Category: Movies

Why “NOBODY” Is a Fun, Feel-Good Animated Film That Captures Hearts, Opens February 4

Nobody expects greatness from a pig, a toad, a weasel, and a gorilla—and that’s precisely where the magic of NOBODY begins. This delightful 2D animated film arrives in Philippine cinemas on February 4, offering audiences a feel-good cinematic experience filled with humor, heart, and stunning hand-drawn artistry.

Set in a whimsical, mystical world, NOBODY follows the adventure of four nameless little demons living quiet, unremarkable lives on Mount Langlang. When they step beyond what’s familiar, they’re swept into a fast-paced journey packed with danger, discovery, and surprising moments of self-realization. What unfolds is a story that proves heroism isn’t about status or strength—it’s about courage, connection, and heart.

Watch the Trailer here:

Lovable Misfits You’ll Instantly Root For

At the core of NOBODY are its four unforgettable leads. The pig, the toad, the weasel, and the gorilla may be underestimated by the world around them, but their individuality is what makes them shine. Each character brings distinct quirks, flaws, and comedic timing that fuel the film’s humor and emotional pull.

They aren’t mighty warriors or legendary figures. Instead, they rely on wit, grit, and determination to keep moving forward. Their mishaps are funny, their small wins feel earned, and their bond grows stronger with every obstacle. Through their shared journey, the film gently reminds viewers that being a “nobody” doesn’t mean being powerless—sometimes, being overlooked is exactly what allows true courage to emerge.

Hand-Drawn Animation With Timeless Appeal

Visually, NOBODY stands out with its lush 2D hand-drawn animation, enriched by watercolor-like textures and fluid motion. Early viewers and critics have praised the film’s artistic approach, which blends traditional animation techniques with the elegance of classic Chinese landscape painting.

The result is a world that feels alive and expressive, perfectly complementing the film’s playful yet mystical tone. By honoring its cultural influences while adding a modern, humorous twist, NOBODY creates an aesthetic that feels both nostalgic and refreshingly original—one that enhances every emotional beat of the story.

Where Humor Meets Heart

Beyond its laughs and visual charm, NOBODY carries a sincere emotional core. The four companions may be flawed and frequently underestimated, but their shared mischief gradually transforms into trust, purpose, and genuine friendship. What begins as a chaotic quest for recognition evolves into a meaningful exploration of bravery, shaped by failure, laughter, and loyalty.

The film’s heart is found in moments where humor gives way to tenderness, allowing its characters to grow without losing their playful spirit. Its soul lies in a simple yet powerful belief: kindness and courage can make anyone extraordinary. In this world, even those labeled as “nobodies” have stories worth celebrating.

Warm, funny, and unexpectedly touching, NOBODY invites audiences of all ages to laugh out loud and leave the cinema feeling uplifted. It’s a reminder that sometimes, the smallest heroes make the biggest impact.

Get to know more about the four nameless little demons of NOBODY and stay updated by following Encore Films Philippines on Facebook and Instagram @encorefilmsph.

February 3, 2026
It’s Game Time! Tickets Now on Sale for Sony Pictures Animation’s “GOAT”

The whistle has blown, and it’s officially roarball season! Sony Pictures Animation is bringing a fresh wave of animated fun to theaters with GOAT, an original action-comedy set in a vibrant, all-animal universe where sports dreams run wild and anything feels possible. The best news yet? Tickets are now available, and Filipino fans are invited to be part of the action.

Front and center is Caleb McLaughlin (Stranger Things), who voices Will—a small goat with a huge heart and even bigger ambitions. Will dreams of playing roarball at the professional level, and in a special video message, McLaughlin personally invites Pinoy audiences to head to cinemas and cheer for this unlikely hero.

An All-Star Cast Brings the Game to Life

Joining McLaughlin is an impressive lineup of voice talent led by Gabrielle Union (Bring It On, 10 Things I Hate About You) as Jett Fillmore, a roarball icon and the athlete Will looks up to the most. The film also features voices from Nicola Coughlan (Bridgerton), Nick Kroll (Sing, Sausage Party), David Harbour (Stranger Things, Thunderbolts), and basketball superstar Stephen Curry, who also serves as one of the film’s producers.

With such a dynamic cast, GOAT delivers an energetic mix of comedy, sports spectacle, and heartfelt moments that feel both entertaining and genuinely uplifting.

Watch Caleb McLaughlin’s special invite to Filipino fans here:

A High-Energy Underdog Story with Heart

From Sony Pictures Animation—the studio behind Spider-Man™: Across the Spider-Verse—and the artists who made KPop Demon Hunters, GOAT tells the story of Will as he earns a once-in-a-lifetime opportunity to join the pros and compete in roarball. The sport is fast, physical, co-ed, and dominated by the biggest and fiercest animals around.

Naturally, Will’s new teammates aren’t convinced that a small goat belongs on their roster. Skepticism runs high, confidence is tested, and the pressure mounts. Still, fueled by passion and belief, Will sets out to challenge expectations, shake up the game, and prove that talent and heart matter just as much as size. Along the way, the film delivers laughs, thrills, and a powerful reminder that determination can change everything.

Showtime Details

Tickets are available now at local cinemas nationwide and through official cinema websites.

GOAT opens in Philippine cinemas on February 11 and locally distributed by Columbia Pictures PH.

Film Credits

Directed by: Tyree Dillihay
Co-Directed by: Adam Rosette
Produced by: Michelle Raimo Kouyate, Stephen Curry, Erick Peyton, Adam Rosenberg, Rodney Rothman
Executive Producers: Rick Mischel, Fonda Snyder

Voice Cast: Caleb McLaughlin, Gabrielle Union, Stephen Curry, Nicola Coughlan, Nick Kroll, David Harbour, Jenifer Lewis, Aaron Pierre, Patton Oswalt, Andrew Santino, Bobby Lee, Eduardo Franco, Sherry Cola, Jelly Roll, Jennifer Hudson

_{Photo & Video Credit: “Columbia Pictures”}

February 3, 2026
MOVIE REVIEW: It Was Just an Accident

Nominated for four Golden Globes and two Academy Awards, Jafar Panahi’s It Was Just an Accident is a politically charged thriller that is entertaining and insightful in so many ways. Part of the Film Development Council of the Philippines’ A Curation of World Cinema and screening in selected theaters around the city, I came into this movie not knowing a single thing about it. The film surprised me at every turn, delivering both a well-crafted thriller and powerful human moments that are equally dramatic and comic. It was a roller-coaster of emotions and it gave me a glimpse into the day-to-day world of Iran, a country I know very little about beyond what Western news has told me.

The film follows the story of Vahid (Vahid Mobasseri), an auto mechanic whose garage is visited late one night by a man with a prosthetic leg (Ebrahim Azizi) and his family, who have come to repair their car after hitting and killing a dog. Vahid is certain that the man is Eghbal, an Iranian soldier who tortured him in an Iranian prison, convinced by the sound that his prosthetic leg makes as he walks.

It Was Just an Accident Une Simpe Accident | (c) Les Films Pelleas

The next day, Vahid follows the man he thinks is Eghbal and kidnaps him to bury him in the desert. But unsure, he ends up gathering other survivors of the Iranian prisons who were also tortured by Eghbal. These include Shiva (Mariam Afshari), a photographer who is taking pre-wedding photos of Goli (Hadis Pakbaten) and Ali (Majid Panahi). Shiva also suspects Eghbal is their tormentor from his smell, though isn’t sure because they were blindfolded during interrogations and torture, while Goli, also a survivor of Eghbal’s torture, cannot be certain he is who they think he is. So, they then enlist the help of another inmate, Hamid (Mohammad Ali Elyasmehr).

It Was Just an Accident Une Simpe Accident | (c) Les Films Pelleas

In one van, six people – one drugged and unconscious – head to the Iranian desert to contemplate revenge, and what we see is a biting commentary on the horrors of authoritarianism.

It Was Just an Accident Une Simpe Accident | (c) Les Films Pelleas

The genius of Panahi’s film is how he manages the tone of the entire film. The four former prison mates are deadset in killing this man, but they are not sure if he is who they suspect him to be. There’s a moral line that is constantly being blurred. They feel justified in their extreme measures – drugging and kidnapping, and perhaps even murder if he is Eghbal – but until they are certain, they still operate within the bounds of societal morality. Each character is distinct and explosive, and every actor delivers an incredible performance, amplifying the reality of the situation that truly speaks about the social and political realities of the country. It’s devastating once you begin to really imagine what these characters have endured and what this means about the nation as a whole.

It Was Just an Accident Une Simpe Accident | (c) Les Films Pelleas

But what struck me the most is how Panahi leans into the absurd at times, creating humorous situations. Even the image of Goli and Ali, dressed in their wedding attire, jumping into a van with a man drugged, unconscious man in the back while contemplating murder is surreal and brings out so much laughter. Yet the humor also comes at a biting cost because we know and really feel how desperate Vahid, Shiva, Goli, and Hamid want some level of retribution.

It Was Just an Accident Une Simpe Accident | (c) Les Films Pelleas

What the film depicts is a broken society, shattered by an authoritarian regime, where people cannot move forward because the scars of the past hang fresh on their skins. It may not be evident but it’s there. And as the film’s drama unfolds, it becomes painfully obvious for us to see. This is an incredible film, and I think it’s the first Iranian film I’ve experienced. I’ve been told by my cinephile friends that this is the kind of work Panahi is known for, and I’m excited to see where else I can find his filmography.

My Rating: 5 Stars

Experience the gripping tension, dark humor, and moral complexity of Jafar Panahi’s It Was Just an Accident, now showing in select cinemas. Don’t miss this unforgettable Iranian thriller on the big screen.

February 3, 2026
MOVIE REVIEW: Sentimental Value

As part of the Film Development Council of the Philippines’ A Curation of World Cinema, Joachim Trier’s marvelous film Sentimental Value makes its way to selected cinemas around the metro. This stunning film won the Grand Prix at the 2025 Cannes Film Festival and has earned nine nominations at the upcoming Academy Awards – including Best Picture, Best Director, Best Actress (Renate Reinsve), Best Actor (Stellan Skarsgard), and Best Supporting Actress nods for Elle Fanning and Inga Ibsdotter Lilleaas; all of which are deservingly so.

A beautiful story of a family broken apart by generational trauma and a resistance to facing their own dysfunction, Sentimental Value never plays for the drama. Instead, it shows great restraint, completely capturing the textures and layers of this kind of family strife.

Sentimental Value | Renate Reinsve, Stellan Skarsgård | Photo: Kasper Tuxen Andersen

Interestingly enough, the film centers on a house, the family home of Gustav Berg (Skarsgard). Gustav is a film director, an alcoholic and absentee father to Nora (Reinsve) and Agnes (Lilleaas). Nora is an actress of some renown, but her personal life is a mess. She cannot seem to find love and is currently having an affair with a married man, who happens to be a co-worker.

Sentimental Value | Renate Reinsve and Inga Ibsdotter Lilleaas | Photo: Kasper Tuxen Andersen

Agnes is married and has a son, Erik (Oyvind Hesjedal Loven), but she too carries the weight of her father’s absence, and from having been cast in one of her father’s landmark films as a child. When the sisters’ mother dies, Gustav’s ex-wife, Gustav returns to their lives to reclaim the house they grew up in because that house belongs to him.

Sentimental Value | Øyvind Hesjedal Loven | Photo: Kasper Tuxen Andersen

While Agnes is more tolerant and accommodating towards her father, Nora is constantly butting heads with her father. He wants to direct a film set in their home, a story inspired by his mother who was tortured during the Nazi occupation and later took her own life in that very house; the suicide being the film’s climactic scene. He wants Nora to play the character of her grandmother but Nora refuses.

Sentimental Value | Stellan Skarsgård and Elle Fanning | Photo: Kasper Tuxen Andersen

To get the project going, Gustav chooses to go with the Hollywood star Rachel Kemp (Fanning), a decision that further strains his relationship with Nora. As Gustav and Rachel rehearse scenes inside the house, Nora spirals with her mental health and the looming prospect of losing the home to her father.

What is incredible about Trier and co-writer Eskil Vogt’s screenplay is how each of the four characters – Gustav, Nora, Agnes, and Rachel – are all primary characters with their own character arcs and emotional journeys. They intersect yet each feels like the lead of their own film, and it just so happens that everyone is part of the same film. There’s so much weight in these character’s struggles, along with the insights and their discoveries about themselves as they navigate the emotional turmoil of their interconnected relationships, makes Sentimental Value utterly arresting; I couldn’t take my eyes off it.

Sentimental Value | Stellan Skarsgård and Jesper Christensen | Photo: Kasper Tuxen Andersen

Trier and cinematographer Kasper Tuxen have a beautiful habit of capturing these characters at their most unguarded moments. The way by which they shoot the house allows the setting to be an important character in the film. That house becomes the metaphor for their dynamics and for what they mean to each other.

Sentimental Value | Stellan Skarsgård and Elle Fanning | Photo: Kasper Tuxen Andersen

But what really drives this film are the performances. Everyone is so good here – Skarsgard and Fanning are tremendous in their roles, playing off of each other and allowing each of their characters to be revealed in how they interact with each other – but I really took notice of Reinsve and Lilleaas in this film. Nora is a powder keg, always ready to burst. Her opening scene, a panic attack just before she goes on stage to perform. It’s a high-wire act of a performance and she nails it in her very first scene. She maintains this energy and unpredictability throughout the film, that she’s currently my favourite to win the Best Actress trophy.

Sentimental Value | Renate Reinsve | Photo: Kasper Tuxen Andersen

Contrasting her is the more mellow, more rational Agnes. Lilleaas has the toughest role because it’s the most subdued amongst the four primary characters, yet it is her warmth that serves as the foundation that allows the characters to feel their most human side. She is such a discovery for me.

Sentimental Value | Inga Ibsdotter Lilleaas | Photo: Kasper Tuxen Andersen

I love these well-made, personal, and intimate slow films that explore human nature. Sentimental Value is a lyrical work, yet it remains grounded and rooted in very real family struggles. Sure, Gustav is a director and Nora is a great actress, they are not the most relatable people but the way they navigate through their issues with each other is so prevalent in any real powerful father-daughter dynamic. This film is so insightful, so tender, so heartbreaking. I am so glad that we get to see it on the big screen.

My Rating: 5 Stars

Don’t miss Sentimental Value on the big screen, experience this tender, heartbreaking, and unforgettable family story for yourself. Check showtimes at selected cinemas and let Joachim Trier’s masterpiece move you.

February 3, 2026
Squid Game Star Heo Sung-tae Leads in Korean Action-Comedy “The Informant,” Exclusively at Ayala Malls Cinemas February 4
Lights, Laughs, and Mayhem: The Informant Blasts Into Theaters February 4!

Ayala Malls Cinemas kicks off February with full-throttle excitement as The Informant, a high-stakes Korean action-comedy, takes over the big screen starting February 4—exclusively at Ayala Malls Cinemas under the A-Reel Asia banner.

At the helm of this adrenaline-pumped thrill ride is none other than Squid Game’s breakout villain Heo Sung-tae, this time showcasing his comedic chops in a wildly different and unforgettable lead role.

From Villain to Anti-Hero: Heo Sung-tae’s Action-Packed Return

Global audiences first met Heo Sung-tae as the chilling antagonist in Squid Game. But in The Informant, he flips the script, stepping into the shoes of Detective Oh Nam-hyuk, a former rising star in the police force whose life spirals after a mission goes catastrophically wrong.

Now desperate for redemption, Nam-hyuk devises a risky plan: plant an informant inside a notorious smuggling syndicate. But when things go haywire, he and his unlikely partner get swept into a chaotic conspiracy packed with explosive action, absurd twists, high-speed chases, and laugh-out-loud comedy.

An Award-Winning Crowd-Pleaser

Already creating buzz on the international stage, The Informant made its global debut as the Opening Film of the prestigious New York Asian Film Festival (NYAFF). It also clinched the Best Foreign Language Film award at the Asia International Film Festival, proving it’s more than just a popcorn flick—it’s a critically acclaimed joyride that balances action with heart and humor.

Exclusively Through A-Reel Asia: Showcasing the Best of the Region

Presented through A-Reel Asia, Ayala Malls Cinemas’ signature showcase of premium Asian cinema, The Informant continues the platform’s mission to spotlight outstanding stories from across Asia. From South Korea and Japan to Indonesia, China, and India, A-Reel Asia brings Filipino audiences cinematic gems that deserve the spotlight—now made accessible through local screens.

Premium Viewing, Premium Experience

Audiences watching The Informant will enjoy Ayala Malls Cinemas’ refreshed state-of-the-art theaters, designed to amplify every thrilling moment. With immersive surround sound, crystal-clear premium projection, and ultra-comfy seating, every punch, pursuit, and perfectly timed joke lands with cinematic impact.

Where to Watch

Catch The Informant exclusively at these Ayala Malls Cinemas locations starting February 4:
- Glorietta 4
- Market! Market!
- Ayala Malls Feliz
- Fairview Terraces
- TriNoma
- Cloverleaf
- Marquee Mall
- Harbor Point
- Ayala Malls Manila Bay
- Ayala Malls Nuvali
- Ayala Malls Vermosa
Book your seats now at www.sureseats.com and follow @AyalaMallsCinemas on Facebook and Instagram for updates and future A-Reel Asia releases.

Get ready to laugh, cheer, and catch your breath—The Informant is the buddy-cop rollercoaster you didn’t know you needed!
February 2, 2026
Stephen Curry Brings Heart, Hustle, and Hoops Energy to Animated Film “GOAT”

Smalls Can Ball—and This Time, It’s Animated

Smalls can ball, and GOAT is ready to make that message loud and clear. The latest animated feature from Sony Pictures Animation, the studio behind the visually stunning Spider-Verse films and KPop Demon Hunters, delivers a fresh, feel-good sports story filled with humor, heart, and hustle.

At the center of the action is Will, a small goat with enormous dreams, voiced by Caleb McLaughlin. When he gets the once-in-a-lifetime chance to play professional roarball—a high-octane sport ruled by the biggest and fiercest animals—Will must prove that size doesn’t define skill, courage, or destiny.

Watch the Trailer here:

Stephen Curry’s Personal Connection to the Story

Four-time NBA champion Stephen Curry, who serves as a producer on GOAT, saw his own journey reflected in Will’s struggle.

“My journey resembles Will’s—being overlooked, underrated—but finding your self-confidence through it all. It’s about the power of the team.”

Beyond personal experience, Curry was drawn to the film’s message about teamwork and community.

“No matter what walk of life, you can’t do anything great without the people around you. It’s cool to bring that into ‘GOAT,’ knowing how relatable it is—not just to my story, but to everybody.”

Bringing Sports Culture to the Big Screen

Curry also wanted GOAT to feel authentic to sports culture, translating life on the court into animation. From stylish accessories and expressive fashion to a carefully curated soundtrack, the film captures the rhythm and personality of athletic life.

“We included the accessories, the clothes, a dope soundtrack–the cultural references that everybody can laugh at and appreciate,” he says. “This is a timeless story–if you watch it 20 years from now, you’ll go back to a moment in time. We’re super excited to have those relatable references throughout the entire movie.”

Why Underdog Stories Never Miss

For Caleb McLaughlin, Will’s journey resonates on a deeply human level.

“I think underdog stories hit people because we’ve all felt like underdogs at some point,” he says. “We all start from a low place and have to push through our own version of concrete. And when you finally reach a goal, you remember the moments you struggled, or wanted to give up, but didn’t.”

McLaughlin believes the film speaks to viewers when they need it most—right when doubt creeps in.

“People doubt you along the way, and I think audiences relate to that. These stories usually find people right at the moment they feel like quitting, and watching an underdog win reminds them to keep going.”

Inside the Wild World of Roarball

Roarball is no ordinary sport. Set across diverse environments—from tropical jungles to frozen tundras—the game allows animals to use every physical advantage they have.

“They can make use of all of their animal attributes,” says producer Michelle Raimo Kouyate. “They run on two paws, four paws, use their tails, horns, snouts, wings, tongues—anything goes.”

But with danger comes discrimination.

“In our world, there’s no difference between bigs and smalls as far as the culture is concerned,” says co-producer David Schulenburg. “But roarball is so dangerous—the pace, the terrains—the idea that a small goat would play the game is just unheard of.”

A Story About Dreams, Not Just Sports

For co-director Adam Rosette, GOAT goes beyond competition.

“It represents what it’s like to have a dream, not only what it’s like to play sports,” he says. “It’s about Will’s dream, which just happens to be becoming a pro roarball player. If you’ve ever had a dream—something that you aspire to be—this movie is for you. There’s heart, there’s hustle and humor.”

With humor, emotion, and relentless optimism, GOAT celebrates believing in yourself—even when no one else does.

Game Time This February

Get ready to cheer for the ultimate underdog. GOAT kicks off in Philippine cinemas on February 11, bringing a joyful, inspiring animated experience that proves heart matters more than size—and dreams are always worth chasing.

_{Photo & Video Credit: “Columbia Pictures”}

January 30, 2026
Love, Madness, and Obsession: “Wuthering Heights” Reveals Striking New Character Posters
A Love That Refuses to Behave

Just a taste is all it takes. Warner Bros. Pictures has unveiled the haunting new character posters for “Wuthering Heights,” Emerald Fennell’s daring reimagining of Emily Brontë’s timeless novel. With Margot Robbie and Jacob Elordi at the center, the film promises a feverish romance that lingers long after the screen fades to black.

Each poster teases a soul laid bare. Each gaze hints at desire sharpened by pain. And somehow, it all feels deliciously inevitable.

Set to open in cinemas on February 11, 2026, just in time for Valentine’s Day, Wuthering Heights invites audiences into a world where love is never gentle and passion is never simple.

Margot Robbie and Jacob Elordi: A Dangerous Union

Academy Award and BAFTA nominee Margot Robbie stars as Cathy, opposite BAFTA nominee Jacob Elordi as Heathcliff. Their connection is immediate, consuming, and uncomfortably intense. What begins as romance soon twists into something far more intoxicating—an all-consuming bond fueled by longing, jealousy, and raw emotion.

Emerald Fennell, celebrated for Promising Young Woman and Saltburn, brings her unmistakable voice to the story. Bold, provocative, and unapologetically sensual, this adaptation leans into the madness of love, rather than shying away from it.

A Vision Led by Emerald Fennell

Written and directed by Fennell herself, Wuthering Heights is produced by Josey McNamara and Margot Robbie under LuckyChap Entertainment, alongside Lie Still. Executive producers include Tom Ackerley and Sara Desmond.

Behind the scenes, Fennell reunites with trusted collaborators, shaping a lush and unsettling cinematic experience:
- Linus Sandgren (Director of Photography)
- Suzie Davies (Production Designer)
- Victoria Boydell (Editor)
- Kharmel Cochrane (Casting Director)
- Anthony Willis (Composer)
- Jacqueline Durran (Costume Designer)
- Original songs by Charli xcx
Together, they craft a world steeped in longing, where every shadow and silhouette pulses with emotion.

A Stellar Supporting Cast

Joining Robbie and Elordi is an exceptional ensemble, including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell. Each performance adds another thread to this tangled, tragic love story, enriching the emotional storm at its core.

A Valentine’s Date with Darkness

Presented by Warner Bros. Pictures and MRC, Wuthering Heights will be released in U.S. theaters on February 13, 2026, with international screenings beginning February 11, 2026.

This Valentine’s Day, romance isn’t sweet—it’s savage, passionate, and utterly unforgettable.

_{Photo: Courtesy of Warner Bros. Pictures}
January 29, 2026
NEW MOVIES THIS WEEK: Mercy, Send Help, We Bury the Dead, and More!

The final Wednesday of January is stacked with fresh reasons to head back to the cinema. Opening today are six new releases led by Mercy, Send Help, We Bury the Dead, Crayon Shin-chan the Movie Super Hot The Spicy Kasukabe Dancers, Death Whisperer 3, and The Thing with Feathers. Adding even more flavor to the week, FDCP World Cinema also kicks off today, bringing acclaimed international films to Philippine screens through February 3. From futuristic courtroom tension and survival horror to animated chaos, emotional drama, and powerful global storytelling, this week’s lineup is packed with variety. Which one are you watching first?

Let’s check out what’s new on the big screen this week.

Mercy

2026 • R-13 • 1h 39m
ACTION, SCIENCE FICTION, THRILLER
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Filmed for IMAX, experience it in 3D

Justice gets a technological twist in this high-concept thriller. Set in the near future, a detective stands trial for the murder of his wife. His judge is not human, but an advanced A.I. system he once believed in. With only 90 minutes to prove his innocence, every second becomes a race against logic, emotion, and fate.

Chris Pratt and Rebecca Ferguson bring urgency and intensity to a story that questions trust, technology, and how justice should truly work.

Why watch it now? Because ticking-clock tension feels sharper on the big screen.

Send Help

2026 • R-13 • 1h 53m
DARK COMEDY, HORROR, THRILLER
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After surviving a plane crash, two colleagues find themselves stranded on a deserted island. With no rescue in sight, unresolved grudges resurface as they struggle to work together and stay alive.

Send Help mixes biting humor with escalating tension, creating a survival story that’s as much about psychological warfare as it is about physical endurance.

Why catch it this week? Perfect for viewers who enjoy twisted humor paired with sharp suspense.

We Bury the Dead

2026 • R-13 • 1h 35m
DRAMA, HORROR, SCIENCE FICTION, THRILLER
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In a world shaken by a catastrophic military disaster, the dead do not simply rise, they hunt. The military insists the undead are slow and harmless, offering comfort to grieving families. When Ava enters a quarantine zone to search for her missing husband, she discovers a terrifying truth that grows worse by the hour.

Anchored by Daisy Ridley, this film blends emotional weight with relentless tension, turning loss into a haunting journey of survival.

Why see it in cinemas? Because stories about love and fear hit harder when shared in the dark.

Crayon Shin-chan the Movie: Super Hot! The Spicy Kasukabe Dancers

2026 • PG • 1h 45m
HORROR,
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SHOWING EXCLUSIVELY AT ROBINSONS MOVIEWORLD

Shin-chan is back with bigger laughs and a global adventure. The Kasukabe gang travels to India for a dance festival, but chaos erupts when Bo-chan becomes possessed by a mysterious evil force and transforms into a powerful tyrant. With music, mischief, and nonstop antics, it is up to the Kasukabe Guard to save their friend and stop the madness.

Bright, silly, and bursting with energy, this one is perfect for families and longtime fans alike.

Why watch it this week? Because Shin-chan’s humor always plays best with a crowd.

Death Whisperer 3

2026 • R-13 • 1h 43m
ACTION, HORROR, THRILLER
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SHOWING EXCLUSIVELY AT SM CINEMAS

The terror continues in the latest chapter of this chilling franchise. After defeating the black-suited ghost, Yak is pulled into another nightmare when his youngest sister is kidnapped by a cult. Joined by Sergeant Paphan, he ventures into a cursed village where danger waits at every turn.

Fast-paced and packed with supernatural tension, this sequel raises the stakes while expanding its eerie world.

Why watch it now? Because horror fans know the best scares belong in cinemas.

The Thing with Feathers

2026 • R-13 • 1h 37m
DRAMA
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SHOWING EXCLUSIVELY AT AYALA MALLS CINEMAS

Grief takes an unexpected form in this moving drama. After a devastating loss, a father struggles to raise his young sons while coping with an unpredictable and uninvited presence in their home. As sorrow, love, and imagination intertwine, the film becomes a powerful reflection on loss and resilience.

Benedict Cumberbatch delivers a deeply affecting performance that anchors this quiet but emotionally rich story.

Why catch it this week? Because intimate stories often leave the longest echoes.

FDCP World Cinema January 28 to February 3

Image Source: Film Development Council of the Philippines FB Page

Alongside new mainstream releases, FDCP Presents A Curation of World Cinema brings internationally acclaimed films to Philippine cinemas this week. Running from January 28 to February 3, this special lineup showcases diverse voices and stories from around the world.

Featured Films:
• It Was Just An Accident (R13)
• Sentimental Value (R13)
• Resurrection (R16)
• Sound of Falling (R18)

It Was Just an Accident

2026 • R-13 • 1h 43m
CRIME, DRAMA, THRILLER
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Image Source: Film Development Council of the Philippines FB Page

Resurrection

2026 • R-16 • 2h 40m
DRAMA, FANTASY, SCIENCE FICTION
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Image Source: Film Development Council of the Philippines FB Page

Sentimental Value

2026 • R-13 • 2h 13m
DRAMA
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Image Source: Film Development Council of the Philippines FB Page

Sound of Falling

2026 • R-18 • 2h 28m
DRAMA
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Image Source: Film Development Council of the Philippines FB Page

Selected titles will screen at Robinsons Movieworld, Ayala Malls Cinemas, Gateway Cineplex, Power Plant Cinema, Shangri-la Plaza Red Carpet Cinema, and Cinema 76.

Plan Your Next Cinema Run

From futuristic thrillers and survival horror to animated fun, emotional drama, and award-winning world cinema, this week’s releases bring something for every movie mood. Whether you’re planning a solo cinema break or a group movie night, this week’s new movies brings plenty of options worth seeing on the big screen. So tag your crew, grab that extra-buttered popcorn, and catch these must-see films.

Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!

January 28, 2026
“Mercy” Claims No. 1 at the U.S. Box Office and Watch Chris Pratt’s Special Message for Filipino Fans

A Blockbuster Debut That Tops the Charts

The futuristic action thriller Mercy has stormed its way to No. 1 at the U.S. box office, delivering an impressive debut that ends Avatar: Fire and Ash’s five-week reign. With its high-stakes premise and timely themes, the film has quickly captured the attention of audiences and critics alike.

Set in a not-too-distant future, Mercy centers on Detective Chris Raven (Chris Pratt), who is accused of killing his wife. Given just 90 minutes to prove his innocence, Raven must plead his case before an advanced A.I. judge named Maddox (Rebecca Ferguson). If he fails, the punishment is final, the death penalty.

A Story Where Technology Meets Humanity

Beyond its action-packed surface, Mercy explores deeper questions about justice, accountability, and artificial intelligence. Chris Pratt highlights how both lead characters undergo powerful emotional arcs throughout the film.

“Chris Raven’s story is his attempt to establish he’s not guilty while being forced to come to terms with his demons,” says Pratt, “but an equally incredible arc is the character of Judge Maddox, who feels like a cold, calculating computer program but through the course of the film actually becomes more sentient. She’s a character who essentially is trying to hide the humanity creeping up inside of her programming.”

The film reflects modern concerns about AI’s growing role in society, particularly within systems meant to uphold fairness and truth.

“In a way, the film could be seen as offering a sort of Bill of Rights about how AI should be controlled, if it ever finds its way into the justice system,” Pratt continues. “Who knows what advances will be made between now and 2029? Maybe in a few years, someone will watch this film and say, ‘Wow, they got that right!’”

Chris Pratt Sends a Special Greeting to Pinoy Fans

Adding to the excitement, Chris Pratt has shared a special video greeting exclusively for Filipino audiences, expressing his gratitude and enthusiasm ahead of the film’s Philippine release.

Strong Praise from U.S. and UK Critics

Following its successful debut, Mercy has earned positive reviews from international critics:

Variety praises the film as a “well-executed future-shock thriller.”

ComicBookMovie.com calls it “great popcorn entertainment with some wild twists.”

Press Association UK describes it as “a thought-provoking and thrilling 90 minutes.”

VT UK commends its “Hugely original plot. Gripped from start to finish.”

The consistent praise highlights Mercy as both an entertaining and meaningful cinematic experience.

Opening Soon in Philippine Cinemas

Mercy opens in Philippine theaters on January 28, 2026, with screenings in IMAX and 4DX for an immersive moviegoing experience. The film is distributed locally by Columbia Pictures, the Philippine office of Sony Pictures Releasing International.

Join the conversation online using #MercyMovie and follow @columbiapicph for updates.

January 28, 2026
MOVIE REVIEW: Return to Silent Hill

I’ve never actually played the video game Silent Hill, though I did watch my cousin play the very first game on her PlayStation. That game scared me half to death, and I was just watching it. It helped me better understand the film adaptation Silent Hill back in 2006, starring Radha Mitchell and Sean Bean and directed by Christophe Gans. I remember liking it. I remember being scared, and I do remember talking about how much I enjoyed the experience with my friend.

So, I was a little excited to see Return to Silent Hill, since it is also directed by Christophe Gans and co-written by Gans, Sandra Vo-Anh, and Will Schneider. Based on the Konami game Silent Hill 2, Gans delivers breathtaking imagery and immerses us into a post-apocalyptic hellscape. Unfortunately, its weak story and character development, as well as its continuously jumping narrative between the present day and flashbacks holds back what could have been a genuinely scary movie.

Return to Silent Hill follows the story of James (Jeremy Irvine), who meets Mary (Hannah Emily Anderson) after he accidentally runs over her bag at a highway bus stop. She misses her bus, but the two manage to see a spark that prompts James to walk Mary back to the picturesque town of Silent Hill.

Image Source: 888 Films International FB Page

The film then jumps a year later and James is now an alcoholic living in the city, who has dreams of Mary. He’s causing trouble at a bar, and his therapist (Nicola Alexis) keeps calling him to make sure he shows up for his visit as he is spiraling. But as he gets home, he finds a letter from Mary asking him to return to Silent Hill.

When he returns, he finds the town covered in ash. It’s worse than a ghost town. And when a siren wails, the world transforms into a dark, brimstone world where creatures roam freely. As James wanders the empty streets (and sometimes monster-ridden) looking for Mary, the film shifts to the past to reveal why he left her in the first place.

From the get-go, the film quickly assumes we believe in the love story of James and Mary, which is the crux of the film’s emotional core. But since the love story is revealed through flashbacks as the story unfolds, we really question the characters’ motivations and really wonder whether James really can’t let go of Mary. It doesn’t help that many of the flashbacks show the two in love – constantly kissing and embracing – but doesn’t delve into why they’re in love. It’s a love story for the sake of the plot.

Irvine and Anderson don’t have the kind of chemistry that tells its own story, so without the narrative beats of a true love story, the film feels very forced. It doesn’t help that the film takes a lot of short cuts to explain things that are happening – people suddenly appearing to serve as exposition and then quickly discarded – and then after everything has been said, the world building of how Silent Hill came to be this way was still left vague and obtuse, and not in a good way.

What the film manages to deliver, though, is gorgeous imagery. The set pieces of James walking through the empty, ash-covered town are just simply gorgeous to look at. Gans and cinematographer Pablo Rosso play with the angles so that the camera swivels up into the air to give us top shots or comes really close to give us an over-the-shoulder shot, which feels reminiscent to many video games. It also creates a tension because we know we are watching a horror film, and the long shots set up the fear that creatures will be rushing forth, or worse, in the tight shots from James’ point-of-view, when he turns a corner, will we see a creature there? This creates real dread so that three or four major jump scares feel unnecessary.

But the creature designs are also breathtaking, and the way Gans features them is quite impressive. From a bit of reading online, it seems that Gans had permission to redesign the creatures and Patrick Tatopoulos, who is credited as Creature Designer, did an amazing job with some of the monsters, most especially the Moth Lady and the Red Pyramid (who apparently is taken from the game).

It’s such a shame because the film had all the elements to deliver a good scary movie, but because I couldn’t get hooked into the characters, I couldn’t feel scared. I’m still amazed by the visuals and the direction, though it felt like it belong in a different movie.

My Rating: 2.5 Stars

Step back into the haunting world of Silent Hill with Return to Silent Hill. Check showtimes near you and experience the terror on the big screen.

January 27, 2026