Category: Arts & Culture

  • Lizanne Uychaco’s “Spectrum of Abundance” Brings Art, Intention, and Good Fortune This Year of the Horse

    Lizanne Uychaco’s “Spectrum of Abundance” Brings Art, Intention, and Good Fortune This Year of the Horse

    Walking into Gallery C at Conrad Manila creates a sense of entering a space infused with deliberate energy. Color resonate softly on the walls, symbols recur with subtle confidence, and each artwork conveys aspirations of equilibrium, prosperity, progress, or serenity. This is the essence of Spectrum of Abundance, the latest solo exhibition by artist and corporate leader Lizanne Uychaco, and it’s as thoughtful as it is visually striking.

    Lizanne Uychaco
    Lizanne Uychaco Spectrum of Abundance

    As we gallop into the Year of the Horse, this show feels like the perfect way to invite positive energy into your life. The exhibit, which debuted earlier this month, features 24 fresh mixed-media works that continue Uychaco’s signature exploration of Chinese symbolism, Feng Shui philosophy, and contemporary visual language. Rooted in her Chinese-Filipino heritage, the collection reflects a deeply personal yet universally resonant meditation on what abundance really means today.

    Meet the Artist: The Philippines’ Leading Feng Shui Artist

    Lizanne Uychaco is recognized as the nation’s foremost Feng Shui artist. She integrates her Filipino-Chinese heritage into works that blend enduring traditions with modern approaches. She began her painting practice over 30 years ago as a means to alleviate the demands of her executive responsibilities. Her formal entry into the art scene occurred in the early 90s through the Ayala Museum’s program for emerging talents, followed by numerous exhibitions. These include her initial solo presentation, “Heaven and Earth,” at Conrad Manila in June 2019, and the subsequent “Colors of Prosperity” at the same venue in January 2023.

    Lizanne Uychaco Spectrum of Abundance

    Her fascination with Feng Shui sparked early on. During childhood, a significant illness interrupted her education, prompting her family to seek help from a Feng Shui specialist. The expert gave her with a special charm, a “magic coin” intended to promote health, wealth, and favorable outcomes. Wearing it as a pendant, she fully recovered and has maintained good health thereafter. Modeled after the Qing Dynasty, this coin serves as a central element in her creations, embodying harmony, safeguarding, the equilibrium of yin and yang, abundance, and the continuum of existence.

    To this day, she picks up similar coins and jade during her travels, regarding her artworks as contemplative elements that draw beneficial energy. That same spirit of spreading warmth aligns perfectly with Conrad Manila’s welcoming vibe, where her pieces often feature this iconic oriental symbol.

    Explore the Exhibit: 24 Exceptional Works

    Nestor Jardin curated this exhibition as part of Conrad Manila’s esteemed “Of Art and Wine” series, presenting 24 mixed-media pieces that examine concepts of intention, unity, and prosperity through icons such as dynamic horses and historic coins.

    Rather than viewing prosperity as something purely material gain, Uychaco expands the idea into something more holistic: abundance in purpose, harmony, movement, and intention. This is evident in her recurring motifs. Horses, for instance, appear throughout the collection, representing liberty, strength, and forward motion. Ancient coins, layered and repeated, speak to balance and continuity, while calligraphic elements introduce rhythm and grounding.

    Lizanne Uychaco Spectrum of Abundance

    What distinguishes Spectrum of Abundance is its tangible quality. Uychaco’s background in sculpture, pottery, jewelry, and calligraphy informs every piece, resulting in works that feel layered not just in meaning, but in texture and technique. Paint is built up, surfaces are worked and reworked, and symbols are never merely decorative; they are intentional, placed with care and respect for tradition.

    Despite the cultural references, the exhibit remains approachable. It encourages observers to pause and engage, whether or not they are familiar with the symbolism. Each artwork stands confidently on its own, yet together they form a cohesive visual narrative, one that feels especially fitting for the start of a new year, when reflection and renewal are top of mind.

    Lizanne Uychaco Spectrum of Abundance 08530a72 99df 4d83 b3a3 11f4c9e0ec69

    The opening at Conrad Manila drew an intimate crowd of art lovers, business leaders, and longtime supporters of Uychaco’s work. The setting itself proved to be an ideal backdrop: calm, elegant, and quietly luxurious, allowing the pieces to take center stage without distraction. Gallery C continues to establish itself as a space where Filipino artists can present work that bridges heritage and modern expression, and Spectrum of Abundance aligns effortlessly into that vision.

    Art With a Purpose

    For Uychaco, who is also known for her leadership in corporate governance and workplace inclusion, the exhibit feels like an extension of her broader worldview. There is a sense of balance between discipline and creativity, structure and freedom, qualities that echo both her professional life and her artistic practice. In many ways, the exhibit reads as a visual philosophy: progress anchored in tradition, success guided by intention.

    Conrad Manila's Of Art and Wine - Lizanne Uychaco Spectrum of Abundance
    Conrad Manila’s Of Art and Wine – Lizanne Uychaco Spectrum of Abundance

    Conrad Manila Of Art and Wine: Lizanne Uychaco Spectrum of Abundance is not an exhibit that overwhelms. Instead, it lingers in memory. Viewers may find themselves drawn back to certain pieces, noticing new details with each pass, an added layer, a repeated symbol, a subtle shift in color. It’s the kind of show that rewards attention and reflection, offering something different depending on where the viewer is in their own journey.

    Why Manila’s Art Enthusiasts Should Visit

    In Manila, where the vibrant pathways of Binondo converge with contemporary districts in Pasay, Uychaco’s exhibition links our diverse cultural legacy to present-day experiences. Aligned with the Year of the Horse, it emphasizes notions of luck, advancement, and accomplishment that hold particular significance in our society.

    The exhibit runs until March 21. Step into Conrad Manila’s Gallery C, soak up the energy of each piece, and carry a little of that harmony and prosperity with you into 2026. In a season often defined by noise and excess, Lizanne Uychaco’s work offers a refreshing pause, a reminder that abundance can be intentional, meaningful, and deeply personal.

  • CCP Pasinaya Returns with New Component and Venue Partners in 2026

    CCP Pasinaya Returns with New Component and Venue Partners in 2026

    Now on its 20th year, the CCP Pasinaya: The Open House Festival, the country’s flagship multi-arts festival organized by the Cultural Center of the Philippines (CCP), ushers in this year’s National Arts Month with new components and venue partners. Bannering the theme “Paglikha sa Kinabukasan,” the milestone 20th edition of CCP Pasinaya celebrates two decades of artistic collaboration, creativity, and public engagement.

    PASINAYA 2026 FINAL

    Slated for February 7 and 8, 2026, the CCP Pasinaya expands to an additional regional venue in Roxas City, Capiz, adds Rizal Park Luneta as a new venue partner, Calle Wright as part of Paseo Museo and introduces a new component Paligsahan, which aims to broaden public participation and foster deeper appreciation of Philippine arts and culture.

    “We are pleased to expand the festival to additional partner venues across Metro Manila and the regions, enabling wider public participation in artmaking and appreciation. As CCP Pasinaya marks its 20th edition, the festival continues to offer new experiences even for its long-standing audiences,” said CCP President Kaye C. Tinga. 

    Guided by the theme “Paglikha sa Kinabukasan,” this year’s CCP Pasinaya underscores the importance of engaging Filipinos—especially the youth—in shaping the future of the country’s creative landscape. By bringing the festival closer to communities nationwide, the CCP hopes to encourage broader participation and inspire future generations of artists and audiences to sustain and elevate Philippine arts and culture.

    PASINAYA 2025 PALABAS 2Feb2025 Kiko Cabuena 273

    “Guided by this year’s theme, Paglikha sa Kinabukasan, CCP Pasinaya seeks to go beyond presenting art—it aims to foster a culture of active artmaking where Filipinos, especially the youth, are not just spectators but co-creators in our creative landscape. By bringing the festival closer to communities across the country, we hope to provide opportunities for meaningful engagement, spark curiosity, and nurture a generation of artists and audiences who will carry forward and reimagine the future of Philippine arts and culture,” shared CCP Artistic Director and Pasinaya Festival Director Dennis N. Marasigan. 

    On February 7, dive into a full day of creativity with Palihan, a workshop-all-you-can experience offering hands-on art exploration and learning. On February 8, enjoy Palabas, featuring performances of 169 participating groups, including the National Performing Arts Companies, professional performing arts groups, and individual artists, highlighting the breadth and diversity of Philippine arts on one stage. 

    PASINAYA 2025 1Feb25 Kiko Cabuena 128

    Throughout both days, join the Paseo Museo hop-on, hop-off curatorial tours across 17 museums and galleries in Metro Manila. Select museums will also feature special performances and workshops, giving visitors an immersive and interactive art experience. Free shuttle service, provided in partnership with the Museum Foundation of the Philippines, makes it easy for participants to travel between venues. Paseo Museo  also launches a walking tour of  the CCP Complex led by the Heritage Collective.

    Professional performing arts groups and artists participate in Palitan, a dedicated business-to-business platform designed to foster meaningful connections with Philippine embassies, arts programmers, and other key stakeholders. Through this initiative, participants gain opportunities to present their work, explore collaborations, and expand their reach both locally and internationally, strengthening the presence of Philippine arts on the global stage.

    PASINAYA 2025 1Feb25 Kiko Cabuena 447

    This year also marks the debut of Paligsahan, a dynamic new component of the festival featuring a wide range of exciting activities open to everyone. This new component includes the Paeksena (a cosplay competition), Paramihan (a TikTok video challenge), Paseo Museo Paunahan (a stamp rally), Pitik-Larawan (a photo contest), Sinag ng Pasinaya (a mobile 1v1 fighting game), and Vertical Shorts Competition (a short shorts film competition).

    Enhancing the festive spirit of CCP Pasinaya is Pamilihan, a lively marketplace where festival goers  can explore a diverse mix of food stalls, artisanal treats, and handcrafted goods, all while supporting local vendors and entrepreneurs.

    Pasinaya Palabas Clossing Feb2 Orly 192

    Projected to attract over 50,000 attendees, CCP Pasinaya expands this year to multiple venues, including the Circuit Performing Arts Theater, Aliw Theater at the CCP Complex, Concert at the Park in Rizal Park Luneta in collaboration with the National Parks Development Committee, and the historic Metropolitan Theater in partnership with the National Commission for Culture and the Arts.

    Longtime regional partners the Iloilo Museum of Contemporary Arts in Iloilo City and Tagum City return to join the celebration, reaffirming their commitment to supporting the festival’s nationwide reach. Adding to this growing network is a new regional partner venue in Roxas City, Capiz, further expanding the CCP Pasinaya’s presence and making the arts more accessible to communities across the country.

    Pasinaya Palabas Clossing Feb2 Orly 253

    Established in 2005, CCP Pasinaya was originally envisioned as a marketing platform to provide previews of the Cultural Center of the Philippines’ upcoming productions and programs, as well as a glimpse into the performance seasons of its then-resident companies. Over time, it grew into the official kickoff event for the National Arts Month celebration.

    Over the years, the festival has expanded into a dynamic hub for arts appreciation, education, and creative collaboration. It now showcases performing arts groups and artists from nearby cities and regions, whose generous participation reflects a shared commitment to nurturing and celebrating Philippine arts.CCP Pasinaya embraces a “workshop-all-you-can, watch-all-you-can, and pay-what-you-can” approach, providing audiences with flexible ways to participate, learn, and immerse themselves in the arts. Registration is available online through the official CCP Facebook page. 

    For details on the Paligsahan component, including participation mechanics, follow the CCP on Facebook, Instagram, and TikTok. To learn more about the Cultural Center of the Philippines and its programs, visit www.culturalcenter.gov.ph.

  • Gerónimo Rauch, Jeremy Secomb, Lea Salonga, Rachelle Ann Go, Red Concepcion, and Emily Bautista Lead Les Misérables The World Tour Spectacular in Manila

    Gerónimo Rauch, Jeremy Secomb, Lea Salonga, Rachelle Ann Go, Red Concepcion, and Emily Bautista Lead Les Misérables The World Tour Spectacular in Manila

    A fresh wave of excitement is sweeping through Manila’s theater community as Les Misérables The World Tour Spectacular confirms its all-star international cast for its strictly limited run at The Theatre at Solaire, happening January 20 to March 1, 2026. This monumental production assembles top-tier West End and Broadway artists, alongside beloved Filipino performers who carry the banner of local excellence on the global stage.

    Presented by Cameron Mackintosh, in association with Nick Grace Management and GMG Productions, this expanded and reimagined staging of the Victor Hugo classic is set to be one of the most ambitious theatrical events ever mounted in the Philippines.

    Les Misérables: World Tour Spectacular
    Ensemble – photograph by Danny Kaan

    A Star-Studded Lineup Led by Global Favorites

    The Manila season is anchored by powerhouse performers Gerónimo Rauch as Jean Valjean and Jeremy Secomb as Javert. Rauch, celebrated for his roles in Les Misérables, The Phantom of the Opera, and Jesus Christ Superstar, brings unmatched intensity and emotional depth to Valjean. Secomb, who previously portrayed Javert in the West End, returns to the role with commanding presence and formidable vocals.

    They are joined by an ensemble of acclaimed international artists including Will Callan as Marius, Lulu-Mae Pears as Cosette, Harry Chandler as Enjolras, and Earl Carpenter as the Bishop of Digne.

    Filipino Legends Bring Their Magic Home

    Four world-renowned Filipino artists headline the Manila season, showcasing the Philippines’ unparalleled musical theater talent:

    • Lea Salonga as Madame Thénardier
    • Rachelle Ann Go as Fantine
    • Red Concepción as Thénardier
    • Emily Bautista as Éponine
    Les Miserables The World Tour Spectacular

    These homegrown talents, each with acclaimed performances across stages in London, New York, and beyond, return to Manila bringing experience, artistry, and heart.

    Local auditions earlier in the year also welcomed young Filipino performers into the production as Little Cosette, adding another homegrown layer to this multicultural company.

    Lea Salonga, Rachelle Ann Go, Red Concepción, and Emily Bautista: Icons Reunite with a Classic

    Salonga, who has played both Éponine and Fantine on Broadway, continues her illustrious Les Misérables legacy with a new role as the formidable Madame Thénardier. Her storied career spans award-winning performances, iconic animated roles, and recent Broadway triumphs.

    Rachelle Ann Go returns as Fantine, a character she has portrayed to widespread acclaim in both London and the international arena. Known for her unforgettable turn as Eliza Hamilton in the West End, Go remains one of the Philippines’ most respected and versatile performers.

    Red Concepción steps back into the mischievous shoes of Thénardier following a string of remarkable roles around the world, from Chicago on Broadway to a memorable run as The Engineer in Miss Saigon.

    Emily Bautista reprises her role as Éponine, a character she previously portrayed on the North American Tour. Her performance as Kim in Miss Saigon and her involvement in productions like Do You Hear The People Sing? further cement her place as one of today’s rising stars.

    Les Misérables: World Tour Spectacular
    Enjolras (James D. Gish) and Ensemble – photograph by Danny Kaan

    A Massive Company and a Monumental Production

    The cast list continues with a robust ensemble featuring Jonathon Bentley, Georgina Blessitt, Amelia Broadway, Michael Burgen, Mary Jean Caldwell, Rosy Church, Gabrielle Cummins, Beth Curnock, and many more artists from around the world.

    Les Misérables: World Tour Spectacular
    Ensemble – photograph by Danny Kaan

    The production also showcases a powerful orchestra composed of both Filipino and international musicians. Among the talented Filipino performers joining the pit are John Gerald Calma, Dino Decena, Mary Anne Espina, Fransisco Llorin, Mhaze Lim, Jonathan Livioco, Dondon Lucena, Luke Manuel, Kier Manimtim, Marloe Maruyama, Gabriel Mendoza, Paul Ramos, Coi Reyes, Steve Retallick, Raymond Sarreal, Jordan San Jose, and Miko Villena.

    GMG Productions CEO Carlos Candal shares his excitement, stating “We’re incredibly honored to bring LES MISÉRABLES: THE WORLD TOUR SPECTACULAR to Manila, and we’re equally delighted to see Filipino talent represented both on stage and among the musicians.” He adds that “This production is a celebration of world-class artistry, and we’re thrilled for Filipino audiences to experience it.”

    Les Miserables World Tour MNL Cast

    What Makes This Production Different?

    This staging builds upon the massively successful Les Misérables: The Staged Concert, which ran for over 200 sold-out performances in the West End. Now expanded into a globe-spanning tour filled with cutting-edge production design, the show features:

    • A completely reimagined set design
    • Striking new lighting and projections
    • A company and crew of more than 110
    • A sweeping live orchestra performing Schönberg’s iconic score

    After drawing more than one million audience members worldwide, the tour continues to break box office records. Its sold-out run in Shanghai, rapid ticket sales in Australia and Japan, and upcoming stops at the Royal Albert Hall and Radio City Music Hall demonstrate the global impact of this spectacular new version.

    Tickets Are Now on Sale

    The Manila season is strictly limited with no extensions possible. Final tickets are available now through TicketWorld.

    Show dates:
    January 20 to March 1, 2026
    Venue: The Theatre at Solaire

    About the Show

    Les Misérables The World Tour Spectacular is based on the novel by Victor Hugo, with music by Claude-Michel Schönberg and lyrics by Herbert Kretzmer. The production features text by Alain Boublil and Jean-Marc Natel, direction by James Powell and Jean-Pierre Van Der Spuy, design by Matt Kinley, costumes by Andreane Neofitou, Christine Rowland, and Paul Wills, and lighting by Paule Constable and Warren Letton. Projections are by Finn Ross, with sound by Mick Potter and music supervision by Stephen Brooker and Alfonso Casado Trigo.

  • PPO Marks 41 Years Of Musical Flexibility in ‘Versatile’

    PPO Marks 41 Years Of Musical Flexibility in ‘Versatile’

    After an excellent display of Filipino artistry in its recently concluded tour in the United Kingdom, the Philippine Philharmonic Orchestra (PPO) exhibits its adaptable musicality for its 41st concert season, dubbed “VERSATILE.”

    PPO 41 Versatile Poster

    With the commanding presence of conductor Maestro Grzegorz Nowak, this concert season serves as a brilliant reminder of the PPO’s four decades of musical prowess.

    Welcome the music season with CONCERT I: OUVERTURE on September 12, 2025. With acclaimed pianist Andrey Gugnin, the orchestra opens with Antonin Dvořák’s Carnival Overture, op.92, Sergei Rachmaninov’s Rhapsody on a Theme of Paganini, Op. 43 and Johannes Brahms’ Symphony no. 4, op.98, E minor.

    On September 19, 2025, a reprise of the PPO’s repertoire for its UK Tour is in store for the audiences with CONCERT II: LE RETOUR. The celebration continues with Peter Ilich Tchaikovsky’s Swan Lake Suite Waltz and concludes with Ludwig van Beethoven’s Symphony no. 5, op.67, C minor. Catch PPO’s very own guest concertmaster and artist-in-residence Diomedes Saraza Jr. on violin for Georges Bizet’s Carmen Suite No. 1 and Ralph Vaughan Williams’ The Lark Ascending.

    CONCERT III: CONCERTO beautifully sustains the momentum on October 17, 2025. World-renowned cellist Tomasz Strahl, together with the PPO, plays Robert Schumann’s Cello Concerto, op. 129, A minor and Witold Lutoslawski’s Concerto for Orchestra. Also catch the world premiere of Creation Fugue and Arctic Chase (from opera Frankenstein) by PPO’s composer-in-residence, Jeffrey Ching.

    Wander through the classical and romantic period in CONCERT IV: VIRTUOSO on November 14, 2025. Witness famed pianist Mark Bebbington and the orchestra travel back in time with Wolfgang Amadeus Mozart’s Don Giovanni Overture, Ludwig van Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73 “Emperor” and Modest Mussorgsky’s Pictures at an Exhibition (arr. Gorchakov).

    CONCERT V: PRELUDI astonishes with majestic melodies on January 16, 2026. With Spanish-Filipino singer Andion Fernandez and piano prodigy Szymon Nehring, welcome the new year with Ching’s Fenghuang Singing, Frédéric Chopin’s Piano Concerto no. 1, op. 11,  E minor, and Franz Liszt’s Les Préludes.

    On February 13, 2026, fall in love with CONCERT VI: ROMANZA. Catch the world premiere of Mozart’s unfinished concerto Concerto for violin and piano K. Anh. 56/315f / as completed by Ching. Henri Wieniawski’s Violin Concerto No. 2 in D minor and Maurice Ravel’s Daphnis et Chloé Suite No. 2 complete the romantic repertoire. Violinist Bartek Nizioł graces the stage with his bel canto style alongside international pianist Junhee Kim.

    British Spinto soprano Katerina Mina joins the PPO in CONCERT VII: OPERA on March 13, 2026. Witness their spectacular performance of Giuseppe Verdi’s La forza del destino: Overture and La forza del destino: Pace, pace mio Dio, Umberto Giordano’s Andrea Chénier – La Mamma Morta, Giacomo Puccini’s Adagietto in F Major and Tosca: Vissi d’arte, and Stephan Hodel’s Angel of Fire. Jerry Dadap’s Symphony No. 5, ‘The Wrath of Prakṛti (nature) & Ragatmika-Bhakti (devotion) also makes its world premiere.

    In CONCERT VIII: CODA, the season comes to a close with Dmitri Shostakovich’s music on April 17, 2026. Saraza plays the violin in Shostakovich’s Festive Overture, op.96, Violin Concerto No. 1, and Symphony No. 5, op.47.

    While celebrating the orchestra’s 41 years, Versatile presents the PPO as a musical chameleon traversing through centuries. Led by Maestro Nowak, the PPO also cements its glorious reputation of being the nation’s premier orchestra in its 41st concert season.

    Concerts I, III, VII, and VIII of Versatile take place at The Metropolitan Theatre in Manila, while Concert IV will be held at the Samsung Performing Arts Theater in Makati City. Venues for Concerts II, V, and VI are to be announced. Tickets are priced at Php3,000, Php2,500, Php2,000, Php1,500, Php800, and Php500.

    For more updates on PPO’s 41st concert season, visit the CCP’s official website (www.culturalcenter.gov.ph). You also follow the CCP’s pages on Facebook, Instagram, TikTok, and YouTube for more information.

  • Bigger, Bolder HABI Market Fair Celebrates 15 Years at SPACE One Ayala

    Bigger, Bolder HABI Market Fair Celebrates 15 Years at SPACE One Ayala

    On its 15th year of celebrating the fabric of our culture, the Likhang Habi Market Fair is set to return on October 10 – 12, 2025, this time at the SPACE Events Hall of One Ayala (former site of the Hotel Intercontinental Manila) in Makati City. Moving to a bigger venue, the Fair will be hosting a fast-growing community of close to a hundred artisans and weavers from all over the country, offering unique and innovative products fresh off the loom.

    HABI Photo 1

    The flagship program of HABI: The Philippine Textile Council, this year’s theme, Sining ng Tela – The Art and Legacy of Philippine Textiles, puts the spotlight on the creative forces behind the weaves that define our identity as Filipinos.

    With a growing focus on the educational aspect of their mission, the HABI Council is taking advantage of the larger facility and will be holding a variety of events such as the HABI Lectures – a series of talks and panel discussions on design, entrepreneurship, and building a Filipino brand. There will also be presentations to highlight the rich cultures that produce the intricate weaves, screenings of the various documentaries that the council has created, and exhibitions of the entries to the 8th Lourdes Montinola Piña Weaving Competition and the 4th Eloisa Hizon Gomez Abaca Weaving Competition, among others.

    HABI Photo 2

    “We want to give voice and value to the hands behind every woven creation,” said HABI Chairman Emeritus Maribel Ongpin. “The artistry of Filipino weavers deserves a national stage.” A staunch supporter of the weaving industry, she established the textile council in 2009 together with HABI President Emeritus Adelaida Lim and other fellow weaving advocates to revive and revitalize what was then a dying craft.

    HABI Photo 4

    Today, the Likhang Habi Market Fair stands as incontrovertible proof that the weaving industry is back and stronger than ever. This vibrant marketplace offers a unique cultural platform where heritage, artistry and community are seamlessly woven to provide a meaningful market encounter. More than just a venue to buy and sell, it provides the artisans and weavers the opportunity to meet the people who actually use their products, understand their needs and improve what they can offer in the future. In turn, buyers and designers are introduced to the communities that produce the weaves, learn about the meanings behind the designs, and use the fabrics in ways that honors the culture that created it. Ms. Lim pointed out that at the heart of most weaving cultures are the women because the activity is considered a female pursuit. With the HABI Council making a range of resources and information accessible, they expect a rise of women in leadership roles as they facilitate the growing business of weaving.“The empowerment of women is an important advocacy of the HABI Council,” she reiterated. “This is in line with the Sustainable Development Goals of the United Nations which we are actively pursuing. The availability of resources shifts the perspective, taking weaving from being a chore for girls into a viable career that will also aid in preserving their culture.”

    HABI Photo 7

    The three-day fair brings together the different stakeholders under one roof – weavers, designers, entrepreneurs, suppliers, distributors and buyers – where connections are made and relationships are fostered to support an industry that is engaged and sustainable.

    HABI Photo 9

    Mia Villanueva, HABI President adds: “Because we are in a new venue, we want our visitors to have a richer experience this year. Guests can expect a full spectrum of products using a wide range of indigenous weaves including handwoven textiles, garments, accessories, homeware, jewelry, and curated crafts. They can take time off from shopping by learning something new and interesting from the HABI lecture series, or sample a variety of regional delicacies from culinary artisans such as Chef Sau Del Rosario at the lounge and dining area .”

    More than just a marketplace, Likhang Habi Market Fair promises to weave opportunities for growth, celebrate our identity, and strengthen the ties that bind us to our heritage.

  • ACC Philippines and National Museum Partner for “Layers and Shadows” by Demi Padua

    ACC Philippines and National Museum Partner for “Layers and Shadows” by Demi Padua

    The Asian Cultural Council Philippines (ACCP) has partnered with the National Museum to host “Layers and Shadows,” an exhibition showcasing the works of multifaceted artist Demi Padua.

    Wishing Upon Dreams IMG 0473

    As part of ACCP’s series of special events this year to celebrate its 25th anniversary, this event not only highlights Demi’s exceptional skill but also supports ACCP’s mission to foster cultural exchange and development through the ACC Philippine Fellowship Program.

    Recycled Future IMG 0471

    The donation and assistance from DF Art Agency, Demi Padua, and benefactor The Good Hope Future Foundation will directly support the ACC Philippines Fellowship Program, which aims to advance the careers of Filipino artists, scholars, and cultural practitioners. The program provides opportunities for growth and international collaboration, promoting the country’s rich cultural heritage.

    I Could Be On Top IMG 0472

    The collaboration between ACC Philippines Foundation and the National Museum along with ACCP supporters in the arts and business sectors underscore the importance of cultural exchange and development in the arts. By supporting Filipino artists and promoting their work on a global stage, ACCP continues to make a positive impact on the country’s cultural landscape.

    Golden Queen IMG 0470

    Demi Padua is a renowned Filipino artist known for his striking portraits and trompe l’oeil technique. His works often feature intricate details and layers, inviting viewers to explore the depths of his art. Padua’s artistic journey has been marked by numerous solo and group exhibitions here and abroad, showcasing his talent and creativity. He has been awarded with the Grand Prize in the 2013 Bangko Sentral ng Pilipinas Tanaw Art Competition, the AAP, GSIS Museum and the Metrobank awards.

    Cleaner Suit IMG 0469

    “Layers and Shadows” by Demi Padua will be open to the public from August 13 to 26, 2025, at the Sergio Osmeña Hall, National Museum of Fine Arts.

  • Theater Review – Brecht, Vaudeville, and Freaks; A Review of The Sandbox Collective’s ‘Side Show The Musical’

    Theater Review – Brecht, Vaudeville, and Freaks; A Review of The Sandbox Collective’s ‘Side Show The Musical’

    Based on the real life of conjoined twins Daisy and Violet Hilton, ‘Side Show’ is a musical by Bill Russell (book and lyrics) and Henry Krieger (music) that first opened on Broadway in 1997 and was later revived in 2014 with a revised book and additional songs. The musical focuses on their journey from being the star attraction of a sideshow to becoming a success in vaudeville. The Sandbox Collective brings its own spin to the stage, using the original 1996 book and director Toff De Venecia stylized his production to make immediate contemporary connections with the material, which is set in the 1930s, to the present day.

    Side Show The Musical CAST POSTER

    The set design by Mark Dalacat (who also serves as assistant director), places the audience on either side of the stage, creating the impression that the audience can see a row of people watching the show, much like a sideshow. The actors come in and out from the side, though some of the action brings the actors up to the audience area. In the first act, set entirely in the sideshow, there are aerials to create the appearance of the carnival. The incredible ensemble are dressed in different styles – according to De Venecia, each member of the ensemble were allowed to create their own freak – that ranges from snake charmer, bearded woman, fortune teller, and so on.

    Side Show The Musical IMG 0501
    Credits: The Sandbox Collective

    In Act Two, when Daisy and Violet are taken away from the sideshow and into vaudeville, the stage adornments become more posh. The ensemble switch from journalists to party guests to vaudeville dancers. It’s a feast of motion and costumes that really stand out (costume design by Carlos Siongco). De Venecia’s direction is to keep it busy when their lives are busy. So that when the play moves to its more intimate, tender parts, it gets really quiet and the contrast is clear.

    Side Show The Musical IMG 0417
    Credits: The Sandbox Collective

    Daisy and Violet may be conjoined twins, but they are very different people. Daisy longs to be a performer and craves the limelight, whereas Violet is more reserved, wants a normal life, which equates to a family and a home. This tension creates the space for the girls to be tested when two men come into their lives who doesn’t see them as freaks but as performers capable of making it big in vaudeville. These men are Terry Connor and Buddy Foster. They clash with Sir/The Boss of the sideshow, convince their best friend, the show’s “Cannibal King” Jake to let them go and come along with them, and find themselves intertwined with the twins more than just professionally. Violet takes a fancy to Terry while Buddy is keen on making Daisy’s dreams come true. And that’s where the trouble begins.

    Side Show The Musical IMG 0147
    Credits: The Sandbox Collective

    Aside from an incredible ensemble who are filled with such diverse types of people but they all can sing and dance and act a storm. Jon Santos is a menacing force as Sir/The Boss and his presence is felt strongly even in his infrequent appearances in act two. The rest of the main cast is split into alternates. Playing Violet and Daisy are Marynor Madamesila and Tanya Manalang and Molly Langley and Krystal Kane; for Terry, it is Reb Atadero and CJ Navato; for Buddy it is Tim Pavino and Vien King; and for Jake, it is Marvin Ong and Joshua Cabiladas.

    Side Show The Musical IMG 0111 2
    Credits: The Sandbox Collective

    The alternates bring different approaches to the material. Madamesila and Manalang play the sisters very differently. Their differences in character are so clear while Langley and Kane have to fight through the fact that, in makeup, they look alike, and they even have the same quality of voice. Their attack can sometimes be similar in approach and so their Violet and Daisy sometime blur, though they are excellent singers. Navato and King have a more straightforward approach to Terry and Buddy. Navato plays Terry as all business and King plays up Buddy’s need for the spotlight. It’s an accessible performance and well-suited for a big theatrical piece. Atadero and Pavino play it a little more layered, with Atadero’s Terry is conflicted about how he feels about Violet while Pavino’s approach to Buddy is more contained, let’s out little bursts of his need for fame, which creates an interesting layer when his interactions with Daisy get complicated. I had issues with Cabiladas in the show that I saw.

    Side Show The Musical IMG 0183
    Credits: The Sandbox Collective

    A terrific singer, I felt he would lose character in order to sing the powerful songs that Jake does but Marvin Ong stole the performance at every turn. He imbued the vocally demanding songs of Jake with all the frustrations and rage of The Cannibal King that allowed a true marriage of acting and singing. Ong was, without a doubt, a scene-stealer.

    Side Show The Musical IMG 0035
    Credits: The Sandbox Collective

    De Venecia employs Brechtian techniques in directing ‘Side Show’ allowing us to see the stagecraft that was at play. The show opens with the ensemble engaging with the audience, a Brechtian trick to remind the audience that what they are about to see is a show. He then let’s the players change onstage, while introducing modern elements such as a screen and a camera to adorn his 1930 portrayal with a modern feel.

    It can be jarring until the show’s finale when the last striking image – that of a marriage – with the whole exploration of what it means to be a freak takes a poignant meaning.

    Side Show The Musical IMG 0753
    Credits: The Sandbox Collective

    The play is dead set in trying to humanize the two women who the world sees as freaks, but the show is constantly reminding us that these “freaks” are humans too. The modernization of the show brings us to think about who we think are freaks in this day and age and De Venecia’s political stand becomes clearer and clearer. It’s a matter of taste, whether this friction works for you, but the intention is tangible and deeply felt.

    My Rating:

    stars 4 0



    SIDE SHOW: THE MUSICAL runs until August 17, 2025, at the Power Mac Center Spotlight Blackbox Theater. Tickets are available at Ticket2Me.

  • Theater Review: What the World Could Be Like: A Review of ‘Come From Away’

    Theater Review: What the World Could Be Like: A Review of ‘Come From Away’

    Despite its massive success on both Broadway and the West End, I never really took notice of ‘Come From Away’ before. As an old-school musical fan, I’m always cautious and wary of new musicals because I fear I won’t like them. But every new musical I’ve seen has proved me wrong, from ‘Waitress’ to ‘Hamilton’ to ‘Six’. There’s a special kind of joy in stepping into a theater to watch a musical you know nothing about. The whole experience feels amplified, and the emotions hit even harder.

    Coming into the Samsung Performing Arts Theater on the show’s opening night, I saw the floors leading up to the theater filled with background information about the play and realized that ‘Come From Away’ is a play about September 11. I felt a little fear. My anti-West mindset started to get the better of me and I thought this was going to be another story about American resiliency or something equally overplayed. I stopped reading the boards, got to my seat, and psyched myself up for the show, which I knew had a great cast at the very least.

    Come From Away MNL CAST ALL Large

    I was immediately taken in from the opening number. ‘Come From Away’ is a 9/11 story, but it tells the story of a Newfoundland town called Gander. It had the largest international airport back when planes didn’t have enough fuel to cross the Atlantic. Airplanes would land there to refuel before continuing their journey, but by the 2000s, it was practically empty. Planes just flew over it. But not on that day. Thirty-eight planes were redirected to land in Gander, bringing over 7,000 passengers to a town with a population of just 9,000. The musical is a retelling of these events, based on interviews with both the passengers and the townsfolk, and it captures the six days when 7,000 people were treated with kindness and generosity in a world that had just been shaken to its core by the horrific events of that day.

    Come From Away MNL 1 Large

    The cast of 14 all play dual roles. By putting on a jacket, a hat, or an apron, they shift characters from one of the townsfolk to a passenger, changing accents and internalizing either the stress of being hospitable while the town and its neighbors struggle with limited resources due to the sudden arrival of 7,000 people, or the mindset of someone who suddenly cannot return home, finding themselves in a strange place, surrounded by strangers, with no idea what is going on.

    Come From Away MNL 8 Large

    Some characters really stand out on stage, like Carla Guevarra Laforteza’s Hannah, one of the passengers whose son is a first responder in New York, and Garrett Bolden’s Bob, a Black passenger who finds himself suspicious of Newfoundland’s lack of racism. For the first time, he is being treated like everybody else, and this confounds him. Topper Fabregas does an exemplary job playing Kevin, a gay man who is struggling to adjust to his new surroundings, as well as Ali, a Middle Eastern man who everyone is afraid of. As Kevin, Fabregas gets the most laughs, but as Ali, he earns the most sympathy.

    CFAMNL Ali 2 Large

    Directed by Michael Williams, the cast keeps the stage alive and busy, shifting between characters as they change costumes and weave in and out of the story. We see couples fall apart, others fall in love, a pilot reflect on how the catastrophe has changed everything about the airline industry, two women bond over their shared love for their sons who happen to have the same job, a woman go above and beyond by even thinking of the animals, and so much more.

    Come From Away

    There is so much happening, but what resonates throughout the show is the depth of humanity in this moment. The way the people of Gander and the neighboring towns come together, setting aside their differences to ensure that their guests feel welcome and cared for, is powerful. It is one of the most human experiences I have ever witnessed while watching a play. The songs, written by Irene Sankoff and David Hein, can be bold, fun, and energetic, but they also know when to turn quiet and introspective. In one song, several characters ask to pray. Since the guests come from different faiths, they sing all their prayers in a musical blend that reveals a beautiful truth: all prayers share the same essence, and we are as alike as we are different.

    Come From Away MNL 16 Large

    The choreography by Delphine Buencamino is vibrant and dynamic, and Kayla Teodoro’s stage design is intriguing, keeping the focus on center stage where the actors make everything come to life. It is such a powerful piece that, for its approximately 90+ minute runtime (with no intermission), you are completely immersed in that world. By the end of the show, I was holding back my tears.

    Come From Away MNL 17 Large

    It is incredible how a theatrical performance can make me wish the world were more like this. As the crowds exited after the curtain call, people were talking about how closely this resembles Filipino hospitality. The world is currently a mess, and a show like this, based on actual events and interviews with the people who lived through it, reminds us that it really does not take much to be kind, generous, and grateful for one another. I am so glad I caught this show.

    My Rating:

    stars 4 5



    Experience this unforgettable story live on stage. Catch Come From Away before it takes its final bow! The show is now playing at the Samsung Performing Arts Theater until June 29. Book your tickets now on TicketWorld!

  • Art in the Park 2025 – 19 Years of Filipino Art at Jaime Velasquez Park

    Art in the Park 2025 – 19 Years of Filipino Art at Jaime Velasquez Park

    If you’re wondering how to make your Sunday extra special, here’s your answer: Art in the Park is back today, March 23, 2025, at Jaime Velasquez Park in Makati City. Now in its 19th year, this beloved affordable art fair is pulling out all the stops from 10:00 AM to 10:00 PM, bringing you a day packed with creativity, community, and good vibes. Whether you’re a longtime fan or a first-timer, let’s get into what makes this year’s event a must-visit!

    Art in the Park 2025 March 23

    19 Years Strong and Still Affordable

    For nearly two decades, Art in the Park has been the go-to spot for art lovers. Organized by Philippine Art Events, Inc., this one-day fair keeps its heart in the right place—raising funds for the Museum Foundation of the Philippines to support the National Museum and its network. This year, 61 exhibitors, including galleries, collectives, and indie art spaces, are showcasing their best works, all capped at P70,000. Better yet, plenty of pieces go for much less, making it a dream come true for anyone hunting for a steal. It’s like a treasure chest of Filipino talent, and after 19 years, the thrill of the find is still alive and kicking!

    Scenes from previous editions of Art in the Park photo 5 copy

    Meet the Stars of the Show

    One of the coolest parts of Art in the Park? The special exhibits featuring hand-picked Filipino artists. For 2025, the lineup is pure fire. There’s TRNZ, a multimedia visual artist who’s all about breaking the mold. Then you’ve got AR Manalo, a contemporary mixed-media master whose pieces spark curiosity and awe. And don’t miss Carlo Tanseco, a designer and artist blending innovation with style. 

    These exhibits are a big reason why the fair’s been a hit for 19 years—they’re a window into what’s fresh and exciting in art right now.

    A Party Vibe You’ll Love

    Art in the Park isn’t just about admiring canvases (though there’s plenty of that). It’s a full-on experience, and this year’s vibe is dialed up to 11. Imagine wandering through the park, soaking in the art, while live music fills the air. The lineup? Leanne and Naara, the singer-songwriter duo with soulful harmonies, an all-vinyl DJ set from Mario Serrano of EST City, and chill jazz vibes courtesy of Soulful Mood. 

    Local food stalls will be dishing out everything from quick bites to hearty meals. Whether you’re craving a refreshing treat to beat the heat or a full-on lunch to fuel your art-hunting, there’s something for every palate. It’s the perfect excuse to grab a friend, find a shady nook, and soak in the day.

    485956547 18486835300006566 1784201652146188745 n

    Perks for BPI Cardholders

    If you’re a BPI Credit Cardholder, you’re in for a treat. Spend at least P3,000 at the fair, and you can enjoy up to six months of Real 0% interest through BPI’s Special Installment Plan. Need more time? Opt for the Buy-Now-Pay-3-Months-Later deal—your first payment won’t hit until June! Plus, qualified cardholders get a 100% Bonus Madness Limit on installment purchases. It’s a smart way to bring home that artwork you’ve been eyeing.

    486058667 18486835309006566 706752484058188997 n

    Why You Should Go

    Here’s the best part: Art in the Park is free and open to everyone. No tickets, no fuss—just show up and enjoy. Whether you’re a seasoned art buff or just curious, this is your chance to connect with Filipino creativity in a laid-back, welcoming setting. Bring your family, your barkada, or even fly solo—there’s no wrong way to experience it. 

    The event’s got heart, too. Every purchase supports the Museum Foundation of the Philippines, so you’re not just scoring a cool piece—you’re helping keep our cultural heritage alive. How’s that for a win-win?

    486032591 18486792937006566 1010508814640177846 n

    Plan Your Day at Jaime Velasquez Park

    Happening today, March 23, 2025, Art in the Park is the ultimate Sunday plan. Jaime Velasquez Park in Makati is easy to get to, and with 12 hours of art, music, and food (10:00 AM to 10:00 PM), you’ve got plenty of time to explore. Pro tip: wear comfy shoes, bring a reusable water bottle, and don’t forget your sunblock—March can get toasty! 

    Big thanks to Globe, Bank of the Philippine Islands, MACEA, Barangay Bel Air, the Museum Foundation of the Philippines, and Chandon for making this day possible. It’s a community effort that shows just how much Filipinos love their art.

    Art in the Park 2025 is more than an event—it’s a celebration of who we are as Filipinos. From stunning artworks to live tunes and delicious eats, it’s a day that’s all about creativity, connection, and giving back. So, what are you waiting for? Head to Jaime Velasquez Park today and see why this fair has captured the hearts of so many. Who knows? You might just walk away with a new favorite piece—and a story to tell. See you there!

  • Theater Review — An Exquisite Total Theatrical Experience, ‘Sintang Dalisay’ Is Must-See Theater 

    Theater Review — An Exquisite Total Theatrical Experience, ‘Sintang Dalisay’ Is Must-See Theater 

    ‘Sintang Dalisay’ is a marvelous work of sheer genius – from the immersive direction of the late Ricardo Abad and Guelan Varela-Luarca, to the adaptation and translation of Shakespeare’s ‘Romeo and Juliet’ by National Artist Rolando Tinio, the exquisite choreography of Matthew Santamaria (and fight choreography by Brian Sy), and the stirring musical direction of Jayson “Dyandi” Gildore – as it reimagines the tragic story of the star-crossed lovers in an imagined Muslim community in the Southern Philippines. Romeo and Juliet are transformed into Rashiddin and Jamila and the entire experience is told through dance and song and the poetry of Shakespeare’s words adapted into the most lyrical of Filipino verses. It’s a total theatrical spectacle the trims down the original play into a tight 2 hours filled with joy and sadness, love and loss.

    Sintang Dalisay Main Poster

    Taking all the narrative beats from the original, Rashiddin and Jamila are from two rival families, Mustapha and Kalimuddin, who are constantly feuding in the town. During a forced truce, Rashiddin sneaks into a feast held by the Kalimuddin family for Jamila and in brief instant, they fall in love. They secretly marry despite Jamila is betrothed to another. They elope with the help of the Imam, the spiritual leader, who hopes that their union may broker peace but when a duel goes awry and Jamila’s cousin, Taupan, accidentally kills Badawi, Rashiddin’s friend; Rashiddin takes vengeance and slays Taupan in retaliation. With the Kalamuddin putting the blame on Rashiddin, the two lovers hatches a plan to leave home and start anew but it does not go their way.

    Sintang Dalisay
    Photos by Jules Ballaran

    Rolando Tinio’s adaptation of ‘Romeo and Juliet’ (and a 1904 poem by G. D. Roke), which sets it comfortably in a Muslim community plays into our colonial ideas of a war-torn and hostile Muslim land. The constant bickering of the Kalimuddin and the Mustapha plays into that hegemonic ideology. But while that’s at work, Tinio gives us a chance to also witness the beauty of that world – the songs and the music and the dancing – that amplifies the rich and deep culture of the Muslim people. This adaptation creates a space to humanize them and turn them familiar as many people who are not given a chance to engage with this community may have a distant understanding of their world. ‘Sintang Dalisay’ makes it very easy to connect with them.

    Sintang Dalisay jballaran 02231
    Photos by Jules Ballaran

    It’s Dr. Abad’s and Guelan Varela-Luarca’s stage direction that keeps the energy from dipping, allowing us to feel the imminent danger of that rivalry that always seems ready to burst. At the same time, there are moments of levity but, most importantly, there are moments of pure, innocent beauty in the form of the growing love between Rashiddin and Jamila.

    Sintang Dalisay jballaran 02081 1
    Photos by Jules Ballaran

    It’s the intricate choreography that adds that layer that makes ‘Sintang Dalisay’ such a delicious show. The dancing enlivens the scenes, but it also amplifies the emotions of each character. So, while Taupan and Badawi speak loud and tough, Rashiddin is somewhat soft and fluid, not a fighter at all but one that feels more romantic, just based on the movements alone. So, when Jamila and Rashiddin first meet each other at the feast, in the midst of a great dance performance, everything stops the moment their eyes meet. The choreography adjusts to them. While no words were uttered, we believe that it’s love at first sight. It’s the power and magic of theater and I haven’t seen it so elegantly done and in such a surprising way.

    The music is also extremely note-worthy. This cast are incredible singers and the live band playing kumintangs, flutes, and other indigenous instruments create a sonic landscape that really enhances every scene and transports the audience to that place and time.

    Sintang Dalisay jballaran 02138
    Photos by Jules Ballaran

    Unfortunately, Karl Borromeo, who plays Rashiddin, is drowned out by the largeness of the play’s scope and design. Borromeo tends to shout instead of projects, so it removes the nuances of Rashiddin’s scenes. His quiet scenes, his comedic scenes, and his fight scenes have all that same tonal quality. Borromeo is an incredible dancer, and he shines completely when performing with Maliana Beran, who plays Jamila. Their duets are impeccable. But in his scenes with Jerome Dawis as Taupan and Roldine Ebrada as Badawi, Borromeo gets lost under all that excellence. Dawis and Ebrada (as well as James Reyes as the Imam) are just fantastic. They fill the stage with their presence.

    Sintang Dalisay jballaran 02266
    Photos by Jules Ballaran

    But the real star of the show is Maliana Beran. As Jamila she is charming and innocent and commanding. You can see why Rashiddin falls in love with her at a glance and her movements are so precise that it’s as nuanced as her performance. She’s radiant and is capable of creating so many layers for Jamila to exist in this play.

    Sintang Dalisay jballaran 02342
    Photos by Jules Ballaran

    With the gorgeous designs of the late National Artist Salvador Bernal and Tata Tuviera, the richness of the Filipino Muslim culture, the intricacies of Tinio’s translations, and the creativity of Abad and Varela-Luarca, ‘Sintang Dalisay’ is an unforgettable theatrical experience that you must see, at least once.

    My Rating:

    stars 4 5



    Sintang Dalisay will run until February 23, 2025 at the Hyundai Hall of Arete, Ateneo de Manila University. Get your tickets here.