Category: Movies

  • Take a Ride on the Crazy Train: a review of ‘Bullet Train’

    I’m not exactly sure what I just saw but I sure as hell had a good time watching it. ‘Bullet Train’ is a flippant action comedy that works on a very stylized, hyper-real world of assassins and very self-aware filmmaking. Director David Leitch throws away character development for a zany, ultra-violent madcap caper of five (or was it six? There are so many in this movie!) assassins with different missions aboard one bullet train in Japan, who discover that their missions are all interconnected.

    Taking the lead is Brad Pitt as Ladybug, who has just come out of hiatus to do a “simple job” and is trying to find a new approach to life through the help of a therapist. He discusses all of this with his handler, Maria (voiced by Sandra Bullock). It’s interesting that the lead is a mercenary who has come back to the field as he tries to philosophize and rationalize his actions, whether it’s stealing, assaulting, or even killing the various occupants in the train.

    Brad Pitt is in fine form here, oozing with charisma and a dazzling display of physical strength and agility (online, it says he did 95% of his own stunts). He gives the audience someone to root for as each new assassin that is introduced just seems crazier than the last one. 

    Aaron Taylor-Johnson and Brian Tyree Henry are a pair who has to deliver the son of a Russian gangster and some stolen cash to the final destination of the train in Kyoto. They are a verbose duo, who are as ruthless as they are unintentionally funny. Their dialogue can get a bit much and slow things down at the start but as the action begins to build momentum, everything gets used in the end.

    Bullet Train - movie review
    Photo: Columbia Pictures

    Andrew Koji is a forlorn father, who takes the train to find and kill the man who pushed his son off a building but gets entangled with Joey King’s The Prince, a schoolgirl with a dark past of her own. Koji is an arresting actor and feels under-utilised here, considering the film opens with his story. His character’s struggle would seem one that is likely to bring audiences in but it’s too heavy for the light and comedic tone of the film so it takes a step back as Leitch and screenwriter Zak Olkewicz opts to take the gags and the action.

    Also in the film are Bad Bunny, Hiroyuki Sanada, Michael Shannon, Logan Lerman, Zazie Beetz, and some surprising cameos that are fun and just add to the formalist aesthetic of the film. Everyone seems to be having fun here and it makes the whole thing enjoyable even if the film doesn’t take itself too seriously.

    Bullet Train - movie review
    Photo: Columbia Pictures

    There’s no real character arc that’s happening in the movie. Much like Ladybug’s musings, ruminating about fate and coincidence, the film plays out like a farce with no real-world associations. It’s not a satire or a social commentary. It’s not a battle between good and bad. It’s just bad people doing bad things and in what could be a really fun way depending on what you consider fun in movies.

    It’s clever both visually and in its scripting. The film jumps into flashbacks to deepen the history of these characters but only when needed and not set up methodically so as to create a sense of build-up. The scenes cut to the next moment where the tension can rise or when we can get the most laughs.

    There are 16 cars in the bullet train but the only way for these characters to move is forward or backward, which means there are no places to run or hide. In this way, all the five groups of killers are going to collide at some point and it just gets crazier and crazier as it goes along; all the way to a grand finish that feels like they threw everything and the kitchen sink at us for full effect.

    Bullet Train - movie review
    Photo: Columbia Pictures

    And while ‘Bullet Train’ is narratively thin, it’s a hell of a fun ride. At some point, you realise no one is safe, you can’t take anything seriously, pleasantly surprised by the sudden cameos, and so forth. It’s a kind of irreverence that feels at home in a crazy world where nothing really matters. Maybe five years ago it would have been disappointing as I search for some sort of meaning but now, I’m very much welcome to this sort of insanity on screen.

    Now I’m really curious about the novel that the film is based on by Kotaro Isaka. 

    My Rating:

    5 stars - Don't Look Up review




    ––

    Bullet Train opens in cinemas nationwide on August 10, Wednesday.

    ALSO READ:
    Aaron Taylor-Johnson, Brian Tyree Henry are the Twin Assassins in “Bullet Train”
    Former Stunt Double of Brad Pitt Now Directs “Bullet Train”

  • Cinemalaya to Pay Tribute to Outstanding Cinemalaya Artists

    Cinemalaya 2022 will honor the legacy of the late artists Benji Garcia, Flor Salanga, Sigfreid Barros-Sanchez, Joseph Israel Laban, and Eduardo Roy Jr. at the Cinemalaya Independent Film Festival on August 5-14, 2022.

    FotoJet 1

    The works of the filmmakers – BATAD: Sa Paang Palay, JAY, Lasponggols, Cuchera, and Pamilya Ordinaryowill be screened respectively from August 9 to August 13, 2022, at 12:45 p.m. at CCP’s Tanghalang Manuel Conde (TMC) for free.

    Benji Garcia was known for traversing the worlds of theater and film – production, on stage, backstage, on camera, and off camera.  He completed his Communication Arts degree at Ateneo de Manila University in 1979 and then took a film course at the London International Film School in 1980.

    Main Poster Batad

    His feature film, BATAD: Sa Paang Palaywon four Cinemalaya awards in 2006 for Best Actor, Best Screenplay, Best Production Design, and Special Jury Prize.  It also won the Golden Screen Awards with Best Performance by an Actor in a Leading Role, Best Performance by an Actor in a Supporting Role, Best Production Design, and Best Musical Score.

    Flor Salanga, Best Actress in a Supporting Role Golden Screen 2009 awards and nominated for Best Supporting Actress in Gawad Urian 2009, was an audition master of Cinemalaya Film Festival from 2005 to 2019.  She completed her Master’s Thesis for her MA degree in Theater Arts at the University of the Philippines.

    She played the role of Luzviminda Mercado in the featured film, JAY, which was directed by the late Francis Xavier Pasion.  Jay won Best Film, Best Actor, and Best Editing in Cinemalaya and the Special Mention award at Bangkok International Film Festival in 2008.  It also received the Audience Award at the 2009 Black Movie Film Festival.

    Sigfreid Barros-Sanchez, 2016 Best Director at the Madrid International Film Festival and 2012 FDCP Grand Festival Prize awardee, was known as a pioneer of sorts in local film festivals.  He came from a family of writers – both from the father’s and mother’s side.  In 1999, he got a slot in the 11th Scriptwriting Workshop given by National Artist for Film and Broadcast Arts Ricardo Lee, who then became his primary mentor.

    Main Poster Lasponggols

    He was among the 1st batch of filmmakers in the first Cinemalaya in 2005 wherein he submitted Lasponggols, the featured film.  It was his directorial film debut, a black comedy that showcases the oft-ignored people in a mainstream movie set.  Lasponggols was screened at the 2005 Fribourg International Film Festival in Switzerland and in the 2006 New York Imaginasian Film Festival.

    Joseph Israel Laban was a filmmaker, documentarist, and Creative Consultant for GMA Network’s Front Row and Reporter’s Notebook.  He finished his Creative Writing degree from the University of the Philippines Diliman and studied at New York University (NYU) under a Fullbright Scholarship for his master’s in Journalism with a focus on News and Documentary.

    1 Main Poster Cuchera

    His feature film, Cuchera won Best Film in the New Breed category in Cinemalaya 2011.  It was screened in international film festivals in Toronto, Stockholm, Belgrade, and Cleveland in 2011 and 2012.

    Eduardo Roy Jr. started as a soap opera writer in ABS-CBN until his persistence paid off as a director with his film, Bahay Bata being named as Best Film in the New Breed category in Cinemalaya 2011.  He was a mass communication student from New Era University in Quezon City.

    1 Main Poster Pamilya Ordinaryo 2016

    Eduardo’s featured film, Pamilya Ordinaryowon Best Film, Best Director, Best Actress, Best Editing, and NETPAC Award in Cinemalaya 2016.  It received the Asia Pacific Screen Award, Special Mention award in New Asian Cinema at the Five Flavours Asian Film Festival, and Best Director award from the Hanoi festival.  The film was then added on Netflix to its Filipino Movies & TV list in 2020 which garnered the number 1 spot for weeks.

    Since 2005, Cinemalaya has supported and promoted the production of Filipino full feature independent films and short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics, and art films.

    For more information on the 18th Cinemalaya Film Festival screening schedules and other offerings, check out the CCP website www.culturalcenter.gov.ph and Cinemalaya social media sites on Facebook, Twitter, and Instagram.

  • Award-winning Environmental Documentary Comes Home To Close Cinemalaya 2022

    The award-winning documentary feature, “Delikado,” which draws focus on environmental crusaders who risk their lives protecting the rainforests of Palawan will finally have its Philippine premiere.

    The 96-minute enviro-thriller docu directed by journalist Karl Malakunas will be screened at the Cultural Center of the Philippines’ (CCP) Main Theater (Tanghalang Nicanor Abelardo) on Aug. 13 at 3:30 p.m. It will be among the closing films of the 18th Cinemalaya Independent Film Festival.

    Nieves Rosento on the campaign trail in the May 2019 elections
    Nieves Rosento on the campaign trail in the May 2019 elections

    In “Delikado,” Malakunas takes viewers to one of the Philippines’ top tourist destinations—Palawan. But the former Manila bureau chief of Agence France Presse shies away from the tropical paradise angle and instead shines the light on environmental defenders who are fighting to preserve their natural resources from big developers, politicians, illegal loggers and others who threaten the Philippines’ “last ecological frontier.”

    The film follows Robert “Bobby” Chan, lawyer and executive director of the Palawan NGO Network Inc. (PNNI), former El Nido mayor Nieves Rosento and land defender Efren “Tata” Balladares.

    Tata Balladares rests on a fallen tree while searching for illegal loggers in forests of southern Palawan Rizal Palawan April 2018 Photo by Karl Malakunas
    Tata Balladares rests on a fallen tree  while searching for illegal loggers in forests of southern Palawan, Rizal, Palawan – April, 2018. Photo by Karl Malakunas

    Another film participant was “Kap” Ruben Arzaga, one of the volunteer leaders, who was shot dead in an anti-logging operation in 2017.

    The film gets up close and personal with some of the environmental crusaders in a country that has been named one of the most dangerous places in Asia for land defenders. Environmental group Global Witness has named the Philippines as such for eight years, with a record of 29 killings of people who were protecting their lands and ecosystems in 2021 alone.

    Bobby Chan stands in front of chainsaws at PNNI HQ Photo by Thom Pierce
    Bobby Chan stands in front of chainsaws at PNNI HQ

    “These land defenders are on the frontlines of mankind’s efforts to save the planet from the worst impacts of climate change. I felt the strength and courage of Bobby, Nieves, Tata and other land defenders featured in ‘Delikado’ could be a source of inspiration as we search for hope in our fight to restrain climate change,” Malakunas said in a statement.

    He added: “I filmed ‘Delikado’ with the intention of it being an intimate thriller about the lives of the land defenders, to ensure that audiences feel an emotional connection with the characters while learning about extremely compelling social and environmental issues.”

    DELIKADO Director Karl Malakunas1

    Malakunas and the rest of the team want “Delikado” to leave viewers with lasting impact—the kind that would propel them to take meaningful action against those who threaten the environment and fight for climate change. They also aim to help communities and organizations fighting for their lands raise funds. 

    “Delikado” is a collaboration of award-winning filmmakers, among them two-time Emmy-nominated filmmaker Marty Syjuco (producer),  “Give Up Tomorrow” director Michael Collins (producer, editor and writer), broadcast journalist and Storytellers International Inc. cofounder Kara Magsano-Alikpala (producer) and award-winning cinematographer Tom Bannigan ACS (director of photography).

    The docu premiered in April this year at the Hot Docs Canadian International Film Festival, and has since made rounds in festivals abroad, including Human Rights Watch Film Festival in New York, CAAMFest in San Francisco, Los Angeles Asian Pacific Film Festival and Take One Action in Scotland.

    A review from CineEuropa.Org read that “the documentary has an intense feeling of urgency and immediacy” while showing how the idyllic groups of islands are not just property, but also a home to the communities.

    “Delikado” has also received various recognitions, like Sustainable Future Award and Audience Award: Best Documentary #2 at the Sydney Film Festival; Special Jury Prize: Best Documentary Feature at Los Angeles Asian Pacific Film Festival; and Special Mention: Best International Feature at Doc Edge, New Zealand. The film was also featured at Sheffield Docfest, Human Rights Watch Film Festival, and MountainFilm.

    It will also be screened from August 11 to 13 at the Melbourne International Film Festival.

    Visit delikadofilm.com or https://www.facebook.com/DelikadoFilm for details. For advance ticket purchase, go to https://culturalcenter.gov.ph/event/cinemalaya-18-philippine-independent-film-festival-2022

  • Cinemalaya’s Retrospective Shorts to Showcase Films from 2020 and 2021

    After two (2) consecutive years of online streaming, Cinemalaya Philippine Independent Film Festival returns to onsite screenings and offers the Retrospective Shorts section on August 7, 9, 10, and 12 at the Tanghalang Manuel Conde.

    The Retrospective Shorts section gives a chance for audiences to rewatch and relive the stories of the 16th (2020) and 17th (2021) edition Cinemalaya entries at the Cultural Center of the Philippines.

    Award winners Tokwifi (Star) by Carla Pulido Ocampo, Pabasa Kan Pasyon by Hubert Tibi, and Quing Lalam Ning Aldo (Under The Sun) by Reeden Fajardo are slated on August 7 at 9:00 pm, and August 9 at 3:00 pm; along with the finalists Ang Gasgas na Plaka ni Lolo Bert (The Broken Vinyl Record) by Janina Gacosta and Cheska Marfori, and Fatigued by James Robin Mayo.

    Tokwifi was hailed as the Best Short Film of the 16th edition of Cinemalaya, as well as the most honored film for bagging two (2) awards, including the Network for the Promotion of Asia Pacific Cinema (NETPAC) Jury Prize.  Delving into the world of a Bontok Igorot man and a trapped 1950s showbiz star in television, Tokwifi explored love amidst glaring contrast between the traditional and modern beliefs of the characters.

    Living Things by Martika Ramirez Escobar, and Ang Pagpakalma Sa Unos (To Calm the Pig Inside) by Joanna Vasquez Arong which were awarded Best Direction, and Special Jury Prize, respectively in 2020, will be showing on August 9 at 6:15 pm, and August 10 at 9:00 PM; along with Excuse Me, Miss, Miss, Miss by Sonny Calvento, The Slums by Jan Andrei Cobey, Utwas (Arise) by Richard Salvadico and Arlie Sweet Sumagaysay.

    Bagging Audience Choice Award, Special Jury Prize, NETPAC Jury Prize during Cinemalaya 2021, An Sadit na Planeta (The Little Planet) by Arjanmar H. Rebeta is among the films showing on August 9 at 9:00 pm, and August 10 at 3:30 pm; along with Maski Papano (I Mask Go On) by Che Tagyamon and Glenn Barit, Crossing by Marc Misa, Kawatan sa Salog (A Toy in the River) by Alphie Velasco, Looking for Rafflesias And Other Fleeting Things by James Fajardo, Out of Body by Enrico Po, and Ang Pagdadalaga Ni Lola Mayumi by Shiri De Leon.

    Cinemalaya 2021 Best Short Film, Beauty Queen by Myra Aquino, will be showing on August 10 at 6:15 pm, and August 12 at 9:00 pm, along with Namnama En Lolang (Grandmother’s Hope) by Jonnie Lyn P. Dasalla, Kids on Fire by Kyle Nieva, Ate OG by Kevin Mayuga, The Dust In Your Place by David Olson, and Ang Mga Nawalang Pag-asa at Panlasa (The Lost Hopes and Flavors) by Kevin Jay Ayson and Mark Moneda.

    Directed by Myra Aquino, Beauty Queen delved into the life of a beauty queen-turned soldier during World War II.  It bagged the coveted balanghai trophy “for its overall technical and artistic excellence, its fine ensemble acting, and its bold storytelling into an eclectic chapter in Philippine history.”

    The Retrospective Shorts is part of the 18th edition of Cinemalaya which will happen from August 5 to August 14, 2022.

    For more information about Retrospective Shorts sets, visit the CCP and Cinemalaya websites. Follow the CCP and Cinemalaya official social media accounts on Facebook, Twitter, and Instagram.

  • Cinemalaya 18 Breaks Through the Noise with Talkback Sessions

    With the return of the Philippines’ most-anticipated independent film festival’s on-site screenings, Cinemalaya 18 features eight-day talkback sessions with the directors of the films in competition, from August 3 to August 13, 2022. 

    The Talkback sessions provide a great opportunity for the audience to acquire deeper insights about the film they have watched through an interactive discussion with the filmmakers themselves.

    The following is the schedule for the Talkback sessions for the competition films (full-length films and short features), which will primarily take place at the CCP Cinemalaya Tent and the Main Gallery.

    There are three planned at chosen malls, particularly Megamall, Glorietta, and TriNoma:

    On AUGUST 6, 5:30 PM, director Rainerio C. Yamson II is slated for a discussion of his film Angkas (The Backride) to be held at the Cinemalaya Tent.  Angkas tells the story of two estranged friends mending their broken past as they embark on a journey while riding a habal-habal to fetch the corpse of their deceased pal.  At 6:30 PM in the same venue, Bakit Di Mo Sabihin (Tell Her) director Real S. Florido is open for conversation on his unique film. The aforementioned film is about a deaf couple who discovers that what is separating them is not their inability to communicate verbally or audibly.

    On AUGUST 7, 5:30 PM, get a chance to hear director Ronald Espinosa Batallones as he talks about his film Batsoy, which will take place at the Cinemalaya Tent. The story of Batsoy is about two young brothers who start on a fantastical adventure to satisfy their intense and delectable hunger for batsoy.  Later at 8:30 PM, director Roman S. Perez Jr. is set to talk about his film Kaluskos (Rustles) at the same venue.  His film follows the story of a single mother who is in the midst of a custody dispute discovers something under her daughter’s bed that will make her doubt whether she truly loves the child.

    On AUGUST 8, 5:30 PM, director Sheenly Gener’s talkback for Bula sa Langit (Trigger) is slated at the CCP Main Gallery.  Her film tells the story of a young soldier who returns home after surviving a siege to fight in a new conflict.  On the other hand, the talkback for Shorts A is slated for 8:30 PM at the Cinemalaya Tent.  Shorts A comprises six films namely: Roundtrip to Happiness directed by Claudia Fernando, Mata Kang Busay (Vision of The Falls) directed by Niño B. Maldecir, Ampangabagat Nin Talakba Ha Likol (It’s Raining Frogs Outside) directed by Maria Estela Paiso, Kwits (Quits) directed by Raz de la Torre, Mga Handum Nga Nasulat sa Baras (The Dreams That Are Written On The Sand) directed by Arlie Sweet Sumagsay and Richard Jeroui Salvadico, and City of Flowers directed by Xeph Suarez.

    On AUGUST 9, 5:30 PM, director Carlo Obispo talks about his film The Baseball Player at the Cinemalaya Tent.  The story of the aforementioned film is about a Moro child soldier who dreams of becoming a baseball player in the midst of an all-out war. The talkback for Shorts B follows at 8:30 PM in the same venue. Shorts B is composed of six films including: Si Oddie directed by Maria Kydlee Torato, Duwa-Duwa (The Play) directed by Nena Jane Achacoso, Distance directed by Dexter Paul De Jesus, Dikit directed by Gabriela Serrano, See you, George! directed by Mark Moneda, and Black Rainbow directed by Zig Dulay.

    On AUGUST 10, 6:30 PM, director Christian Paolo Lat will talk about his film Ginhawa (Solace) at Megamall.  His film tells the story of an aspiring boxer who gets punched by the harsh reality of the sport as he fights his way through the top. At 8:00 PM, Glorietta, director TM Malones expounds on his film Kargo (Cargo). The film follows the story of a woman who finally exacts retribution on the person who killed her whole family in order to free herself from the heavy burden of her past.

    On AUGUST 11, 5:30 PM, 12 Weeks is open for discussion with its director Anna Isabelle Matutina at the CCP Main Gallery. Her film tackles the struggles of a single, 40-year-old woman as she is pushed to deal with the thoughts of motherhood.  Following at the same venue is another talkback for Ginhawa (Solace) at 8:30 PM with director Christian Paolo Lat. At 3:30 PM, TriNoma, directors Cynthia and Milo Paz are expected to have a discourse on their film Retirada (The Retiree).  The film will tell the story of a retired government official’s new hobby which causes existential crisis and financial difficulties.

    On AUGUST 12, 8:30 PM, director Ma-an Asuncion will talk to the audience about her film Blue Room at the Cinemalaya Tent.  The film follows the members of a progressive rock band who must decide whether to choose freedom or to stick up for their principles.

    On AUGUST 13, 3:00 PM, Kargo (Cargo) is scheduled for another discussion with TM Malones at the Cinemalaya Tent. Following at 8:30 PM, the last talkback is with directors Cynthia and Milo Paz for their film Retirada (The Retiree).

    In its 18th edition, the theme Breaking Through The Noise reflects the idea that Cinemalaya 2022 is alive and returning to in-house showing of various films and is looking forward to a brighter future.  Its key visual, especially the eyeball, expresses the thought of continuity and relevance of independent cinema today.

    For more information, visit the CCP (www.culturalcenter.gov.ph) and Cinemalaya (https://cinemalaya.org/) websites. Follow the official CCP social media accounts on Facebook, Twitter and Instagram for latest updates.

  • Jared Leto and Jamie Lee Curtis to Star in Disney’s ‘Haunted Mansion’ Movie

    Morbius star Jared Leto and Halloween actress Jamie Lee Curtis are set to join the cast of Disney’s live-action Haunted Mansion movie.

    The film will be based on the classic Disney Land and Disney World attraction of the same name. According to Entertainment Weekly, Leto will play the “Hatbox Ghost” while Curtis will play Madame Leota, the psychic whose head appears inside the iconic crystal ball. Haunted Mansion will follow a mother who attempts to exorcise these ghosts and more from the haunted mansion.

    Justin Simien helms the project, which will also star Rosario Dawson, LaKeith Stanfield, Owen Wilson, Danny DeVito, and Tiffany Haddish. It will be Disney’s second attempt to put their attraction into the big screen after the 2003 film starring Eddie Murphy.

    Haunted Mansion is set to release in the US on March 10, 2023. Follow us on  Facebook, Instagram, and Twitter to get the latest news on film, TV, and more updates around the city!

  • Andrew Koji, Hiroyuki Sanada Seek Vengeance in “Bullet Train”

    Courtesy of Columbia Pictures

    In the film “Bullet Train”, Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world’s fastest train. The end of the line is just the beginning in this non-stop thrill-ride through modern-day Japan from David Leitch, the director of Deadpool 2.

    Japanese-British actor/martial artist Andrew Koji plays the role of Kimura, a low-level Tokyo criminal who has hit rock bottom. An alcoholic in a perpetual haze, he boards the train ready to exact his revenge on the unknown culprit who attacked his son and ultimately redeem himself and restore honor to his family name.

    BT Andrew Koji
    Andrew Koji as Kimura (courtesy of Columbia Pictures)

    For Koji, the complexity of the character and the film’s relatable themes of luck and family resonated. “I’ve never seen a character like Kimura before, let alone in a big Hollywood film like Bullet Train.  From the moment you first see him, you know he’s a man in crisis, made worse by the disapproval of his father. He’s a decisive moment that incites the whole film and his storyline.”

    “This film is about luck, and like Ladybug, I think Kimura’s always felt unlucky his whole life,” Koji continues. “When you have a victim mentality, you attract that kind of energy.   But he’ll have a moment when his luck turns around.”

    ANDREW KOJI
    Andrew Koji as Kimura (courtesy of Columbia Pictures)

    “Andrew’s character is the heartbeat of the movie,” says Leitch. “It’s definitely Ladybug’s story, but the emotional center – and the most complex relationship in the movie – is the relationship between Kimura and The Elder.”

    As Kimura’s stoic, unyielding father, known as the Elder, Hiroyuki Sanada takes on the multi-layered character of the modest florist who is fiercely protective of his family.  Even as Kimura loses himself in a bottle and feels the enormous shame he’s brought to his family, the Elder knows his son is a survivor. “Getting the role was a dream, but then I find out that Hiroyuki Sanada is playing my dad,” says Koji. “This whole experience has been a bit surreal.  I never saw my path ever crossing with Hiroyuki Sanada.”

    HIROYUKI SANADA
    Hiroyuki Sanada as The Elder (courtesy of Columbia Pictures)

    When the Elder, worried about Kimura, boards the train, he shares some sage wisdom with Ladybug. “He explains the lore of Tentou-mushi – Japanese for ladybug,” says screenwriter Zak Olkewicz. “The explanation is that there is a spot on its back for each of the seven sorrows of the world of mankind. Tentou-mushi isn’t lucky – it holds all the bad luck, so others may live in peace with good luck. That, to me, is such a beautiful moment – a discussion of acceptance of your place in the world.”

    Bullet Train is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.  Connect with the hashtag #BulletTrainMovie

  • WATCH: Christopher Nolan’s New Film ‘Oppenheimer’ Reveals Teaser Trailer

    In case you missed it, a new film from Christopher Nolan is heading to the big screen soon! Starring Peaky Blinders star Cillian Murphy, Nolan’s Oppenheimer is a biopic about the “father of the atomic bomb.”

    Watch the teaser trailer for Oppenheimer below:

    The film is based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and the late Martin J. Sherwin. It narrates how the brilliant physicist Oppenheimer led the effort to build the atomic bomb in a time of war, and how he was plagued by its moral consequences.

    Oppenheimer gathers an all-star cast with Emily Blunt, Robert Downey Jr., Matt Damon, Rami Malek, Benny Safdie, Florence Pugh, Josh Hartnett, Dane DeHaan, Jack Quaid, Matthew Modine, Alden Ehrenreich, David Krumholtz, Michael Angarano, and Kenneth Branagh, starring alongside Murphy. The film is set for a US release on July 21, 2023.

  • WATCH: “Seoul Vibe” Main Teaser Trailer and Key Art

    About Seoul Vibe:

    Seoul Vibe is about the baby-drivers of Sanggye-dong who dreamed of the American dream during the 1988 Seoul Olympics. Due to an external threat by prosecutor Ahn, the drivers are forced to create slush funds for Myeong-dong’s big-hand “Ms. Kang” to figure out her dirty secret. As a result, they become rising stars in the industry. The Sanggye-dong friends, who were able to do everything with a “pony pick-up truck,” are now faced in severe danger. After facing the crisis, they wake up and upgrade “Pony+Sonata+Grandeur (local korean cars of the time)” to the level of SUPREME, defeating all the great evils of the time and leaving Korea to realize the American dream.

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    Seoul Vibe I Only on Netflix 
    #Netflix #SeoulVibe

  • New Movies in Philippine Cinemas this August 2022

    On the lookout for the films coming out in theaters soon? We’ve got you covered.

    Movies In Philippine Cinemas August 2022

    From Brad Pitt to Jo Koy, Jordan Peele’s new thriller to the latest Dragon Ball installment, here’s what’s coming to the big screen across cinemas nationwide for the month of August 2022:

    Bullet Train

    Wednesday, August 10 
    BUY TICKETS

    An unlucky assassin named Ladybug finds himself in a speeding bullet train where lethal adversaries from around the world are also aboard.

    ALSO READ:
    Former Stunt Double of Brad Pitt Now Directs “Bullet Train”
    LOOK: Meet the “Bullet Train” Characters in Their Solo Posters

    Nope

    Wednesday, August 17

    Residents of a lonely gulch in California become witnesses to uncanny and chilling occurrences involving a mysterious figure hiding in the clouds.

    Beast

    Wednesday, August 24

    A widowed father brings his daughters on a trip to South Africa and finds themselves hunted by a massive lion.

    The Invitation

    Wednesday, August 24 

    With no other known relatives after her mother’s death, Evie takes a DNA test and discovers a long-lost cousin. She is then invited to a wedding by her newfound family and uncovers secrets in her family’s history.

    Easter Sunday

    Wednesday, August 31

    A Filipino-American man returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, and loving family.

    Dragon Ball Super: Super Hero

    Wednesday, August 31

    https://www.youtube.com/watch?v=xs-t6lGMdXU

    The 21st ‘Dragon Ball‘ film follows Piccolo and his former student Gohan on a mission to save the world.

    ALSO READ:
    Crunchyroll Announces Global Theatrical Release Dates for “Dragon Ball Super: Super Hero”

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    [Note: release dates for movies in Philippine cinemas are subject to change without prior notice. For more upcoming movies, click here.]