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  • ‘Riding the Waves: 15 Years of Cinemalaya’ and More Books to Be Launched During the Film Festival

    Six books by icons and experts on Philippine cinema will be launched during the ongoing 18th Cinemalaya Philippine Independent Film Festival at the Cultural Center of the Philippines (CCP).

    On August 8 at 4:00 pm, a back-to-back launch of Nick Deocampo’s book Alternative Cinema: The Unchronicled History of Alternative Cinema in the Philippines and Philippine Cinema 1897-2020 by Gaspar Vibal and Dennis Villegas will be held at the Cinemalaya Tent.

    Alternative Cinema is a collection of ethnography and history of alternative cinema in the Philippines.  It also seeks to reveal the “hidden side” of Philippine cinema.  The book took 40 years to create, utilizing Deocampo’s notes, notebooks, and diaries.

    Deocampo is an award-winning Filipino filmmaker, film historian, University of the Philippines Film Institute (UPFI) professor, and advocate for film literacy.  Since 1982, Deocampo has written on alternative films in the country which started while he was in Paris shortly after graduating from the UP.

    Philippine Cinema 1897-2020 received the Best Book on Art in the 39th National Book Awards.  The book was written by Gaspar A. Vidal of the University of the Philippines Diliman and Dennis A. Villegas of the Far Eastern University, and edited by Teddy Co.

    Co is the founder of Cinema Rehiyon and was the chairman of the Cinema Committee the National Commission for Culture and the Arts (NCCA).  

    On August 9 at 4:00 pm, the launching of the books Mga Screenplay ni Ricky Lee Volume 1: Brutal, Moral, Karnal and Mga Screenplay ni Ricky Lee Volume 2: Himala, Cain at Abel, Salome by National Artist for Film and Broadcast Arts Ricardo “Ricky” Lee will be held at the Third Floor CCP Hallway.

    Lee, a Filipino screenwriter, journalist, novelist, and playwright, collaborated with fellow National Artist for Film and Broadcast Arts Marilou Diaz-Abaya on the screenplays of Brutal, Moral, and Karnal.  The first volume contains the complete scripts of the three films with precursory articles on their developments.  

    For the second volume Mga Screenplay ni Ricky Lee (Volume 2): Himala, Cain at Abel, Salome, Lee included the three screenplays of the films which were directed by Ishmael Bernal, Lino Brocka, and Laurice Guillen respectively.  Bernal and Brocka are both National Artists for Film and Broadcast Arts.

    The University of Santo Tomas Publishing House published the two book volumes of Lee.

    On August 11 at 4:00 pm, Ang Daigdig ng mga Api: Remembering a Lost Film (a collaboration between Clodualdo del Mundo, Jr. and Dik Trofeo) and Riding the Waves: 15 Years of Cinemalaya edited by Clodualdo del Mundo, Jr. will be launched at the Cinemalaya Lounge by Latitude at the Third Floor of the CCP Main Gallery.

    del Mundo is a writer who recreated the multi-award winning film Ang Daigdig ng mga Api in book form.  He collaborated on the book with Dik Trofeo, the film’s assistant director, who contributed anecdotes and black-and-white pictures from behind the scenes.  Dick Baldovino is another photo contributor to the book’s images.

    Riding the Waves: 15 Years of Cinemalaya will have its onsite relaunch after last year’s online launch.  It contains a vibrant tapestry of narratives that portray through words and images the first 15 years of the festival’s existence through the contributors’ unique vantage points.

    World-renowned artists and cultural figures who contributed articles in Riding The Waves include Doreen Yu, Lito B. Zulueta, Jose Javier Reyes, Marjorie Evasco, Clodualdo del Mundo, Jr., Bayani San Diego, Jr., Philip Cheah, Max Tessier, Ben Suzuki, Jessica Zafra, Michael Kho Lim, and Chris B. Millado.

    For more details, check out the CCP and Cinemalaya websites.  Follow the CCP and Cinemalaya official social media accounts in Facebook, Twitter and Instagram.

  • “The Invitation”, Horror Told From a Female Perspective

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    The Invitation gave Thompson the chance to work in the horror genre which was irresistible. “I grew up on horror, on thrillers. They are sacred to me,” she says. “I always wanted to make a horror movie told from a female perspective.”  

    Thompson made her feature writer-directorial debut with The Light of the Moon, which won the Audience Award for Best Narrative Film at SXSW. The film holds a 97% Rotten Tomatoes score, with critics calling it “harrowingly effective” (Variety), “honest and complex” (The Hollywood Reporter), and Film Inquiry stated that “for any filmmaker this would be an unmitigated triumph, but for a first-time filmmaker this is revelatory.”

    The Invitation centers on Evie (Emmanuel), a struggling artist in New York.  After the death of her mother and having no other known relatives, Evie takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the disturbing intentions behind their generosity.

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    Thompson says her favorite and most challenging scene was the rehearsal dinner, where the true motivations of the hosts are revealed. “It starts off as a beautiful, sumptuous ball, and then halfway through, the penny drops. In that sense, it was like making two scenes in one: the beauty is covering a nightmare boiling under the surface,” Thompson explains. “All of the decadent food is actually rotting and melting and dripping, the incredible chandelier is actually made of antlers and skulls. Among the characters, there’s so much to capture: Evie’s emotion, as she’s realizing the true horror of what’s happening to her, so many looks from the guests, so many nuanced beats. It was a three-day shoot to get it all – so that was the hardest scene but also the most rewarding one, because I think it’s one of the best scenes in the film.”

    “It begins as a masked ball, beautiful and decadent and transformative,” says producer Emile Gladstone. “Evie walks in, beautiful, wearing her red dress and her gorgeous mask, and she is sitting next to a man who she’s recently fallen in love with.  She’s never felt more at home or surrounded by family with a solid man in her life.  And then, halfway through the dinner, it all turns. And what’s beautiful turns nightmarish.”  

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    In cinemas across the Philippines August 24, The Invitation is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.  Connect with the hashtag #InvitationMovie

  • Film Facts: 5 Things to Know About ‘Bullet Train’ Starring Brad Pitt

    The new action film Bullet Train starring Brad Pitt is heading to Philippine cinemas this week!

    Bullet Train follows Pitt’s Ladybug, an unlucky assassin waiting to catch a break and finish his job in peace. However, he soon finds himself inside the world’s fastest train where he gets on a collision course with other assassins whose missions are not unrelated to his.

    Watch the trailer for Bullet Train below:

    Excited to see Bullet Train on the big screen? On this list, we’ve rounded up some interesting facts that you might want to know about the new film!

    1. Brad Pitt’s former stunt double is directing.

    This is not the first time that director David Leitch and Brad Pitt worked together. In fact, Leitch used to be the actor’s stunt double in films such as Fight Club, Mr. & Mrs. Smith, Troy, and more.

    “It was a little funny to me, watching Brad play a stuntman in Once Upon a Time… in Hollywood,” shared Leitch. “I can tell you that the relationship between actor and stuntman that was part of that movie is real. You develop a close and collaborative relationship. We went in different directions for a while, but fate wasn’t done with us, and I’m so glad it’s brought us back together.”

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    Photo: Columbia Pictures

    2. It is based on a Japanese novel.

    The film is based on the book Maria Beetle by Kotaro Isaka published in 2010, with its English-translated version published just last year. Another popular title from Isaka is Three Assassins, which like its predecessor, follows intertwining stories between quirky hired killers.

    Bullet Train
    Photo: Goodreads website

    3. Lady Gaga was supposed to play Maria Beetle.

    It was Lady Gaga who was set to play Ladybug’s mysterious handler. However, due to scheduling conflicts with Lady Gaga starring in Ridley Scott’s House of Gucci, the actress had to turn down the role.

    “It really all came down to her schedule with the Ridley Scott film, House Of Gucci,” director Leitch told Entertainment Weekly. “There were short discussions and then, this isn’t going to work because she was preparing for the Ridley movie. They shot right before us and overlapped with us and it really didn’t work.”

    House of Gucci Lady Gaga
    Photo: House of Gucci on Twitter

    4. One of the assassins pulls their inspiration from Thomas the Tank Engine.

    Brian Tyree Henry who plays Lemon– the partner-in-crime of Aaron Taylor-Johnson’s Tangerine– shared that he had shaped his character in the film with Thomas the Tank Engine in mind.

    ““He knows how to tell his marks based on certain characteristics of Thomas The Tank Engine,” Henry told Empire in an interview. “He can tell if there’s somebody that’s reliable, something that needs to be killed right away, or somebody that is actually up to little schemes.”

    Lemon and Thomas
    Photos: ‘Bullet Train’ trailer and ‘Thomas & Friends’ on Twitter

    5. ‘Bullet Train’ got Brad Pitt into another film.

    Before Bullet Train, Brad Pitt also appeared in this year’s The Lost City headlined by Sandra Bullock and Channing Tatum. According to The Lost City directors Aaron and Adam Nee, they didn’t expect to have Pitt on board, but thanks to Bullock and Bullet Train (and the hairdresser), the actor was happy to join!

    “Brad Pitt’s name came up early for this. But the role isn’t a cameo, he’s in a good chunk of the movie. We were like, ‘We’re never going to get Brad Pitt to do this,’” said Adam in an interview with Total Film. “And then Sandy did Bullet Train [with Pitt], she was pitching him the role and she and Brad share a hairdresser, Janine [Thompson]. Janine was saying to Brad, ‘How would you do your hair if you played this part? What would you do about this?’ It felt like she just started getting him excited about it. And it then suddenly became real – and we were sitting on a Zoom, and talking to him about the movie. Before we knew it, he was in the jungle.”

    The Lost City
    Photo: ‘The Lost City’ trailer

    Bullet Train opens in cinemas nationwide this Wednesday, August 10, 2022. Book your seats in advance and buy your tickets here.

  • Lady Gaga is Harley Quinn in Musical Sequel ‘Joker: Folie à Deux’

    Joker is really setting itself apart from DC’s superhero movies, with its sequel reportedly set to be a musical!

    After his grounded take on Gotham’s most infamous villain, director Todd Phillips has revealed its sequel title to be Joker: Folie à Deux, and now Lady Gaga has revealed her participation in the film. Lady Gaga has posted a brief promotional clip for the movie which shows her silhouette with Phoenix dancing to the tune of Irving Berlin’s “Cheek to Cheek.”

    While the clip does not outright reveal Lady Gaga’s role as Harley Quinn, we see in her silhouette the iconic heart tattoo that Quinn often has on her face. Watch the clip below:

    Back in June, The Hollywood Reporter announced that the actress was in talks to be in the film, alongside the claim that the sequel was to be a musical. The title, Folie à Deux refers to a delusional disorder where two people share similar delusional beliefs and sometimes, hallucinations. Fittingly in the world of Batman, Harley Quinn is known for her twisted romantic relationship with the Joker.

    In 2019, the Joker film found success at the box office after telling an original origin story for the pop culture icon. It follows Arthur Fleck, a failing comedian who suffers from a mental disorder that forces him into fits of uncontrollable laughter. As society neglects and torments Fleck, he spirals into madness pushing him to become the violent Joker. The film garnered 11 nominations at the Oscars in 2020, and won Phoenix the Best Actor Award, and Hildur Guðnadóttir the Best Original Score.

    Joker: Folie à Deux is set for a US release on October 4, 2024. More details about the film including its official synopsis and the other cast members, are yet to be revealed.

  • Cebu Pacific Unveils GR8 8.8 Seat Sale

    Cebu Pacific (CEB), the Philippines’ leading airline, unveils its special seat sale for both domestic and international destinations.

    From August 8 to 10, 2022, the airline is giving everyJuan the chance to plan out their dream trip for as low as PHP8 one-way base fare. Travel period for this seat sale is from September 1, 2022, until February 28, 2023. 

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    “We continue to see a resurgence in tourism as people have become more confident to travel amidst our new normal. As we want to keep stimulating travel, both in and out the Philippines, we are pleased to offer another hard-to-miss promo that will enable everyJuan to save up on fares as they plan trips ahead,” says Cebu Pacific Corporate Communications director Carmina Romero. 

    Whether passengers would like to rediscover their favorite beach destinations like Boracay, Bohol, Siargao, Palawan, and Cebu; or enjoy the must-try food culture in Pampanga and Negros, travelers can enjoy the best of the Philippines without breaking the bank.

    Likewise, those who plan to finally fly abroad can finally do so as more destinations have eased travel restrictions. Whether you feel like going on a cultural immersion in Indonesia, Malaysia, and Vietnam; or on a food trip in Bangkok, Korea, and Singapore – all this is now possible and made affordable through CEB’s lowest fares.

    The airline currently operates 88% of its pre-pandemic systemwide capacity. To date, CEB flies to a total of 34 domestic and 18 international destinations. It continues to implement a multi-layered approach to safety, while it operates with a 100% fully vaccinated crew, 95% of whom have been boosted – all to ensure every Juan flies safely and conveniently on Cebu Pacific.

  • Jordan Peele Rewrites “Nope” Script for Fil-Am Puerto Rican Actor Brandon Perea

    At the Nope world premiere, Brandon Perea received rave reviews for his performance as one of the film’s leads, describing him as a breakthrough star and an unexpected scene stealer for his role as Angel Torres, an angsty employee of retail store Fry’s Electronics. 

    Nope is Jordan’s latest horror thriller that impressively debuted with $44 million on top of the box-office when it opened in the US (July).  Considered to be a must-see in cinemas for its spectacle, Nope is about to open in cinemas outside of US and will take the audience in for a ride into the unknown as siblings OJ (Kaluuya) and Emerald (Palmer) inherit their father’s legendary horse ranch.  As OJ and Emerald start noticing unexplained phenomena on their vast ranch, they soon start to plot attempts to capture the mystery on camera and enlist the expert help of Fry’s Electronics store employee Angel Torres (Perea).  Together, the trio step right into the eye of an irreversible storm with no path guiding them back, further ratcheting the stakes to terrifying consequences.

    Perea Kaluuya Palmer in NOPE
    Brandon Perea, Kaluuya, Palmer in NOPE

    Perea, who’s also known for his roles in Netflix’s The OA and the movie American Insurrection is thrilled with the opportunity to play Angel Torres in Nope. His character is crucial to the film’s lore on aliens and the unexplained as an electronics retail store employee who assists OJ and Emerald with installing surveillance equipment at their ranch and gets drawn into their quest for documenting the unexplained phenomenon they’ve encountered. Beneath Angel’s bleach-blonde veneer of post-punk angst and box-store malaise lies a heartbroken young man who is still hopeful and will become an unlikely, but exceedingly valuable ally to OJ and Emerald.

    “Angel’s our tech expert, and something of a comic-relief character,” Jordan Peele says. “Angel is a diehard Ancient Aliens fan.  Angel also often the one pointing out how batshit crazy the whole situation is. But he also gets quite willingly tangled up in this insane mission.”

    Kaluuya Perea Palmer in NOPE
    Kaluuya, Perea, Palmer in NOPE

    Brandon Perea’s role was not exactly how Peele originally envisioned it when he wrote the screenplay, but the young actor clearly made an impression. “Jordan said, ‘You brought something so different to the table that I had to meet you, but you’re really different than what I wrote for the script. If I were to put you in this movie, I’ll have to rewrite my entire movie,’” Perea recalls. “And I was like, ‘Yeah, that sounds tough. I guess that’s probably not going to happen.’ And he’s like, ‘So that’s what I’m going to do — I’m going to rewrite my movie. You got the part!’ I just busted out in tears crying.”  

    In a bit of serendipity, playing an employee of the famed Fry’s Electronics, which closed its doors in 2021, also brought back some good memories for the actor. “I remember reading the script and seeing that Angel works at Fry’s Electronics and I wigged out because my brothers and I used to go to the Fry’s in Chicago when we were growing up,” Perea says. “It was just a crazy full-circle moment for me.”  

    Nope opens in Philippine cinemas on August 17 from Universal Pictures.  Rated R-13 by the local censors board. 

  • Take a Ride on the Crazy Train: a review of ‘Bullet Train’

    I’m not exactly sure what I just saw but I sure as hell had a good time watching it. ‘Bullet Train’ is a flippant action comedy that works on a very stylized, hyper-real world of assassins and very self-aware filmmaking. Director David Leitch throws away character development for a zany, ultra-violent madcap caper of five (or was it six? There are so many in this movie!) assassins with different missions aboard one bullet train in Japan, who discover that their missions are all interconnected.

    Taking the lead is Brad Pitt as Ladybug, who has just come out of hiatus to do a “simple job” and is trying to find a new approach to life through the help of a therapist. He discusses all of this with his handler, Maria (voiced by Sandra Bullock). It’s interesting that the lead is a mercenary who has come back to the field as he tries to philosophize and rationalize his actions, whether it’s stealing, assaulting, or even killing the various occupants in the train.

    Brad Pitt is in fine form here, oozing with charisma and a dazzling display of physical strength and agility (online, it says he did 95% of his own stunts). He gives the audience someone to root for as each new assassin that is introduced just seems crazier than the last one. 

    Aaron Taylor-Johnson and Brian Tyree Henry are a pair who has to deliver the son of a Russian gangster and some stolen cash to the final destination of the train in Kyoto. They are a verbose duo, who are as ruthless as they are unintentionally funny. Their dialogue can get a bit much and slow things down at the start but as the action begins to build momentum, everything gets used in the end.

    Bullet Train - movie review
    Photo: Columbia Pictures

    Andrew Koji is a forlorn father, who takes the train to find and kill the man who pushed his son off a building but gets entangled with Joey King’s The Prince, a schoolgirl with a dark past of her own. Koji is an arresting actor and feels under-utilised here, considering the film opens with his story. His character’s struggle would seem one that is likely to bring audiences in but it’s too heavy for the light and comedic tone of the film so it takes a step back as Leitch and screenwriter Zak Olkewicz opts to take the gags and the action.

    Also in the film are Bad Bunny, Hiroyuki Sanada, Michael Shannon, Logan Lerman, Zazie Beetz, and some surprising cameos that are fun and just add to the formalist aesthetic of the film. Everyone seems to be having fun here and it makes the whole thing enjoyable even if the film doesn’t take itself too seriously.

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    Photo: Columbia Pictures

    There’s no real character arc that’s happening in the movie. Much like Ladybug’s musings, ruminating about fate and coincidence, the film plays out like a farce with no real-world associations. It’s not a satire or a social commentary. It’s not a battle between good and bad. It’s just bad people doing bad things and in what could be a really fun way depending on what you consider fun in movies.

    It’s clever both visually and in its scripting. The film jumps into flashbacks to deepen the history of these characters but only when needed and not set up methodically so as to create a sense of build-up. The scenes cut to the next moment where the tension can rise or when we can get the most laughs.

    There are 16 cars in the bullet train but the only way for these characters to move is forward or backward, which means there are no places to run or hide. In this way, all the five groups of killers are going to collide at some point and it just gets crazier and crazier as it goes along; all the way to a grand finish that feels like they threw everything and the kitchen sink at us for full effect.

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    Photo: Columbia Pictures

    And while ‘Bullet Train’ is narratively thin, it’s a hell of a fun ride. At some point, you realise no one is safe, you can’t take anything seriously, pleasantly surprised by the sudden cameos, and so forth. It’s a kind of irreverence that feels at home in a crazy world where nothing really matters. Maybe five years ago it would have been disappointing as I search for some sort of meaning but now, I’m very much welcome to this sort of insanity on screen.

    Now I’m really curious about the novel that the film is based on by Kotaro Isaka. 

    My Rating:

    5 stars - Don't Look Up review




    ––

    Bullet Train opens in cinemas nationwide on August 10, Wednesday.

    ALSO READ:
    Aaron Taylor-Johnson, Brian Tyree Henry are the Twin Assassins in “Bullet Train”
    Former Stunt Double of Brad Pitt Now Directs “Bullet Train”

  • Cinemalaya to Pay Tribute to Outstanding Cinemalaya Artists

    Cinemalaya 2022 will honor the legacy of the late artists Benji Garcia, Flor Salanga, Sigfreid Barros-Sanchez, Joseph Israel Laban, and Eduardo Roy Jr. at the Cinemalaya Independent Film Festival on August 5-14, 2022.

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    The works of the filmmakers – BATAD: Sa Paang Palay, JAY, Lasponggols, Cuchera, and Pamilya Ordinaryowill be screened respectively from August 9 to August 13, 2022, at 12:45 p.m. at CCP’s Tanghalang Manuel Conde (TMC) for free.

    Benji Garcia was known for traversing the worlds of theater and film – production, on stage, backstage, on camera, and off camera.  He completed his Communication Arts degree at Ateneo de Manila University in 1979 and then took a film course at the London International Film School in 1980.

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    His feature film, BATAD: Sa Paang Palaywon four Cinemalaya awards in 2006 for Best Actor, Best Screenplay, Best Production Design, and Special Jury Prize.  It also won the Golden Screen Awards with Best Performance by an Actor in a Leading Role, Best Performance by an Actor in a Supporting Role, Best Production Design, and Best Musical Score.

    Flor Salanga, Best Actress in a Supporting Role Golden Screen 2009 awards and nominated for Best Supporting Actress in Gawad Urian 2009, was an audition master of Cinemalaya Film Festival from 2005 to 2019.  She completed her Master’s Thesis for her MA degree in Theater Arts at the University of the Philippines.

    She played the role of Luzviminda Mercado in the featured film, JAY, which was directed by the late Francis Xavier Pasion.  Jay won Best Film, Best Actor, and Best Editing in Cinemalaya and the Special Mention award at Bangkok International Film Festival in 2008.  It also received the Audience Award at the 2009 Black Movie Film Festival.

    Sigfreid Barros-Sanchez, 2016 Best Director at the Madrid International Film Festival and 2012 FDCP Grand Festival Prize awardee, was known as a pioneer of sorts in local film festivals.  He came from a family of writers – both from the father’s and mother’s side.  In 1999, he got a slot in the 11th Scriptwriting Workshop given by National Artist for Film and Broadcast Arts Ricardo Lee, who then became his primary mentor.

    Main Poster Lasponggols

    He was among the 1st batch of filmmakers in the first Cinemalaya in 2005 wherein he submitted Lasponggols, the featured film.  It was his directorial film debut, a black comedy that showcases the oft-ignored people in a mainstream movie set.  Lasponggols was screened at the 2005 Fribourg International Film Festival in Switzerland and in the 2006 New York Imaginasian Film Festival.

    Joseph Israel Laban was a filmmaker, documentarist, and Creative Consultant for GMA Network’s Front Row and Reporter’s Notebook.  He finished his Creative Writing degree from the University of the Philippines Diliman and studied at New York University (NYU) under a Fullbright Scholarship for his master’s in Journalism with a focus on News and Documentary.

    1 Main Poster Cuchera

    His feature film, Cuchera won Best Film in the New Breed category in Cinemalaya 2011.  It was screened in international film festivals in Toronto, Stockholm, Belgrade, and Cleveland in 2011 and 2012.

    Eduardo Roy Jr. started as a soap opera writer in ABS-CBN until his persistence paid off as a director with his film, Bahay Bata being named as Best Film in the New Breed category in Cinemalaya 2011.  He was a mass communication student from New Era University in Quezon City.

    1 Main Poster Pamilya Ordinaryo 2016

    Eduardo’s featured film, Pamilya Ordinaryowon Best Film, Best Director, Best Actress, Best Editing, and NETPAC Award in Cinemalaya 2016.  It received the Asia Pacific Screen Award, Special Mention award in New Asian Cinema at the Five Flavours Asian Film Festival, and Best Director award from the Hanoi festival.  The film was then added on Netflix to its Filipino Movies & TV list in 2020 which garnered the number 1 spot for weeks.

    Since 2005, Cinemalaya has supported and promoted the production of Filipino full feature independent films and short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics, and art films.

    For more information on the 18th Cinemalaya Film Festival screening schedules and other offerings, check out the CCP website www.culturalcenter.gov.ph and Cinemalaya social media sites on Facebook, Twitter, and Instagram.

  • A Dream I Don’t Want to Wake From: a review of Netflix series ‘The Sandman’

    I read the complete ‘Sandman’ graphic novels over fifteen years ago and it is one of my favourite graphic novel collections I’ve encountered. It’s literary. It’s profound. It’s magical. Neil Gaiman’s imagination is boundless and the art by Sam Keith and Mike Drigenberg was so different from the superhero comic books that I collected in the 90s. It was mature and elevated my opinion of comic books back in the late 90s.

    For ‘The Sandman’ to finally be adapted into a television series was something I was nervous about. I’m glad to hear that Neil Gaiman was part of the creative team behind the show, which means that any of the changes would be approved by the writer of the source material. This is as important as the immense world-building that Gaiman did for the series.

    There are quite a lot of notable changes – some characters have been gender-swapped, some are portrayed by actors of color, the show is set in the present-day whereas the graphic novels were set in the late 80s, and the like – but it never feels like a ploy for relevance nor does it take away from the story. In fact, it adds nuance and inserts additional layers into the work that I don’t remember from having read the series many years ago.

    https://www.youtube.com/watch?v=83ClbRPRDXU

    ‘The Sandman’ is the story about an otherworldly being known as Dream or Morpheus or The Sandman. He is one of the seven Endless, immortal beings that are in charge of aspects of the universe. Dream is the lord of the sleeping world and king of dreams and nightmares. The first season of ‘The Sandman’ adapts the first two volumes ‘Preludes and Nocturnes’ and ‘The Doll’s House’ wherein Dream is imprisoned in the mortal world by a magician with the hopes of catching Death, Dream’s sister. While Dream is imprisoned, the dreaming world begins to fall apart and Dream must get out and restore the dreaming world to protect the waking world.

    The rich world of ‘The Sandman’ is given a glossy, CGI-heavy treatment that departs from the book’s visuals in a drastic way. It took me about three episodes to get used to the bright, crisp visuals of the Netflix show. Sam Keith and Mike Drigenberg’s art style was something I’d describe as dirty, messy, and very dark. It was so well-suited to the material and such a great departure from the superhero comics that were so in vogue at the time.

    The clean CGI of the show goes the opposite of that and so it took me a while to sync into this new look. The original art underscored the darkness of the material, but the refined visuals contrasted the heaviness of the show and it’s great because Dream is not an easy character to connect with.

    The Sandman - series review
    Photo courtesy of Netflix

    Dream is an immortal being of immense power. He’s rigid and cold. He’s fascinating to watch because he’s so far removed from humanity and while it reads well in the comics, in the show, it can be a little off-putting. Tom Sturridge does a brilliant portrayal of this. He has the signature pout and that blank expression that betrays nothing. He carries all the gravitas and majesty that Dream should have and it’s mesmerizing.

    But Dream is not an easy person to like and so the lush visuals and glossy treatment help humanize the world that Dream moves through and the characters that he interacts with creating a nice dynamic for him to play off of. The other characters keep him interesting until later on through the show when you begin to invest in him because you can finally understand what he must be going through.

    The Sandman - series review
    Photo courtesy of Netflix

    And that’s what is brilliant about this show. Dream is in charge of all our hopes and fantasies and our fears. As Dream sets out to restore the dream world back to its former glory, the show becomes a deep dive into some of the driving forces of the human race. It is a dissection of how we react and deal with the things that we want and the things we are afraid of and how different these things are for each person – whether human or otherworldly.

    ‘The Sandman’ is not a superhero television show. It’s a fantastical drama that delves more into philosophy and a study of human nature and other high concepts. It can be slow at times for people who are not keen on detailed and careful world-building. Being faithful to the books and with Neil Gaiman developing the show alongside David S. Goyer and Allen Heinberg, the show is more a showcase of the limitless imagination of Gaiman and how the world that he has built works. There’s not a lot of action. Instead its meditations on power, responsibility, mortality, and humanity.

    To keep things interesting, the show is filled with magical moments and captivating characters. Other than Dream, the show is filled with memorable characters that populate this rich fantasy world. Of the many slight changes to the source material, three notable characters are played by women: Lucienne (Lucian in the books) is played by Vivienne Acheampong, Lucifer Morningstar is played by Gwendoline Christie (of ‘Game of Thrones’ fame), and Johanna Constantine (originally John Constantine in the books) played by Jenna Coleman.

    All three actresses do memorable performances, with Coleman really capturing Constantine’s swagger and bravado and Christie adding quiet, otherworldly confidence to her portrayal of Lucifer but it is Acheampong who adds the most to the gender swap role. By turning Lucian into Lucienne, it creates a really interesting new layer into the relationship between Dream and his librarian. There is a warmth and a beating heart that the show needs in their interactions that might not have been there should they have kept Lucian as he was in the books.

    The Sandman - series review
    Photo courtesy of Netflix

    There is such a strong understanding of how much needs to change for the television version of this story. There is an awareness of the demands a viewing audience would have over the material versus a reading audience and I feel that this was addressed through the filmmaking of ‘The Sandman.’ The story is intact but the modernization of the material addresses real-world issues. As a fan of the original material, I’m enjoying the adjustments and marveling at how watching this show is bringing me back to the same wonder of reading the graphic novels but also opening my eyes to things I wasn’t aware of fifteen years ago.

    I’m very happy with this adaptation and I can’t wait for the second season. This is not for those who are looking for something easy and light to watch. This is a show that will take its time to establish the vast and rich world of Dream and the Endless and it’s going to get even more dense and complicated as the show continues. I hope it continues. This is a dream I don’t want to wake up from. 

    My Rating:

    5 stars - Don't Look Up review




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    The Sandman debuts globally on Netflix on August 5, Friday.

    ALSO READ:
    ‘The Sandman’ Announces August 5 Release, Mark Hamill’s Character
    WATCH: ‘The Sandman’ Main Trailer and Official Key Art Debut

  • Love Slime? Gootopia is the Newest Attraction You Need to Visit in Manila!

    A new attraction rises in SM Mall of Asia! Gootopia is a new indoor playground on the 3rd floor of the South Entertainment Mall that brings both kids and adults a slime-tastic adventure.

    In the Weird and Wonderful World of Gootopia, you can make your own slime, play games, get slimed, take IG-worthy snaps, and so much more! Below are the obstacles and other attractions you can check out when you visit Gootopia:

    • Slime Face
    • Balloon Blaster
    • Goolectic
    • Goonado
    • Boom Boxer
    • Human Bowling Ball
    • Slime Spy
    • Slime Pool
    • Slime Lab
    • Goozooka
    • Slime Dunk
    Gootopia 1
    Photo: Gootopia on Facebook
    Gootopia 4
    Photo: Gootopia on Facebook
    Gootopia 5
    Photo: Gootopia on Facebook

    Gootopia is open daily from 10 AM to 10 PM. The online rate is P699 while the walk-in rate is P799. Book your tickets now on www.gootopia.com.