Heads up, film fanatics! A battle-scarred spectacle is storming the silver screen. Say hello to Ridley Scott’s latest masterpiece, Napoleon, with the magnetic Joaquin Phoenix leading the charge!
Joaquin Takes The Throne
Joaquin Phoenix is back, and dare I say…more powerful than ever? Ridley Scott’s new trailer for Napoleon just dropped, and it’s a feast for the eyes. Paired alongside the equally captivating Vanessa Kirby as Josephine, this one’s gonna be a cinematic ride. Mark the date – November 29. And it’s hitting IMAX too.
From battlegrounds to palace intrigues, Napoleon takes you on an exhilarating journey through the life of the legendary French Emperor – Napoleon Bonaparte. And who better than Oscar® maestro Joaquin Phoenix to breathe life into such an enigmatic character? The film’s essence? It’s Napoleon’s insatiable hunger for power, intertwined with his tempestuous romance with Josephine, set against mind-blowing battle sequences that will make you grip your armrest. Classic Ridley Scott, right?
The Brains Behind the Battle
With the legendary Ridley Scott at the helm, and David Scarpa weaving the screenplay magic, you’re in for a rollercoaster of emotions. The producing ensemble? Ridley Scott, Kevin J. Walsh, Mark Huffam, and yes, Joaquin Phoenix himself!
Coming to a Theater Near You
Gear up for a cinematic journey like no other! Napoleon launches in cinemas come November 29. Big shoutout to Columbia Pictures, the Philippine arm of Sony Pictures Releasing International, for bringing this epic to our shores.
Don’t forget to join the conversation with #Napoleon. Let the cinematic discussions begin!
Terrifying and brutal, South Korean suspense/thriller ‘Target’ is at its most scary when it’s focused on how vulnerable we are once our private information is no longer private. There’s an ingenious way by which director Park Hee-kon manages to highlight how interconnected the whole world has become through the internet. It opens with SMS exchanges over shots of the city, showing the constant contact people have with strangers for a variety of things. In this movie, the highlight is on the buying and selling of second-hand goods.
Soo-hyun (Shin Hae-sun) is at a difficult time in her life. She’s being harassed by her boss and she’s balancing an architectural project while moving to a new place simultaneously. When a washing machine she buys second-hand through an online market ends up being defective, she takes her anger out on the seller and informs all his other potential customers to not buy anything from the scammer. A heated exchange on text with the said buyer sends Soo-hyun into a scary, crazy world of internet violence.
The scammer is no ordinary scammer, and he tracks down Soo-hyun’s information and begins to terrorize her. First, he sends food delivery to her doorstep repeatedly from various restaurants. Then from these frustrating and time-consuming pranks, it gets more sinister and insidious as time goes by. The helplessness of Soo-hyun is on full display here and the inability of the police to trace down and track this sort of criminals is also put into the spotlight.
‘Target’ is actual thin on story. A lot of what happens in the film is just to showcase the relentless barrage of the scammer on Soo-hyun’s world. He threatens her work, her sanity, and even her own physical safety. At the beginning, we see her strong and fighting back but as the terror increases in size, frequency, and scope, we even see her whittle down to a broken mess. This is where Shin Hae-sun shines. In Korean dramas like ‘Mr. Queen’ and ‘See You in my 19th Life,’ we’ve seen her tackle complex roles with ease. She has excellent comedic timing and can carry off improbably characterizations so well. To see her play a character working in primordial emotional states – fear and anger – is a different thing altogether. She is so committed to each scene and each moment that is enhances the fear factor of the dramatic situation.
Rounding out the narrative is that of the police detective (Kim Sung-kyung of ‘Moving’ and ‘Reply 1988’) who feels powerless in being unable to help Soo-hyun. The number of cases that are on his lap and lack of resources bears down on him. He wants to do things by the book but as he sees the growing danger that Soo-hyun is in, you can see how it affects him by the increase in violence he takes on suspects and the like.
Everything here is interconnected and by doing so, the film really highlights are interdependence on each other. It is filled with, “If only this character did this…” or “if that character did not do that…” and it escalates all because of it. The film reminds us about how much we live on our phones and on the internet and the full range of dangers that could happen if ever this information goes to the wrong hands.
On the onset, just knowing your name, phone number, and address can already present a lot of problems, but as the film shows, so much more is available for abuse with a person who is a little more skilled in the areas of cyber security. The situations that are present in the film are based on actual police cases and when all of these are placed within the confines of one movie, it can be a little over-the-top and unrealistic (but it does create a very enjoyable yet terrifying time in the cinema). It’s even brough into the extreme as murder is added along for the ride.
Unlike other South Korean crime and suspense/thriller films that I’ve seen, ‘Target’ takes a more Hollywood approach to the story. It manages to navigate the story breaking down all of Soo-hyun’s strength, bringing her to her most fragile, and then reclaiming that strength back to attempt to fight back. It’s a very commercial approach to the movie and marks the filmmaker’s own judgment on people such as the scammer in his film. By doing so, the film loses a bit of its own teeth but it’s frightening, nonetheless.
This will be a great date movie with friends or a partner. The tension would be a great bonding experience and there were even some emphatic screams and shouts in the cinema when I saw it. It’s a great conversation starter and will really make you think twice about your cyber security.
My Rating:
Target is now showing. Get your screening times and tickets here.
The cinematic masterpiece, “Killers of the Flower Moon,” has garnered immense attention for its gripping portrayal of dark historical events. As the 20th century began, the Osage Nation stumbled upon a fortune in the form of oil, propelling them into the limelight of wealth. However, this boon became a bane as white interlopers, lured by the Osage’s prosperity, employed sinister means to exploit them, leading to an unsettling chain of events. At the heart of this narrative is the tender romance between Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone). Supported by eminent actors like Robert De Niro and Jesse Plemons, and directed by the iconic Martin Scorsese, this film adapts David Grann’s acclaimed book, intertwining love, deceit, and historical intrigue. If you’re among the curious minds yearning for a deeper understanding of the intricate layers that make this movie a standout, you’re in luck. We’re about to unfold 10 enthralling facts that will cast “Killers of the Flower Moon” in an even more intriguing light!
1) Unearthing History: The Making of “Killers of the Flower Moon”
“Killers of the Flower Moon” emerged from the profound storytelling of acclaimed author and investigative journalist, David Grann. His knack for reviving forgotten histories came to the forefront yet again with his 2017 book, serving as the movie’s foundation. This true American tale, set in the 1920s, doesn’t just recount the greed-fueled exploitation and harrowing injustices suffered by the wealthy Osage Nation at the hands of white opportunists. It also marks a pivotal moment in U.S. history, chronicling the inception of the FBI.
Grann’s narrative caught the attention of Leonardo DiCaprio, leading to a passionate collaboration with director Martin Scorsese. Despite Scorsese’s busy schedule, the potential for this story to be his unique take on a “western” fueled his commitment. Drawn to the genre since childhood, Scorsese saw “Killers of the Flower Moon” as an opportunity to delve deeper into real history, rather than repeat traditional myths. His approach? To create a film that wouldn’t just narrate but would inspire dialogue about America’s past and its ongoing impact on the present.
2) Scorsese’s “Killers of the Flower Moon”: From FBI Procedural to Personal Betrayal
Initially centered on FBI agent Thomas Bruce White Sr. as the hero, Scorsese and Roth’s adaptation of David Grann’s “Killers of the Flower Moon” underwent a significant transformation. Following concerns about perpetuating a “white-savior” narrative, the filmmakers found their emotional core in the complicated relationship between Ernest Burkhart and his Osage wife, Mollie, turning the narrative from a straightforward investigation to a deeply personal story of trust, love, and betrayal. This pivot was sparked by an informal script read that left DiCaprio questioning where the story’s heart lay. Their solution emerged from the real-life court transcripts and Grann’s retelling of the Osage murder trial, focusing on Burkhart’s chilling testimony of his role in the conspiracy against his wife’s family, orchestrated by his own uncle for financial gain.
This pivot wasn’t just a storytelling choice, but a reflection of the filmmakers’ dedication to truth and representation. Leonardo DiCaprio, who was deeply involved in the project, expressed the importance of capturing the Osage perspective, a sentiment echoed by Grann himself. Instead of just being another crime story, the movie evolved into a haunting exploration of personal dynamics set against a backdrop of cultural and economic exploitation. Scorsese, known for his character-driven films, found the story’s heart in the intricacies of human relationships and the corrosive nature of greed, ensuring that the adaptation was both captivating and culturally sensitive.
3) Leonardo DiCaprio and Lily Gladstone’s Deep Connection to “Finding Killers” Casting Choices
Leonardo DiCaprio’s portrayal of Ernest Burkhart was deeply influenced by the Osage community, shedding light on the actor’s dedication to authenticity. Similarly, the selection of Lily Gladstone as Mollie was not just a casting choice, but a nod to the importance of representing indigenous voices. Her Native American heritage and experiences brought layers of depth to the character and the story as a whole.
This emphasis on genuine representation and character depth didn’t stop with the film’s leads. Martin Scorsese, a master at crafting layered narratives, ensured that every character, from major to minor, had depth and dimension. Robert De Niro’s role as William “King” Hale echoes this, presenting a character not easily boxed into the conventional dichotomy of hero and villain. De Niro’s Hale is depicted as a multifaceted individual, reflecting the complexities of real-life figures. Furthermore, the film’s decision to cast established actors like John Lithgow and Brendan Fraser in seemingly smaller roles demonstrates the narrative’s commitment to storytelling richness. Every character, no matter how small, adds to the film’s intricate tapestry, painting a vivid picture of a historically significant era and the intertwining lives within it.
4) Embracing Authenticity: How Scorsese’s “Killers of the Flower Moon” Intertwined with the Osage Nation
In an unprecedented move of cultural immersion and respect, Martin Scorsese, in his preparation for “Killers of the Flower Moon,” involved the Osage Nation at every stage of production. The film was shot on location in the Osage reservation, incorporating insights and personal stories from the community to ensure a truthful representation of their history. Notably, the cast featured over 44 Osage actors, with key roles filled by Native Americans, affirming the film’s commitment to authenticity.
Beyond the on-screen representation, Scorsese’s production set a new benchmark for behind-the-scenes inclusivity and cultural engagement in filmmaking. The production team’s dedication extended to hiring Osage artisans, craftspeople, and consultants who contributed significantly to various departments of the film. The involvement of the Osage was not just ceremonial but integrative, with individuals like Osage artist Addie Roanhorse playing a pivotal role in production design, and cultural consultant Julie O’Keefe influencing the wardrobe department, ensuring cultural accuracy and respect were woven into the film’s very fabric. Furthermore, the engagement with the Osage language program demonstrated a profound commitment to linguistic authenticity, with native speakers coaching the cast in the language that would resonate throughout the drama. This deep collaboration signified a broader move towards not just telling stories about indigenous communities, but actively inviting them to participate in the storytelling, creating a narrative that’s not only compelling but also culturally truthful and respectful. This collaborative spirit culminated in a poignant land blessing ceremony attended by cast, crew, and the Osage community, underscoring the deep mutual respect and commitment to telling this impactful story with the reverence it deserves.
5) The Magic of Set Design with Jack Fisk
For the production of “Killers of the Flower Moon,” legendary production designer Jack Fisk, known for his expertise in constructing outdoor sets, faced the challenge of recreating 1920s Fairfax on Osage land. The modernization and wear of the original town over the years posed challenges, but an opportunity arose when the Osage Nation bought land in Pawhuska, planning to transform it into a parks and recreation area. After obtaining permission, Fisk built a train station on this land, complete with twelve hundred feet of track and an authentic locomotive.
In addition to his remarkable contributions to the film’s setting, Fisk’s approach to set design goes beyond mere visual appeal; it’s a complex, multi-layered process aimed at narrative enrichment. His commitment to historical accuracy is evident not just in the grandeur of the main sets, but also in the intimate spaces the characters inhabit. Every home, office, and marketplace was a deliberate construct, reflecting the lifestyles and cultures of the Osage people during the 1920s. Fisk’s dedication extended to covering a street with dirt to enhance the western feel of the setting, a testament to his attention to detail and deep respect for historical veracity.
Moreover, Fisk’s emphasis on character-driven design — influenced by his unique perspective as the spouse of an actress — ensures that every set serves as a backdrop that informs and complements the character development and plot progression. His collaboration with Scorsese was not just about building sets; it was about creating a world rich with history and nuance, offering audiences not just a glimpse into the past but an immersive experience that connects them to a profound, shared human story. This deep, narrative-focused approach to set design highlights how integral Fisk’s work is to the storytelling magic of “Killers of the Flower Moon,” blending meticulous research with an understanding of character and story to create a compelling visual narrative.
6) Unique History of the Osage Nation: Ownership and Wealth in Early 20th Century America
One compelling fact that stands out from the history of the Osage Nation is their unprecedented economic autonomy and wealth, particularly in the context of Native American history. The Osage people are notably the only Native American tribe to have purchased their reservation — located in what is now Oklahoma — using their own funds in the 1870s. This autonomy extended to their savvy negotiation with the U.S. government in the early twentieth century, ensuring collective ownership of mineral rights, specifically oil, discovered on their land.
These mineral rights, which were fiercely negotiated to benefit the Osage people as a collective, resulted in significant oil royalties, catapulting the tribe to among the wealthiest groups globally during that era. This wealth was so vast that it led to the establishment of a government-mandated Guardian System, intended to “assist” the Osage in managing their newfound resources. Unfortunately, this system became rife with corruption, leading to large-scale financial exploitation of the Osage people. Their determined efforts culminated in the 1925 congressional act that restricted the inheritance of headrights, ensuring that they remained within the Osage community. This showed their resilience in maintaining their cultural and economic integrity amidst external pressures. Today, the story of the Osage serves as a powerful reminder of the need for economic autonomy, vigilant oversight over systemic frameworks, and the persistent fight against exploitation. Their journey, from buying their own land to navigating the treacherous waters of wealth and exploitation, serves as an enduring testament to their spirit and determination.
In the cinematic realm, where tales are often a blend of fiction and reality, “Killers of the Flower Moon” doesn’t just bring with it a cast of stellar actors and a legendary director, but a profound historical narrative that beckons us to reflect on America’s past. This film is more than a cinematic experience; it’s an invitation to acknowledge and discuss the often-overlooked chapters of American history, a chance to engage with the stories that shape our present. Whether you’re a cinephile, a history buff, or someone who loves a well-told story, this movie is a must-watch, promising not only top-tier entertainment but also important education and discourse. Don’t miss the opportunity to be part of this crucial cultural conversation.
Epic in scale and scope, ‘Killers of the Flower Moon’ is another sweeping story from legendary director Martin Scorsese that highlights the relationship of crime and American history. Much like his earlier masterworks like ‘Gangs of New York,’ ‘The Irishman,’ ‘Casino,’ ‘Goodfellas,’ ‘’The Irishman,’ and the like, ‘Killers of the Flower Moon’ is a study of the inner worlds of the people who’ve turned crime into their lifeblood. Based on the nonfiction book of the same name by David Grann, Scorsese takes his time to build a world at the turn of the century in America when the Native American tribe of Osage found oil in their lands and made them extremely wealthy overnight. It changed the landscape of that part of America, but it also brought in the white people who did everything they could to take that money for themselves.
At 206 minutes, Scorsese takes his time to introduce us into a world that we never get to see on cinema – a world where Native Americans were rich and powerful, wearing expensive clothes and jewelry while being served by white people – by putting into film, he cements this actual occurrence in history into an image we can carry with us after seeing the movie. By taking this narrative and putting it on the big screen, he highlights how in the 1920s, the white people were envious at the richness and power of the Native Americans. He introduces us to Ernest Burkhart (played by Leonardo DiCaprio), a war veteran, who seems like he is never the smartest man in the room. He returns home to the ranch of his uncle, William King Hale (Robert De Niro), who takes him in and helps him get a job as a driver.
Within the first hour of the movie, Scorsese drills into us this universe. On one hand, the Osage people are wealthy but due to government policy, they need guardians to access their wealth and stigma and discrimination just hovers over the boundaries. William King Hale sells himself as a friend of the Osage people, but he likes to set up his men to marry the Osage women with the hopes of becoming a part of the will so that they can take the land if anything happens to their wives. It just so happens, Osage people are dying left and right and oftentimes, with no investigation.
And in the middle of all of this, Ernest falls in love with one of his regular clients, Mollie (Lily Gladstone). Mollie, with her sisters and aging mother, owns a huge property with a lot of oil and is one of Hale’s targets to acquire that land. He leverages Ernest’s and Mollie’s feelings to get his hands on the property and this is the crux of the film.
On one hand, this movie is exposing the lengths by which the white people have come to take what belongs to the Osage people and how it was protected by members of the government as it became a battle of the whites versus the Native Americans. On the other hand, it is also a cruel and brutal love story between a dumb, impressionable white man and his Native American wife, whom he doesn’t really realise he’s hurting in a huge, huge way.
Scorsese uses the film’s epic running time to really lay the groundwork to show the complex relationship between his three lead characters: DiCaprio, De Niro, and Gladstone. The push and pull of these characters against one another is what makes this movie so powerful because in the backdrop of it all is the metaphor of America’s history left bare for us to criticise and challenge.
This is immense work from DiCaprio and De Niro. They are in fine form and working the multiple layers of their characters with ease. Gladstone is also luminescent. Mollie is silent but strong and oftentimes her character is still, taking it all in, and in later scenes, feels very strongly as tragedy hits her again and again. She stands on her own with her two Oscar winning co-stars and will probably deservedly earn an Oscar nomination herself.
Unfortunately, Scorsese finds more interest in telling the story through the eyes of Ernest and leaves Mollie as the least developed character amongst the three. By choosing Ernest as the film’s point-of-view, he highlights the witless and unconscious act of destruction of the lives of the Osage people and makes this the point of the story. If it were Mollie’s movie, it would highlight the struggle against that destruction.
But I feel that Scorsese is out here to judge and criticize. He does not romanticize or glorify Hale or Burkhart’s actions. They are as reprehensible as they appear to be on the film. Scorsese doesn’t shy away from that. By doing so, he questions the idea of America’s greatness by amplifying the narrative of how this greatness was built on the robbing of the land and culture of the Native Americans.As a director, Scorsese has done a wide range of incredible films from ‘Age of Innocence,’ to his love letter to cinema in ‘Hugo,’ to his meditations on religion and faith in movies like ‘Silence’ and ‘The Passion of Christ.’ But it’s his films that delve into the dark soul of America like ‘Gangs of New York,’ ‘The Wolf of Wall Street,’ ‘The Irishman,’ ‘Casino,’ and even ‘The Departed’ that I feel is also an area of expertise on his part. The way by which he chronicles those lives and times and explores the factors that made America the way that it is. ‘Killers of the Flower Moon’ joins that pantheon of films and will be one of his many, many accomplishments when one decides to look at his filmography.
Welcome to another exciting week of cinema as we unveil the latest movies hitting the silver screen today. Whether you’re in the mood for “Killers of the Flower Moon,” a gripping historical drama, “Deep Fear,” a heart-pounding thriller, “Five Breakups and a Romance,” a modern love story, “Love Reset,” a memory-resetting romantic comedy, or “Target,” an intense Korean action, this week’s lineup has something for every film enthusiast. Here’s a sneak peek at the films you can catch:
Unearth the chilling mystery that unfolds in 1920s Oklahoma when oil is discovered beneath Osage Nation land. As the Osage people are hunted down one by one, it’s up to the FBI to crack the case.
Join a solo voyage aboard a yacht that takes a terrifying twist. A woman encounters drug traffickers in dire straits, clinging to a sinking boat with kilos of cocaine below shark-infested waters.
Prepare for a heartwarming love story starring Alden Richards and Julia Montes. Their journey explores the intricate balance of love and ambition, as they navigate the complexities of modern relationships.
Experience a romantic comedy as ‘Roh Jeong-yeol’ and ‘Hong Na-ra’ find themselves amidst a mysterious accident erasing their memories, just 30 days before their marriage ends. Love and laughter ensue as they piece together the fragments of their shared past.
Delve into the dangerous world of online second-hand shopping in this Korean action thriller. Starring Shin Hae-Sun, Kang Tae-Oh, and Kim Sung-Kyun, the film explores the real dangers of online scams through compelling and realistic characters.
FAN FAVORITES STILL SHOWING
Meanwhile, don’t forget to catch up on some of the movies that are still captivating audiences in theaters. Here’s a list of fan favorites that are still showing in cinemas:
That’s a wrap for this week’s new movie releases. There’s no shortage of exciting films to check out this week. From new releases to ongoing hits, there’s a movie for everyone. So gather your friends, pick your favorite flick, and enjoy a spectacular movie-going experience. Have a great time at the movies!
Prepare to squirm in your seats as the iconic horror game Five Nights at Freddy’s makes its cinematic debut on November 1!
From Pixels to the Big Screen
Blumhouse, renowned for delivering spine-chilling flicks like “M3gan”, “The Black Phone”, and “Invisible Man”, now breathes life into Scott Cawthon’s nightmarish creation. And guess what? Josh Hutcherson of “Hunger Games” fame gears up as Mike, our brave guard entangled in the eerie realm of Freddy Fazbear’s Pizzeria.
Josh Hutcherson in Five Nights at Freddy’s
Mike’s Terrifying Vigil
Haunted by his brother’s vanishing act a decade earlier, Mike’s quest for a fresh start at Freddy’s is more than just a regular job. It’s a chance to protect Abby, his younger sibling, masterfully portrayed by Piper Rubio. But, oh boy! Freddy’s is no ordinary pizzeria.
Mike, alongside the sharp-witted Officer Vanessa Shelly (Elizabeth Lail of “You” and “Mack & Rita”), dives deep into a world of supernatural mysteries. Every night unravels a new chilling tale, dragging him closer to a nightmare he can’t shake off.
Piper Rubio in Five Nights at Freddy’s
A Game’s Spooky Genesis
Did you know? Almost a decade ago, a crestfallen Scott Cawthon was on the brink of ditching game development. That was until a peculiar review of his game, Chipper & Sons Lumber Co., caught his eye. A user found the game’s animatronics “unintentionally terrifying”. Cawthon’s eureka moment: crafting a game to be intentionally petrifying!
Hence, Five Nights at Freddy’s was born. Players, embodying Mike, navigate through a night of suspense at Freddy Fazbear’s Pizzeria. But, it’s the creepy animatronic crew—Freddy, Bonnie, Chica, and Foxy—that truly test the players’ nerves.
Piper Rubio in Five Nights at Freddy’s
Star-Studded Casting
Besides Hutcherson, we have Mary Stuart Masterson portraying the frosty Aunt Jane, Kat Conner Sterling as Abby’s devoted babysitter Maxine, and Matthew Lillard dishing out smugness as Mike’s career counselor, Steve Raglan.
Helmed by director Ema Tammi and inspired by the game series itself, this film boasts of a spectacular crew. The magic behind the scenes? Puppetry by Robert Bennett, special effects from Donnie Dean, and jaw-dropping visuals crafted by Jonathan Dearing.
Bonnie, Freddy Fazbard and Chica
Save the Date!
Mark your calendars, folks! Universal Pictures International presents Five Nights at Freddy’s on November 1. Ready for a game-like movie escapade? See you at the cinemas!
Shopping for second-hand items online becomes a terrifying and life-threatening situation in the upcoming Korean action thriller Target starring K-Drama’s most renowned actors led by Shin Hae-Sun, along with Kang Tae-Oh and Kim Sung-Kyun. Together the actors give life to everyday, realistic characters embroiled in the hazards brought about by online scams.
Soo-hyun’s (Hae-Sun) life falls apart when she is targeted by a killer after buying a used washing machine online. Bent on saving costs due to skyrocketing prices of goods, Soo-hyun falls for a deal when a seller posted a second-hand washing machine online at a very cheap, irresistible price only to find out that she’s been scammed since the item is not working. Annoyed and unwilling to let it slide, Soo-hyun tracks the seller and warns everyone online about being scammed to protect potential buyers from the fraudulent seller. She soon finds out that this is no ordinary scammer and will do anything at all costs to stop her from spreading the word against him. Strange things soon happen as she start to experience receiving strange text messages and deliveries at home she hasn’t even placed. Shaken, Soo-hyun reports the incidents to the police that led them to a terrifying revelation that she bought an item from a killer.
Target starts off with the realistic subject of second-hand shopping, which has become a familiar part of our daily lives, and combines it with the thriller genre with added cinematic imagination. The plot of being scammed and targeted by a criminal in a used goods online market, where anyone can easily sell and buy, is not just for the movies, but something that could be happening to someone right now. The film sharply captures the crime of online second-hand shopping and maximizes suspense with a heightened sense of reality.
Shin adds to the immersion by expressing Soo-hyun’s emotions as she goes from an ordinary office worker to the target of a killer whose life falls apart as she is anonymously threatened. From the anger of being scammed in a used item purchase, to the fear that someone is watching her every move, and the despair of not being able to escape the criminal’s watch, Shin delicately expresses the various emotions with a three-dimensional, compelling performance. Portraying not just a victim who is unconditionally targeted, but a woman who takes action to find the culprit, Shin leads the audience with her intense performance. Director Park Hee-kon expressed his great satisfaction in working with Shin Hae-sun, saying, “It is difficult to express various emotions where an ordinary office worker becomes a target of crime, and to coordinate the changes with other actors, but I was amazed to witness her doing that every day on set.”
An Encore Films to be distributed by Warner Bros., Target opens October 18 in local cinemas.
The verdict is in, and it’s a resounding ovation for Killers of the Flower Moon. Martin Scorsese’s latest masterpiece has taken the cinematic world by storm, with critics unanimously hailing it as another pinnacle of artistic achievement. Rotten Tomatoes, the ultimate barometer of film quality, has bestowed upon it an impressive 95% Fresh rating, based on a whopping 97 reviews.
A Star-Studded Cast
Starring: Leonardo DiCaprio, Robert De Niro, and Lily Gladstone.
Killers of the Flower Moon is set to premiere worldwide, including IMAX® theaters, on October 18th. The anticipation surrounding this film is palpable, and for a good reason.
Empire Magazine’s Rave Review
Empire Magazine, no stranger to quality cinema, couldn’t contain their excitement. They lauded Scorsese, labeling the film as “exceptional filmmaking by an exceptional filmmaker” and gracing it with a stellar 5-star rating.
Acting Triumph
Collider showered praise on the film’s acting, heralding it as a “triumph for its leading cast.” DiCaprio, De Niro, and Gladstone’s performances are leaving audiences spellbound.
Cinematic Brilliance
But it’s not just the performances that have critics buzzing. The Hollywood Reporter couldn’t help but admire the film’s many facets, describing it as “richly atmospheric and character-driven.” The visual splendor, brought to life by Rodrigo Prieto’s cinematography and Jack Fisk’s meticulous period production design, has been deemed top-notch.
An Epic That Doesn’t Feel Long
Despite its extensive runtime of 3 hours and 26 minutes, Deadline’s critic remained glued to the screen, declaring, “I never looked at my watch.” They emphasized that the film “feels truly epic, all in service to the story.”
Marty’s Magic
The New York Post joined the chorus of acclaim, extolling Scorsese’s talent for weaving a gripping narrative. They stated, “Good old reliable Marty pulls it off again, addictively unraveling a tale that’s almost too terrible to be true with panache, gusto, and just the right amount of cultural respect.” they raved. “Plus, it’s phenomenally entertaining. Scorsese remains one of the very, very few directors who can craft an ‘important’ movie that’s also stylish and easy to devour.”
Oscar Frontrunner
With such a stellar reception, Killers of the Flower Moon has emerged as a frontrunner for the Oscars. While the nominations are yet to be announced, experts are predicting nods in all major categories. The film is a strong contender for Best Picture, Best Director for Scorsese, and acting honors for DiCaprio, De Niro, and Gladstone, who have been earning accolades since its debut at the Cannes Film Festival earlier this year.
A Dark Chapter in History
Set at the turn of the 20th century, Killers of the Flower Moon delves into the story of the Osage Nation, who struck it rich thanks to oil wealth. Their newfound affluence attracted ruthless interlopers, leading to manipulation, extortion, and even murder. The film brings this dark chapter in history to life through the improbable romance between Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone).
Stellar Supporting Cast
Joining the formidable trio of DiCaprio, De Niro, and Gladstone are Robert De Niro and Jesse Plemons. Together, they deliver performances that are nothing short of mesmerizing. Killers of the Flower Moon is directed by Academy Award winner Martin Scorsese, with a screenplay crafted by Eric Roth and Martin Scorsese, based on David Grann’s best-selling book.
Behind the Scenes
This cinematic gem hails from Apple Studios and was produced in collaboration with Imperative Entertainment, Sikelia Productions, and Appian Way. The production dream team includes Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi as producers. Executive producers include Leonardo DiCaprio, Rick Yorn, Adam Sommer, Marianne Bower, Lisa Frechette, John Atwood, Shea Kammer, and Niels Juul.
Don’t Miss It!
Killers of the Flower Moon is set to captivate audiences with its gripping narrative and powerhouse performances. Paramount Pictures, in collaboration with Columbia Pictures, is distributing the film in the Philippines. Get ready to immerse yourself in this cinematic triumph and join the conversation with #KillersOfTheFlowerMoon.
Photo and Video Credit: “Apple Original Films / Paramount Pictures International”
Calling All Fans: Brace yourselves as Marvel Studios serves up a thrilling treat. They’ve released exciting new sneak peeks of the much-anticipated The Marvels. Plus, to double the excitement, brand-new posters have landed. But that’s not all; tickets for the epic adventure are now on sale!
Grab Your Tickets: The wait is over! You can now secure your spot for The Marvels. Head to your nearest ticket outlet or hop online to make sure you don’t miss out on this cinematic spectacle.
Carol Danvers Returns: In The Marvels, the indomitable Carol Danvers, also known as Captain Marvel, is back with a vengeance. She’s reclaimed her identity from the tyrannical Kree and settled the score with the Supreme Intelligence.
A Universe in Turmoil: But her heroic actions come with unexpected consequences. The universe now teeters on the edge of instability, and it’s up to Carol to set things right. Her journey takes her through a mysterious wormhole, connected to a Kree revolutionary.
Ms. Marvel Emerges: In this cosmic adventure, we’re introduced to Kamala Khan, the Jersey City super-fan who’s destined to become Ms. Marvel. Her journey becomes entangled with Carol’s, and together, they hold the fate of the universe in their hands.
Meet Captain Monica Rambeau: But that’s not all. There’s another addition to this extraordinary trio – Captain Monica Rambeau, who’s now an astronaut with S.A.B.E.R. She’s the estranged niece of Carol, and her role in this adventure is nothing short of pivotal.
A Uniquely United Team: These three unlikely allies must band together and learn to harness their powers in perfect harmony. The fate of the universe rests on their shoulders, and they’ll stop at nothing to save it.
Meet the Stellar Cast
The Leading Trio: Brie Larson is back as Carol Danvers, while Teyonah Parris takes on the role of Monica Rambeau. Iman Vellani steps into the shoes of Kamala Khan, aka Ms. Marvel.
A Star-Studded Lineup: The film boasts an ensemble cast that includes Zawe Ashton, Gary Lewis, Seo-Jun Park, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, and the legendary Samuel L. Jackson.
Behind the Camera Magic: Nia DaCosta sits in the director’s chair, with Kevin Feige leading the charge as producer. The team is rounded out by executive producers Louis D’Esposito, Victoria Alonso, Mary Livanos, and Matthew Jenkins. The screenplay is a collaborative effort by Nia DaCosta, Megan McDonnell, and Elissa Karasik.
Save the Date
Get ready for a cosmic adventure like no other. The Marvels is set to dazzle Philippine cinemas on November 8.
Excitement is building, and the Marvel universe is buzzing. Share your thoughts, speculations, and excitement online using the hashtag #TheMarvels. It’s time to unite and embrace the magic of the Marvels!
The highly-anticipated Wonka, featuring the incredible Timothée Chalamet as the iconic chocolate-maker, is arriving sooner than expected. The release date has been moved up to December 6 (previously January 2024) for international markets, including the Philippines. As a result, Filipino fans will have the privilege of enjoying the film one week ahead of the U.S.
A Journey Back in Time: “Wonka” takes us on a delightful journey into the past, exploring the origins of the beloved Willy Wonka. Based on Roald Dahl’s timeless classic, “Charlie and the Chocolate Factory,” this movie unveils the remarkable story of the world’s greatest inventor, magician, and chocolatier.
A Whimsical Blend: Wonka is a magical concoction of music, mayhem, and emotion, all sprinkled with heartwarming humor. Starring the brilliant Timothée Chalamet in the title role, this big screen extravaganza introduces us to a young Willy Wonka, brimming with dreams and a passion to change the world, one delectable bite at a time.
Behind the Scenes Magic
Visionary Creators: Directed by Paul King and co-written by Simon Farnaby, Wonka promises to deliver a cinematic masterpiece. The production is helmed by David Heyman, Alexandra Derbyshire, and Luke Kelly.
An Ensemble of Stars: Alongside Timothée Chalamet, the cast is a stellar constellation. It includes Calah Lane, Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Baynton, Sally Hawkins, Rowan Atkinson, Jim Carter, and Oscar winner Olivia Colman. The film also features Natasha Rothwell, Rich Fulcher, Rakhee Thakrar, Tom Davis, and Kobna Holdbrook-Smith.
Mark Your Calendar for December 6
Get ready for a cinematic adventure as Wonka hits theaters on December 6. Warner Bros. Pictures, a Warner Bros. Discovery company, is bringing this enchanting tale to Philippine cinemas.
Let’s share the excitement online! Use the hashtag #WonkaMovie and prepare to be transported to a world of pure imagination. Don’t miss this delectable cinematic experience!
