendoza’s innate need to mentor students by sharing her personal experiences. “‘Pag nagpe-perform ka, may natututuhan ka na mapapasa mo sa students,” said Mendoza, who describes herself as a lifelong student of music.
Mendoza’s humble perspective on learning naturally extended into her advocacy. Realizing that exposing people to music warrants a deeper appreciation, she never shied away from addressing the inaccessibility of music education. “I want to provide music education for all, regardless of background or status,” Mendoza declared bravely.
A scholar’s responsibility to give back
This commitment to teaching and sharing knowledge forms a core part of her advocacy as a CCP scholar. Beyond honing her craft as a performer, she actively seeks to give back by creating accessible learning spaces, mentoring aspiring artists, and sharing the values and discipline she gained through her own training.
This same sense of purpose also shaped how she viewed her own journey within the program. “I was really surprised to be accepted because I thought that the CCP scholarship is only given to students who have attained high artistic achievements,” shared Mendoza, recalling the surreal moment of receiving the news in 2021.
For Mendoza, her role as a scholar is not only about artistic excellence, but also about nurturing the next generation and contributing to a more inclusive and sustainable arts community. As a scholar supported by a public institution, Mendoza has a strong sense of duty to hone her talent. She became increasingly aware of the role she played, not just as a student, but as someone held accountable by the community:
“There are now high expectations and standards to uphold, because my education is funded by the taxpayers’ money. I want to give back to all the people who have supported me in pursuing music by doing well,” said the young scholar.
Thankfully, Mendoza has a steady support system, which consistently inspires and encourages her to believe in her potential. “That’s what helps me push through and continue doing what I can,” she admitted, commending how her family, peers, and mentors help her through the technical and emotional demands of the music industry.
From production work to workshop facilitation, Mendoza has expanded her involvement beyond performance and teaching. These experiences have allowed her to explore other dimensions of music.
Reflecting on her journey as a CCP scholar who performs and teaches music, Mendoza emphasized the art of knowing when to pause: “If you want to pursue music, it’s important to take care of yourself. The love and dedication to music and practicing go hand-in-hand with resting.”
In the future, Mendoza wishes to continue integrating music across disciplines after her capstone project, Titik at Tinig: A Workshop on Teaching Literacy through Music at the UPD. She also shared her dream of collaborating and sharing the spotlight with brilliant artists while treading her path to become a licensed professional music educator.
CCP scholar Mendoza answers her calling onstage and beyond
As she looks ahead, Mendoza remains committed to both aspects of her identity: as a performer and as an educator. What once sparked in the classroom has blossomed into a meaningful purpose that goes beyond personal achievement.
In pursuing teaching and performing, Mendoza spotlights music as a communal relationship, wherein the artist and audience exchange ideas and feelings by simply basking in harmonies. “I just love both [playing the violin and teaching],” she explained with a chuckle, finding the mere thought of giving up core parts of her identity absurd.
In many ways, Mendoza’s name perfectly encapsulates her journey as an artist and educator. Kaya, which translates to “can” in English, serves as clear validation of her ability to connect and grow through music.
It is now a quiet testament to the endless possibilities she holds in her future, too.
When it started in 2005, the CCP Pasinaya: The Open House Festival had only its resident companies on board, with an estimated 1000 audiences inside the CCP Main Building. Twenty years later, it has grown into the country’s largest multi-arts festival, fostering artistic exchange and genuine connections.
Its growth was not achieved overnight. It required sustained care, extensive connections and collaborations, and thoughtful planning and execution to become what it is today. With over 40,000 attendees last year alone, CCP Pasinaya’s success grows every year. Its commitment to engage audiences, nurture Filipino artists, and spark Philippine arts and culture appreciation in the next generation remains unwavering.
Much of this success can be attributed to performing groups and artists, like Komedya ng Don Galo (KDG) and Lipa Actors Company (LAC), who continue to volunteer and showcase their talents year after year.
A stage for performing groups’ stories
“Back in 2011, we were a young theater company still developing our voice, so joining such a distinguished festival [CCP Pasinaya] was both unexpected and deeply affirming,” recalled LAC artistic director Peregrine Santiago.
LAC began in 2008 when its pioneer members gathered for the Dulaang Viajero Filipinas Performance Lab, a project sponsored by the Lipa City Culture & the Arts Council. Luisito Nario, the group’s founder and former artistic director, formed the non-profit organization with the vision to advance theater arts in Batangas and the CALABARZON region.
Besides the financial pressure of sustaining a local theater group, LAC finds it challenging to keep its members together. “Funding is a constant uphill battle, but beyond that, balancing schedules while trying to move our productions forward is a tough act to pull off,” explained Santiago.
Two years after its birth, LAC became the first theater group from Lipa City, Batangas to perform at the CCP Pasinaya in 2010.
Meanwhile, KDG, a community-based theater organization composed of current and former students of Don Galo Elementary School in Parañaque City, found out about the festival when they mounted a production, with Malou Macatuggal at the helm, at the CCP Little Theater in 2005. They heard about the festival from CCP’s former artistic director Nanding Josef. The group joined CCP Pasinaya in 2005 and has been returning ever since.
When Jess Macatuggal became the director of KDG in 2017, he confessed that he had no idea about the CCP Pasinaya and its impact. “Doon ko mas nakita na kinikilala pala siya [CCP Pasinaya] sa buong Pilipinas.”
Acknowledging the financial strain in pursuing KDG’s goal to revitalize comedy-drama theater in the Philippines, Macatuggal lamented the lack of proper recognition from the local government to sustain theater organizations like the KDG.
Leading a group of 60 members, Macatuggal encourages young artists to join auditions: “Mas maganda kasing makita ninyo ang sarili niyo sa entablado kaysa ‘yong nanonood kayo tapos puno kayo ng pagsisisi kasi hindi kayo nag-try.”
An inspiring space for tenacity and resilience
Much like LAC and KDG, CCP Pasinaya has braved difficulties in its 20 years. When the COVID-19 pandemic hit in 2020, CCP Pasinaya had to cancel its performances and workshops. With the scarcity of face-to-face gatherings, the multi-arts festival switched to online editions.
Macatuggal was especially worried for CCP Pasinaya’s future back then. When the festival returned in 2023, he and the KDG debuted their comedy-drama iteration of Francisco Balagtas’ “Florante at Laura.” The memorable showcase comforted and reminded them that the performing arts sector is alive and well.
“Nung buhay na ulit ‘yong Pasinaya, nakita namin siya bilang sign na buhay na ulit ang entablado. Makakapagkuwento na kami ulit,” Macatuggal shared with a smile.
Santiago, on the other hand, saw the CCP Pasinaya stage as a crucial contributor to LAC’s identity: “We have built a connection with the festival audience. In 2016, we premiered our musical adaptation of Rene O. Villanueva’s ‘Santa Butsiki, Ang Unang Baboy sa Langit’ [at CCP Pasinaya], and laughter just filled the venue.”
A home built from candid connections
An annual festival happening every first weekend of February, CCP Pasinaya continues to attract performing art groups from all over the country. It inevitably creates a community that views art and self-expression as a necessity while nurturing emerging talent.
“It’s a rare moment when artists from all over the country come together, and CCP Pasinaya gives us the chance to perform at the CCP. That just adds meaning and inspiration to every performance,” said Santiago, recognizing the great honor of representing Lipa City, Batangas on a nationally recognized cultural landmark.
Macatuggal echoed the same sentiment of looking forward to meeting fellow artists, as it fuels KDG’s drive to tell stories. He reiterated, “Sobrang festive ng feeling kaya uuwi at uuwi talaga kamisa CCP para sa Pasinaya.”
A cultural landscape for nation-building
This year’s CCP Pasinaya embodies the theme “Paglikha sa Kinabukasan.” Carrying the inspiration instilled by the festival, LAC and KDG perform on its stage once again with renewed dedication to celebrate and nurture Philippine arts and culture.
Through its staging of “Komedya Palanyag,” KDG encourages young audiences to participate in shaping the future of the Philippines’ artistic landscape: “Anong ginagawa mo para makamit ‘yong kinabukasan na ‘yon? Laging nand’yan ang pag-asa pero ‘di sapat na umaasa lang tayo.”
For its CCP Pasinaya performance in 2026, LAC will mount a theatrical reimagining of one of Batangas’ most cherished legends, “Ang Pag-ibig ni Kumintang.” “The future is always unknown, but I truly believe that if we look back at our history and learn from the past, the future becomes much clearer and more meaningful,” expressed Santiago.
Watch the performances of KDG at 1 p.m., at the CCP Tanghalang Ignacio Gimenez (TIG), and LAC at 4 p.m., at the Met Theater in Manila on February 8. Following the “pay-what-you-can, watch-all-you-can, and workshop-all-you-can” strategy, festival-goers can catch free shows during CCP Pasinaya 2026, along with other performances and activities.
Pre-registration is now open at https://bit.ly/pasinaya2026. For more updates on CCP Pasinaya’s festival components, follow the CCP’s official accounts on Facebook, Instagram, and TikTok. You may also visit its website (www.culturalcenter.gov.ph) to learn more about upcoming productions, workshops, and lectures.
Immerse yourself in a vibrant artistic journey of Manila and Pasay’s rich cultural landscape through Paseo Museo hop-on, hop-off museum tour at the CCP Pasinaya 2026, The Open House Festival: Paglikha ng Kinabukasan.
On February 7 and 8, visitors who register for CCP Pasinaya can take the free shuttle provided by the Museum Foundation of the Philippines at the Paseo Museo terminal along Vicente Sotto Street and explore 19 museums and galleries across the cities. The CCP Pasinaya follows the pay-what-you-can, watch-all-you-can scheme.
Beyond their permanent collections, these venues will also host special shows by volunteer artists and performing groups, offering visitors an extraordinary opportunity to experience live creativity and performance alongside visual treasures.
Don’t miss the curated tour component of the country’s largest multi-arts festival to celebrate Filipino artistry in all its forms, from paintings and installations to music, dance, and theatre – all in one sweeping cultural adventure in these venues:
ADAMSON UNIVERSITY – serves as a hub for art and photography exhibits, featuring works from both established and emerging artists since its inauguration in 2005. It also functions as a holding area for distinguished guests of the theater, further enhancing its role as a cultural and artistic venue.
Performances on February 7 include: “The Art of Choral Singing: Breath, Blend, and Balance” by Mr. Rufiel Aniceto, Conductor, Adamson University Chorale; “From Steps to Stories: Folk Dance Fundamentals” by Ms. Cecile Obusan-Domingo, Coach, Adamson University Dance Company – Folk & Dancesports; “Beat on the Streets: Dance Workshop” by Mr. Jasper Almario, Members of UPeepz and Coach, Adamson University Dance Company; “From Lens to Story: Visual Stoytelling Workshop” by Mr. Seymour Sanchez, FDCP Representative; and “From Concept to Creation: Sculpting Basics” by Mr. Sven Wilbur Lim, Exhibit Artist, “Living Pages” Exhibit.
Performances on February 8 include: Brass Band of Adamson University, Adamson Dance Company Dance Performance, Adamson University Chorale, Adamson University Acoustic Band, and a Rap Battle.
ASIAN INSTITUTE OF MARITIME HISTORY (MUSEO MARITIMO) – established in 2012 to promote and safeguard the Philippines’ maritime heritage, the museum proudly presents a curated collection of artifacts and exhibits that weave together the intricate narrative of the nation’s maritime legacy.
Performances on February 8 include: “Mga Tula ng Pag-asa” by Sining Maritimo; The Storytelling Project; “Hiraya X L.O.V.E. Track” by Layag Collective; and Pasay Writers.
BAHAY TSINOY – the premier cultural and lifestyle museum depicting the lives of the Chinese in the Philippines from pre-colonial to contemporary periods. Bahay Tsinoy documents, interprets, and communicates to a diverse audience about the evolution of the Tsinoy or Chinese Filipino, in order to propagate and perpetuate the imprint, impact and influence of the Tsinoy ethnic minority in mainstream Philippine society.
Performances on February 8 include: “Madre Tierra” by University of Santo Tomas Legazpi – Junior High School, Special Program for the Arts; “Tatlong Ministrong Pulpol” by Artist, Inc.; Angono Tres-Siete Poetry Society; “Ang Daigdig, Sa Kaniyang Dulang Astig” by UE Drama Company; and “Nahan, Rondo, Bagong Pasadoble, Raindrops, OPM Medley” by De La Salle Zobel Rondalla.
BALUARTE DE SAN DIEGO – the first stone fort in Manila turned into an archeological park. The garden area – which was once the site of a foundry and soldier’s barracks – is today rented out for private functions. The 16th century stone ruins provide a unique backdrop, while the fountain and pergola complete the perfect setting for special events and occasions.
Performances on February 8 include: Pasig City Symphonic Band, Banda Kawayan Pilipinas, and Quezon City Symphonic Band.
CALLE WRIGHT – a distinct art venue and cultural space in Malate, Manila. It is housed in a two-storey 1950s residence that was lovingly restored, maintaining original architectural features like jalousies, grills, and the layout of a lived-in home.
Performances on February 8 include: Philippine Board on Books for Young People with Teacher Portia; “Doon sa Sulok…In the Corner” by Dulaang Batangan; Mary Melody Remorca; and Mark Ghosn with Ampalaya Monologues.
CASA MANILA – a living museum that features the lifestyle of an affluent Filipino family during the late Spanish colonial period. The interior decor of the house reflects the turn of the late 19th century where furniture and furnishings were sourced from Europe and China. Painted walls, crystal chandeliers, carved traceries, Chinese ceramics and gilded furniture show the elegance and luxury of a 19th century Manila house.
CENTRO DE TURISMO – offers an immersive experience into the rich history, vibrant present, and sustainable future of Intramuros. Exhibits and historical artifacts will take visitors on a journey through the Walled City’s pre-colonial roots, its role as a Spanish colonial center, the devastation of World War II, its ongoing revitalization, and its future development.
Performances on February 7 include: Reflections on and Reframing of the Circular Economy Through Photojournalism by Photojournalists Center of the Philippines; Coaching Child-led Machinations by Kolaborador Co; Creative Storytelling by Ang Pinoy Storytellers; “POV: Ikaw ‘yung nasa mic (Gabay sa Mabisang Pagtatanghal ng Spoken Word)” by Titik Poetry; and Eksena ng Paglalaro by EksenaPH.
Performances on February 8 include: Linangan sa Imahen, Retorika, at Anyo (LIRA), Manila Symphony Junior Orchestra, KM 64, Eastern Chamber Singers, Koro Ilustrado, and UE Drama Company with Mark Norman Boquiren.
MUSEO DE INTRAMUROS – comprises two important reconstructions: the San Ignacio Church and the Mission House of the Society of Jesus. As the name denotes, the complex now houses the vast ecclesiastical collection of the Intramuros Administration.
Performances on February 7 include: “Isang Mahabang Latag Para sa Pasinaya” by Urban Sketchers Manila; “The Art of Graphic Design: An Overview” by Edward Nonay; “Basic Cartooning and Character Design” by Samahang Kartunista ng Pilipinas; “The Art of the Monologue” by Mark Ghosn of Ampalaya Monologues; and “Mga Kuwento at Kasanayan para sa Kabataan” by StoryArts with Melody Remorca and Company.
GSIS MUSEO NG SINING – established in 1996, the GSIS Museum showcases their rich art collection of National Artists for Visual Arts such as Fernando Amorsolo’s “History of Philippine Music” mural, as well as exhibitions from new and upcoming Philippine artists.
Performances on February 7 include: “Papet Palihan Basic Puppetry Workshop” by Puppet Pilipinas’ Ernie Sarangaya; “Giri sa Subli” by Manunubli ng Sinala; “From Document to Performance: Whose Story Is It?
(An Introduction to Documentary Theatre)” by Joseph Victor Deseo; and “(I-)Record Natin: Pakikisalamuha sa Buhay at Kasaysayan ng Musika” by UP Center for Ethnomusicology with Lisa Decenteceo and Grace Buenaventura.
Performances on February 8 include: Philippine Normal University’s Kapisanang Diwa at Panitik (PNU KADIPAN). Makabayang Musikero Laban sa Tiwali (MAMULAT-PNU), Philippine High School for the Arts’ Sanghiyas Pangkat Mananayaw; “Dito sa Atin” by Olongapo City National High School Special Program in the Arts; and “Sanlahi” by Bungkos Palay Dance Company.
MANILA CLOCK TOWER MUSEUM – designed by Architect Antonio Toledo in the 1930s, the iconic clock tower is accessible through Manila City Hall and stands at 100 feet high. Transformed into a museum in 2022, the Manila Clocktower Museum features an immersive and multi-sensory experience about the history of Manila, and also features changing exhibitions in the visual arts, design and fashion.
MUSEO DE INTRAMUROS – a major cultural and heritage museum located in the historic Walled City of Intramuros, Manila. Managed by the Intramuros Administration, it serves as a centerpiece for understanding the Philippines’ religious and colonial history through art and artifacts.
MUSEO PAMBATA – Museo Pambata is a children’s interactive museum, the first of its kind in the Philippines. It aims to provide an alternative to the formal classroom environment, engaging the minds of the young, inspiring them to learn more, and revitalizing what child education should be – fun and exciting!
Performances on February 8 include: Makati City Youth Orchestra, Ligao National High School Rondalla, Kuwentistang Laybraryan, 8 Letters, and Cavite Writers Association.
MUSEUM OF CONTEMPORARY ART AND DESIGN (MCAD) – a non-collecting art institution under the De La Salle-College of Saint Benilde that considers the larger ecosystem of the Philippine art scene, the Museum of Contemporary Art and Design (MCAD) Manila presents exhibitions, learning, and publications programs; as well as other cultural and art-inspired undertakings in collaboration with local and international artists and institutions.
NATIONAL MUSEUM – ANTHROPOLOGY – stages the Philippine ethnographic and terrestrial and underwater archaeological collections narrating the story of the Philippines from the past, as presented through artifacts as evidence of its pre-history.
Performances on February 8 include: “Buhay sa Bukid” by Villamor Banhaw Dance Troupe; “Pagtampil” by Sildab Marcial Performing Group; “Babae: Mukha ng Kultura” by Indak Kustura Dance Co.; “Sayaw Marikit-Na” by Simeona F. Chanyungco Lahing Kayumanggi Mananayaw ng Marikina Inc.; and “Traditional Dances from Bulacan” by Sapang Palay Folkloric Group and Rondalla.
NATIONAL MUSEUM – FINE ARTS – home to 29 galleries and hallway exhibitions of 19th century Filipino masters, National Artists, leading modern painters, sculptors, and printmakers. Also on view are art loans from other government institutions, organizations, and individuals.
Performances on February 8 include: “Pinoy Ako!” by Teatro Assumptionista; “Pluma’t Itak” by Student Theater Artists Repertory; “Batang Rizal Muzikal” by Dulaang Filipino; “She” by Guang Ming Theatre Ensemble; and “Articulo Mortis” by Teatro Dalubaral.
NATIONAL MUSEUM – NATURAL HISTORY – houses 12 permanent galleries that exhibit the rich biological and geological diversity of the Philippines. It includes creatively curated displays of botanical, zoological, and geological specimens that represent our unique natural history.
Performances on February 8 include: “Los Sueños del Estranghero” by University of Santo Tomas (UST) Salinggawi Dance Troupe; Lyceum of the Philippines University (LPU) Concert Singers; “Kapusokan, Kalikasan, Katiwalian” by Saliwindakan Shrine of Jesus Children and Youth Choir; and “Madya! Mag-ogma! Kulturang Bikolano, i-selebrar ta!” by University of Santo Tomas (UST) Legazpi Dance Troupe.
NATIONAL COMMISSION FOR THE CULTURE AND THE ARTS (NCCA) GALLERY – the exhibition space of the NCCA in Intramuros, Manila. It is a public contemporary art venue dedicated to showcasing Philippine art and cultural expression.
PWU-SFAD JOSE CONRADO BENITEZ GALLERY – located inside the Philippine Women’s University, the School of Fine Arts and Design Studio Gallery holds numerous exhibitions that showcased works of PWU alumni, students, faculty and organizations. It is designated as a studio gallery by setting itself as a laboratory for academic study, artistic exploration and inquiry.
UNIVERSITY OF THE PHILIPPINES (UP) MANILAMUSEUM OF A HISTORY OF IDEAS – a university museum that is designed to explore and interpret intellectual history, particularly the history of ideas that shaped the university and, by extension, aspects of Philippine society.
Performances on February 7 include: “Basic Cartooning and Character Design” by Samahang Kartunista ng Pilipinas; “Nilala: Cultural Revival and Sustainable Impact of Mauban’s Buri Weaving” by Anabelle Calleja; “Zine Workshop” by Ang Ilustrador ng Kabataan; “Kumpas at Kasangkapan: An Exploration on a Philippine Dramaturgy” by Jonas Garcia; and “Explorations in Relief Printmaking using Sintra Board as a Matrix” by Association of PinoyPrintmakers.
Performances on February 8 include: LIMUYAT: Limbagan ng mga Manunulat sa Unyon ng Yugmang Adhika at Tanghalan mula sa Lucena; “Dalaga na ba ako” by Pink Team; Rizal Technological University (RTU) Himig Rizalia; “Pagtan-aw” by Sta. Teresa College Children’s Choir; and “Klasikal” by Tribu.
The CCP Pasinaya: Paseo Museo tours start at 9am, with the last trip at 4pm on February 7 and 8, 2026. The multi-arts festival is simultaneously held at CCP Complex, Circuit Performing Arts Theater, various partner museums and galleries in Metro Manila, and Roxas City. It also makes a highly anticipated return to Iloilo City headed by the Iloilo Museum of Contemporary Art (ILOMOCA) and Tagum City (Davao del Norte) with the Musikahan sa Tagum Foundation, Inc. This is in partnership with the networks of the CCP Kaisa sa Sining.
Follow the official CCP social media accounts on Facebook, Instagram, X, and TikTok for the latest updates.
This June, the Cultural Center of the Philippines (CCP) lights up not just its iconic façade—but also the hearts of many—as it joins the global celebration of Pride Month with a breathtaking display of color, light, and meaning.
Starting June 25, the CCP Main Building transforms into a luminous canvas awash in the vibrant hues of the rainbow flag—an enduring symbol of pride, unity, and love. But it’s more than just a splash of color. This year’s lighting spectacle features a striking interplay of rainbow illumination and GOBO projections, creating patterns inspired by human fingerprints—each one unique, just like every person in the LGBTQIA+ community.
The powerful concept, developed by the CCP Production Design and Technical Services Division, draws a bold parallel between individuality and identity. “No two fingerprints are the same—and neither are our stories,” the team shares, emphasizing the personal yet universal journey of self-discovery, acceptance, and visibility that many in the LGBTQIA+ community face.
More than just a dazzling light show, the installation stands as a visual manifesto of the CCP’s unwavering commitment to artistic freedom, inclusivity, and representation. Through the years, the CCP has been a strong advocate for gender equality and safe spaces, using art as a catalyst for conversation, compassion, and change.
“This fingerprint motif is a symbol of authenticity and strength,” says CCP Artistic Director Dennis N. Marasigan, who also chairs the CCP Gender and Development Committee. “It reminds us that in our diversity lies our power, and that every person deserves to be seen, heard, and respected.”
The installation is made possible through the dedicated efforts of CCP’s technical team, led by concept designer Jericho A. Pagana, and brought to life by the skilled Gobo Team: Shantie De Roca, Mary Grace Budol, Lucio Tapiru, John Mar Dumayas, and Alex Pineda.
Step into this radiant tribute to individuality and pride. The façade lighting runs from 6 PM to 10 PM, June 25 to 30—a weeklong celebration of resilience, equality, and the beautiful spectrum of humanity.
August at the Cultural Center of the Philippines (CCP) promises a vibrant celebration of arts and culture, bringing together a diverse array of performances, exhibitions, and workshops that highlight the richness of Filipino heritage. From captivating theater productions and spellbinding dance performances to thought-provoking visual arts and engaging community activities, the CCP offers something for everyone to enjoy. This month-long festivity is not just a feast for the senses but also a testament to the creativity and resilience of Filipino artists, inviting everyone to immerse themselves in the cultural heartbeat of the nation.
Cinemalaya Philippine Independent Film Festival
The 20th edition of the Cinemalaya Philippine Independent Film Festival showcases the finest in visual storytelling, featuring 10 full-length and 10 short films in competition. Beyond screenings, attendees can enjoy film exhibitions, talks, a film market, workshops, and other engaging fringe events.
DATE: August 2 to 11, 2024
VENUE: CCP @ Ayala Malls Manila Bay
OTHER VENUES: TriNoma (Cinema 1) Market! Market! (Cinema 2) U.P. Town Center (Cinema 3) Greenbelt (Cinema 3)
Alay Ng Barangay:Himig Ng Alaala, Awit Ng Pagkakaisa (The Philippine Madrigal Singers in Concert in Makati City)
Enjoy an unforgettable evening of music featuring the world-renowned Philippine Madrigal Singers conducted by Mark Anthony Carpio, with a special performance by guest viocalist Bry Cimafranca. This special concert is part of the CCP’s cultural exchange initiative to foster a deeper connection with arts and culture within our communities. Celebrate with us in this inspiring musical event.
DATE & TIME: August 2, 2024 | 7:30 PM
VENUE: CCP St. Alphonsus Mary de Liguori Parish Church, Brgy. Magallanes, Makati City
TICKETS: FREE ADMISSION!
Ballet Philippines’ “La Sylphide”
Experience the enchanting tale of a humble farmer captivated by a mystical Sylphide on his wedding day. As he confronts a jealous rival, discover a fresh perspective on love infused with Filipino romanticism and a belief in the supernatural. Join us for a journey of passion and enchantment that resonates deeply with the heart.
DATE & TIME: August 9, 2024 | 8:00 PM August 10, 2024 | 2:00 PM & 7:00 PM August 11, 2024 | 2:00 PM & 7:00 PM
Part of the CCP Choreographers’ Series, WifiBody Ph focuses on solo and duet performances, fostering intimate and concise choreographic expressions. Curated by Myra Beltran and Denisa Reyes, this competition aims to uncover and promote emerging talent in Filipino choreography. Join us in celebrating the future of Philippine dance!
DATE & TIME:
August 10, 2024 |
2:00 PM – Set A 4:30 PM – Set B 7:30 PM – Announcement of Winners
VENUE: Tanghalang Ignacio Gimenez (CCP Black Box Theater)
TICKETS: Php 500
DISCOUNTS: 20% for Senior Citizens, PWD, Diplomats, National Athletes, Government & Military Personnel 50% for Students
xperience an unforgettable night of music featuring the Philippine Philharmonic Orchestra conducted by Yoshinao Osawa. This concert blends iconic film scores with classical masterpieces and vibrant Spanish, French, Italian, and Filipino melodies. Let the music transport you across cultures and through time in a celebration of sound. Join us for this unforgettable musical journey!
DATE & TIME: August 10, 2024 | 3:00 PM
VENUE: Aliw Theater
TICKETS: FREE ADMISSION
Triple Threats – The Leading Women Of Philippine Musical Theater: “A La Carlotta” Featuring Carla Guevara LaForteza
Don’t miss “A la Carlotta,” the first of a series of solo concerts featuring the country’s female musical theater stars. Starring Carla Guevara Laforteza and directed by Paolo Valenciano, this concert promises an unforgettable evening of music and storytelling. Join Carla as she brings her iconic roles to life on stage, showcasing her decades-long career.
DATE & TIME: August 11, 2024 | 7:30 PM
VENUE: Tanghalang Ignacio Gimenez (CCP Black Box Theater)
CCP’S THE MET- Live In HD: Giacomo Puccini’s “La Rondine”
Puccini’s bittersweet love story makes a rare Met appearance, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman in his highly anticipated company debut as Ruggero. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco-inspired staging, which transports audiences from the bustling Parisian nightlife to the idyllic French Riviera. In their Met debuts, soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast.
Presented by the Cultural Center of the Philippines, in partnership with the Korean Cultural Center, and the Namwon National Gugak Center, this delightful children’s play invites families on a journey filled with traditional Korean music. Ideal for ages 3 and up, it promises an educational and immersive experience. Join us and introduce your children to the magic of Korean music!
DATE & TIME: August 18, 2024 | 3:00 PM
VENUE: Tanghalang Ignacio Gimenez (CCP Black Box Theater)
TICKETS: FREE ADMISSION!
Seats are limited. Registration opens on August 5, 2024.
Unbound Folklore (Bayanihan Philippine National Folk Dance Company)
Unbound Folklore celebrates Bayanihan’s 68-year journey with traditional dances and innovative artistry, honoring timeless traditions and stories that anchor us in a changing world. Bayanihan’s dedication to creativity and tradition ensures a thriving legacy that continues to inspire future generations. Join us in celebrating our heritage and the resilience of community, pushing boundaries and inspiring the future.
DATE & TIME: August 16, 2024 – 8:00 PM August 17, 2024 – 3:00 PM August 17, 2024 – 8:00
VENUE: CCP @ the Metropolitan Theater
TICKETS: P800 | 500 | 800 | 300
For tickets and other information, please contact 0917-8714429 or 0922-5551534.
CCP National Theatre Live: Jack Thorne’s “The Motive And The Cue”
Sam Mendes directs Jack Thorne’s award-winning behind-the-scenes look at Hamlet, featuring Mark Gatiss as John Gielgud and Johnny Flynn as Richard Burton. Experience the collision of two theatrical ages.
Andrew Scott brings multiple characters to life in Simon Stephens’ radical new version of Chekhov’s Uncle Vanya. Explore the complexities of human emotions in this one-man adaptation. Directed by Sam Yates.
Selections From The 21st Century Art Museum (21AM) Collection (Exhibition)
Explore Philippine contemporary art at the Cultural Center of the Philippines with the Selections from the 21st Century Art Museum Collection exhibition. Featuring paintings, photos, sculptures, and more spanning the 1960s to the 1980s, this showcase emphasizes printmaking, abstraction, and experimental forms. The exhibition highlights artists who defied conventions and embraced conceptual art, offering a rich exploration of Philippine art’s evolution.
DATE/ TIME/ VENUE: Ongoing until November 2024 | 9:00 AM to 6:00 PM (Tuesday to Sunday) CCP @ the National Museum National Museum of Fine Arts, 4F, Gallery XXVII and Gallery XXVIII
TICKETS: FREE ADMISSION!
Bisita Planeta by Tad Ermitaño
“Bisita Planeta” is a captivating, interactive generative audio composition that can be fully experienced online through the 21st Century Art Museum (21AM) website. This exhibit marks the second commissioned work for CCP’s 21AM and is the brainchild of sound artist Tad Ermitaño, a prominent figure in the realm of new media art in both the Philippines and Southeast Asia.
Date/Time/Venue: Online exhibition ongoing until 2024
As August draws to a close, the Cultural Center of the Philippines ensures the celebration leaves a lasting impression. The culmination of this month-long event is marked by a grand finale that showcases the finest talents and artistic expressions of the Filipino community. Whether you’re a long-time patron of the arts or a first-time visitor, the CCP’s August festivities offer an unforgettable experience that underscores the importance of culture in shaping and enriching our lives. Join us in celebrating the arts and be inspired by the incredible talent that thrives within our nation.
Triple Threats, the concert series produced by the Cultural Center of the Philippines, puts the spotlight on these multifaceted individuals in a concept concert. Each concert carries a unique narrative told through a curated selection of music and songs by the featured artist, allowing audiences to get glimpses of the different dimensions of these acclaimed figures in television, theatre, music, and film.
For this year’s edition, the Triple Threat Concert Series features the Leading Women of Philippine Musical Theater – Carla Guevara Laforteza, Shiela Valderrama Martinez, and Tanya Manalang Atadero.
CARLA GUEVARA LAFORTEZA
One of the strongest and most fearless stage performers in the Philippines, Carla Guevara Laforteza is a premier, multi-awarded leading lady and character actress. She has graced the international musical theatre scene with some of her most notable roles including Kim and Gigi in Miss Saigon at the Theatre Royal Dreary Lane in London (1995-1997), and the Club singer and Flo Manero for the Asian tour of Saturday Night Fever (2015). She is also currently touring Asia as an official vocalist for Disney in Concert (2023-2025). Among her notable roles in local theatre include Joy in Ang Huling El Bimbo, for which she received the 2019 LEAF Award for Most Outstanding Actress in a Musical, and Kapitana Mary Jane in Rak of Aegis, for which she was awarded the GEM Award for Best Featured Artist. She is currently appearing as Edith and Rose in the new Ben&Ben Musical, One More Chance. Carla celebrates her 30th year in the industry.
With a sold-out show, witness her as she premieres this year’s series with Triple Threats I: A la Carlotta on July 25, 2024.
SHIELA VALDERRAMA-MARTINEZ
With an angelic voice and an equally angelic face, Shiela Valderrama-Martinez is the muse of the musical theatre stage. With an illustrious 30-year career in the industry, she is the recipient of LEAF Awards for Best Actress in a Musical, Awit Awards for Best New Female Recording Artist, and Aliw Awards for Excellence in Dramatic Performance. Among her most notable roles include Lily Dela Rosa in Binondo, a Tsinoy musical at the Theatre Solaire, Katherine Lyons in the critically acclaimed musical Dani Girl, Kapitana Mary Jane in Rak of Aegis, and the highly coveted role of Fosca in Stephen Sondheim’s Passion. More recently, she has performed at The Dream is a Wish Disney Orchestra Concert in Genting Malaysia.
Catch her grace the center stage on October 17, 2024, with Triple Threats II.
TANYA MANALANG-ATADERO
One of the most accomplished actresses on the musical theatre stage, Tanya Manalang-Atadero’s skills and talent have brought her the world over from New Manila, Quezon City, to the West End of London. Within her studded repertoire include roles such as Kim in the West End revival of Miss Saigon, Liesl Von Trapp in the classic musical The Sound of Music, Carla in the Atlantis Production of In The Heights, Stacy King in All Out of Love, and Aileen in PETA Theater’s fifth season of Rak of Aegis, the latter two roles for which she had won Aliw Awards and GEMS Awards Best Actress in Musical, respectively. She is also currently part of the touring singing group The Jet Theaters, performing for events across Asia.
Don’t miss your chance to watch her close the curtains of this year’s series on December 12, 2024, with Triple Threats III.
Ticket prices are Php. 1,000 for standard tickets and Php. 1,500 for VIP tickets.
For updates on future productions and other programs of the CCP, you may follow the official CCP social media accounts on Facebook, X, Instagram, TikTok, and YouTube.
A bigger, brighter, and bolder second season of the Cultural Center of the Philippines’ National Theatre Live (CCP NTL) is set to delight its devoted Filipino audiences with a new lineup of world-class stage plays filmed live from Britain’s most exciting stages.
After a successful first season boasting waves of support from theater enthusiasts, playwrights, artists, and the broader public, the CCP National Theatre Live forges on to provide yet another exceptional ‘live’ performance experience with the best of what British theatre has to offer in more cinemas near you.
Through the partnership of the CCP with National Theatre Live and Ayala Malls, the second season of CCP NTL will premiere at Ayala Malls Cinemas in Greenbelt, Makati, Vertis North in Quezon City, and at the Ayala Center in Cebu from June 25, 2024 to May 27, 2025.
Award-winning plays Vanya, Dear England, The Motive and Cue, and Nye will grace the big screens in the Philippines.
Crowd favorites Fleabag, King Lear, Frankenstein, and Hamlet from the past season will make their comeback.
Hopes, dreams, and regrets are thrust into sharp focus in Vanya, a one-man adaptation premiering on June 25 at the Ayala Malls Cinemas in Greenbelt, Makati. Exploring the complexities of human emotion, Andrew Scott brings multiple characters to life in Chekhov’s Uncle masterpiece, filmed live in West End, London.
Returning on June 25 at Ayala Vertis North and Ayala Center Cebu is Fleabag, a rip-roaring look at some sort of woman living her sort of life. Written and performed by Phoebe Waller-Bridge and directed by Vicky Jones, Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. The hilarious, award-winning play that inspired the BBC’s hit TV series with the same title was filmed live on stage in London’s West End in 2019.
On July 30, James Graham’s Dear England arrives at the Ayala Malls Cinemas in Greenbelt, Makati. With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt, to take the team and country back to the promised land.
The contemporary retelling of Shakespeare’s tender, violent, moving and shocking play King Lear will be re-screened on July 30 at Ayala Vertis North and Ayala Center Cebu. Considered by many to be the greatest tragedy ever written, King Lear sees two aging fathers – one a King and another, his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends. The play is directed by Jonathan Munby and stars Sir Ian McKellen.
In Jack Thorne’s The Motive and Cue, audiences are offered a glimpse into the politics of a rehearsal room and the relationship between art and celebrity. Coming to Ayala Malls Cinemas in Greenbelt, Makati on August 27, Richard Burton, newly married to Elizabeth Taylor, will play the title role in an experimental new Broadway production of Hamlet under John Gielgud’s exacting direction. But as rehearsals progress, two ages of theater collide and the collaboration between actor and director soon threatens to unravel.
Theater lovers and moviegoers at Ayala Vertis North and Ayala Center Cebu will have the chance to see Vanya on August 27.
Directed by Academy Award-winner Danny Boyle, with adaptation by Nick Dear, Frankenstein will return to the Ayala Malls Cinemas in Greenbelt, Makati on September 24. The thrilling, deeply disturbing Mary Shelley classic combines scientific responsibility, parental neglect, cognitive development and the nature of good and evil. Child-like in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the increasingly desperate and vengeful Creature determines to track down his creator and strike a terrifying deal.
Captured live on stage in 2011, the sold-out production stars Benedict Cumberbatch and Jonny Lee Miller, alternating between the roles of Victor Frankenstein and his creation. For September 24, Miller will be playing as the Creature.
The Motive and Cue will be shown at Ayala Vertis North and Ayala Center Cebu on September 24.
Come October 30, Fleabag will return to the Ayala Malls Cinemas in Greenbelt, Makati for the third time. Frankenstein, this time with Benedict Cumberbatch as the Creature, will premiere at Ayala Vertis North and Ayala Center Cebu on same day.
Witness Nye’s mind-bending life journey on November 26 at the Ayala Malls Cinemas in Greenbelt, Makati.
In Tim Price’s opus, Aneurin “Nye” Bevan confronted death in the eye, as he recollects his deepest memories from his childhood to mining underground, and his fights with Churchill.
Benedict Cumberbatch plays the title role of yet another great Shakespearean tragedy, Hamlet, premiering on November 26, at Ayala Vertis North and Ayala Center Cebu. As the country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralyzed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state. The play is directed by Lyndsey Turner.
Closing the 2024 CCP NTL’s lineup, Hamlet will return to the Ayala Malls Cinemas in Greenbelt, Makati on December 17. Dear England will premiere on the same day at Ayala Vertis North and Ayala Center Cebu.
Witness the magic of London National Theatre through CCP National Theatre Live. First launched in June 2009, the National Theater Live is a groundbreaking project to broadcast the best of British theatre live from the London stage to cinemas across the United Kingdom, around the world, and now in the Philippine shore.
Digitally filmed in high-definition quality, the NTL films their plays in front of live theater audiences, but optimized for the big screen and made accessible to theater fans across the globe.
All screenings will be at 6:00pm, exclusively at Ayala Malls cinemas in Greenbelt, Makati, Vertis North in Quezon City, and at the Ayala Center in Cebu. Regular ticket price is at ₱300.00 in Makati and Cebu, and ₱350 in Vertis North, while special ticket price for students is at ₱150.00.
This new season also brings exciting bundles and subscriptions for dedicated NTL fans. Audiences in groups can avail the Barkada Pass for ₱1200 which includes five tickets at the price of four, while students can avail the Barkada Pass Student bundle at ₱600. Subscriptions for the full season cost ₱2500 and ₱1500 for the half season, allowing audiences 30% and 20% discounts respectively.
To get the latest updates on CCP National Theatre Live, follow the official CCP social media accounts on Facebook, Twitter, Instagram, TikTok, and YouTube.
As the premier arts and culture institution in the country, the Cultural Center of the Philippines advocates for an inclusive arts education and participation by providing intensified approaches in upskilling Filipino artists to make them sustainable and competitive in today’s contemporary setting.
This rationale sets in motion a series of workshops, dubbed the Upskilling in Performing Arts Program, aimed at equipping artists with additional skills in art and wellness, festival management, and performance curatorship for modern museums. First launched in 2022, the program was made possible through the congressional initiative of Pangasinan Fourth District Rep. Christopher de Venecia.
It has three major phases – the first phase focused on harnessing the power of the arts, particularly performing arts, in providing psycho-social interventions to individuals affected by natural disasters and other crises. The second phase looked into the artistic and logistic side of festival management. The last phase merged performing arts and visual arts curation.
From November 2023 to March 2024, selected cultural workers participated in the third phase and attended an intensive workshop facilitated by the CCP Visual Arts and Museum Division, with ideas and practice on curatorship, cultural appreciation tours, and artistic explorations.
Selected practitioners from art and cultural institutions, organizations, spaces, and communities from different parts of the Philippines learned various aspects of community-based and ethical curatorship in performance and visual arts, exposing them to different contexts, disciplines, and strategies pertinent to their duties on cultural education and awareness.
As a culminating activity, the project team curated an exhibition featuring documentations of ideas and conversations, exposure trips, presentations, and project plans developed during the workshop. The exhibit opens on May 3, 2024 and runs until June 3, 2024 at the Bulwagang Roberto Chabet (TIG Gallery), located at 3/F Tanghalang Ignacio Gimenez (CCP Black Box Theater).
Aside from the exhibition, the CCP launches the Upskilling Handbook: Workshop Proceedings and Guide to Developing Modes of Care in Curatorship, a product of the intensive workshop intended as a guide for future use. The handbook contains transcripts of the lectures and documentation of the upskilling activities, including discussion prompts, worksheets, and workshop instructions.
Documentation and key elements of the workshop experience have been curated as publication content, enabling readers to further their grasp of different processes involved in cultural work. The handbook is particularly aimed at cultural workers, who are invited to use the materials to inform their professional practice, towards more meaningful and empathetic cultural work.
Authors and contributors include Cecilia De La Paz, Roselle Pineda, and Mark Louie Lugue of the University of the Philippines-Diliman, performance artist and museum worker Nicolas “Nic” Aca, Alain Zedrick Camiling and Lara Acuin of the De la Salle-College of Saint Benilde, Greys Compuesto and Jay Nathan Jore of University of the Philippines-Cebu, Jason Dy, SJ and Pauline Bianca Ma-alat of the Ateneo de Manila University, Katherine Nuñez and Shara Francisco of 98B COLLABoratory, Siddharta Perez of the National University of Singapore Museum, and Adonis Reuel Enciso and Mercedes Marie Tolentino of the CCP Visual Arts and Museum Division.
To get the latest updates onthe Upskilling on Performance & Visual Arts Curation Exhibition, follow the official CCP and CCP Visual Arts and Museum Division (CCP VAMD) social media accounts on Facebook, X, Instagram, TikTok, and YouTube
