In “Migration,” the Mallard family is led by dad Mack (voiced by Kumail Nanjiani), who is content to keep his family safe paddling around their New England pond forever, and mom Pam (Elizabeth Banks), who prefers to shake things up and show their kids—teen son Dax (Caspar Jennings) and duckling daughter Gwen (Tresi Gazal)—the whole wide world. When a migrating duck family alights on their pond with thrilling tales of far-flung places, Pam seizes the opportunity and persuades Mack to embark on a family trip, via New York City, to tropical Jamaica.
Find out what some reviewers are saying about the movie!
Says Deadline, “It is the kind of animated entertainment that all ages will find something to like, and in terms of the creative talent involved it is a breath of fresh air in the genre.”
“Benjamin Renner’s new comedy ‘Migration’ offers a winning combination of a charming narrative and distinctive animation style,” says The Hollywood Reporter.
“It’s breezy and lighthearted but manages to hit a bullseye when it comes to the type of stories we need this season,” Collider shares.
Of the film’s animation, the Los Angeles Times says, “Where many animated productions sport a plastic sheen, ‘Migration’s’ textured look conveys a less-manufactured touch. There are lovely vistas taken in from the air. The hue palette is more muted than the usual candy-colored explosions. The light feels gentler with mellower shadows. We’re often in the magic hours of dusk or dawn. In the distance, the haze blurs to an almost watercolor effect.”
“Illumination soars to creative new heights with a hilarious CGI adventure that’s beautifully animated. Migration delivers a feast for the eyes that tickles your funny bone with wonderful character dynamics,” says MovieWeb.
“Migration,” from Universal Pictures International, is now showing nationwide. #MigrationMoviePh
To celebrate its 100th year, Disney releases the new animated feature ‘Wish,’ which oddly enough stumbles and flounders at its beginning, weighted down by a muddled world building exercise before it finds its stride. While a lot of the movie doesn’t explore new territory, what does feel fresh is how the movie double downs on Disney’s continuous attempt to cater to a more progressive audience and how ‘Wish’ seems to champion the voices of dissent. There is a strong sense of a revolutionary tone that is pervasive throughout the film that feels new and surprising. It manages to find its magic at its finale that managed to send shivers down my spine and got me genuinely teary-eyed.
The film, directed by Chris Buck and Fawn Veerasunthorn and written by Jennifer Lee and Allison Moore, is about the fictional city of Rosas, on an island “deep in the Mediterranean Sea,” whose king is a sorcerer who can grant wishes. There is a mix and mash of different cultures at play here as the mystical nature of Rosas has made it a melting pot of various cultures that seems to just blend and mix so unnaturally well. The sorcerer king, Magnifico, and his wife, Queen Amaya, have made a haven for its people. Magnifico asks everyone for their wishes, and he keeps them safe and protects them while he grants some of them and makes them true.
HOW DID THE WISHING STAR, UPON WHICH SO MANY CHARACTERS WISHED, COME TO BE? — Walt Disney Animation Studios’ original fairytale adventure “Wish” is an all-new story is set in the magical kingdom of Rosas, where Asha, an optimist with a sharp wit and a deep caring for her community, turns to the sky in a moment of need, and makes a wish. Asha’s plea is answered by a cosmic force, a little ball of boundless energy, Star. Together, they will face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars – wondrous things can happen. The voice cast includes Ariana DeBose as Asha and Alan Tudyk as the pajama-wearing goat, Valentino. Featuring original songs by Julia Michaels, “Wish” is helmed by Chris Buck and Fawn Veerasunthorn, and produced by Peter Del Vecho and Juan Pablo Reyes. The feature film releases Fall 2023.
But a young girl, Asha, discovers a dark secret. Not all the wishes that Magnifico keeps and protects will ever be granted. This utopian city is nothing more but a falsehood, buying into a veneer of niceties. It’s an autocracy in disguise and everyone is a willing victim, with their wishes held hostage for their compliance.
In a fit of rage and disgust, Asha wishes upon a star and the star magically appears before her and starts to make enchant the world around her.
Essentially, ‘Wish’ is an exploration on the nature and importance of wishes into our lives. The movie sells it hard, and it does not go unnoticed that it’s definitely part and parcel of a propaganda to continue to entrench Disney into our lives, what with all the easter eggs of various Disney cartoons and stories placed generously around the film. It can even serve as a sort of origin story for many of Disney’s animated feature if you catch the motifs at play.
In trying to explain this new world and how it operates, the first half of ‘Wish’ comes across as long and drawn-out exposition. There’s so much talking, not much showing. There’s just so much explaining. It slows everything down and it made the kids in the audience disengage at the start. The moment Asha sings the title song, ‘This Wish,’ and the star comes down and starts to stir trouble, then the film starts to find its footing.
And this when the magic really starts to happen. There’s an interesting new perspective offered in the song ‘I’m a Star’ that becomes a fulcrum to the film’s extraordinary message that is later compounded by more songs and story points that pushes the film to take a revolutionary tone. The film actually incites the viewers to dissent against any sort of mind-control or oppression. The extremely charming (and rather media savvy King Magnifico) starts to show his spots and while all of this is sort of on-the-nose, it effectively sells the idea that the world we live in is not that far behind.
Chris Pine is excellent and charming as Magnifico, singing and acting his way through the character with his voice that it helps create a person we want to be brought down. Pine’s Magnifico is every gaslighting, overprotective, and narcissist leader who charms us out of our ability to choose for ourselves. He is an excellent counterpoint to a very solid performance from Arianna DeBose, who kills it as Asha. She sings with such fervor that it helps sell the Disney magic so much more.
When the film fully pushes for a revolution against the autocracy, it’s akin to a ‘Les Misérables’ chorus that can be infectious. Surprisingly, despite all of the things I didn’t like about the film at the beginning, I began to see the beauty of its message and its stance. Yes, ‘Wish’ is as much a celebration of Disney and all its capitalist stance but, at the same time, ‘Wish’ is also a call to find it within us to fight for what we love and what we believe in.
And it does this in a way that Disney has perfected over its 100 years – through spectacle and song. ‘Wish’ is not the best Disney movie but it is wonderfully idealistic and unabashedly progressive and during these times of severe conflict and strife, it is a welcome message of hope. There’s something right in the timing of this movie and as I held back tears at the reprise of its titular song, I was actually excited to see where Disney will continue bringing their stories in the future.
My Rating:
Wish is now showing. Check screening times and buy tickets here.
Stars and filmmakers came together in Hollywood tonight to celebrate the world premiere of Walt Disney Animation Studios’ original action-packed adventure “Strange World”—opening exclusively in theaters November 23. Attendees included Academy Award®- and Tony Award®-nominated actor Jake Gyllenhaal, who lends his voice to Searcher Clade, a family man who finds himself out of his element on an unpredictable mission; comedian, actor, writer, filmmaker and musician Jaboukie Young-White, who’s the voice of Searcher’s 16-year-old, adventure-seeking son, Ethan; and actress, producer, bestselling author and TIME100 cover honoree Gabrielle Union, who provides the voice of Meridian Clade, an accomplished pilot and Searcher’s partner in all things. Joining the voice cast were filmmakers Don Hall (director), Qui Nguyen (co-director/screenplay by), Roy Conli (producer) and composer Henry Jackman (music by). Event images are now available.
“Strange World” introduces a legendary family of explorers, the Clades, as they attempt to navigate an uncharted, treacherous land alongside a motley crew that includes a mischievous blob, a three-legged dog and a slew of ravenous creatures. The voice cast also includes Dennis Quaid as Searcher’s larger-than-life explorer father, Jaeger; and Lucy Liu as Callisto Mal, Avalonia’s fearless leader who spearheads the exploration into the strange world.
