Artist Reception on September 25, Wednesday, at 5 PM.
Farmers reaping a bountiful harvest in the rice fields, father and son enjoying an afternoon merienda of pandesal and coffee, two lovers sharing a moment with a heartfelt harana — in today’s fast-paced world, visual artist Bernard Vista focuses on capturing these simple moments that reflect on the withstanding spirit of the Filipino.
Bernard Vista’s “Countryside Chronicles,” showcases the artist’s affinity for genre painting against the backdrop of the rustic landscapes of rural Philippines. His latest series of works continue to capture simple expressions of Filipino daily life elevated with his skilled manipulation of oil pigment on canvas and stylized depictions of everyday people.
Vista was a scholar of the Saturday Group of Artists under the tutelage of National Artist Cesar Legaspi. Evoking the style and sensibilities of his contemporaries, Vista’s distinct rendering style pulls inspiration from the local cubist movement and modernist painting tradition. He reinterprets traditional imagery and techniques through his lens creating a practice that is uniquely his own.
A certain tenacity is palpable in the manner Bernard Vista paints the common townsperson. The strong silhouettes and solid lines of action in his works denote an unrelenting energy and vitality. This robust spirit is juxtaposed with the humility exhibited by his subjects as they bow their heads as if in reverence. With these unyielding and humble characters, Vista’s rural scenes are painted in bold folk colors that exude the sunny Filipino optimism that exists within the crux of his oeuvre.
“Countryside Chronicles,” is all together Bernard Vista’s ode to the Filipino spirit as he chronicles the rich customs and traditions of the people in a painted tableau of everyday moments. Following in the footsteps of modernist masters, Bernard Vista’s genre painting captures that which is distinctly Filipino, from psyche to landscapes, fostering a love of country and culture.
“Countryside Chronicles,” by Bernard Vista runs at Galerie Joaquin BGC from September 24 – October 6, 2024, with an Artist Reception on September 25, Wednesday, at 5 PM. Galerie Joaquin BGC is located on the Upper Ground Floor of One Bonifacio High Street Mall, 5th Ave. Corner 28th Street, Bonifacio Global City, Taguig. For inquiries, contact +63 915 739 1549 or email galeriejoaquinbgc@gmail.com.
It has been written how blue is often used as a symbol of depth, tranquility and introspection in the visual arts. Its association with the sky and the sea gives blue a vastness that evokes feelings of infinity and boundlessness. Artists have used blue to convey a sense of calmness and peace, but also melancholy or spiritual yearning. However, blue can also be imbued with more complex and sometimes contradictory meanings depending on the context. In modern and contemporary art, blue is often associated with abstraction and emotional expression. Blue can signify both the profound and the intangible, serving as a versatile symbol of human emotion and existential depth.
Tied together by their shared palette yet distinct in their personal interpretations, Raeche, Ronna and Rufe redefine how they respond to and make a connection with the color in “Into the Blue,” on view until Sept. 30 at Robinsons Land ARTablado, Level 3 of Robinsons Galleria, Ortigas Center.
At the heart of the show lies the convergence of three distinctive approaches to painting, united by the singularity of blue.
For Ronna, blue signifies peace and balance, an apt metaphor for her serene renderings of tranquil ponds and graceful koi fish. With her architectural background, Ronna brings precision and a multi-dimensional effect to her work, using acrylics to balance technical skill with emotional depth. “Blue is cool to the eyes, and evokes a soothing response,” Ronna explains, “It’s my favorite color and represents harmony, which is central to my artistic vision.”
Raeche, on the other hand, approaches blue as a symbol of endless possibilities. Her energetic, fluid strokes capture the movement of life, whether in scenes of children at play or dynamic figurative subjects. “When I paint, I immerse myself in a world of my own, where it’s just me, my canvas, and the way I express the beauty in my mind,” she shares. To her, blue clears the mind and represents the vast ocean of creativity, allowing her to experiment freely. “It’s a color that unveils infinite horizons, much like the ocean brimming with possibilities”.
In contrast, Rufe’s interpretation of blue brings a quiet stillness to the exhibition. His still-life compositions, dominated by shades of blue, offer a contemplative perspective on everyday objects. “I use blue not just to evoke tranquility but also to encourage viewers to see beyond the familiar,” Rufe says. “Through a deliberate restraint in color, I challenge the viewer to appreciate the subtle nuances that blue offers, from hope to introspection.” Rufe’s works serve as an invitation to slow down, to contemplate, and to find beauty in the simple and the quiet.
The color blue, often associated with tranquility and calm, serves as more than just a visual anchor in this exhibition. It symbolizes the artists’ shared pursuit of harmony amidst their varied approaches. “Into the Blue” becomes a dialogue between these creators, where blue acts as the common thread that binds their works, much like the color’s historical association with unity and cohesion.
Another element that binds these three artists is their faith in a platform such as Robinsons Land ARTablado for its commitment to supporting Filipino talent, its accessible location, and in helping share their artistic vision to a broader audience.
For Ronna, the gallery’s elegant presentation enhances the pieces, creating an immersive experience for viewers. “I’ve seen how ARTablado supports each exhibit enthusiastically, and the panels really enhance the artworks that are hung,” she says.
Raeche sees the exhibition as an opportunity to inspire future generations of artists. “We hope to inspire younger generations to dream and recognize the beauty in every piece of art,” she reflects, envisioning the impact the exhibit might have on casual visitors. “Exhibiting at ARTablado presents new opportunities for us, allowing mall-goers to openly appreciate our work.”
The artist adds how she hopes that visitors will not only enjoy the works but also find deeper meaning in them. “In this exhibit, we explore varied emotions tied to blue — from tranquility and serenity to expressive passion and playful energy,” she says. Rufe sums it up best: “Blue is a color that speaks to the soul, and we invite everyone to join us on this journey of discovery.”
I have been a fan of ‘Once on this Island’ since I first heard the soundtrack sometime in the early 90s. The musical, by Lynn Ahrens and Stephen Flaherty is an adaptation of the 1985 novel ‘My Love, My Love’ or ‘The Peasant Girl’ by Rosa Guy, which is a reimagining of the fairy tale The Little Mermaid by Hans Christian Andersen but set in the Caribbean. The musical has won the Laurence Olivier award at the West End in 1995 and the Tony for Best Revival in 2018. The play, almost completely sung-through, boasts incredible music by a large array of loveable characters and a love story that can be quite problematic in the current time but is very much a throwback to the love story depicted in The Little Mermaid.
Photo by Reine Paisley | Courtesy of 9 Works Theatrical
9 Works Theatrical’s production, on the direction of Robbie Guevarra, does an interesting turn on the musical emphasizing the craziness of the dated love story of the play. ‘Once on this Island’ is set in an island in the Caribbean. In the midst of a huge storm, the villagers tell a story about Ti Moune to calm a child. The story goes that Ti Moune was an orphan that the four gods – Asaka, Agwe, Erzulie, and Papa Ge – saved so that she can teach the island a lesson. The island is split into two – the peasants and the Grand Homme – and these two worlds never meet. Except Ti Moune longs for bigger things, having been told that the gods have saved her for something special. She sets her eyes on a Grand Homme, Daniel, who drives through the island in his Mercedes Benz. Having fallen in love with the young man, Ti Moune proclaims that she will marry him, and the gods laugh at her bravado. But Erzulie, the goddess of love, insists that love is stronger than the earth, water, and death, the domain of Asaka, Agwe, and Papa Ge. The gods then decide to use Ti Moune and Daniel to test Erzulie’s proposition: that love is stronger than death.
Photo by Reine Paisley | Courtesy of 9 Works Theatrical
The play is Ti Moune’s journey from her village to the land of the Grand Homme to be able to marry Daniel and prove the power of love. Back in the 90s, the very ‘Little Mermaid’-ish storyline was innocent and idealistic. But in today’s sensibiliites it is a little foolish, if not outright mental. Guevarra leans into this, turning Ti Moune’s longing and passion into something rash and delirious. When Ti Moune and Daniel first meet, Daniel crashes his car during the rain and Ti Moune nurses him back to health. She sings a song about her love for him and Guevarra highlights this by doing a pretty neat trick by letting his Daniel appear on another part of the stage to sing their love duet despite the fact that the audience was left to believe that Daniel was on the bed with TI Moune when the scene starts. Guevarra uses his talented ensemble in multiple ways to weave his players in and out of scenes that keeps the energy on stage strong and vibrant.
Photo by Reine Paisley | Courtesy of 9 Works Theatrical
He also directs the cast to play up the storytelling aspect of the play. Since the story is told through the villagers, when they perform the scenes of the Ti Moune story, there is a child-like wonder to the performances that keeps the play buoyant despite such themes as death and class division. Coming up to match this direction is its very abled cast with standout performances by Angela Ken (in the show I saw, Thea Astley alternates) as Ti Moune, Lorenz Martinez as Papa Ge, Garret Bolden as Agwe, Lani Ligot as Mama Euralie, Raul Montesa (for the show I saw, Noel Rayos alternate), and Krystal Kane (alternate Shanaia Gomez) as Andrea.
Martinez is always reliable, but his Papa Ge is a lot more human than a previous show I saw 20 years ago and from clips I’ve caught on the internet. It’s not a caricature of a “sly demon” as his intro to the play suggests but a textured portrayal that brings in an air of freshness. Bolden has an impressive stage presence and has a magnificent voice that made his solo song ‘Rain’ a showstopper in the show I caught. For the little Andrea gets to do in the play, Kane was so memorable and was able to add a new layer to Andrea, not pushing her into the level of an antagonist (as some productions do). The scene stealers of the show, though, belong to Ligot and Montesa, who play the parents of Ti Moune. Their singing is imbued with so much heart and passion that they easily served as the show’s emotional anchor.
Photo by Reine Paisley | Courtesy of 9 Works Theatrical
Ken is a wonderful discovery. She has spunk and presence and is unafraid to show the deliriousness of Ti Moune’s love for Daniel. The girl can sing, and she can demand for her spotlight on that stage, even when it is completely filled by that cast. I discovered this is still her first lead role and you can see the inexperience, sometimes relying on facial expressions that feel rehearsed or practiced but what she lacks in experience, she makes up for charisma and bravado. She’s an amazing talent and I can’t wait to see her grow.
Mio Infante’s set is both beautifully designed but can also create staging limitations for the production. There are curtains draped right above the center in a circle with strips of fabric falling down making it look like a gorgeous ethereal jellyfish when the lights hit it at a particular way and the stage itself has a thin loop that encircles the center. Actors can jump on the loop that is tilted towards the audience. It’s interesting because it allows the characters to go in and out of the center to direct us to the action, but it can also create an upper and lower level for certain scenes where height and leverage can come into play. Unfortunately, when the action is focused right in the middle, the circle can become limiting and when the whole ensemble is dancing together, it can sometimes feel too cluttered or busy. It makes the play feel smaller than it is.
Photo by Reine Paisley | Courtesy of 9 Works Theatrical
But the musical direction of Daniel Bartolome keeps the score intact but adds extra percussion flourishes in certain songs – the dance-oriented ones, specifically – that adds an extra kick to the already-wonderful music of Stephen Flaherty. The singing by this ensemble is exceptional and so if the story isn’t to your liking, you can just enjoy the beautiful music.
Photo Courtesy of 9 Works Theatrical
There’s a lot to love in this beloved staging of the classic musical ‘Once on this Island.’ I appreciate the modern approaches it takes on some parts of the book that can feel dated, but it also manages to highlight the play’s stronger themes as it tackles class discrimination. This staging also manages to push a message that we make our own choices, regardless of what the gods (or whatever metaphor you decide the gods are representative of) has in store for you. For that alone, it’s reason why we must keep telling this story.
Two years ago, artists and friends Brando Limon Bati and Adler Llagas had a two-man show at ARTablado Robinsons Antipolo.
ARTablado, a Robinsons Land initiative launched in 2020, has been supporting talented Filipino artists by providing them with venues so they can showcase their art and reach a bigger audience. You can find ARTablado, a portmanteau of the words “art” and “entablado” (stage), at Robinsons Antipolo, Robinsons Galleria, Summit Ridge Tagaytay and Crowne Plaza Galleria Manila.
This month, Brando and Adler return to Robinsons Antipolo not for a two-man show but for an exhibit with their families. Their wives and daughters are artists as well and now, they’ve also joined the ARTablado family.
“Dreams to Reality,” which runs until September 15, is an art exhibit that celebrates the creativity and connections of the two intertwined families. The unique show brings together the artistic visions of two close friends and their families, who are united by their shared passion for art.
“Dreams to Reality” is a testament to the bonds that tie us together. Through their diverse styles and stories, the artists explore themes of family, friendship, and creativity, offering a glimpse into the shared experiences that shape their work.
At the heart of the exhibit are the fathers, Brando and Adler, who are both accomplished artists. The two, who have supported their families with their art, now serve as mentors for their wives and daughters.
Brando, who has been painting since 1982, is a Tanay-based artist known for painting figures and still life using oil, pastel, pencil color and watercolor. His work has received recognition and awards and has been exhibited all over the country and abroad.
Adler, from Baras, Rizal, is a self-taught landscape artist who has been participating in solo and group exhibitions in the Philippines and abroad since 1996. He was recently commissioned by the Church of the Latter-day Saints to do two mural-sized paintings.
In the early days of Adler’s and Brando’s artistic careers, their wives Lucia Llagas and Teresa Demeterio Bati doted on them and supported them in different ways—from making them coffee and cleaning their studio and brushes to taking care of the kids while their husbands were busy painting.
The husbands and wives also worked together in overcoming financial challenges. Teresa said, “I had a small business and would find other ways in case no paintings were sold so I could help my husband with our daily needs.” She also recalls going with Brando to deliver paintings he had sold.
Inspired by her husband, Teresa had actually started painting using watercolor in 1997 but put it on hold to focus on working and her business. Last year, upon the encouragement of Brando, she returned to her love for painting, filling canvases with bouquets of flowers done in acrylic. She has previously participated in a group show called “Dreams” and her work has been purchased by art collectors. Her artworks always remind her to be like flowers: “Bloom. But at the perfect time.”
Teresa is grateful for how supportive her husband has been throughout her art journey. “He always has a canvas ready for me,” she said.
Though she’s had experience in export commercial painting when she was younger, it was also Lucia Llagas’ husband who influenced her art journey. “I decided to start painting because I’ve always watched him working in the art industry, and he inspired me.”
Lucia finds relaxation and happiness in painting. “Dreams to Reality” is her second exhibit.
Brando and Teresa’s daughter Candys Bati Fulgado and Adler and Lucia’s daughter Aicel Lacerna Llagas were also inspired by their fathers to go into art.
Candys discovered her passion for art and painting as a young girl, after witnessing her father working. In 2020, her father encouraged her to paint again and she did, using acrylic on canvas. Seeing her father and mother both paint continues to inspire her. Like her mother, she loves painting flowers—spring flowers, in particular, as she sees them as symbols of new beginnings, renewal, and hope.
She is proud to have parents who are both visual artists.
Brando hopes his daughter has learned from witnessing his perseverance in his art. He wants to tell her, “Keep going, no one can take your talent away from you.”
Aicel, the second child of Adler and Lucia, also adores flowers and has decided to make them the focus of her paintings. Aicel had grown up watching her father work but, she said, “I wasn’t initially all that interested in painting.”
That changed while she was stuck at home during the pandemic. She asked her father if she could give painting a try. “He said that I could, but that I should start with a pencil… I decided to sketch flowers as my theme, and I do so every day until it’s dawn.”
Aicel’s father Adler continues to be her biggest inspiration and motivator. Aicel, who has already participated in several exhibits, is grateful to her parents for their unwavering support for her passion. “It feels good. Painting is a way for us to bond. It’s quality time for us.”
“I’m so glad that we now also get to paint together and even have exhibits together. Art really brings us together,” said Adler about his wife and daughter.
Brando is happy to see his wife and daughter painting as well. He said that their exhibit is called “Dreams to Reality” because that’s exactly what it is—a dream turned into reality. “A lot of artists dream about exhibiting with their families but it doesn’t usually happen,” he said.
“What started as a dream is now a reality. It’s so rare for an artist to have family members who are also as passionate about painting,” said Adler.
For the Batis and the Llagases, art is a family affair.
“Dreams to Reality” runs until September 15 at ARTablado Upper Ground Floor, Main Mall, Robinsons Antipolo.
If you’ve been waiting to catch “Mula sa Buwan,” this is your last chance! The beloved Filipino musical that has captured the hearts of many is set to stage its final two performances on September 14 at 2 PM and 7:30 PM. After these shows, the curtain will fall, marking the end of an era for this acclaimed production.
A Definitive Farewell
As announced during the curtain call, the upcoming performances will be the last opportunity for LaBuwans to experience “Mula sa Buwan” in its definitive form. The show, a retelling of Edmond Rostand’s Cyrano de Bergerac, set against the backdrop of 1940s Manila, has been a beacon of Filipino theater, blending history, romance, and the enduring spirit of defiance.
Creator Pat Valera shared the poignant news that “Mula sa Buwan” will not be returning to the stage in the near future. This means that on September 14, actors Myke Salomon, Gab Pangilinan, MC Dela Cruz, Phi Palmos, and Jillian Ita-as will take their final bows as members of this extraordinary troupe.
The Actors’ Heartfelt Goodbyes
Each of the five actors who have been central to “Mula sa Buwan’s” success shared their reflections on what the show has meant to them and the legacy they leave behind.
Gab Pangilinan, who played Roxane, described “Mula sa Buwan” as a dream come true, stating, “Roxane was my first big Filipina role. I’ve grown so much as an artist and as a person through Roxane, and through this musical.”
Myke Salomon, who portrayed Cyrano, expressed that “Mula sa Buwan” represents everyone who has been part of the production, saying, “Ang Mula sa Buwan ay tayo, bawat taong nasa loob ng tanghalan.”
Photo Credit: Jaypee Maristaza
MC Dela Cruz shared his deep connection with the show, calling it “HOME,” as it marked the beginning of his journey as a theater actor. He added, “Kahit anong shows na ang nagawa ko, MSB pa rin ‘yung uuwian ko.”
Phi Palmos, who played the role of Rosanna, highlighted the significance of LGBTQIA+ representation in the show, stating, “Mula sa Buwan is one prime example of LGBTQIA+ representation. That during the war, we exist. Nandun kami at hinding-hindi mabubura.”
Jillian Ita-as, who joined the production as Gabriel in 2022, described “Mula sa Buwan” as a familiar piece of hope. “It’s just this timeless, classic story that people love coming back home to again, and again, and again,” she said.
What Will Be Missed the Most
As the cast prepares for their final performances, they shared what they will miss most about the show.
Gab expressed her gratitude for the “fools, dreamers, misfits who love telling the story just as much.” Myke mentioned missing everyone who has been part of this journey, and MC reflected on the lessons his characters, Maximo and Christian, taught him.
Phi emphasized the closeness and camaraderie among the cast, saying, “When you’re really together, everyone genuinely cares for each other. And I believe that’s the reason the effect of the musical is like that.”
Jillian spoke fondly of the people involved, describing them as family. “Para kaming mga classmate na buong school year magkasama, that’s really how deeply I feel for each and everyone one of them,” she shared.
Photo by Paw Castillo
A Final Message to LaBuwans
The actors also left heartfelt messages for their supporters.
Gab encouraged everyone to carry the lessons and emotions from the play with them, saying, “Lagi’t lagi, pag-ibig ang mananaig.” Myke hoped that the light of “Mula sa Buwan” is etched in everyone’s hearts, while MC simply said, “Salamat, kaibigan.”
Phi expressed deep gratitude, saying, “Hindi sapat ang sanlibo sa laki, puspos, at nag-uumapaw ninyong pagmamahal.” Finally, Jillian conveyed her deep gratitude, thanking everyone who supported her character, Gabriel, and the entire production.
Tickets for the last two shows are available through Ticketworld or bit.ly/msb2024tickets. The production must close on September 14, so don’t miss this final chance to be part of “Mula sa Buwan‘s” magical journey. Magkita-kita tayo muli para sa huling pagkakataong ito at sabay tayong magsabi ng #PaalamBuwan.
I saw ‘Mula sa Buwan’ a few years ago, straight out of the pandemic, and as well lauded as the show was, I personally found it chaotic despite the fantastic songs and the incredible singers who were cast in that show. I couldn’t quite get into it then but that show alone showed all of Gab Pangilinan’s star power and her capacity to fill a stage with her presence and vocal chops. Coming to see this revival of the show, still at the Samsung Performance Arts Theater, the new direction by Mikko Angeles expands the stage work to include video projections that manages to amplify the narrative and creates a whimsical, almost fairy-tale like quality to the show (and a dark twisted one later in Act 2) and somehow centers the emotional weight on Pangilinan’s Roxane. It was a clever move because Pangilinan has really pushed herself to a level, I’d like to say is equal to “national treasure” because not only can she sing, but she infuses the work with all the emotions of the scene that it fills the whole theater with electricity.
‘Mula sa Buwan’ is a Filipino adaptation of ‘Cyrano de Bergerac.’ Set in Manila, right before World War II, the play follows Cyrano (Myke Salomon), a poetic genius with a comically large nose. He is known about town as a poet, a stern ROTC commander, friendly to the outcasts of society, and seems unafraid to use his wits and skills to best anyone he feels does not live up to his standards for a civilized life. At the show’s beginning, he comes off as a bully, breaking up a theatrical show for not having authenticity and making a fool out of his commanding officer, the son of a general, for his uncouth ways. But Cyrano finds himself in a sticky situation as the love of his life (and childhood best friend) Roxane has fallen in love with the handsome Christian (MC Dela Cruz), who has just come to town and is stationed under Cyrano in ROTC.
Insecure over his appearance, Cyrano accepts Roxane’s request to ensure that Christian is to be kept from trouble and when he discovers that Christian feels the same way as Roxane, he orchestrates a deception to get the two together. The thing is, Christian is not good with words and can be very clumsy, and Roxane has a poet’s heart and is attracted to wit and eloquence. Under the cover of night, Christian serenades Roxane while she’s on her balcony with Cyrano hiding in the darkness feeding him the words.
It’s the classic mistaken identity love story trope that no longer feels as romantic in the midst of 2024 sexual politics. In the current climate, what Christian and Cyrano do is catfishing – no matter how good their intentions may be – and Roxane was made to be a fool. The era nor the poetry of Pat Valera’s script can soften that so what Mikko Angeles does is to play up Cyrano’s and Christian’s selfishness. He doesn’t hide from it but he plays it up. In fact, there’s an old school theatricality to the performances – the line delivery and the blocking – which highlights the naivete of the time. It’s crucial for the emotional shift that happens on Act 2.
Because World War 2 does come and the playful romance and idealism of Act 1 is torn asunder and reality kicks in so when Roxane is forced to face heartache and pain caused by the war, Pangilinan brings all that pain, built up since Act 1, into a powerful solo that brings the house down that even I was in tears. Roxane is the heart of this production and by putting her at the center, played with by the two boys and their affection for her, the sting of the second act hits harder.
It’s not a perfect show, though. There’s a whole section in the play about the ‘Makulay na Kabataan,’ a group of outcasts (queer people and artists) who are fighting for freedom and independence but there’s no real feeling of oppression that pervades the first act. There is talk of independence, but never do we ever really feel the American occupation haunting the scenes. The title song, ‘Mula sa Buwan’ is a call for a place that is more forgiving, a place that is free from oppression but there’s none of the things that they are wishing for is seen in the play. The love story is front and center but the going-ons in the background feel empty and hollow. What are the colorful children protesting against? Why do they need independence when they can put up plays and sing out in the streets? Anything outside of Cyrano, Roxane, and Christian’s love triangle seems more like filler than something that is integral to the show nor does it inform on the love story itself.
With that said, this production of ‘Mula sa Buwan’ is still a total theatrical experience. The set designs by Ohm David are brilliant. It’s a barrage of moving sets with strange perspective that really amplifies the whimsical tone of the show. It’s immersive in a way that it feels that the world is large and wide and deep. The lighting design Meliton Roxas Jr magically illuminates the most important parts of the scene that allows us to follow the story (though I do wish the balcony sequence was just a bit darker to really sell the idea that Roxane can’t see who she is talking to) while the video projections of Joyce Garcia is immensely transformative turning the show into a fairytale. Myke Salomon’s musical score creates urgency and builds emotions. The first song of the second act is absolutely brilliant.
And the performances – Myke Salomon, Gab Pangilinan, MC Dela Cruz, Phi Palmos, Jillian Ita-as, and Jerom Canlas – fantastic singers and dancers and are able to carry the comedy as well as the romance and then the sudden dramatic shift for Act 2. It’s a total theatrical experience that is so inspiring to see on the Philippine stage.
Creatives, like writers and artists, share a similar vein. When they’re starting out, they write about or create from what they know. As they mature and explore different aspects, however, their style evolves—it becomes richer, more varied. This blossoming of lush creativity is now on display at ARTablado in Robinsons Antipolo where the works of six female artists are in the spotlight.
“Her Art, Her Story: Celebrating Women’s Narratives” explores themes of identity, resilience, and the pursuit of dreams as conjured by Aed Solis, Dolores Van, Elizabeth Esguerra Castillo, Mary Joy Ann Cruz Tuaño, Maxi Cajayon Tungol, and Yam Tamayo. All six are members of the ARTipolo Group.
Pol Mesina, head of ARTipolo chose the six artists for the ARTablado exhibit because of their distinct styles and their surprising use of color. “They each have their own identities and a sizable portfolio. More importantly, they’re unafraid of showing their emotions through the art they create,” he said.
Solis started out by combining social realism with pastels but has evolved to realism using acrylics. “I paint to discover an art with freedom and no boundaries. I paint to express to others—the society, the environment—the things that I feel. It makes me happy,” Solis said.
A classically trained artist in charcoal portraiture, Van Duijvenbode describes her art style as “intuitive” and based on strongly-felt emotions. “I paint to reignite my spark [as I am] coming back to a craft I never lost. I paint because I am passionate and love what I do. I want to inspire others to follow in my footsteps but to continue to go for their dreams,” Van Duijvenbode said.
Aside from being a visual artist, Castillo is an author, journalist and poet. The intuitive artist has participated in local and international exhibits where her abstract, expressionist and surrealist style has been on display.
“I paint because through art, I can express my innermost emotions,” Castillo said. “When my muse prompts me, I create multiverses which depict worlds in all their beauty and madness. I also believe that art is therapeutic and helps to heal us emotionally, psychologically, spiritually and physically,” she added.
Tuaño describes her style of creating as a “progressive artistic experiment” and likens the act of painting to cooking a meal. “Painting and cooking are essentially the same experience: the thrill of creation, reconnection with sentiment or nostalgia, and finally consumption for enjoyment. The way I enjoy painting is similar to the way I enjoy cooking, where I prepare the ingredients, create a dish, and have loved ones and friends enjoy its sumptuous tastes afterwards. Except with art, the consumption never ends; it endures through time,” Tuaño said.
Tamayo is a practicing lawyer and a self-taught artist. She describes her abstract works as “out of the box” because she wants the end result to feel random and unplanned—like “a colorful mess.”
“Painting is a form of release from the stress of having to constantly face adversaries as part of my day job as a litigation lawyer. When I paint, I only see beauty even in the darkest of hues, or the most torturous aspect of the creative journey,” Tamayo said.
Tungol is another self-taught artist who bravely works with mixed media. She is known for combining different paints such as oil, acrylic, gouache and raw, powdered pigments with lace, gems, sand and charcoal.
“Painting is an opportunity for me to become productive. It’s also so I can retain a semblance of individuality,” Tungol said.
Tamayo put it best when she said, “If the eyes are the window to the soul, I would say a painting is a reflection of one’s innermost being. It is never impersonal. It is you, but in bits and pieces, in curves and lines, in drips and spots.”
This is not the ARTipolo Group’s first partnership with ARTablado and by the looks of things, it won’t be the last. “We continue to partner with ARTablado because it provides us artists with a platform to showcase our works and to reach a wider audience,” Mesina said, adding that its location inside Robinsons Antipolo makes it accessible to both art enthusiasts and mall goers alike.
“Her Art, Her Story: Celebrating Women’s Narratives” runs until August 31 at ARTablado at Robinsons Antipolo.
An artists’ group formed only this year is holding its first exhibit featuring works by its members at ARTablado in Robinsons Antipolo this month. Uswag—an interchangeable Bisaya verb that means to progress, to develop, to advance or to prosper—was formed when a number of visionary artists came together earlier this year with a shared mission.
Their goal? To explore the words of desire to promote traditional artistic techniques amidst new and advanced technology. It also aims to challenge conventional artistic norms and explore the intersection of art through traditional techniques.
“The group was formed with the intention of uniting all the artists we had met in our past exhibits. We believe that this platform is a good avenue for us artists to know each other more and to share [what we’ve learned],” recounted Jhon Paul “Juan El Pintor” Sto. Domingo, one of the group’s founding members.
He said Uswag is unique aside from their different art styles is their drive to make things possible. “We hope to achieve this by helping each other become better artists and by training the spotlight on artists we think are deserving of attention,” he added.
Aside from Jhon, the group’s other founding members come from all across the Philippines with a shared fascination for the arts and in promoting diverse cultural heritage and talents. Through their art, outreach efforts, exhibitions, and collaborations, the Uswag art group aims “to ignite a sense of wonder and curiosity about expanding visual interpretation through art, and inspiring people of all ages to look up and dream of the possibilities beyond our God-given talents.” For their first-ever exhibit as members of Uswag, they chose the theme “Colorful Narratives,” on view at ARTablado at Robinsons Antipolo until August 15. The immersive art exhibit invites visitors to explore a vibrant tapestry of stories told through the language of color, and features a diverse array of artworks that celebrates the expressive power of color.
“Since we have different stories, and backgrounds when it comes to art, we thought the theme of ‘Colorful Narratives’ captures what we have to offer as individuals—our uniqueness, and our humble beginnings,” Jhon Paul said. The exhibit features a mix of mediums in each art piece and were carefully selected to highlight the versatility and impact of color in visual art. Bold, primary colors command attention, while subtle gradients and blends invite closer inspection, revealing layers of meaning and symbolism. Visitors are encouraged to engage not only with the visual spectacle before them but also with the stories embedded within each artwork. Artist statements and interactive displays provide insights into the creative processes behind the pieces, offering a deeper understanding of how color serves as a universal language of expression.
Menchie Alunan Vitente, one of the participating artist, recounted how preparing for the exhibit took much of the participating artists’ time since all of them wanted to meet the deadlines that had been set. “Everything turned out well and we were all able to meet our deadlines,” she said, adding that they viewed ARTablado as a great venue for them to showcase their talents. “We know that opportunities to spotlight the different artists’ talents that’s why we’re blessed that ARTablado is here to cater to Filipino artists,” Menchie said.
Aside from Jhon and Menchie, the other participating artists from Uswag Art Group are: Aldrin Rivera, Anna Nga Koks-Dinh, Anna Tungul, Dinna de los Reyes, Dexter Cinco, Joyce Britanico, Rab Cedric Menguito, RN, MD, Rosie Castel and Vanessa Bautista.
“Colorful Narratives” is not just an exhibition of art. It is a celebration of the power of color to illuminate, inspire, and tell stories that transcend language and culture.
GMG Productions has just announced the launch of StageDoor, a groundbreaking initiative dedicated to expanding the musical theatre experience in Manila. StageDoor aims to create unique and immersive events that will keep Filipino theatre fans and enthusiasts engaged and excited.
Reimagining the Musical Theatre Experience
“StageDoor is designed to bring the magic of musical theatre beyond the stage,” said Carlos Candal, GMG Productions’ CEO. “We want to help redefine how people experience musical theatre, making it more accessible and engaging for everyone, whether it be on the stage or off.”
What to Expect from StageDoor
StageDoor offers a variety of events that cater to all kinds of musical theatre fans:
Musical Theatre Raves: Dance the night away to your favorite show tunes in a lively atmosphere.
Open Mic Nights: Showcase your talents or enjoy performances from aspiring artists.
Sing-Along Movie Nights: Watch classic musical films and sing along with fellow fans.
Trivia Nights: Test your knowledge of musical theatre and compete with friends for fun prizes.
A Commitment to Innovation
StageDoor reflects GMG Productions’ commitment to innovation in the musical theatre industry. It provides a platform for fans to come together, celebrate their passion, and explore new ways of experiencing musical theatre. From high-energy raves to intimate open mic nights, StageDoor promises to deliver exciting events that resonate with the community.
Stay up-to-date with all the latest StageDoor events and news by following GMG Productions on their social media platforms. Connect with them on Instagram @gmg.stagedoor and on Facebook at StageDoor.
Get into the magic of musical theatre with StageDoor and be part of a vibrant community of theatre lovers. Whether you’re a die-hard fan or new to the world of musicals, StageDoor has something special for you!
ABOUT GMG PRODUCTIONS GMG Productions has its headquarters in Manila servicing the Asia Pacific region and regional bases around the World. Having strong long-term relationships with some of the world’s most acclaimed Producers, GMGP is dedicated to bringing prestigious productions to the region. For over a decade, the GMGP team has been involved in presenting numerous productions in Manila including CATS, RSC’s Matilda, Disney’s The Lion King, Les Misérables, MAMMA MIA!, WICKED,The Phantom of the Opera, West Side Story and Chicago.
In December 2020 GMGP mounted a successful Pantomime season of Cinderella, the first-ever panto to come to Christchurch in New Zealand. In 2021 GMGP toured New Zealand with DreamWorks’ Madagascar the Musical. In 2022, GMG Productions Presented Queen’s hit musical We Will Rock You in Manila and Singapore, Madagascar the Musical on an Australian tour, and Beauty in the Beast in New Zealand. GMGP worked in collaboration with Broadway Asia and Broadway International Group on the highly acclaimed Roger’s and Hammerstein’s The Sound of Music. Most recently, GMGP was the Local Presenter for Tony®, Grammy®, Olivier, and Pulitzer Prize-winning musical, Hamilton, in Manila. Followed by a sold out season of Cameron Mackintosh’s brand new production of Claude Michel Schönberg and Alain Boublil’s Miss Saigon. Follow GMG Productions at @gmg.productions, and StageDoor at @gmg.stagedoor
Since its launch in 2020, ARTablado by Robinsons Land has served as a platform to showcase the ingenuity of Filipino artists—from solo or back-to-back duo shows to varied group shows. Whether you’re a newbie in the art world, a returning artist determined to tap into their creative side once again, or an established artist with a distinctive style, ARTablado welcomes all.
This time, its two venues at Robinsons Galleria and Robinsons Antipolo are hosting group shows featuring works by members of Art Show Philippines and seven artists with varying art styles, respectively.
“Lyrical Landscapes” at ARTablado in Robinsons Galleria invites viewers to take a closer look at a collection of landscapes that evoke a sense of wonder and tranquility.
“We chose the title because landscapes can evoke emotions and feelings the way lyrics in music can stir emotions,” said artist Frederick Epistola, founder and head curator of Art Show Philippines whose work will be on display until July 31. “The use of the word lyrical suggests that the landscapes go beyond mere visual representation, delving into the realm of emotional expression and poetic interpretation.”
A total of 16 new artists are part of the ongoing exhibit although this is not the first time for Art Show Philippines at ARTablado.
“As someone who dreams for my artworks to be seen, ARTablado has given me the opportunity not just to show my paintings but for me to meet other amazing artists and art lovers. They inspire me and teach me with their different techniques and knowledge in creating art pieces, which I think is the best part of it. ARTablado is strengthening the art community by gathering artists and letting us showcase our talents and art pieces,” said Francesca Miranda.
Fellow newbie Angeli Sarreal still can’t get over being part of the show. “It feels surreal. I used to be just one of the viewers at art exhibits. Now, with the chance given by ASP and ARTablado, I became a part of the exhibit itself,” she said.
Rhiamie “Riri” Santos Ratunil said that joining the group show opened doors for her. “It has allowed me to meet like-minded individuals, enhance my skills, and improve my artistic direction. Most importantly, it has given me the chance to share my work with others, and overcome my hesitation and fear of showing vulnerability.”
The list of participating artists of “Lyrical Landscapes” include: Frederick Epistola, Mori Tiomico, Jay Vincent Gatdula, Juanito “Itto” Gatdula, Eri Dungo-Manaois, Elmar Badal, Ian Maigan, Jenn Angeles, Lei de Jesus, Gina Flores-Molina, Angeli Steele Sarreal, Lyn Dizon, Rosalina Sonata, Mae Jandayan, Pat Munar-Wigan, Sharla Ngayodan, Rodel “Deloi” Medel, Maria Francesca “Sca” Miranda, Tina GN, Evelyn Barbin, Riri Santos, Bets Beltran-Laguipo, Bliss Salvana, Raniel Ibay, Ma. Melissa Sangoyo, Winona “Nabi” Maglinao, Peter Paul Cubar, Anna Kristina Villanueva, Fred Gayo, Paola Santiago Clarito, Dianne Lorein, Lucci Canlas, Fern Abalona, Angeh Sityar, Heidi Bueno, Abby Sabularse, Lar Datu Belunta, Geremie Ampong, Rhea Regis, Jomar Dulogan, Cherry DV Agoyaoy, Kaile, Khrisna Rosette Nañola, Anne Canceran, Vanessa Tria and Deziree Balgos.
Ongoing at ARTablado in Robinsons Antipolo is a smaller group show, just seven artists showcasing different styles and genres. “Thoughts from Different Walks” was designed to collectively showcase their individual works. The artists may have different styles but their goal is the same—to artistically reveal what words fail to say.
Joel Reglos put the group together based on the artists’ work. “Basically, their unique styles caught my eye,” he said.
He gave some suggestions for promising new artists. “They should have the tenacity when it comes to creating art. Set aside time to hone your skills. Also pay attention to what you are doing. That’s the key to reaching your goals as an artist,” Reglos said.
He is grateful for ARTablado because it’s a platform for artists like him to reach a wider audience. “Exhibiting at ARTablado gave me the exposure needed to further my art career,” he added.
“Thoughts from Different Walks” at ARTablado in Robinsons Antipolo is on view until July 31 and features the works of Reglos, Harold Gomez, Jade Lugtu, PJ Sison, Nicco Mindanao, Kambal Tuko and Buhay Mendoza.
