Tag: Interview

  • ClickTheCity Exclusive: 5 Minutes With the Director of Upcoming Horror Film ‘Bring Her Back’

    ClickTheCity Exclusive: 5 Minutes With the Director of Upcoming Horror Film ‘Bring Her Back’

    With ‘Talk to Me,’ Australian filmmaking duo Michael and Danny Philippou made a big splash in the world of genre filmmaking. Their horror film was a phenomenal success and had made the brothers ones to watch out for in the industry. Their brand of truly frightening horror films, grounded in strong emotions, is at the center of their debut film. In the press release for their upcoming film, ‘Bring Her Back,’ Michael Philippou shared, “We really want our stories to have a strong emotional core. The stuff we want to create, we want it to work on multiple levels.”

    Bring Her Back MichaelLeft DannyRight
    Michael and Danny Philippou 

    This can be seen in the upcoming film ‘Bring Her Back,’ which stars Oscar nominee Sally Hawkins along with Billy Barratt and Sora Wong. It tells the story of two teens, Andy and Piper, played by Barratt and Wong, who lose their father and are placed in foster care under Sally Hawkins’ character, Laura. But Laura harbors a dark secret,one that tests Andy and Piper’s bond and puts their safety in peril.

    Bring Her Back Billy Sorah

    Not relying on special effects, the scares come from how vulnerable Andy and Piper are when faced with the danger that their foster mother has dark plans for them. But it also reaches in and tugs at your heartstrings when you are faced with the realisation that all three characters are reacting intensely to grief and loss.

    Bring Her Back Danny Michael

    ClickTheCity was fortunate enough to have a five-minute Zoom interview with Michael and Danny Philippou, where we had the chance to ask them about the making of the film.

    ClickTheCity: In the press kit, it says that you wrote all this lore behind your film, but chose not to include it in the film. Something you also did with your earlier film ‘Talk to Me.’ I love that. I really love that. When did you decide that you wanted to make horror movies this way where you don’t explain everything?

    Michael Philippou: It’s the same as when you are creating a character. You need to know everything that happens with that character’s life that led them up to this point. What are the things that affected them? What is their personality? What was it like for them growing up? You build these backstories that people will never see but it arrives at the story you are telling now. It’s the same with the world. You need to know all those things, so you know how it got here. [he then shares details about the film that I will not share for sake of spoilers] It’s what is necessary for the story but it’s the human side of the story. We are being put into the center of the story.

    Danny Philippou: We like it as a puzzle box. There are secrets in ‘The Shining’ where the answers aren’t overt but if you read the script and the novel there are more answers there.

    CTC: But do you fall in love with the lore that you’d want to do a prequel or an origin story and, with regards to that, how do you feel about horror franchises? Do you feel your films could do that?

    DP: I think if I was ever going to expand ‘Bring Her Back’ it would be a novelization as opposed to another film and really track her arc. That, to me, is really exciting. I’d be so down for that. And I love horror franchises. I’m obsessed with all of them. Like I’m obsessed with ‘Child’s Play’ and ‘Friday the 13th.’ I loved watching the new ‘Final Destination.’ Yes, I love the idea of franchises but I don’t think ‘Bring Her Back’ is franchise-able.

    CTC: Thank you for that. I love that answer. Horror films are great as their own stand-alone thing and I love it that you think that same way about your movie. Both films, ‘Talk to Me’ and ‘Bring Her Back,’ talk about the dangers of contacting the dead. What are your feelings about mortality? At the same time, both films are fueled by rage… uh… no, grief, sorry! What is your relationship with grief?

    DP: Well, it’s about rage as well. [laughs] We lost someone while we were writing the project and then we lost someone while we were about to shoot as well. So it eventually made its way into the material. 

    MP: Danny is just a sad f**k.

    DP: Yeah.

    [we all laugh]

    DP: And the thing is… No. That’s a good answer.

    CTC: Sally Hawkins is wonderful. Was she the first person you had in mind to play Laura?

    DP: Yeah, she was the first person in the list and the first person we approached. We felt so honoured to be able to work with her.

    MP: It wasn’t written with Sally in mind but then when we were thinking about casting, we were thinking what could be unique and special about it. If we could approach anyone, Sally was first on the list.

    CTC: It also says in the press kit that she really threw herself into the material and into the character, did you have to reign her in? What were the ideas that she had with the character that you kept into the film?

    Bring Her Back Jonah Sally

    DP: It’s even small things. There’s a dialogue exchange between Laura and Andy and in the script, she said, “I would have done anything to hear her call me ‘mum’ one more time.” And Sally suggested to change it to “I would do anything…” and bring it out of the past tense and put it into the present tense and that really underlined the ending moments of the movie. So even small things like that, she can elevate the movie into something even more.

    Bring Her Back

    Then, it was here that my time was up. I wanted to ask more about working with Sora Wong, who not only fits the character of Piper but also shares the character’s vision impairment. I also wanted to talk about their penchant for using practical effects and not rely on CGI to create the horror in their movies. But even in just five minutes, the enthusiastic directors, who were so accommodating even when you could tell that I was their first interview after the lunch break and goodness knows how many interviews, they already had that morning. Their passion and joy in talking about their film was undeniable. It’s artists like these that truly excite me and with ‘Talk to Me’ and ‘Bring Her Back’ as proof of their emotionally resonant and well-crafted films, I really must echo other critics in saying these two are the ones to watch in the future of genre filmmaking.

    Don’t miss Bring Her Back, hitting cinemas tomorrow, July 16, 2025! Get your showtimes and tickets now here.

  • Inside Ben&Ben’s Exclusive Interview with Barry Jenkins, Lin-Manuel Miranda, and the Cast of Mufasa: The Lion King

    Inside Ben&Ben’s Exclusive Interview with Barry Jenkins, Lin-Manuel Miranda, and the Cast of Mufasa: The Lion King

    The Filipino music scene reached new heights as Miguel and Paolo Benjamin, the twin vocalists of the iconic band Ben&Ben, took on an extraordinary task—interviewing the creative geniuses behind Disney’s much-anticipated film, Mufasa: The Lion King. Partnering with Disney Philippines, the Benjamin brothers got the rare opportunity to connect with some of the brightest minds in film and music, including award-winning director Barry Jenkins (Moonlight, If Beale Street Could Talk) and celebrated composer Lin-Manuel Miranda (Hamilton, Encanto).

    A Peek Behind the Magic

    For Lin-Manuel Miranda, crafting the film’s soundtrack was a labor of love. The acclaimed composer shared his creative process, saying, “You just have to honor those impulses. Kind of like—you have these assignments, and you daydream, and you think about stuff, and you listen to stuff, until you have this sort of alchemy.” His words revealed the intricate artistry and collaboration required to breathe life into the film’s melodies.

    Barry Jenkins also shared his vision for the film, offering a glimpse into how Mufasa: The Lion King explores themes of brotherhood and legacy. These heartfelt moments resonated deeply with Miguel and Paolo, who grew up sharing a close sibling bond.

    A Personal Connection to Brotherhood

    “We felt we could relate well to the theme of brotherhood portrayed in the film because of the fact that we’re twins and we grew up really close to each other, much like Mufasa and Taka,” Miguel Benjamin explained. “Also, the fact that the film involved such great storytellers in it, both in film and music, made it an opportunity of a lifetime.”

    Despite juggling rehearsals for their sold-out concert, The Traveller Across Dimensions, the brothers didn’t think twice about seizing this once-in-a-lifetime opportunity. Paolo added, “We felt that representing our country in a special interview such as this was a big task to fulfill, but we tried to give it our best by coming up with questions that would allow the cast and the directors the freedom to be just themselves while sharing more about the film, their insights, and their memorable experiences working on it. What we noticed the most, though, is how bonded the entire team behind the film is. It’s like they’re family already.”

    For the Benjamin brothers, the opportunity was not just a professional milestone but a deeply personal one. Both twins grew up with a close bond that reflects the sibling dynamics explored in the movie.

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    Musical Moments and Genuine Connections

    The interview wasn’t all work, though. In a light-hearted moment, Kelvin Harrison Jr., who voices a key character in the film, asked the Benjamins to sing a few lines from their hit song Leaves. The impromptu performance left everyone smiling, underscoring the warmth and camaraderie that defined the experience.

    The brothers also connected with cast members Aaron Pierre and Tiffany Boone, whose passion for the project shone through in every word. Miguel and Paolo described the atmosphere as familial—a testament to the bond forged among the film’s creators.

    A Viral Hit

    The interviews quickly went viral, racking up over 5 million views across social media platforms in just 24 hours. A teaser video shared six days earlier by Walt Disney’s official Facebook page has already amassed nearly 16 million views, further cementing the Benjamins’ global appeal.

    Directed by Barry Jenkins and featuring songs by Lin-Manuel Miranda, Mufasa: The Lion King is a breathtaking blend of live-action filmmaking techniques and photorealistic CGI. Produced by Adele Romanski and Mark Ceryak, with executive production by Peter Tobyansen, the film is a masterful prequel to the iconic The Lion King, exploring themes of love, legacy, and the bonds that tie us together.

    Mufasa: The Lion King blends live-action filmmaking techniques with photorealistic computer-generated imagery. Directed by Barry Jenkins, produced by Adele Romanski and Mark Ceryak, and executive produced by Peter Tobyansen, the film promises to captivate audiences with its heartfelt storytelling and unforgettable soundtrack, featuring songs by Lin-Manuel Miranda. Catch Mufasa: The Lion King now playing in cinemas nationwide, brought to you by Walt Disney Pictures. Whether you’re a longtime fan or new to the world of Pride Rock, this is one cinematic experience you won’t want to miss.

  • ‘Emily in Paris’ Season 3 Q&A: Lily Collins, Ashley Park, & Camille Razat Talk About their Characters’ Growth, Friendship, & More

    Emily Cooper is back for another season of Netflix’s Emily in Paris, streaming this December 21. Now in its third season, the hit Netflix show follows Emily as she faces more life-changing choices, involving her dream career and further complications in her romantic life.

    Before Emily in Paris season 3 releases on Netflix, its stars Lily Collins (Emily Cooper), Ashley Park (Mindy Chen), and Camille Razat (Camille) joined a virtual roundtable interview with the Philippine press where they talked about this season’s story trajectory, the growth of their characters, and more!

    Check out the highlights of the Q&A below:

    Can you share about your character’s growth this season?

    Camille Razat: I think we get to see more of her work side, we see more of her at the gallery, being an artist. So more work side to that, and I would say there would be more love triangles and more complicated things.

    Lily Collins: For me, you get to see me make decisions and then per usual, once I made decisions, they slightly become undone in certain ways based on experiences that happened. But there’s a quiet confidence about Emily this season and feeling more grounded in her skin and the city that I was excited to partake in.

    Ashley Park: I think Mindy, in the first season, I don’t know if you’re a horoscope kind of person with you know, your star sign, your rising, mask, and your moon… But I feel like, in the first season, we really got to see Mindy’s rising sign, the mask, the [people’s] first impression of her as she gets to know Emily. In the second season, she grows closer to her and she gets to be vulnerable and we get to understand who she is on the inside, her moon. And I think that in the third season, she has to figure out how to navigate her past and present and not apologize for herself anymore and I think that we really see her star sign.

    Emily in Paris S3 3
    Photo courtesy of Netflix

    How did the styles of your characters evolve across the three seasons of the show?

    Ashley Park: I feel like, a lot. All three women, I feel like all of us have really found our identities, and they’re all becoming the women that they really want to be, and really trying to discover… We self-express through fashion, and I think especially for Mindy and also Emily, you know this is [Mindy’s] second year in Paris, and Emily, she’s within her first year, and we have a Parisian here. So, all of them are grounding on who they are in Paris, whether they lived there for a month, a year, or their whole life. I really feel like everybody’s found this chic tone this season, that’s very empowering. Especially watching it last night I felt like, even all of us are as bright and risk-takers as we want to be, or feel in that moment, there’s a really chic, nice undertone this season.

    Lily Collins: And I think for me, specifically, there’s a more French quiet confidence about Emily’s wardrobe even though she’s as bright and bubbly. She’s being influenced by the women that she’s surrounded by. And feeling quiet and confident in her place in the city, it gets shown in her wardrobe. So it’s as big as you hope for, but at the same time slightly tailored down to feel a little bit more grounded.

    Emily in Paris S3 5
    Photo courtesy of Netflix

    If there was an Emily in Paris spinoff where Emily gets a vacation someplace else, where would you like her to be?

    Lily Collins: I would say… I have two places and I know what they think I’m gonna choose because I love Copenhagen and I think Emily in Denmark would be amazing. But I also think that Tokyo would be really fun, because for me, I love being in Tokyo because it feels like you’re in the past and the future at the same time, and for Emily to be surrounded by so much visual stimulation, I think would just be so fascinating and like another fish out of water experience. I think that would be so fun.

    What can you say to the viewers out there who are doubting themselves in terms of taking a leap of faith in their career and romance, just like Emily did?

    Lily Collins: I think not being afraid to fall is really important. I think letting go of control and not being afraid to not have it go perfectly is really important in order to succeed and go forward. And sometimes, you have to rely on others to lift you up, and that’s okay. So as long as you know that you have a support system around you to support you when things don’t go your way and to celebrate you when you do, it makes it that much easier.

    Emily in Paris S3 2
    Photo courtesy of Netflix

    What are the important things about friendship that you’ve learned while working on this project?

    Ashley Park: What I love about the female friendships in [the show], between us three is there’s no sense of judgment. I think that we all have our separate challenges and we go through different obstacles, and we didn’t even see eye to eye sometimes. And I think that the grounded support that comes into friendship, comes from this non-judgmental nature, in the spirit of just trying to be empathetic and being there for each other and I think that’s really beautiful.

    Lily Collins: Yeah, and I’ve learned so much from both of these women on set, but really offset, about embracing who you are. Learning and growing, and not being afraid to ask for help or ask questions, being you. As simple as seeing you with and without your makeup, is the same as seeing you with and without knowing all the answers all the time. It’s like you’re being able to be vulnerable as well as strong, and that’s a beautiful thing and both of these women beside me on screen and off, they emulate that all the time, and I think it’s very inspiring.

    Emily in Paris S3 1
    Photo courtesy of Netflix

    —
    Emily in Paris season 3 arrives on Netflix this December 21.

  • ‘Avatar: The Way of Water’ Interview: James Cameron & The Cast Talk About Diving Into The Sequel

    After thirteen years since it premiered in cinemas and became the highest-grossing film of all time, James Cameron’s Avatar is finally heading back to theaters through its sequel Avatar: The Way of Water.

    Tailored for the ultimate immersive experience just like the first one, the epic sci-fi adventure will arrive in theaters this December 14, just a few months after the remastered version of the first movie was re-released in cinemas. This time, the sequel will follow the Sully family and the new threats they must face in Pandora, while we get to see more of their world’s seascapes and underwater splendor.

    But before we take a dive back into Pandora and see once more its mesmerizing world and inhabitants, we got to be part of a virtual press conference for the film. The press conference was joined by director James Cameron, producer Jon Landau, and the film’s main cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, and Stephen Lang, who talked about the creation of the much-anticipated sequel for the film that broke blockbuster records.

    Check out the highlights of the press conference below:

    What was the moment that you knew we were going to go back to Pandora?

    James Cameron: Well, that’s an interesting question, because it seems obvious to everyone, ‘oh, you just made a bunch of money, do a sequel,’ right? Well, Stephen Spielberg didn’t do a sequel to ‘E.T.,’  highest grossing film in its time, right? It’s not a no-brainer. Do you want to call down the lightning strike again in the same spot? You know, it’s a lot to live up to. But we have this amazing cast… you know, the amazing cast that returned, and we figured out a way to bring [Sigourney] back, as well, even though her character from the first film dies, obviously.

    And we also had this amazing family of artists and troupe players, all the other actors. When you see a crowd scene in this movie of a hundred people, it’s the same ten actors just moved around, right?  (Laughter) so it’s a small group and we kind of love each other and enjoy the process.  And Kate got to join that, and feel that vibe as well. And that was a big incentive for me, to come back and do this all again.

    Avatar The Way of Water 4
    Photo courtesy of 20th Century Studios

    How was that journey of working out where you wanted the story and these characters to go?

    James Cameron: I think it’s important for a sequel to honor what the audience loved about the experience the first time. But also to get them off-balance, do things that they don’t expect. There are a lot of surprises in terms of where the story goes in this film, that we’re not putting into the trailers and the TV spots and all that. You kind of have to experience it. But it also goes a lot deeper, in terms of the heart and the emotions, I mean, wouldn’t you guys say? I mean, we were (sure), it was a much simpler story, and the characters were simpler the first time. And I was inspired by the fact that both Zoe and  Sam are parents, and I’m a parent of five, and so we wanted to get into the family dynamics, and the responsibilities of having kids. And also what that’s all like from the kid’s perspective right?

    What’s exciting for you, about revisiting this world and these characters, and introducing us to new ones?

    Jon Landau: Well, the excitement are the themes that Jim writes into his stories. You know, themes are what you leave the theatre with, and this movie has heart, has emotion, and it also has a message again about our world, not just the environment, but about people, about accepting people for their differences. In the movie, Jim wrote in the line, (Speaks Na’vi), ‘I  see you.’ And we want people to know that they’re seen, and that to see others that same way.

    Avatar The Way of Water 2
    Photo courtesy of 20th Century Studios

    Can you talk about your characters Jake and Neytiri, where we find them in this sequel, and how did it feel getting back into these characters?

    Sam Worthington: Well, to be honest, Jim gave me a script that was Avatar 1.5, that unto itself is amazing and detailed, and full of what they’ve kind of gone through over that gap. And I think it was part of, you know, Jim realized that story was about them being warriors, and taking on the battles of the clans and things like that. But it almost didn’t feel…  as [he] said, [he] wanted to explore what this family dynamic is, the natural extension of this love story. But it gave us a good jumping-off point to understand how to fill in that gap that’s missing, you know? To be honest, most people would’ve stuck on that one, but not this guy. It was pretty amazing.

    Avatar The Way of Water 6
    Photo courtesy of 20th Century Studios

    Zoe Saldana: Terrifying. It’s so funny because when something is very similar to you, you can’t see it. It’s just so close to you that it’s not in front of you. And Neytiri and I, in a way,  we’ve lived parallel lives. There’s a  level of fearlessness and rebellion that I have, I guess as a person, that Neytiri had. And we were able to sort of find kindred in that.

    But the leap of falling in love with something outside of you, that challenges you to see something that you’ve never seen before, that has always been her dilemma. To surrender to that, and then to bring forward, you know, fruits of that love… that presents the challenge for her. Because forcing her to grow, it’s forcing her to love something that she’s been taught to hate. And it’s hard, it’s really,  really hard.

    Also fear. In my personal life, when I became a  parent, fear entered my realm. The fear of losing something that you love so much, you know? And you just spend a great deal of your time creating these hypothetical scenarios that are just unimaginable. When I read the second script, that was her, that was Neytiri. But I didn’t see it then. I see it now, because my job wasn’t to see it, my job was to be it.

    Avatar The Way of Water 8
    Photo courtesy of 20th Century Studios

    Quaritch is back but in a different way. Stephen, how was that for you to play this character this way?

    Stephen Lang: Oh it was very exciting to come back and I was just so honored to be able to deepen and expand on the vision that Jim had for this character. I think in the first film he’s very, very colorful, he’s got personality, he’s got some great qualities. But essentially he moves through like a mindless shark, in a way.  But in this iteration of it, first of all, there’s the absolute magnificent irony that Jim has written, of coming back as the very thing he has been trying to destroy. And having to make the adjustment to that, to adapt to that. And I think it’s just been a total pleasure for me to continue to massage this character and find the depth, and maybe some of the humanity that’s in him. He’s such a  warm character, and beloved by so many…  (Laughter) You should stop me.

    Avatar The Way of Water 3
    Photo courtesy of 20th Century Studios

    Kate, what was it like for you coming on set, with your work history with James, but also coming on set to this world and to these characters?  

    Kate Winslet: Well I have to say, with it being Jim, I expected the absolute best of everything. Because it’s precision, it’s thought through, it is thorough, it’s meticulous, and I think the thing that pulled me in most of all, above everything else, is the characters that he’s created. You know, Jim has always written for women, characters who are not just strong, but they are leaders, they lead with their heart, with integrity. They stand in their truth, they own their power. They have physical power that is admirable, and to be part of that, and included, it was just so flattering that Jim asked me, because Jim does not suffer fools, and I knew that he was asking me because he knew I was too damn foolish not to say, ‘oh, you see that in me? Well, guess what… I’m going to show you that I can do exactly that thing, and maybe that thing, and maybe that thing, and maybe that thing.

    And of course, he expected no less. So I was just thrilled to be asked. And when I got there, welcomed into this world that was created by these guys and Zoe and Sam, what they did the first time around was to create that heartbeat. You know, it’s one thing for Jim to write it, it’s quite another to find it, and to give it a life and a pulse and real blood in those veins. And it’s really, really extraordinary to be around that. It’s not a performance. It’s not things they came up with on the day. It is a universe. It is a love, it is something that is palpable, and you feel it, you step into that space, it’s an empty space, but it is absolutely loaded with truths and dynamics and pulses that these guys built.  They built that, and they shared it, and it’s honestly very, very special to have been part of it.

    Avatar The Way of Water 10
    Photo courtesy of 20th Century Studios

    Sigourney, how did it feel playing the character of Dr. Grace Augustine in the first film, and now the teenage character of Kiri?

    Sigourney Weaver: Well, luckily there is a connection, and when we first talked about it, it was 2010, and we just had this idea, a girl who was more comfortable in the forest with the creatures and the flora and the fauna. But I think, you know, all power to Jim, he wanted to create a  complex character– wonderful things about her, but she also has some deficits. And so I loved that I had the opportunity to play someone I consider a real adolescent in most ways, and then she has these other bright spots that she’s learning about.

    But I was very honored, too, and thrilled, excited, and terrified.  But luckily there was a long time to prepare, and I went to high school classes and a few other things, so I could hear the pitch of their voices, and there’s a big range of who an adolescent is between twelve and fifteen. And once I saw that I was like, okay, I can let Kiri come out. Whoever that is, combined with who I was at fourteen. It was sort of like a muddle. You know, I was this tall when I was eleven. So it gave me so much to work with, and by the time I got there,  I just so enjoyed leaving this shell behind and becoming this, sometimes, brat. (Laughter)

    Avatar The Way of Water 11
    Photo courtesy of 20th Century Studios

    What can the fans expect from Jake in the sequel, now that he has found his new journey in love and fatherhood?

    Sam Worthington: Well I think in the first one, he  says it in the voice-over, ‘open your eyes.’ I  think he’s opened his eyes to love, the love of culture, the love of the planet, and the love of Neytiri. I think in this one it is, as I said, it’s the natural extension of that. They have a  family, and to be honest, it’s about the protection of that love and that world and that culture, that, I always saw it as the simplest form, you know. And his partner in crime is a very fiery person. He just tries to be the earth, and we just happen to have a lot of water. It’s very elemental.

    And I think Jake’s journey has always been taking these parallels of where does he fit into this world, and finding something worth fighting for? And in one, his teenage boys are going through that as well, you know? Teenage boys are displaced, and like most teenagers they’re trying to figure out where they are in the world, and unfortunately, Jake is the perfect person to help them, but maybe as a dad, [sometimes] you can’t find that empathy, or you’re learning to find that empathy, to actually help Lo’ak played by  Britain Dalton, and Jamie Flatters who plays Neteyam, and he’s trying to help these boys, and also Kiri, you know?

    Avatar The Way of Water 9
    Photo courtesy of 20th Century Studios

    Avatar: The Way of Water arrives in cinemas nationwide this December 14. Book in advance and buy your tickets here.

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    Q&A: James Cameron & ‘Avatar’ Cast on the Film’s Remastered Version Release

  • Willow Q&A: The Stars of the Disney+ Sequel Series Talk About Returning to the Fantastic Fantasy World of Willow Ufgood

    This November 30, we get to return to the magical world of Willow in the new Disney+ original series.

    A sequel to the 1988 film of the same name that was executive produced by Star Wars creator George Lucas, Willow takes place many years after the events of the movie. It will follow Willow Ufgood as he leads a group of misfits on a dangerous quest to save the world.

    Warwick Davis reprises his role as Willow Ufgood, and he is joined by  Erin Kellyman (“Jade”), Amar Chadha-Patel (“Boorman”), Ellie Bamber (“Dove”), Tony Revolori (“Graydon”), Dempsey Bryk (“Arik”), and Ruby Cruz (“Kit”).

    In a recent press conference for the series, Willow executive producer and writer Jon Kasdan joined the cast in answering questions about the new Disney+ series from the press. Check out the highlights of the press conference below:

    Did you ever imagine, thirty- five years ago, that you’d be sitting where you are today, talking about this new ‘Willow’?

    Warwick Davis: Certainly not, no, absolutely not. For years it’s been talked about, not by anyone official but by the fans. They’ve constantly pestered me, saying “When are we going to see a sequel to that movie?” And it’s a question that I could never answer. Until I met Jon Kasdan, who I understood was also a fan. And I wondered on the set of Solo who had let him onto set. You know, no fans allowed here, because he was obsessed, talking about Willow. And surely we should be concentrating on making this Star Wars story here, shouldn’t we?

    [So we got to] talk about ‘Willow,’ and it was decided that there should indeed be more ‘Willow,’ and so that was the catalyst for this project to happen, really, and it happened very quickly in Hollywood terms. You know, it wasn’t years and years of development. Before I knew it I was sat on set in Wales for the very first day of filming. Once again looking just like Willow, but a slightly older, more mature, better-looking version.

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    Photo courtesy of Disney

    Was it as simple as Warwick makes out?

    Jon Kasdan: It was… it was in a lot of ways. I mean, there was the impulse certainly between Ron and Warwick and myself to continue this story, and return to this world. And I came at it as a fan, and they came at it both as the creators, and they found a champion in me, and I kept fighting and sort of hoping that we’d get a chance to go back here, and my ace was always that Warwick would be back and that he would look so attractive and America would – and the world – would really fall on their knees. I think everyone got that, and everyone appreciated that, that there was something really special in the opportunity to bring this character back to the screen.

    To the younger cast, how familiar were you with the film before you got cast in this project?

    Amar Chadha-Patel:  I’m not as young as some of our younger cast, so I have to hold my hand up and say I was alive when it came out. So I first watched it about seven or eight years old, and it sort of fit neatly into my upbringing, in the sense that I grew up on escapism and fantasy, and ‘NeverEnding Story’ and ‘The Princess Bride,’ that’s my childhood. So by osmosis, I’d sort of imbibed the quality of that kind of film. So it was always a part of me, I think. And then I rewatched it again when I got cast, because I figured, you know, research is probably useful.

    Tony Revolori: I actually watched it with my parents, and my brother, and yeah, I love the film, I fell in love with the magic of the world and you know when this opportunity came around, I was excited and honored.

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    Photo courtesy of Disney

    The show has this epic fantasy side, but it’s also quite contemporary at the same time. How difficult was it to get that balance right?

    Jon Kasdan: You know, that… it’s the challenge. With every episode, you’re sort of walking the line between making it familiar and satisfying, what fans expect from the brand ‘Willow,’ and then trying to push it forward and tell a story that’s surprising and unexpected. And you know, the great weapon we had with us was Warwick, who just lent the whole universe of ‘Willow’ credibility, and the moment you see him on screen, you suddenly believe these six other foolish kids could somehow fit into that world, and really inhabit it. And they did so so beautifully and with such gusto and enthusiasm and authenticity, that it was sort of an amazing thing to watch all these things come together, and become something that feels like a progression from the movie as much as a love letter to it.

    How was it going back thirty-five years later, and seeing these locations again from the movie?

    Warwick Davis: Yeah, certainly for me, one of the most enjoyable things about the series was really those callbacks to events that had happened in the film. You know, times that when I as a character talk about those events, and that was a really fun way of looking back at those things, and certainly I think fans will get a kick out of it. But also, as you say, we went back to locations, and environments that we’d already been to in the film. In particular, Nockmaar was one of those particular places, that for me really kind of gave me the shivers. You know, there I am kind of standing or sitting somewhere that Bavmorda would have sat, and you know, still kind of felt her presence in that area. That just shows you how powerful the film was, and those settings, and also Jean Marsh’s performance.

    Jon Kasdan: There was an incredible thing that happened where we got our friend Kevin Pollak out to reprise his role as Rool. And he told me when he arrived that he and Warwick had never actually done any scenes together because all of the brownie bits in the movie had been filmed at Skywalker in Northern California. And Warwick and he got to actually riff off each other, and Tony got to be a part of that, and it was quite an amazing thing to kind of watch them actually interact, these old friends who didn’t know each other.

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    Photo courtesy of Disney

    Did Warwick give you any wisdom or advice when you guys started out on this journey?

    Ruby Cruz: Wisdom and advice from Warwick Davis? I think honestly, just being in his presence was like… I was going to say a lesson in its own right, but not in that way. But I think getting to just be around someone who’s so good at what he does, and someone who’s such a professional in what they do… Watching you be able to just switch it on and off, which is something I really struggle with, was a huge– honestly, I really admire you for that. Coming in, you’d just waltz on set, and then suddenly you’d be like in the most emotional state. Or you’d be like cracking one-liners the entire time, while everything is [a] disaster. So I think it was just being around you, and getting to witness you in your element, that was really cool.

    This is your second project with Lucasfilm, and your second series on Disney Plus. What has kept you coming back to this company, and what appeals to you about these roles, such as Karli and Jade?

    Erin Kellyman: I feel like I don’t ever want to stop playing these badass women. I think they’re all so multi-layered, and I love trying to pick them apart and understand them. I think Karli was super hard to understand because she does a lot of messed up stuff. But Jade, I think has been the person that I’ve put the most work into. I think me and Jon had the time to like really go back into her past and created that space where we could make time and I could understand her a bit more. Yeah, I really can’t wait for people to see her.

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    Photo courtesy of Disney

    Val Kilmer’s Madmartigan is not in this new ‘Willow.’ How did you address his absence?

    Jon Kasdan: Not tricky at all. It was always sort of going to be, right at the core of the story we were telling. And it really had to be… but because we were telling a story that had so many young characters, and they were all sort of searching for their identity, the search for Madmartigan, and the question of what had happened to him was right at the heart of the story we were telling. And we knew that it would be woven into this quest in a fundamental way, really, to see where he was and what had become of him, and what he’d given up. Particularly for Ruby’s character, Kit, and for Dempsey’s character, Airk, in order to do good.

    And that question sort of follows the whole season. And we always knew that we sort of wanted to pay it off in one way or another, and we had a lot of ideas about ways to pay it off and ways to leave it open. And one thing that happened, because Val himself wasn’t able to come out to Wales and work with us, was that we added this texture of a friend of Madmartigan’s, who could give us some clues about his whereabouts.

    How much input did George Lucas have, and did he have any advice at least for the project?

    Jon Kasdan: You know, it’s funny actually, I’ve been getting this question a lot today, and Warwick was actually there, present on the day that I had my one and only conversation with George about this project. He came and visited the set of Solo because he is devoted to Ron, and they are dear, dear friends in real life. And they told us that he was going to come for just a moment, and we shouldn’t make direct eye contact or ask him any direct questions, and instead, he ended up staying for six hours and answering all our questions and being nothing but lovely.

    And I sort of said to him in this moment when I found myself sitting next to this god of my childhood, “You know, the one thing I thought that Lucasfilm really had an opportunity to do was to tell more Willow stories.” And he kind of smiled wryly and said he couldn’t agree more, and had been trying to make that happen for quite a while, and was a supporter and an advocate for any of that that we could get off the ground. And that sort of faith and excitement and genuine boyish enthusiasm was really critical to feeling like, this was something we could go off and do.

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    Photo courtesy of Disney

    What is it that fans love so much about this world, these characters, and this story?

    Jon Kasdan: Oh I mean, you know, George entering the universe of fantasy, working in that genre is such an exciting thing. And I remember the feeling of being eight years old and hearing that George Lucas was giving us a new franchise. And this one would have magic and wizards and sword fights, and it wasn’t called Star Wars. That was a pretty unbelievable concept to an eight-year-old kid. And for me, it’s sort of a miraculous thing that it hasn’t been developed more and that it sort of remains as this artifact from a certain time in my life, with all this potential for more stories and more adventures.

    What do you think is the one thing that you hope fans will take away from this series as a whole?

    Tony Revolori:  I think it’s the relatability of the characters, you know? Credit to Jon Kasdan, our writer, of Dawson’s Creek fame and Californication. He wrote every single character to have multiple layers, and we all got to play and have fun with them, and they’re very unique, and I think beyond it just being a family-friendly thing, that you can sit around with your family and watch, and point and go, ‘you’re like him, you’re like him, or her,’ or whatever it may be. I think that relatability, and the idea that these are flawed characters, and we grow through it, and maybe they can empathize through it a little bit. At least, that’s what I hope they take…

    Amar Chadha-Patel: One of my favourite things about the show is that no character has it figured out at all. And that is so true to life. The entire quest is not just a physical one, to rescue someone. It’s also about us figuring out what the hell we’re doing. And some of us thinking that we know, and not knowing, and that couldn’t be more true to my own feelings. And I think seeing that reflected back in a big magical world is going to be real charming.

    Dempsey Bryk: I feel like, another thing Jon Kasdan does so well is, he really presents different philosophies and ideas, and Jon, you can just Venmo me or whatever after this [laughs]… But so it’s really presenting different philosophies and ideologies that are all sort of equally valid, and sometimes there’s just no right answer. And I feel like today for like, you know, a younger generation, that’s a really confusing thing. To be like, ‘well I feel this,’ and then, ‘but you feel that,’ and maybe nobody’s right. Maybe it’s just okay to have different opinions.

    —

    Willow starts streaming on Disney+ this November 30.

  • Interview with the Filipino Artists Behind Disney’s ‘Strange World’

    Disney has yet to take us into another adventure with their new animated feature film, Strange World!

    Promising to be another fun family flick, Strange World follows the Clades, a family of legendary explorers who sets foot on an uncharted and treacherous land where fantastical creatures reside. But as they embark on this journey, the Clades’ differences will threaten their most crucial mission yet.

    Before the release of the movie in cinemas, we got to chat with two Filipino artists who worked from behind the scenes of Strange World: Mikee Sevilla (Raya and the Last Dragon, Encanto) who served as an animator for the movie, and Virgilio John Aquino (Frozen 2, Raya and the Last Dragon) who served as a modeler. In a virtual roundtable interview, the two artists talked about their processes in working on the film, how they relate to its characters, and more!

    Check out the highlights of the interview below:

    What has it been like to witness that shift of diversity and representation in these animated films from Disney?

    Mikee Sevilla (MS): I think it’s very important obviously, to have representation in films. That’s something that we’re always trying to strive for. Hopefully, this film inspires young kids to be themselves, be who they are, and allow them to be more comfortable.

    Virgilio John Aquino (VJA) : I totally agree. Disney always strives to tell different stories and we always deal with different themes. In this case, we have three generations of the Clades, and they’re trying to get along and trying to figure each other out because everyone has their own dream. When kids see themselves, they’re gonna relate to young Ethan– all the kids who aspire to be themselves and just be accepted to be who they are, and just be allowed to be humans.

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    Photo: Disney website

    In Strange World, did you have a favorite model to work on?

    VJA: Yes actually. I worked on the Venture, which is the big exploration ship that they used to go on this fantastic journey into this unknown space. It’s a big task because it has to be a functioning, kind of ship, and it’s always great to see it on the big screen and on the small screen whenever we do testing and stuff.

    How was it working on Disney films, before and during the pandemic, and now that we’re almost back to normal?

    MS: I started with Disney when the pandemic happened. Even up to now, I’m still working from home, but they’re starting to bring people back in. Actually, in two weeks, I’ll be working onsite at Disney which I’m very excited about!

    VJA: For me, it’s been a learning experience, especially during the pandemic. We’re always used to having our fellow artists in the next room, we’re always collaborating. But when the pandemic hit and we had to revert to working from home, it was a little disconcerting but you know, we worked it out and we were able to get our work done. Because we would be concerned that, ‘Oh my gosh, how are we gonna make films now? How are we gonna tell these fantastic stories?’ but when there’s a will there’s a way, and we were able to work from home and as Mikee said, we’re starting to get back into the building… It’s great that Disney is allowing us to have that flexibility to work from home, work hybrid, or just go in [and work full-time].

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    Photo: Disney website

    To which character were you able to relate to the most?

    VJA: I think for me, it was more with Ethan, because we’re talking about three generations in the film that are coming together. They’re trying to figure out how to relate to each other and stuff. For me, I’m always relating [them] to my father and my grandfather. You’re always gonna be the young one, you’re always gonna relate, because you grew up being a kid under their eyes, and then you grew up a little, and all of a sudden you have your own thoughts and your own ideas.

    So I think that what’s interesting in the film, for me, is how they explore those relationships. And with Ethan, to me, he’s my point of view as far as how he deals with the generational gap and the communication gaps when you talk to your father and grandfather. Sometimes they cannot relate, and that’s fine. At some point you have to work things out.

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    Photo: Disney website

    Is there a particular sequence that you worked on that was most memorable for you?

    MS: I was cast on a few family shots where Ethan is talking with his mom in the Venture. That was a very meaningful sequence to work on, mainly because you could see Ethan just longing for something, and his mom being super supportive of it. And working on Ethan, in general, was very meaningful for me, because I got to be involved in pre-production for the character so that’s really figuring out who this character is and how this character moves and behaves. So one of the things I enjoyed doing was, sort of incorporating– although Ethan was I would say generally masculine, you know everyone has both feminine and masculine sides to them– and I think being playful, creating this character, and showing his softer side, that was really fun to do.

    How different was it working on an animated film that has a sci-fi adventure genre?

    MS: I think for this particular film, since we didn’t really do any research trips on this film, it was really just from your imagination, so I feel like the director was really responding to just strange, weird things. So it’s really just, go crazy, and we’ll sort of pull back if it gets too far. That’s a little different than the films that I had to work on because for films like Raya and Encanto, those are very cultural-specific things, so certain gestures are from that culture. So yeah, this one’s different, I would say, for sure.

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    Photo: ‘Strange World’ on Twitter

    VJA: I think that for this film, there was a pandemic going on and stuff. You know, what I had to do was really find that adventurous part of myself and inventive part in myself as well. And when I was tasked to model the Venture, there were a lot of mechanical things that I wasn’t privy to, because I’m not a mechanic. So I had to research online just how things work, how certain mechanisms would work if it was a real ship.

    Then just before the pandemic, we actually had a team that took pictures of going into a real ship and just taking pictures of the interior of that ship. I was able to draw from that as well. But you know, I would like to have gone onto a real ship and looked at it myself, being a modeler and stuff. But a lot of it was like, 80% of it was research online, and 20% of it was pure imagination and just making stuff up, that’s very unique to the film, and I think that we pulled it off.

    With the arrival of Disney+ in the Philippines, what are your top three recommendations from the streaming platform while we wait for Strange World to come out in cinemas?

    MS: Well, Raya and The Last Dragon, Encanto, [laughs], and John, you give the third recommendation. What else would you recommend?

    VJA: Zootopia, yeah, that’s a good one. For me, it would be Raya and The Last Dragon [laughs]. I always liked the classics, I always say, “Watch Beauty and The Beast.” That’s one of my favorite animated films of all time. And if I might be a little self-appreciating– self-promotion I mean– here, go see Lightning in a Bottle at the Short Circuit, there are a lot of great short stories there, but yeah, see mine too.

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    Photo: ‘Strange World’ on Twitter

    ALSO READ
    WATCH: Pinoy Animator Mikee Sevilla on Working for Disney’s ‘Encanto: A Magical World’

    —
    Strange World opens in cinemas today! Buy your tickets here.

  • ‘Glass Onion: A Knives Out Mystery’ Q&A: Rian Johnson, & the Cast Talk About the Whodunit Sequel

    Detective Benoit Blanc is back for another Knives Out mystery! The sequel to Rian Johnson’s hit whodunit film is heading straight to Netflix this December 23, and this time, Daniel Craig’s clever sleuth must uncover the truth behind a mysterious murder on a tech mogul’s private Greek island.

    In Glass Onion: A Knives Out Mystery, Detective Benoit Blanc must investigate yet another colorful lineup of characters to be played by a star-studded cast including Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.

    Before the release of the film, Netflix held a virtual press conference joined by its stars, writer and director Rian Johnson, and producer Ram Bergman. Check out the highlights of the press conference below:

    Rian Johnson talks about making the Knives Out follow-up.

    Writer and director Rian Johnson shared how in making a sequel to Knives Out, he was inspired by how Agatha Christie always introduced new mysteries in her every book.

    “The mode in which we were thinking to keep making [the Knives Out movies] was always not to continue the story of the first one, but to treat them the way Agatha Christie treated her books and do an entirely new mystery every time. A new location, a new rogues gallery of characters,” explained Johnson, citing how the author shook it up from book to book.

    Glass Onion 3
    Photo courtesy of Netflix

    “So, sitting down to write this one, that was kinda the marching orders,” the director adds. “Let’s not just turn the crank and do another, let’s come up with something that’s truly different and that actually is gonna make audiences say, ‘Oh, wow. I’m getting the same pleasure I did from the first one, but I’ve never seen this before.’ And that’s kind of the exciting thing.”

    This also influenced the setting of the sequel. According to Johnson, “trading the browns of New England for the blue and yellows of Greece felt like a really obvious kind of ‘Oh, we’re in a whole new deal here,’” for the audiences.

    He also mentioned that he wanted to tap into the rich traditions of a destination mystery, as seen in classics like Evil Under the Sun, Death on the Nile, and The Last of Sheila. Furthermore, the director adds that he wrote the script in 2020 during the lockdown. “Like a lot of us, I was sitting at home, kind of wishing I was on a Greek island. So that might have had something to do with it.”

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    Photo courtesy of Netflix

    Gathering the ensemble of stars.

    When asked how he got to round up such an effective ensemble for the new film, Rian Johnson says that it was “as simple as trying to get the best actor you can possibly get.”

    The director also added that they got lucky with the group: “Just my head spins when I think about the fact that we were able to get this group together. There’s also the added element of, it’s a little bit like throwing a dinner party in that it is an ensemble. We know we’re gonna be on location together and all be kind of stuck together for a while. So, you’re also just trying to cast cool people who are hopefully gonna get along and have a good time together.”

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    Photo courtesy of Netflix

    And have a good time they did. The cast likened the experience to being part of a theatre ensemble.

    “I’ve had a couple of opportunities, you know, to be a part of great ensembles with Hamilton and One Night in Miami,” shared Leslie Odom Jr., “And this is one of the best. But it’s really an impossible thing, I think, to achieve without the leadership. It happens from the top down… It’s really Rian and Daniel and Ram making it feel that creative and that permissive and that fun.”

    “For a lot of us who came into this through theater or just that idea of being in a repertory company, an ensemble, it has a special pleasure,” Edward Norton adds. “It reminds you of your high school drama club, for those who were dorky enough to be in the high school drama club.”

    The cast also revealed how they would have murder mystery parties outside of filming the murder mystery movie. When asked who were the easy marks whenever they play those games, Johnson and the cast cited Dave Bautista and Daniel Craig himself.

    “[Daniel Craig is] so vulnerable, yeah, and available that you’re like, ‘Oh, he could never be a spy,’” joked Kate Hudson. Norton agrees, adding that “it’s ridiculous, but [Daniel Craig] is the least violent person of all of us. I mean, I think he’s probably the gentlest person and could crush all of us at the same time.”

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    Photo courtesy of Netflix

    Getting to work with director Rian Johnson and Daniel Craig.

    The cast members also talked about how delighted they were to star in the new Knives Out movie and work alongside director Johnson and its lead star, Daniel Craig.

    “I am a fan of everybody on this stage,” said Janelle Monáe. “I think that being able to work with Rian is a dream.
    I literally just told myself if I ever had the opportunity, it’s a yes. And then after reading this script, it was a hell yes. You know, because this is a character that you get to play with. So many layers, so mysterious. It took a lot of focus. There were moments when the cast was out having a blast after they did their scenes.”

    Madelyn Cline also talked about how she got the news of being cast after she got off a plane in New York.

    “I was huddled in a corner at baggage claim ’cause it was so loud and Rian was over the phone asking me if I wanted to be a part of [Glass Onion]. I was like, ‘You’re asking, is that even a question? Of course, I do.’ And then I proceeded to have the best weekend of my life and cheers to that. It was amazing.”

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    Photo courtesy of Netflix

    The stars also talked about their experience working with Daniel Craig, and finally hearing him as Detective Benoit Blanc in person.

    “It kind of lifts the veil,” said Kate Hudson. “Like oh sh*t, I’m actually here. I’m in a Knives Out mystery. I mean, for me, I think just watching Daniel work was a privilege and he’s a consummate professional. he shows up ready to deliver every line. He honors Rian’s words and he brings something just spectacular, as any movie star would. Just to be a part of that and to learn from that and to watch that was, for me, really something.”

    “His physical comedy too, I was just floored by,” Kathryn Hahn adds. “Just like his control of his body and how he throws himself into this part physically is something that I was so excited to watch. He really is a gamer in that department, it’s really thrilling.”

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    Photo courtesy of Netflix

    Director Rian Johnson on telling fresh stories from the whodunit genre to new audiences.

    Director Rian Johnson was also asked what his favorite thing was in helping bring back the genre that he loves so much, for new audiences to consume. The director answered, ” I feel like we’ve kind of rode a beautiful wave of people rediscovering these, which has been really nice with a lot of other great filmmakers bringing them to life. As a whodunit junkie myself, it makes me really happy.”

    “And then what makes me the happiest, I guess, is, you know I mentioned Agatha Christie’s books, but those
    movies that were based on her books in the late ’70s and early ’80s, when I was a kid watching those with my family, [I remember] how big of an impact they had. And now the coolest thing for me is talking to friends who have kids around that age, and seeing them get into these movies and recognizing, oh, that’s kind of what we made these for. And it’s super, super-cool that they can inspire whoever’s gonna, 30 years from now, do their own version of it. That makes me really happy,” added Johnson.

    —
    Glass Onion: A Knives Out Mystery starts streaming on Netflix this December 23, 2022.

  • ‘Wednesday’ Interview: Jenna Ortega on Playing the Iconic Role in Netflix’s Modern-Day Mystery Series

    Pale in black with a deadpan expression, morbid tastes, and cold comebacks, Wednesday Addams is back on the screen and this time, she’s out to solve a dark mystery revolving around her new school, the Nevermore Academy.

    In Netflix’s upcoming series Wednesday, the young lady of the Addams Family is sent to her parents’ alma mater after she causes another trouble in her latest school (piranhas and swimming pools don’t really go together). In Nevermore Academy– a school for outcasts, freaks, and monsters– Morticia and Gomez Addams expect their daughter to fit right in. But as Wednesday tries to prove them wrong, her psychic abilities and her parents’ own past would get her embroiled in a school mystery involving a dangerous monster that attacks Nevermore students.

    Watch the trailer for Wednesday below:

    https://www.youtube.com/watch?v=Q73UhUTs6y0

    Before this new series from director Tim Burton drops on Netflix this November 23, we got the chance to virtually chat with its lead star in a roundtable interview. In this interview, Jenna Ortega talks about bringing the iconic character back, what she would do if she meets Wednesday, and more! Check out the highlights of the interview below:

    Wednesday is such an iconic character, how did it feel playing her character?

    Jenna Ortega: Terrifying, especially working with someone like Tim Burton for the first time, who is a legend. You never really know what to expect and you want to do a good job. I respect this character so much that I just wanted to do her right.

    It’s definitely nerve-racking especially when you’re trying to figure out what the tone of the show is, and you just got into a foreign country, and you’re trying to pick up all of these skills. It was very easy to get overwhelmed, but sometimes you just have to put that stuff aside and realize it’s go-time, and I think I just tried to put my head down and put in as much work as possible and I hope that it’s received well.

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    Photo courtesy of Netflix

    What did you work on the hardest in playing the modern-day Wednesday Addams?

    Jenna Ortega: I feel like personality-wise, I focused a lot on trying to protect her emotional arc, and making sure that anytime she was vulnerable it was well-deserved. And I think for any hobby or additional thing that I learned, I feel like I was pretty hard on myself about the cello. I really wanted to get that right.

    Did you get guidance from Christina Ricci who played Wednesday before and also stars in this series as Ms. Thornhill?

    Jenna Ortega: None at all. We didn’t talk about Wednesday once. And it’s funny, I think [that’s the] assumption, but there’s a part of me that really didn’t want to and we met each other and I think it was very clear that she didn’t want to either.

    You know our Wednesdays are very different, and if anything I was more interested in where she was from, what her deal was, and what her experiences were. I think we relate a lot, and I think we got along really well. When you don’t talk about the fact that she’s been in the same exact getup as you before, it makes it a lot easier to do your scenes and treat each other like regular people and not somebody you looked up to your entire life.

    Wednesday has a lot of witty lines and clapbacks in the show. Do you have a favorite line from her?

    Jenna Ortega: One of my favorites is when she has to go to a school dance, and she has to go get this dress and Enid says, “Oh, do you know what you need?” and [Wednesday] says, “A bullet to the head.” That’s one of my favorite lines because it’s so true and it also sounds like something I’ve said before so I felt that one pretty intensely.

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    Photo courtesy of Netflix

    How did filming go for all of Wednesday’s scenes with the dismembered hand, Thing?

    Jenna Ortega: It actually wasn’t too difficult. I feel like a lot of times, I act all the time even though maybe I shouldn’t be. I take any opportunity that I can, like if I’m home alone doing the dishes. So I think talking to nothing was actually pretty easy.

    But fortunately, a lot of the time, I did have an actor. It was hard because he couldn’t necessarily fit in all of the shots. His name is Victor, he was a magician, he wore a full blue suit and I was followed around by a blue man. So he would walk behind me and we had these things called wild desks or wild beds, and there were cutouts in the mattress, so he could lay in there and crawl on the bed, or there were holes missing on the side of drawers so that he could stick his hand through. I’ve never done something like that before, but he was really really great and it felt like acting with another actor especially when he’s communicating with you like that so I feel very lucky to have had that experience as well.

    Having starred in slashers Scream and X, and now in the supernatural comedy Wednesday, do you think you have certain expectations when working on horror titles?

    Jenna Ortega: I think it’s a little bit different every time because, with different characters, you kind of want to approach [them] differently. I think I’m fortunate enough to play teen girls that don’t always necessarily resemble one another and I like to approach all of my characters with the same level of respect and care. I’m really lucky though because horror is so much fun, it’s really easy to kind of take risks, and explore, and do new things. Fortunately, in any of the horror sets that I’ve been on, I’ve been encouraged to do that which has been really really nice.

    How challenging was it to keep Wednesday’s deadpan expressions while still evoking emotions in certain scenes?

    Jenna Ortega: Yeah, I feel like the challenging part was more of the emotions. I think it’s pretty easy for me to be deadpan, especially because I think that naturally, I kind of have that face. I feel like a lot of people think that I don’t like them instantly because of my expression. The emotion more than anything was difficult just because you wanted to know when was the right time to do it, and why she was doing it, and how much was too much and how little was too little. You could never really tell with that one.

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    Photo courtesy of Netflix

    What’s your main takeaway and what do you want the viewers to pick up from the show?

    Jenna Ortega: I hope that the audiences learn that maybe the best way to confront anything in life is just by being yourself and not changing anything about you for the satisfaction or comfort of others. Because it’s unnecessary, it gets you nowhere, and it’s a lot cooler when you don’t do that. So I think that’s something to learn, and also maybe make a couple of friends if you’re going to fight a serial killer monster.

    Also, I think my biggest takeaway from this role is I spent so much time with this character I learned how to use my voice and fight for characters in a way that I hadn’t before, and as an actress that’s kind of everything and I’m excited to be able to have that tool now and use it in other sets in the future.

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    Photo courtesy of Netflix

    If you were to meet Wednesday Addams in real life, how do you think would you react towards her, and do you think you would befriend her?

    Jenna Ortega: Yes, but I think I would know that it would be very difficult to become friends with her. So I think I would just stalk her from a distance and then maybe start sending her things and getting involved. I think that would be a more interesting approach, I feel like then she would like me. I’d be very intimidated though, I think, but I kinda like that, I like it when people are a little scary.

    —

    Wednesday also stars Catherine Zeta-Jones, Luis Guzman, Gwendoline Christie, and Emma Myers. The series drops on Netflix this November 23.

  • Interview with Jason Momoa & Marlow Barkley of Netflix’s ‘Slumberland’

    Aquaman star Jason Momoa and young actress Marlow Barkley are headlining Netflix’s next magical film Slumberland! The film will take viewers to the world of dreams and nightmares, where the girl Nemo who just lost her father in a storm, joins forces with the rough-around-the-edges but lovable outlaw Flip to hunt for a treasure that can make dreams come true.

    Watch the trailer for Slumberland below:

    Before the film drops on Netflix this November 18, we got to chat with Jason Momoa and Marlow Barkley in virtual roundtable interview where they talked about the new fantasy adventure film. Check out highlights from the interview below:

    For Jason Momoa, would you say that you enjoy playing fun characters like Flip more than the serious and intimidating characters you’ve played in the past?

    Jason Momoa: Yeah, it’s better for the soul, better for your well-being to be laughing and having fun over being grumpy and fighting all the time. So it’s nice to have some levity.

    For Marlow Barkley, do you have any tips for the younger people who might be experiencing the same hardships as Nemo?

    Marlow Barkley: I think that making sure to keep the things that make you happy and bring you joy very close to you, and if you can to block out any negative thoughts or ideas I think is very important. And specifically, keep friends close because I find that friends can be very very helpful and inspiring at difficult times. And just remember that any fear, no matter how big, can be overcome as long as you are brave and strong, and I hope they can use Nemo as an inspiration to do that.

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    Photo courtesy of Netflix

    What’s an adventure you’ve had in the past that’s beyond your wildest dreams?

    Jason Momoa: When I was around 19, one of my biggest dreams was to go to Tibet. I wanted to go backpacking and live with nomads and visit different temples out there. I went to Tibet, and whatever I thought it was gonna be, it was beyond my wildest dreams. And it was truly the only place, it felt like a dream world when I was there.

    Marlow Barkley: I’d say, I think I’m living the life– I think I’m going on an adventure beyond my wildest dreams right now. I think that I’m very lucky to be able to do that at such a very young age, and I have Jason and my family and my friends to guide me through that. I think that right now, it’s pretty crazy. I could have never imagined that I would be here right now.

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    Photo courtesy of Netflix

    Can you tell us more about your casting, what made you say yes to the project and what was reaction being cast in the film?

    Marlow Barkley: I read the script and I definitely knew that I would watch it even though I wasn’t in it. Secretly I was hoping that [I get to do this movie] because it was amazing and it was everything that I wanted in a script and more. It has emotions, and it was funny, and action. And so I really put my all into that audition and it paid off and I think that the time filming it was even better than I could ever imagine.

    Jason Momoa: This was pitched to me by director Francis Lawrence who I love and trust, and I just thought it was wonderful, the idea of it. Then I got the script, read it, and you know I cried, I laughed… And then we cast this beautiful lady and it’s a dream job, and it just doesn’t happen very often so I feel very lucky to be part of the film.

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    Photo courtesy of Netflix

    Do you have any memorable moments during filming you’d like to share?

    Jason Momoa: We have a lot.

    Marlow Barkley: Any blooper is really fun, but there’s this one… We’re filming this very emotional scene, and in between takes we thought it would be a good idea to play tag– but not the kind of tag where you’re running around, chasing each other, and yelling tag. It’s the kind where you stand still, look over at someone, touch them and say tag. That’s it.

    And Jason was it, and he did not like to be it. So in the middle of the scene, very emotional, right before the big climax he goes, “And I just want to say tag you’re it, well that didn’t work” and I was like “Dude, why did you think that you can incorporate tag into this emotional scene?” [Laughs] and Francis was like “Uhh, cut? Let’s go back to one.”

    Jason Momoa: Yes, we did all kinds of fun stuff. Not long enough for this interview, you’ll see it all in the bloopers.

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    Photo courtesy of Netflix

    What do you think are the lessons that both the young audiences and parents can pick up from the film?

    Marlow Barkley: I think that kids can learn that they can overcome their fears, no matter how great they are. And that if you have something that’s special to you, and everybody else stops you or underestimates you, hold on to that dream and keep people that you love in your life, and you’ll be able to accomplish even greater dreams, one you could never imagine.

    Jason Momoa: I say to reconnect with your inner child. Doesn’t matter how old you are, just have fun and keep that little sparkle alive. Otherwise, what’s the point?

    —
    Directed by Francis Lawrence from a script by David Guion and Michael Handelman, Slumberland also stars  Chris O’Dowd, Kyle Chandler, Weruche Opia, India de Beaufort, and Humberly González. Stream it exclusively on Netflix starting this November 18.

  • ‘The School for Good and Evil’: Q&A with Stars Sofia Wylie and Sophia Anne Caruso

    Get whisked away into a world of fairy tales when The School for Good and Evil drops on Netflix tomorrow!

    Based on the bestselling book series of the same name by Soman Chainani, The School for Good and Evil tells the story of the best friends Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie). While Sophie has always dreamt of becoming a princess, Agatha has always had the makings of a witch, but when the two are taken to the School for Good and Evil, they seem to have been sorted into the wrong schools: Agatha in the School for Good and Sophie in the School for Evil. As the duo tries to correct this mistake, a mysterious figure tied to Sophie surfaces, threatening to destroy the school and the world beyond entirely.

    Watch the trailer for The School for Good and Evil below:

    Before the film drops on Netflix this October 19, we got to chat with its lead stars Sofia Wylie who plays Agatha, and Sophia Anne Caruso who plays Sophie, through a virtual roundtable interview. Check out the highlights of the interview below:

    What life lessons from the film did you pick up when shooting?

    Sofia Wylie (SW): I think there are so many wonderful lessons in this movie. Something that I think I learned, was how beauty comes from within. Even though that’s so cheesy, it’s really so true. Growing up in this industry, I didn’t necessarily feel like I was the standard for beauty in a lot of my life, and I kind of struggled with accepting myself for what I am and what I look like, but as Agatha has this journey of self-love and self-discovery, I feel like I was also mirroring that journey while we were filming too.

    Sophia Anne Caruso (SC): I think that the film has a lot of lessons in it. It was a long shooting process, and it was a difficult shoot in all the best ways. But a big theme in the movie is friendship and how powerful that is, so to have an awesome co-star by my side who also became a friend really proved that message to be true!

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    Photo courtesy of Netflix

    What were your personal favorites when it comes to fairytales, and how did they resonate with you growing up?

    SW: I think my favorite fairytale had to be The Little Mermaid. I was such a big fan of mermaids growing up. I would pray to God every night to make me a mermaid and wake up in the morning and I would place my finger in my sink with some water, and I would wait for about 5 minutes. Did I ever turn into a mermaid? That’s a secret I can’t tell, but I just wish I could be something more than just human. That’s always been a big dream of mine, to be this out-of-this-world thing.

    SC: I always liked Alice in Wonderland growing up… I liked the idea of her, jumping down the rabbit hole and exploring a whole different world.

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    Photo courtesy of Netflix

    How was the casting process for the film?

    SW: My journey in booking the role of Agatha for this movie was long. I had a meeting with some of the producers of the film, I was really interested in being a part of it. I did, I think maybe two or three self-tapes? Before I got the call to have a chemistry test with Sophia Anne and Paul Feig.

    After that, I think I waited for… I don’t really know how long, I felt like an eternity. But then I finally got the call that I had booked the role of Agatha and we were still in quarantine during that time so we didn’t know when the filming process would actually begin, but it ended up beginning about a year after I found out that I was going to play Agatha. So it was a really long process because of that but once I started filming, it felt like no time had passed at all and I was really ready to go. I had a really wonderful co-star to work with every single day, so it was a really wonderful process.

    SC: My journey of getting this job started with meeting with Paul Feig. He and I were talking about the different work that we want to do, and I asked him if he had anything that we could work on together. He mentioned this project, then I made a tape for him then I tested with Sofia.

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    Photo courtesy of Netflix

    Director Paul Feig encouraged you to have your own input on your characters’ looks. What were the elements that you added to your character?

    SW: Renee [Ehrlich Kalfus], who was our wardrobe was so incredibly collaborative, as well as Paul Feig, he was really wonderful in allowing us to have a say in what we wanted to look like, how we wanted to act, what we wanted the environment to feel like and be– which was not something that I have ever experienced before, a very different environment to be a part of.

    I think for me, as Agatha, I was able to incorporate my dream princess desires into her princess transition regarding hairstyles, as well as not allowing her curly hair to become straight. I did not want that to be a representation of what a princess should be, that her hair becomes straight if it’s curly. Her hair can still be curly and untamed and be out there, and that doesn’t take away from any form of princess-ness. The gowns are beautiful and I’m glad I got to send a lot of my personal aspirations.

    SA: Everything was super collaborative, and I think we’re all on the same page anyway for the looks. Renee, the costume designer, we shared a lot of mood boards and we have a lot of the same imagery on there, so it was really great.

    —
    The School for Good and Evil is directed by Paul Feig, and it also stars Kerry Washington, Charlize Theron, Laurence Fishburne, Jamie Flatters, Kit Young, and Rob Delaney. The film starts streaming on Netflix this October 19.