This August, with the goal to bring world cinema and make critically-acclaimed A-list titles even more accessible to Filipino audiences, the Film Development Council of the Philippines (FDCP) brings to local theaters four new titles from Belgium, Austria, Cambodia, and United Kingdom.
Charlotte Wells’ “Aftersun” tells the story of Sophie as she reflects on the joy and melancholy of a holiday she took with her father twenty years earlier. This UK film took home the French Touch Prize of the Critics’ Week Jury at the 75th Cannes International Film Festival.
Following the lives of 13-year-olds Leo and Remi, “Close” tells their story of drifting apart after their relationship is questioned by their schoolmates. Lukas Dhont’s film got the nod of the Academy Awards when this film from Belgium was nominated for the Best International Feature category in 2023.
Marie Kreutzer’s “Corsage” depicts the life of Empress Elizabeth of Austria, told on a fictional account. The film won the Cannes Un Certain Regard Section’s Best Performance Award for Vicky Krieps’ portrayal of Empress Elizabeth. It also had its PH premiere during the 10th QCinema International Film Festival. Corsage’s countries of origin include Austria, Germany, and France.
Davy Chou’s “Return to Seoul” follows the life of a 25-year-old French woman as she returns to her birthplace, South Korea, after being adopted to a French family. She then decides to track down her biological parents but her journey takes a surprising turn. Chou’s film won international acclaim in various film festivals like Asia Pacific Screen Awards, Athens International Film Festival, and Belfast Film Festival among others. It was also Cambodia’s official submission to the Osacr’s. Likewise, it also had its PH Premiere during the 10th QCinema International Film Festival and bagged the Jury Prize award.
Showing in select cinemas nationwide beginning August 23, 2023, catch these four award winning A-list titles in “FDCP Presents World Cinema”. More details soon. For updates visit: https://web.facebook.com/FDCP.ph
In recognition of the outstanding contribution of local artists, filmmakers, and institutions to Philippine cinema and the cultural identity of Filipinos, the Film Development Council of the Philippines (FDCP) held the first-ever annual awards event “Parangal ng Sining” on April 23 at Seda Hotel, Quezon City.
Through “Parangal ng Sining” (Honor of the Arts), the FDCP aims to give honor and respect to Filipino creatives and stakeholders for championing the Philippine film industry and gaining widespread acclaim for their respective works.
Filipina actress Dolly De Leon received critical acclaim for her breakthrough performance in the Cannes Film Festival’s Palme D’Or winner “Triangle of Sadness” and became the first Filipina actress to receive nominations from the Golden Globe Awards and the British Academy of Film and Television Awards (BAFTA). For her significant contribution to world cinema and invaluable representation of the Filipino identity, De Leon was given the Gawad Lente: Annual Achievement Award by the FDCP for this year’s Parangal ng Sining.
Another recipient of the Annual Achievement Award is veteran actor Soliman Cruz, whose extensive filmography in the Philippine entertainment industry made him one of the most prolific and respected actors in the country. His lead role in the Romanian film “To The North” premiered at the prestigious Venice Film Festival, where it received standing ovations from the audience and won the Premio Bisato D’Oro 2022.
Filmmaker Martika Escobar is the first Filipino director to be awarded with the Special Jury Prize for Innovative Spirit at the 2022 Sundance Film Festival for her debut feature-length film “Leonor Will Never Die.” The FDCP honored her with the Annual Achievement Award for her experimental and world-class storytelling, as well as her homage for Philippine cinema in the aforementioned film.
Moreover, the FDCP honored those who have dedicated their lives to the growth and development of Philippine cinema with Gawad Lente: Lifetime Achievement Award, given to Ms. Vilma Santos, Mr. Nick Deocampo, Ms. Lily Yu Monteverde, and Cinemalaya.
Vilma Santos-Recto, widely known as the Star For All Seasons, has made significant contributions to the local entertainment industry with her numerous and often memorable roles in Filipino films and television shows. For the longevity of her career as a distinguished actress and the lasting impact of her roles on Filipino audiences, she was given the Lifetime Achievement Award by the FDCP.
The FDCP also honored Lily Yu Monteverde, represented by her daughter and Regal Entertainment’s Vice President Roselle Monteverde at the ceremony, with the Lifetime Achievement Award for fostering the growth of Philippine mainstream cinema and producing well-loved Filipino blockbuster films such as the “Shake, Rattle, and Roll” movie franchise. Widely known as Mother Lily, she has continuously given opportunities for homegrown talents to thrive in the entertainment industry and contribute to the legacy of Philippine cinema.
Film historian Nick Deocampo is an advocate for preserving and restoring Filipino films, and his substantial research on Philippine cinema emphasized the importance of remembering our cinematic history. The FDCP has chosen him as a recipient of the Lifetime Achievement Award for his scholarly study of Filipino films to raise awareness and appreciation of our cinematic past for future generations of Filipinos. He was represented by his nephew Teddy Tan, Jr. at the awarding ceremony.
Lastly, the Cinemalaya Foundation was presented with the Lifetime Achievement Award for championing Filipino independent filmmakers and providing them with a significant platform to showcase their films at the Cinemalaya Philippine Independent Film Festival. Cinemalaya continues to foster Filipino filmmakers’ artistry and proves that local independent films can reach diverse audiences without compromising their creative freedom and distinct Filipino identity.
Hosted by TV personality Robi Domingo and graced with performances from notable Filipino singers Jason Dy, Ana Feleo, Roselle Nava, and musical group 92AD, “Parangal ng Sining” is an initiative of the FDCP to gather Filipino artists and stakeholders for the celebration of Philippine cinema. It aims to recognize the meaningful role of cinema in preserving and fostering Filipinos’ collective identity and cultural heritage.
Student filmmakers from West Visayas State University (WVSU) screened their cinematic works for free at Cinematheque Centres nationwide last March 18 as part of Academedia and official launch of other academic programs of the Film Development Council of the Philippines (FDCP).
WVSU students, or Taga-West, got to show their short films and documentaries, namely “Judith” by Daniel de la Cruz, “Kinatao” by Lovely Jaro, “To Those We Loved the Most” by Leander Hofileña and Chelsea Young, “Modyul, Modyul Lang” by Maria JC Emmanuelle Momblan, “What If?” by Hofileña and Aimee Barte, “Panakayon” by Francis Cabinos, and “Sa Likod Sang Lense” by John Angelo Arroyo and Mars Dela Cruz, at Cinematheque Centre Manila, Iloilo, Negros, Nabunturan, and Davao.
In “Judith,” a broadcasting student realizes the dangers of the pandemic as realities of life unfold.
“Kinatao” tackles the story of a student struggling to adapt to her online classes. A nursing sophomore goes through a life-changing experience when she literally finds herself between her neighbor’s legs.
Meanwhile, in “To Those We Loved the Most,” a working student is bent on doing his best as he struggles to manage his time between his job and his studies. Only his younger sister is left in his family.
“Modyul, Modyul Lang” is a documentary film about the realities faced by grade school pupils in public schools because of the pandemic.
“What If?” starts with a spark of curiosity as two young and ambitious minds meet and feel an instant connection, eager to explore the mysteries of life and constantly searching for the “what ifs” that can lead to new relationships and infinite possibilities.
“Panakayon” focuses on the journey of a multifaceted Taga-West bracing his way to success.
Finally, “Sa Likod Sang Lense” centers on the life of a woman as she tries to reach for her goal, follow the footsteps of her friends, and have a better future in the media industry.
The films won at the recently concluded University Days Short Filmmaking Competition 2023 at WVSU.
Members of the WVSU Film Society and Sinemaskom, led by their adviser Prof. Kareen Gancio, attended the event at Cinematheque Centre Iloilo.
Academedia, formerly known as UFlix, provides an exhibition platform for the works of student filmmakers to support and encourage them to pursue their passion for filmmaking. This month, the FDCP featured student films from WVSU and De La Salle – College of Saint Benilde.
In between the two sets of screenings for Academedia, two other programs, namely the Academic Film Society and the Student Film Assistance Program (SFAP), were launched through a forum led by FDCP Chair and Chief Executive Officer Tirso Cruz III, executive director Dan Morales, technical consultant Jose Javier “Direk Joey” Reyes, and program officer Mark John Pamintuan.
The FDCP, through the SFAP, will open 25 slots per cycle to Filipino student filmmakers enrolled in academic institutions that will register to be part of the AFS. Successful applicants may receive up to 50,000 pesos worth of cash grants to help them produce their thesis films and capstone projects.
With the goal to bring world cinema and make critically-acclaimed titles even more accessible to Filipino audiences, the Film Development Council of the Philippines (FDCP) has licensed the rights to four new titles from Belgium, Austria, Cambodia, and United Kingdom.
Charlotte Wells’ “Aftersun” (2022) tells the story of Sophie as she reflects on the joy and melancholy of a holiday she took with her father 20 years earlier. The film took home the French Touch Prize of the Critics’ Week Jury at the 75th Cannes International Film Festival.
Another Cannes-winning title FDCP acquired is Marie Kreutzer’s “Corsage” (2022) which depicts the life of Empress Elizabeth of Austria, told on a fictional account. The film won the Cannes Un Certain Regard Section’s Best Performance Award for Vicky Krieps’ portrayal of Empress Elizabeth. It also had its PH premiere during the 10th QCinema International Film Festival.
Davy Chou’s “Return to Seoul” follows the life of a 25-year-old French woman as she returns to her birthplace, South Korea, after being adopted to a French family. She then decides to track down her biological parents but her journey takes a surprising turn. Chou’s film won international acclaim in various film festivals like Asia Pacific Screen Awards, Athens International Film Festival, and Belfast Film Festival among others. Likewise, it also had its PH Premiere during the 10th QCinema International Film Festival and bagged the Jury Prize award.
Finally, 75th Cannes International Film Festival Grand Prix Prize Winner “Close” (2022) directed by Lukas Dhont depicts the lives of 13-year-olds Leo and Remi as they slowly drift apart after their relationship is questioned by their schoolmates. Dhont’s film also got the nod of the Academy Awards when it got nominated for the Best International Feature category.
More than its aim to encourage audiences to return to the cinemas, FDCP, through its Audience Development Program, aims to further expose moviegoers to titles that would help them expand their horizons.
The screening of these films will be held in select theatres nationwide and the FDCP’s very own Cinematheque Centres in Manila, Nabunturan, Davao, Iloilo, and Negros.
Follow us on social media to stay updated in our screening schedules.
Launching its new campaign tagline “Tell yourStories in our Islands,” the Film Development Council of thePhilippines’ FilmPhilippines Office officially opened the applications for the first cycle of the FilmPhilippines Incentives (FPI) program this 2023. The call is open to foreign production companies in business with a Filipino production company or producer on an ongoing project.
With the primary goal to promote the Philippines as a highly-viable filming destination, the FDCP FilmPhilippines Office offers location incentives to attract international productions to film in the country.
The Philippines also offers co-production funds to foreign producers who are looking to co-produce their respective projects with Filipino production companies and producers.
Interested filmmakers and production companies may apply to the following incentive programs:
● Film Location Incentive Program (FLIP): A selective rebate of up to PHP 10 million per project granted to Filipino production companies that are producing TV/VOD series, music videos, and feature-length or short films with a minimum Qualified Philippine Production Expenditure (QPPE) of PHP 50 million.
● International Co-production Fund (ICOF): A selective fund of up to 40% of Qualified Philippine Production Expenditure (QPPE) capped at PHP 10 million per project granted to Filipino production companies who are producing feature-length or short films with a minimum QPPE of PHP 8 million.
● ASEAN Co-production Fund (ACOF): A selective fund of PHP 2.5 million to PHP 7.5 million per project granted to Filipino production companies who are producing feature-length films. 50% of the applicant’s production budget must be spent on Qualified Philippine Production Expenditure (QPPE).
The first cycle of the FilmPhilippines Incentives (FPI) Program is open until March 17, 2023 which will be followed by a Selection Committee Deliberation.
Some of the most notable film grantees of the FPI include “Ella Arcangel: Awit ng Pangil at Kuko” by Melvin Malonzo, “Arnold is a Model Student” by Sorayos Prapapan, “In My Mother’s Skin” by Kenneth Dagatan, “The Gospel of the Beast” by Sheron Dayoc, and popular television series “Survivor.”
Through this initiative, the FDCP FilmPhilippines Office aims to provide funding to local and international production companies to foster collaboration between the Philippines and other foreign countries. The incentive program also opens up a lot of opportunities for Filipino talents and service providers to work on international co-productions.
Now in its fourth year, the FilmPhilippines Incentives Cycle 1 of 2023 comes with a new set of guidelines which interested applicants may download here. For inquiries, kindly send an email to filmphilippines@fdcp.ph.
After five successful editions, Sine Kabataan is back for its sixth year! The Film Development Council of the Philippines (FDCP) is holding an open call for short film entries for Sine Kabataan Short Film Lab and Festival Submission of entries is from January 13 to February 10, 2023.
The Sine Kabataan Short Film Competition not only aims to provide a platform to young Filipino filmmakers but also elevate their creativity and storytelling skills that are reflective of how they perceive the issues they face today. The competition is open to filmmakers ages 18-30 years old who have produced at least one short film.
20 story concepts which can be live action, documentary, animation or experimental will be shortlisted from the pool of submissions. Those who make the cut will undergo exclusive film labs which will cover topics from development up to post-production. With the easing of COVID-19-related restrictions, the FDCP will be shifting its film labs to a hybrid on-site and digital platform to equip the filmmakers with technical knowledge and practical skills in production.
From the 20 shortlisted projects, 10 will be chosen as finalists by a Selection Committee after a Pitch Showcase and each of them will receive a production grant of PHP 100,000 to produce their story concepts.
The FDCP expands the running time requirement this year from five (5) minutes to seven (7) up to 20 minutes to grant the competing filmmakers an opportunity to better express themselves and to let them explore treatments that will further maximize the potential of their story concepts.
To check the full guidelines and mechanics, visit this link. For more updates on the short film competition, follow Sine Kabataan on Facebook.
CreatePHFilms, the local funding program of the Film Development Council of the Philippines (FDCP) officially opens its new cycle this 2023 to provide funding to Filipino filmmakers and producers for the development and production of their films.
CreatePHFilms Cycle 1 of 2023 opened its call for applications last January 16, 2023 with four funding programs for mid-length and feature films which can be fiction, documentary, or animation:
● Development Fund: A selective and non-recoupable fund of PHP300,000 with mentoring sessions with industry experts. ● Small Budget Production Fund: A selective and non-recoupable fund for the production of Filipino films with an overall production budget of less than PHP15,000,000. ● Large Budget Production Fund: A selective and non-recoupable fund for the production of Filipino films with an overall production budget of at least PHP15,000,000. ● Post-production Fund: A selective and non-recoupable fund of PHP300,000 for post-production companies engaged with post-production companies registered under the FDCP National Registry for Companies.
Eligible applicants must be duly registered and accredited by the FDCP National Registry and eligible projects must be directed by a Filipino.
Strengthening PH Cinema and boosting the economy through CreatePHFilms For eligible expenses, 100% of the fund must be spent in the Philippines to boost the local economy as this will also provide economic opportunities for local services, artists, crew members, and other film workers.
In 2022, FDCP awarded a total of PHP 4.6 million to 19 grantees: 15 for Scriptwriting and Project Development, two for Small Budget Production, and two for Post-production.
Among the most notable grantees of the CreatePHFilms funding programs are Sundance 2022-winning film “Ang Pagbabalik ng Kwago” (Leonor Will Never Die) by Martika Escobar, Sundance 2023 selection “In My Mother’s Skin” by Kenneth Dagatan, and internationally-acclaimed disaster film “Kun Maupay Man It Panahon” (Whether the Weather is Fine) by Carlo Francisco Manatad, Through this funding initiative, the FDCP aims to amplify the Philippine film industry’s reputation as a growing and thriving film hotspot with local, independent, and innovative creatives in order to attract worldwide attention.
The CreatePHFilms Cycle 1 of 2023 will accept applications until March 17, 2023. To know more about the application process, visit: https://fdcp.ph/programs/createphfilms. For inquiries, send an email to createphfilms@fdcp.ph.
In line with its goal to bring world cinema to the Philippines, the Film Development Council of the Philippines (FDCP) is set to screen Cannes Film Festival official selection titles in the QCinema International Film Festival from November 18 to 25.
Fresh from this year’s Cannes Film Festival, Return to Seoul by Davy Chou and Corsage by Marie Kreutzer, both from the Un Certain Regard section, will be part of the 10th year edition of QCinema under the Asian Next Wave, the festival’s main competition section, and Screen International, respectively.
Return to Seoul by Cambodian-French filmmaker Chou is about a twenty-five-year-old French woman Frankie who returns to South Korea for the first time to where she was born before being adopted and raised in France. In her hopes to find her biological parents, her journey takes a surprising turn. Return to Seoul was nominated for Best Film at the 2022 Sydney Film Festival.
Patrick Brzeski of The Hollywood Reporter describes Return to Seoul as “expressive,unpredictable, feminist and fun, Freddie is a vibrant beam of searching, semi-wounded humanity.” For Clarence Tsui of South China Morning Post, Chou’s film surpasses its basic premise, he said: “Though Chou is neither a woman nor a Korean, nor an adoptee, he has managed to find something in Return to Seoul that he clearly connects with and that resonates with anyone else looking for their own place in the world, too.”
Austrian director Kreutzer’s Corsage is a film about the late years of Empress Elisabeth of Austria played by Vicky Krieps who bagged the Un Certain Regard award for Best Performance. Empress Elisabeth ‘Sissi’ is idolized for her beauty and renowned for inspiring fashion trends. But in 1877, as she celebrated her 40th birthday, she must fight to maintain her public image by lacing her corset tighter and tighter.
Peter Bradshaw of The Guardian commends the Corsage star Vicky Krieps for her performance as Elisabeth, “Vicky Krieps puts in a star turn. An exhilaratingly fierce, uningratiating performance.” Stephanie Bunbury of Deadline also praised the actress, “Vicky Krieps brings great complexity to her portrait of the empress.”
Cannes 2019 Best Screenplay winner and Golden Globe nominee, Portrait of a Lady on Fire, a French film by Celine Sciamma, is also returning this year in cinemas under QCinema’s Rainbow QC section and is being co-presented by the French Film Festival and the QCinema LGBTQIA+ Program. The film also won the Queer Palm at Cannes, making it the first film directed by a woman to win the award. Rainbow QC showcases the distinctive portrayals of the LGBT experience in varying periods and settings.
Aside from Return to Seoul, Corsage, and Portrait of a Lady on Fire, the FDCP also is bringing other top-notch international films to the Philippines including Celine Sciamma’s latest feature Petite Maman, Joachim Trier’s Oscar-nominated (Best International Feature and Best Screenplay) film The Worst Person in the World where actress Renate Reinsve won Best Actress in Cannes 2021, and 2021 Cannes Un Certain Regard film, Women Do Cry, by Vesela Kazakova and Mina Mileva.
FDCP’s latest acquisition, Léonor Serraille’s Mother and Son, was nominated for Cannes Film Festival’s Palme d’Or under the In Competition section. It won the C.S.T Young Film Technician Prize for the film’s production designer Marion Burger. For more information and updates, follow QCinema’s social media pages and FDCP’s official pages on Facebook, Twitter, and Instagram.
SCREENING SCHEDULE Return to Seoul Nov 18 Friday 9:25 – 11:15 pm Gateway Cinema 2 Nov 19 Saturday 6:25-8:20 pm Gateway Cinema 2 Nov 22 Tuesday 1:30-3:10 pm Gateway Cinema 2 Nov 23 Wednesday 8:40-10:40 pm Trinoma Cinema 1
Corsage Nov 19 Saturday 3:15-5:15 pm Gateway Cinema 5 Nov 24 Thursday 1:00-2:55 pm Trinoma Cinema 1 Nov 25 Friday 8:45-10:45 pm Rockwell Cinema 6
Portrait of a Lady on Fire Nov 22 Tuesday 1:00-3:05 pm Trinoma Cinema 1 Nov 25 Friday 1:00-3:05 pm Gateway Cinema 1
The International Film Industry Conference (IFIC), an international platform hosted by the Film Development Council of the Philippines (FDCP) geared towards bringing together international and local industry professionals to share and discuss the latest trends, developments, and cooperation opportunities, will be holding its sixth edition in hybrid format from November 18 to 20 at Novotel Manila Araneta Center in Quezon City and online via Zoom and Facebook.
This year’s IFIC is in partnership with QCinema International Film Festival and Full Circle Lab – Philippines, a capacity-building program from the partnership of FDCP and Tatino Films. IFIC will feature six free public sessions, three masterclasses, and a workshop series.
This year’s IFIC will offer free public sessions on documentary filmmaking, global trends on film distribution and exhibition, incentives and grants for Filipino filmmakers, and funding opportunities. As IFIC continues to promote regional and international synergy in the filmmaking industry, the IFIC public sessions for this edition will include a roundtable discussion with the ASEAN-Republic of Korea film commissions and agencies on accessing global opportunities for the Southeast Asian film industry and a session on international co-production in Asia.
The masterclasses in IFIC are recommended for film industry professionals and enthusiasts who would like to gain more knowledge on specific topics namely co-production with other countries, models of film distribution, and marketing films in the global market. Registration fee for one masterclass is PHP 1000 or USD 17, while a package of all three masterclasses is PHP 2,500 or USD 42.
The workshop series on dossier-making and pitching is exclusive to the FDCP’s selected CreatePH grantees.
Interested participants to the free public sessions and masterclasses for both online and onsite events are required to register at the IFIC website. Log on to fdcp.ph/ific to secure a slot to the country’s premiere film industry event. Registration is open until November 14, 2022. For more information and updates on IFIC 2022, visit their official Facebook page at www.facebook.com/IFICPHofficial.
Lineup of Activities for IFIC 2022:
Day 1 – November 18, 2022 (Friday)
● Keynote Address: Addressing the Philippine Film Industry
1:00 PM – 1:30 PM
Speaker: Chair Tirso Cruz III | Chairperson and CEO, Film Development Council of the Philippines
With cinemas opening their doors as the pandemic eases, developments in the status of the film industry have been positive. This keynote address from FDCP’s Chairperson and CEO addresses this rapid development and lays out how the Agency will support the Philippine film industry in the years to come.
● Session 1: How Dokyus Make a Difference: Creating and Funding Impactful Documentary Films
1:45 PM – 2:55 PM
The complete set of speakers will be announced soon.
Creating an impactful film that transcends its narratives to a wider audience is a challenge in itself but securing funding for a documentary film is a different feat. From a country with diverse meaningful stories, Philippine documentary filmmaking has been thriving despite these challenges through the years. In this panel session, we learn directly from experts how filmmakers can further elevate their knowledge of documentary filmmaking and collaborations that can help their projects further.
● Session 2: Let’s Create Together: Funding and Incentive Opportunities for Filipino Filmmakers
3:10 PM – 4:20 PM
Panelists: FDCP/FilmPhilippines Representative Wilfredo Manalang | Producer, Blue Room (CreatePH Grantee) Bianca Balbuena | Producer, Nocebo (FilmPhilippines Grantee) Jun Juban | Producer, Survivor Philippines (FilmPhilippines Grantee) Agathe Vinson | Consultant, Film Development Council of the Philippines
Moderator: Madonna Tarrayo | President and CEO, Unitel Productions, Inc./Straight Shooters Media
With the goal to support more Filipino film projects and collaborations, the FDCP initiated CreatePH Films and FilmPhilippines programs. Since its launch last 2021, it has produced several grants and co-production incentives that have allowed film projects to be produced and screened locally and internationally. This panel will discuss and inform on how to get these opportunities with the programs’ grantees.
Day 2 – November 19, 2022 (Saturday)
● Session 3: ASEAN-ROK Roundtable: Mapping Global Opportunities for the Southeast Asian Film Industry
11:00 AM – 12:10 PM
Panelists: Mr. Tirso Cruz III | Chairperson and CEO, Film Development Council of the Philippines Mr. Sirisak Koshpasharin | Vice President, The National Federation of Motion Pictures and Contents Associations Mr. Park Ki-Yong | Chairman, Korean Film Council
Moderator: Ms. Lorna Tee | Producer
In recent years Southeast Asian cinema has been making its mark on the world stage. With the immense talent in the region, industry support from the ASEAN and ROK film commissions has been outpouring. This panel session will highlight the state and plans of film commissions to support their film industries to reach global opportunities.
● Session 4: Producing with Asia: Success Stories of International Co-Production
12:25 PM – 1:35 PM
Panelists: Chie Hayakawa | Producer, Plan 75 (Japan) Makbul Mubarak | Director, Autobiography (Indonesia) Sorayos Prapapan | Director, Arnold is a Model Student (Thailand) Bianca Balbuena | Producer, When The Waves Are Gone (Philippines)
Moderator: Lorna Tee | Producer
With the Asian region having rich stories that are deserving of a worldwide audience, the brilliance of its cinema, through the years, has been shining brighter. With challenges in production and the financial aspects of producing a film, co-productions have been a vital part of these stories coming to life. This panel, powered by QCinema International Film Festival, features Asian filmmakers who will share their success stories and experiences in co-producing with their international partners.
● Session 5: Streaming Now: The Rise of a New Era of Film Exhibition
2:05 PM – 3:15 PM
Panelists: Quark Henares | Head of Originals, Asia Pacific, Amazon Prime (Singapore/US) Joyce Villaflor | Content Manager, iWantTFC Ronan De Guzman | Chief Operating Officer, Vivamax Corinna Vistan-Takahashi |Head of Content Development, Viu Philippines
Moderator: Monster Jimenez | Producer
This panel features the current streaming companies present in the Philippines. Get to know them as they discuss the impact that streaming video on demand has had on the global market and on the audiences, and how this will likely affect the dynamics of independent producers and distributors with VODs in catering to the demands and needs of the industry and the audiences.
● Session 6: Global Industry Trends on Film Distribution
3:30 PM – 4:40 PM
Panelists: Samuel Javier | Festival Director, New York Asian Film Festival Menina Wesmurti | Festival Director, EuroCinema Jakarta & Manusia Film Festival Agathe Vinson | Consultant, The Greenhouse
Moderator: Jo Andrew Torlao | Manager, UniPhilippines
With the developments in distribution platforms and consumer behavior, producers and distributors have been on the lookout for best practices in bringing their films to the world. This session features a panel of experts ranging from festival directors to international distributors who delves into the evolving practices of film distribution and shares new strategies and opportunities to reach audiences.
Day 3 – November 20, 2022 (Sunday)
● Masterclass 1: This or That: Co-producing With VS Within the Region
1:00 PM – 2:10 PM
Speaker: Meiske Taurisia | Producer (Indonesia)
With the co-production deals and programs all over the world, the Asian region has been competitive in providing opportunities to its filmmakers. Co-production has been made easier and better with the different options to co-produce within your own or with neighboring countries. In this talk, an expert in international co-productions from Southeast Asia will talk about the similarities and differences through her experiences in producing with and within the region.
● Masterclass 2: A Closer Look at Film Distribution Models
2:40 PM – 3:50 PM
This session with an award-winning distributor with experience in international co-productions delves into the different models of film distribution. Ranging from the traditional to newer distribution trends, learn new strategies as we adapt to changes in platforms and audience behavior.
● Masterclass 3: Master Your Strategy: Marketing for the Global Marketplace
4:20 PM – 5:30 PM
Speaker: Ewa Bojanowska | New Europe Film Sales (Poland)
Just as the script and directing, marketing can also make or break your film. It is essentially the key to promoting and bringing in audiences for your film. A tailor-fit approach is best when creating a strategy to market to your target audiences. This session will delve into mastering your strategies for successful and effective marketing.
The Film Development Council of the Philippines (FDCP) flagship film festival, Pista ng Pelikulang Pilipino (PPP), returns to the big screen this year featuring award-winning classic films of the new National Artists for Film and Broadcast Arts. The films will be screened for free in TriNoma Cinema in Quezon City and in all Cinematheques Centres nationwide (Manila, Iloilo, Negros, Davao, and Nabunturan) from September 9 to 23.
In line with the month-long celebration of Philippine Film Industry Month this September which aims to recognize the invaluable achievements of all the stakeholders and sectors of the industry, this year’s PPP Classics section consists of films of the three new National Artists for Film: actress Nora Aunor, screenwriter Ricky Lee, and late director Marilou Diaz-Abaya.
Newly-restored film Atsay by Eddie Garcia and Tatlong TaongWalang Diyos by Mario O’Hara, starring “Superstar” Nora Aunor, will have their gala premiere on September 9 in TriNoma Cinema. National Artist Aunor won the Gawad Urian Best Actress awards for Tatlong Taong Walang Diyos in 1977 and Garcia’s Atsay bagged the Metro Manila Film Festival (MMFF) – Best Film award in 1978.
Notable films written by award-winning screenwriter Ricky Lee, Cain at Abel and Gumapang Ka sa Lusak by Lino Brocka, will be screened on September 14. Cain at Abel received the FAMAS Awards Best Picture in 1983, while Gumapang Ka sa Lusak bagged the Best Picture award in Gawad Urian in the same year.
Feature films Brutal and Karnal from the “trilogy” of multi-awarded director Marilou Diaz-Abaya will have their public screening on September 15. Diaz-Abaya bagged the MMFF Best Director award for her film Brutal in 1980 and the MMFF Best Picture prize for Karnal in 1983.
The annual PPP will also be returning to offer fresh perspectives from the youth and the regions, featuring the finalists from Sine Kabataan Short Film Lab and Festival and Sine Isla: LuzViMinda Short Film Competition. PPP Classics will be screened together with the Sine Kabataan and Sine Isla short films starting September 17 to 24 in all Cinematheques Centres (Manila, Iloilo, Davao, Negros and Nabunturan).
The PPP Classics lineup is supported by Solar Films, ABS-CBN’s Sagip Pelikula, and Viva Films.
For more information and updates on PPP 6, follow their official page on Facebook.
