Halloween just got a whole lot weirder â in the best way possible! Robinsons Movieworld is calling all film fans, families, and fright-lovers to experience the spooky brilliance of ParaNorman once again, as LAIKAâs award-winning stop-motion masterpiece returns to cinemas in beautifully remastered 3D and 2D formats.
Catch this limited-time screening exclusively at select Robinsons Movieworld branches across the Philippines from October 23 to 28, with ticket prices starting at just PHP 300.
A Special Treat: A Brand-New LAIKA Short Film!
This re-release isnât just a trip down memory lane â it’s a full cinematic celebration. Before ParaNorman rolls, moviegoers will be treated to the world premiere of LAIKAâs brand-new CG animated short, ParaNorman: The Thrifting.
Directed by LAIKAâs lead character designer Thibault LeClercq and written by ParaNorman creator Chris Butler, this short features returning voices from the original cast, including Anna Kendrick as big sister Courtney and Finn Wolfhard of Stranger Things fame.
Why ParaNorman Still Rules the Afterlife
Originally released in 2012, ParaNorman quickly became a cult favorite with both critics and audiences. Its spooky charm, stunning animation, and heartfelt message earned it nominations for the Academy AwardsÂŽ, BAFTAÂŽ, Golden GlobeÂŽ, and a string of ANNIE AwardsÂŽ.
Co-directed by Chris Butler and Sam Fell (Chicken Run: Dawn of the Nugget), the film follows Norman Babcock, a boy with the uncanny ability to speak to ghosts. When his sleepy New England town is threatened by a centuries-old curse, Norman must embrace his weirdness to save the day.
Following the Success of Coralineâs Comeback
This Halloween event continues LAIKAâs theatrical revival following the smashing success of last yearâs Coraline 15th Anniversary re-release, which drew massive crowds and critical buzz. Like Coraline, ParaNorman will only be available at Robinsons Movieworld, making it a truly one-of-a-kind cinematic experience.
Donât Miss This Spooktacular Celebration!
Whether you’re watching it for the first time or reliving a childhood favorite, ParaNorman is the perfect blend of creepy, kooky, and heartwarming â just right for Halloween.
Tickets are now available at participating Robinsons Movieworld cinemas and online at www.robinsonsmovieworld.com or at www.ClickTheCity.com.
A Victory for Regional Cinema and Resistance Storytelling
Emerging Bacolod filmmaker Vincent Joseph Entuna has once again made waves in the indie film circuit. On October 18, 2025, VinJo earned the Best Director Award at the prestigious Active Vista Human Rights Film Festival in Quezon City for his historical short film Sa Pwesto ni Pistong (The Barberâs Chair).
VinJoâs win is a resounding celebration of regional storytellingâpoignant, fearless, and unafraid to confront the shadows of the past.
A Slice of History Told from a Barbershop Chair
Set during the turbulent Martial Law era in the Philippines, Sa Pwesto ni Pistong zooms in on the quiet life of Teopisto, a humble barber, and his nephew Carlos, a restless youth about to leave for Manila.
As the two share conversations inside their small-town barbershopâa place of tradition, silence, and small talkâwhat unfolds is a story that gradually reveals a society in decline, one where neutrality becomes complicity.
Carlos finds himself swept up in a growing resistance against the regime, while Teopisto is faced with a moral reckoning of his own. His evolution from quiet observer to reluctant participant becomes a metaphor for a nation slowly waking up.
Sa Pwesto ni Pistong team
A Bold Directorial Choice: One Camera, One Truth
What sets this film apart? Itâs told entirely from a single, locked camera angle.
This bold stylistic decision, praised by critics for its precision and restraint, creates a voyeuristic tension and reflects the chilling stillness of a community trapped in fear and silence. The framing becomes its own form of protestâsubtle, unflinching, and deeply affecting.
Honoring the Silenced and Forgotten
In his stirring acceptance speech, VinJo dedicated the award to the “voiceless and forgotten,” paying tribute to the victims of the 1985 Escalante Massacre in Negros Occidental. This tragic event, which the film quietly commemorates, remains a painful chapter in Philippine history.
âThis film is for those who were silenced by history,â Entuna said, following his third Best Director award. He stressed the power of cinema, reminding todayâs generation that âart has the power to resistâ and that storytelling must not only entertain but also âbear witness.â
From Bacolod to the World
This latest accolade is just one of many. Sa Pwesto ni Pistong previously dominated the Bacolod Film Festival 2024, winning Best Picture, Best Director, and Best Screenplay, with an additional nomination for Best Musical Score.
Earlier in 2025, VinJo also clinched the Best Director title at the Pangasine Film Festival, and his film continues to earn nodsâincluding a Best Picture nomination at the Sinag Maynila Independent Film Festival 2025 and recognition from the Hundred Islands Film Festival.
VinJo Entuna with Bacolod Film Festival 2024 coordinator Kristin Joy Bactad-Jor and Sa Pwesto ni Pistong producer Benj Ramos
The People Behind the Story
Joining VinJo at the Active Vista awards night were producer Benj Ramos and Kristin Bactad-Jor, coordinator of the Bacolod Film Festival 2024. Their presence underscored the spirit of solidarity behind the filmâs journey.
About Active Vista: Cinema with a Conscience
Organized by DAKILA, Active Vista is one of the countryâs leading platforms for human rights cinema. It champions films that celebrate freedom, justice, and democratic valuesâmaking it a fitting stage for VinJoâs powerful narrative.
VinJo Entuna receives his Best Director award at Active Vista
Whatâs Next for VinJo Entuna?
With multiple Best Director awards and growing acclaim, VinJo is poised to become a vital voice in Philippine cinema. His commitment to regional narratives and social truth-telling places him at the forefront of a new generation of filmmakers using art as activism.
If Sa Pwesto ni Pistong is any indication, we can expect more bold, thoughtful, and necessary stories to come.
This weekâs movie lineup is an exciting mix of heartfelt drama, fantasy-fueled horror, and real-life oddities hitting the big screen starting today, October 22. Regretting You brings Colleen Hooverâs bestselling novel to life in an emotional mother-daughter story starring Allison Williams and Mckenna Grace. Dracula: A True Tale reimagines the gothic legend with Christoph Waltz and Caleb Landry Jones, while Roofman turns a bizarre true crime story into a gripping cat-and-mouse chase starring Channing Tatum and Kirsten Dunst. Adding local flair, Everyone Knows Every Juan and Walong Libong Piso deliver drama and dark humor rooted in Filipino storytelling, while Xeno brings a bold sci-fi adventure led by Lulu Wilson. And for an extra thrill, the CineSilip Film Festival kicks off with seven thought-provoking films screening exclusively at Ayala Malls Cinemas this week.
Here’s your guide to everything hitting the big screen this week:
Morgan Grant (Allison Williams) and her daughter Clara (Mckenna Grace) find their world upended after a tragic accident exposes painful family secrets. As the two try to rebuild, they confront betrayal, loss, and the complicated love that binds mothers and daughters through every heartbreak. Regretting You is a tender, emotional journey that asks, can love survive when trust is shattered?
Centuries of longing and bloodlust take center stage in Dracula: A True Tale. Prince Vladimir (Caleb Landry Jones), heartbroken after his wifeâs death, curses God and is transformed into a vampire. When he meets her doppelgänger centuries later in London, his immortal existence spirals into obsession. With Christoph Waltz and Zoe Bleu Sidel rounding out the cast, this gothic retelling blends passion and terror in a story as haunting as it is tragic.
2025 ⢠R-13 ⢠1h 53m Comedy, Drama GET SHOWTIMES
Family reunions are rarely simple, and in Everyone Knows Every Juan, theyâre downright chaotic. When the Sevilla siblings gather in their ancestral home a year after their motherâs passing, old wounds resurface and long-buried secrets bubble up. Expect a mix of laughter, tears, and sharp humor as Edu Manzano, Joel Torre, and Gina Alajar lead this relatable story of family ties tested by truth.
2025 ⢠R-13 ⢠2h 5m Comedy, Crime, Drama GET SHOWTIMES
Inspired by an unbelievable true story, Roofman follows Jeffrey Manchester (Channing Tatum), a charming ex-soldier who pulls off daring fast-food heists by sneaking in through the roof. After a prison escape, he hides inside a toy store for months, until a chance romance with Leigh (Kirsten Dunst) threatens to expose everything. Funny, suspenseful, and surprisingly heartfelt, this quirky caper proves that second chances can come from the most unexpected places.
Paolo Gumabao takes on a complex role in Walong Libong Piso, the film adaptation of the acclaimed stage play. The story follows a young actor who agrees to a questionable deal for quick cash, only to find himself caught in a web of deceit, vulnerability, and self-discovery. Itâs a raw and daring exploration of ambition and the price of desire.
When a fearless teen (Lulu Wilson) discovers an injured alien near her home, she learns that her new friend isnât the creature she expectedâitâs powerful, hunted, and hiding a dangerous secret. As government agents close in, she must decide how far sheâll go to protect it. Xeno is a thrilling and emotional sci-fi adventure about friendship, bravery, and what it means to belong.
CineSilip Film Festival 2025
This yearâs CineSilip Film Festival proudly showcases the next generation of Filipino filmmakers. From over a hundred submissions, seven films were selected for their unique storytelling and fearless vision:
Babae Sa Butas
Dreamboi
Haplos Sa Hangin
Maria Azama: Da Best PRnstar*
Salikmat
Pagdaong
Ang Lihim Ni Maria Makinang
Each film offers something different, from sensual, surreal dramas to gritty social commentaries, proving that Filipino cinema continues to push creative boundaries.
FAN FAVORITES STILL SHOWING
Missed last weekâs releases? No worries, these crowd-pleasers are still packing theaters with action, laughs, and heart. Hereâs whatâs holding strong:
2025 ⢠R-16 ⢠2 hrs 42 mins ACTION, CRIME, THRILLER GET SHOWTIMES
That’s your lineup for the week, six new titles and one film festival mean youâve got plenty of reasons to catch something fresh this week. Will it be Dracula: A True Tale for chills, Roofman for laughs, or Regretting You for all the feels? Maybe itâs time to support local movies at CineSilip. Catch them all starting today, only in cinemas.
Swing by ClickTheCity Movies for showtimes and snag your tickets today. Stay tuned for next weekâs fresh releases and updates. Happy watching!
Filipino-American talent Sam Morelos brings charisma, comedy, and heart to the big screen as Lexie in Regretting You, the emotionally charged adaptation of Colleen Hooverâs bestselling novel. Directed by Josh Boone, known for the YA classic The Fault in Our Stars, this new film is poised to captivate both loyal Hoover fans and newcomers alike.
And when it came to casting Lexieâthe witty, no-nonsense best friend of Clara GrantâBoone knew exactly who he wanted from the start.
âAbout 900 people submitted tapes for Lexie,â says Boone. âSam Morelos was our first and only choice. Theyâre one of the most popular characters in any screening. They always get the most laughs.â
A Story of Secrets, Healing, and Reconnection
At the heart of Regretting You is the story of a mother and daughter navigating the painful aftermath of loss. Allison Williams stars as Morgan Grant, a woman grappling with betrayal and heartbreak, while Mckenna Grace plays Clara, her teenage daughter discovering hidden truths about love and family.
Lexie: The Ride-Or-Die Best Friend Youâll Wish Was Yours
Morelosâs character, Lexie, is Claraâs best friend since childhoodâand the emotional support system she leans on when things fall apart.
âLexie is just a fun, light presence,â says Morelos, a proud first-generation Filipino-American. âIn a movie where thereâs a lot of tension, Lexie is the knife that cuts it. I was laughing whenever I was on set â mostly at my own jokes.â
Interestingly, Morelos wasnât a Hoover reader before being castâbut filming Regretting You changed that fast.
âI have been familiar with Colleen Hooverâs work for a very long time but to be completely honest, I havenât considered myself an avid reader since middle school,â they share. âMy attention span has dwindled as I get older, so to get this job was such a gift because it gave me the opportunity to rediscover my love for reading. Since then, I became a very quick fan of Colleen and her storytelling. Lexie immediately piqued my interest because of how fun and magnetic she was in the audition scenes â it felt as though she was jumping off the page. I was so drawn to her and the story she had to tell that I knew I wanted this job.âÂ
Behind the Scenes: Slang Lessons and Set Bonding
Morelos also had a blast off-camera, forming strong connections with the cast.
âEveryone was a joy to work with,â says Morelos. âAllison was so interested in Gen Z vernacular and I became her guide. She started saying things like, âSlay the house down, Boots. Houston, Iâm deceased.â Dave Franco is so sweet and so curious.â
A Movie Meant to Be Shared
For Morelos, Regretting You is more than a tearjerkerâitâs a conversation starter.
âEveryone should watch Regretting You in theaters with their moms, their best friends, and their partners,â they say. âWatching this film in a cinema filled with that much love will make you want to hold your people closer, itâs that infectious. I want audiences to walk into the lobby talking about their own relationships â remembering the moments that you and your best friend got drunk after a big fight with your boyfriend, that night you had your first kiss and called your mom about it, and all the little moments that shaped your relationships in the long run. Itâs a story of love that everyone can relate to in their own little way, which is what will make Regretting You so special to so many people.â
A satirical black comedy, Park Chan-wookâs âNo Other Choiceâ uses humor and absurdity to highlight the human cost of modernization and industrialization. He spins a delicate web of fantasy and reality, taking a paper industry expert Yoo Man-su (Lee Byung-hun) and throwing his world asunder when he loses his job as the paper industry begins automating work that once needed people to do and manage. Before being laid off, Man-su was living an ideal life with his wife Mi-ri (Son Ye-jin), their two children, and two dogs in a wonderful home that he grew up in. Working in a dead-end job while applying to other paper companies, Mi-ri has to return to work while the comfortable life they used to live is slowing disappearing: less meat during meals, their dogs must move with Mi-riâs parents, the bills are piling up unpaid. Man-su then plans to take extreme action to get back to a high paying job at a new paper company that has broken into the Japanese market and is willing to murder his competition for the post.
Park Chan-wook is a fabulous director able to marry the conventions of comedy, suspense, and even absurdism into one cohesive whole. He jumps through various genres to keep the energy of the film rolling while we are laughing at the extremities of Man-suâs predicament and horrified by the lengths at which heâd go to protect his way of life.
He even goes so far as to create a fake company looking for applicants with the same qualifications as his own, just to find out who his strongest competitors are for the post at the new paper company.
Man-su begins stalking each of them to find out how best to eradicate them from the competition. But since Man-su is not a killer, and the people who he follows are either hilariously situated in life, like Beom-mo (Lee Sung-min) and his wife (Yum Hye-ran), or on the opposite end, in a similar situation as he is, âNo Other Choiceâ brings through so many emotions.
It doesnât help that Son Ye-jin is an incredible actress, and Park Chan-wook also gives her some incredible moments that include fending off her boss at work (Yoo Yeon-seok), who obviously likes her, while wondering where her husband is off to at all hours of the day and night.
Her own fears and suspicions lead her to her own dark conclusions and those also of their son while it triggers their young daughter who is special in her own right.
Park Chan-wook uses the full range of cinematic techniques to create vivid imagery that really elicits the emotions he wants to push in the film. Wonderful visually comedy that works hand-in-hand with the quick editing to induce humor in moments that lead to violence.
Even the violence is funny. He manages to find humor in desperation all because there are solutions that are available, but his characters are so stuck in their old ways, their old way of living to truly embrace the change.Â
What he ultimately delivers is creating a powerful commentary on a capitalist world that favours having things, equating a good life with the things that money can buy, and thus allows us to laugh at Man-su and his dark road to a âbetter lifeâ while still empathizing with him because we all are aware of the truth behind the seductive world of a capitalist society. Thereâs also a huge depiction of how modernization and industrialization are completely removing the human element, rendering us â and experts in their field â non-essential.
‘No Other Choice’ is a brilliant piece of work from the director behind such powerful films as âOld Boy,â âThe Handmaiden,â and âDecision to Leave.â I loved all those films, but I have to say that âNo Other Choiceâ might just be my favourite Park Chan-wook film as of the moment, for its precision and its deftness at juggling multiple genres and turning it into an enjoyable film with a strong punch.
My Rating:
Donât miss Park Chan-wookâs No Other Choice, a sharp, hilarious, and haunting look at the cost of ambition in a modern world. Check showtimes and buy tickets here.
âItâs an emotional roller coaster, so bring plenty of tissues,â teases Mason Thames about the much-anticipated adaptation of Regretting You, landing in Philippine cinemas on October 22.
Directed by Josh Boone (The Fault in Our Stars, Stuck in Love), this coming-of-age family drama explores the fragile threads that connect mothers and daughters, especially when those threads are tested by tragedy, secrets, and the complexities of growing up.
When Tragedy Strikes, Truth Unravels
Based on the bestselling novel by Colleen Hoover, Regretting You follows Morgan (played by Allison Williams) and her teenage daughter Clara (Mckenna Grace) as their world is shattered by a life-altering accident. What follows is a gripping journey of rediscoveryâof love, of family, and of self.
âI have always been and always will be attracted to movies about families, specifically kids who are finding out that their parents are fallible. Thatâs an important moment in anybodyâs life.â
A Tale of Two Generations
Allison Williams describes the story as one that speaks to audiences of all ages.
âThereâs so much contained within this movie,â says Williams, who plays Morgan Grant. âWhen Iâm talking to another mother, I say itâs about a mom who is watching her daughter go through a moment that completely changed her own life. She is hoping that her daughter wonât do the same thing, but at the same time she does not regret having her daughter. When I talk to younger people, itâs about a couple thatâs clearly meant to be together. That could actually be referring to either of the romances in the movie. It is also about a relationship that begins at the moment when two kids are about to embark on a new adventure in the world. Thatâs part of what made it so meaty and such fun to work on.â
Playing Clara, Mckenna Grace was immediately drawn to the characterâs emotional depth.
âItâs really sad, but still such fun. When I read the book, I really connected to Clara. The dialogue felt so natural that I sometimes threw in things from the book that werenât in the script, but that were so right for Clara. Josh created such a fun and safe environment to create in that it was easy. Heâs so much funnier himself than I ever expected.â
Watch the Official Trailer Here:
Romance, Regret, and Second Chances
Enter Dave Franco as Jonah, Morganâs unexpected love interest. Known for edgier roles, Franco embraced the opportunity to play âa genuinely nice guy.â
âI have played degenerates in recent films, so when he [Josh] called and asked if I was open to playing a nice guy, I was ready,â says Franco. âIt is fun to play morally ambiguous characters, but itâs also nice to play someone that audiences can root for.
And yes, thereâs more love in the air.
Mason Thames plays Miller, Claraâs romantic counterpart, and he isnât shy about the filmâs impact:
âThis movie can be very sad, but itâs also very sweet, often funny and a bit of a journey. I hope the audience leaves crying. Itâs an emotional roller coaster, so bring plenty of tissues.â
âAudiences will have a fun and emotional experience. It is something you can watch with friends and family and feel good about, then go back and watch it a second time with a different group of friends. Itâs just a real feel good movie.â
Regretting You isnât just about heartbreakâitâs about how people move through it, survive it, and sometimes even grow stronger because of it.
âNo matter what, life keeps going and things keep happening. says Boone. âYou are going to laugh again. I say that from experience.â
Donât Miss the Movie Event of the Season
With a star-studded cast that includes Sam Morelos, Scott Eastwood, Willa Fitzgerald, and Clancy Brown, and a story that tugs at the heart, Regretting You is poised to become the next fan-favorite film for lovers of emotional storytelling.
Mark your calendars:
Regretting You opens in cinemas across the Philippines on October 22, courtesy of Paramount Pictures. Check showtimes and buy your tickets here.
Ayala Malls Cinemas proudly unveils Kiss of the Spider Woman, an exclusive theatrical release in the Philippines that brings music, drama, and political tension to the big screen. The film, a bold reimagining of the Tony AwardÂŽ-winning musical and the acclaimed novel by Manuel Puig, stars global icon Jennifer Lopez, alongside Diego Luna and Tonatiuh, in a story thatâs as powerful as it is poignant.
Directed by Academy AwardŽ winner Bill Condon (Dreamgirls, Beauty and the Beast, Chicago), this visually stunning and emotionally charged film is now showing only at Ayala Malls Cinemas across the country.
A Story of Resistance, Connection, and Fantasy
Set in the shadow of Argentinaâs oppressive 1983 dictatorship, Kiss of the Spider Woman explores the unlikely bond between two prisoners â political activist ValentĂn (Diego Luna) and queer window dresser Molina (Tonatiuh). Trapped in a tiny cell, the two clash, connect, and slowly open up to each other, with Molina finding escape through tales of his favorite old Hollywood fantasy: a musical starring the enchanting screen siren Ingrid Luna (Jennifer Lopez).
In a vibrant parallel narrative, Lopez commands the screen as the titular Spider Woman â a mysterious, glamorous figure whose kiss is both beautiful and deadly. Through rich musical sequences, Molinaâs fantasy becomes a lifeline for both men, blurring the line between reality and illusion.
Watch the Trailer Here:
A Dream Cast in a Dream World
Lopez brings star power and emotional gravitas to the dual role of screen diva and metaphorical reaper. Diego Luna delivers a nuanced, layered performance as ValentĂn, while Tonatiuhâs turn as Molina has critics buzzing about a breakout moment.
âLopez struts and vamps like an A-list champ, Diego Luna oozes gravitas, but everybody â and hopefully some Oscar voters â will remember this âKissâ as a star-making turn for the fabulous Tonatiuh.â
A Directorâs Vision for the Big Screen
With a resume full of musical masterpieces, director q injects Kiss of the Spider Woman with theatrical flair and cinematic urgency.
âMusicals have been having a resurgence since they were first declared dead in 1931,â said Condon, âI think theyâve been resuscitated more often than Dracula. One of the reasons the genre always bounces back is that, as with suspense and horror, musicals are enhanced by the communal experience. In recent years weâve been searching for reasons to go back to the theater, and musicals, when they work, give you that extra jolt of pleasure.â
From dramatic prison scenes to surreal, glittering showtunes, every frame of the film is designed to captivate â and demands to be seen on a big screen.
Critics Are Caught in the Web
âItâs easy to get caught in the web of âKiss of the Spider Woman,ââ said Movieweb in its review.
ââKiss of the Spider Womanâ is astounding,â The Film Maven lauded the new adaptation in her review. âIf you aren’t a musical fan, will you be in hell? Probably. But for those who enjoy a sweeping musical story, or for lovers of Old Hollywood, you’ll be in Heaven for the next two hours.”
Visually stunning, emotionally resonant, and musically adventurous â this is no ordinary adaptation. Itâs a full-body experience made for movie lovers.
Ayala Malls Cinemas: The Home of Prestige Films
Known for its commitment to quality cinema, Ayala Malls Cinemas continues to champion critically acclaimed, artistic films that canât be found in mainstream releases. With its exclusive showing of Kiss of the Spider Woman, Ayala Malls Cinemas once again proves itâs the destination of choice for those seeking world-class cinematic experiences.
Enjoy this film in comfort with plush seating, immersive sound, and updated screening technology â plus delicious treats from The Movie Snackbar. Booking is easy via www.SureSeats.com or at www.ClickTheCity.com.
Now Showing â Donât Miss This Cinematic Masterpiece
Whether youâre a fan of musicals, historical dramas, or just powerful storytelling, Kiss of the Spider Woman is a film that demands to be seen. Donât miss your chance to watch Jennifer Lopez and an outstanding cast bring this iconic story to life â exclusively in Ayala Malls Cinemas.
They thought he was family. He turned out to be their worst nightmare.
From the twisted mind of Johannes Roberts (47 Meters Down, Resident Evil: Welcome to Raccoon City) comes PRIMATE, a gnarly, blood-drenched creature feature thatâs already got horror fans howling. Premiering at the genre-celebrated Fantastic Fest in September, the film delivered one savage kill after anotherâwithout a hint of CGI.
Meet Ben. He’s Not Your Average Pet Chimp
Starring Johnny Sequoyah, Jessica Alexander, and Oscar winner Troy Kotsur, Primate throws a group of unsuspecting young adults into a waking nightmare when their familyâs pet chimpanzee, Ben, succumbs to a violent case of rabies. What starts as a cozy reunion quickly spirals into chaosâlimbs are torn, blood is spilled, and survival becomes the only priority.
And the best part? Itâs all done with gloriously gruesome practical effects.
Watch the Official Trailer Now:
Festival Reaction: A Wild Standing Ovation
Fresh off showings at Fantastic Fest and Beyond Fest, PRIMATE is already making noise in the horror community.
âPrimate does for monkeys what Jaws did for sharks, only with more fur, sharper teeth, and a far greater sense of blood and guts. Itâs punk rock horror at its snarling, cymbal-crashing bestâ â Bryan Kluger, Boomstick
âPRIMATE is Cujo for chimpanzees, old school nature-gone-rogue creature feature at its most entertaining and morbidly hilarious. The film makes the most of its creative premise of a bunch of young adults trapped in a house with rabies-infected pet chimp. Gnarly kills balanced with some hilarious moments of Ben the chimp, who is actualized with some incredible practical effects. Great start to #FantasticFest,â â The Holo Files
âAn ode to Stephen King & bloody practical effects. A rambunctious audience horror that is as brutal as it is outrageous. Johannes Roberts loves his intense pool scenes. Outstanding puppetry giving every fright emotional weight. Had the whole crowd hollering.â â Anthony, No Assembly Required
â#PRIMATE at #FantasticFest is a blast of a killer monkey horror flick and reminder that practical FX will always reign supreme. Many shocking kills and crowd inciting moments backed by a fun score. Even when itâs silly, it works bc the movie is smart enough to be in on the joke,â â JoBlo
âPrimate is the creature feature youâve been waiting forâintense, bloody, and brutal as hell. If you ever needed a reason not to have a pet monkey, this is it. The practical effects are jaw-dropping, leaving me wincing and squirming in my seat from start to finish. Holy sh*t, this was epic. Bodies fly, limbs tear, and thereâs absolutely no monkey business here. Johannes Roberts returns with a bloody vengeance, delivering pure carnage,â â According to Seth
â#Primate is the most fun Iâve had with an animal attack movie since Lake Placid. Intense, creepy, and find plenty of moments for laughs. The score was like a greatest hits love letter to John Carpenter. OhâŚand PRACTICAL FUCKIN CARNAGE CANDY!!! Total blast!â â Cody Leach, YouTube reviewer
What Makes Primate So Killer?
Practical Effects Take Center Stage â Zero CGI, all real-world gore and puppetry. Every kill is designed to make you squirm.
Intense, Isolated Setting â A single house becomes the battleground, turning comfort into terror.
A Cast That Delivers â With rising stars and an Oscar winner in the mix, the performances bring weight to every shriek.
Smartly Self-Aware â The film knows it’s wildâand leans into the chaos with razor-sharp humor and heart-pounding pacing.
Coming Soon to the Philippines
Prepare to go bananasâliterally. PRIMATE is set to open in Philippine cinemas this January 2026, ready to unleash chaos on the big screen.
The Nightmare Isnât Over:Â Black Phone 2Â Hits Philippine Cinemas
The shadows are back, and so are the voices. Black Phone 2, the much-anticipated sequel to the 2021 horror hit, is now showing in Philippine cinemas. With Mason Thames and Madeleine McGraw reprising their roles as Finn and Gwen, the film delves into the psychological scars left behind by a serial killer who refuses to stay dead.
Four Years Later: Finn Canât Escape the Past
In Black Phone 2, Finn has grown older, but the trauma of surviving The Grabber lingers. Mason Thames portrays a darker, more complex version of Finnâone whoâs weighed down by memories he canât shake and a fear he struggles to silence.
âFinn went through something horrific, and while he came out of it strong, the weight of what happened has not left him,â writer-producer C. Robert Cargill says. âHe is haunted by the Grabber. He sees him everywhere, and he is using drugs to try to numb the fear. He wants nothing to do with the spirits, with the phone, with any of it. He is trying to shut it all out and live in denial. So, as Gwen starts uncovering this new mystery, Finn is doing everything he can to stay out of it. But of course, life does not let you run forever. Eventually, he will have to face what he has been avoiding.â
Finn wants nothing to do with the black phone or the spirits that once helped him escape. He is living in denial, doing all he can to block out the past. But as Gwen begins to uncover new supernatural clues, Finn realizes that running from the truth won’t save him forever.
Gwenâs Visions Reveal a Terrifying New Mystery
Gwen, played once again by Madeleine McGraw, is no longer the bold and fiery girl we met in the first film. After surviving The Grabber, she is now withdrawn, overwhelmed by visions of a sinister snow-covered camp and three boys being hunted by a familiar evil.
âIn the first film, we hinted that the kids inherited different parts of their motherâs abilities of speaking with the dead and having prophetic dreams,â writer-producer C. Robert Cargill says. âGwen got the dream side of it. She can glimpse the future and communicate with the dead through her dreams. Finn, meanwhile, has the ability to hear the dead through the phone, but in this film, he is trying to shut it all out. He is numbing himself and refusing to engage with his ability, but Gwen is embracing hers. She is exploring it, evolving and growing stronger. By the end, she is not just receiving messages, sheâs communicating back, asking questions, controlling her dreams, even interacting with spirits inside them.â
Unlike Finn, Gwen is embracing her powers, learning to ask questions in her dreams, decipher messages, and interact with the spirits reaching out to her. Her arc in the film charts the growth of a once-spirited girl learning to carry the burden of her giftâand use it to stop the cycle of violence.
The Grabberâs Revenge From Beyond the Grave
Death was not the end for The Grabber. In Black Phone 2, the killer’s influence has only grown stronger. Gwenâs visions hint at his return, stalking new victims from beyond, as the line between the living and the dead begins to blur.
The siblings must confront the growing threat, with Gwen trying to piece together the puzzle, while Finn resists stepping back into the darkness. But as the danger closes in, they realize the only way out is through.
Returning Stars Deliver Deeper Performances
For Mason Thames, portraying Finn this time around meant digging into a character who has been carrying unspoken rage and trauma for years.
âIn this film, we see that Finn has changed,â Thames says. âHe has been holding all this anger inside, and he is not the same kid we met in the first movie. Back then, he was already complex, but now he is even more layered. Instead of facing his trauma, he smokes weed to cope. The moment he feels any of that PTSD creeping in, he shuts it out. This film becomes a question of whether he is ready to confront the Grabber again or keep running from him.â
Meanwhile, McGraw approached Gwenâs transformation with intention, taking on a more emotionally layered version of the character.
âOne of the most exciting parts of this film was exploring Gwenâs dreams and how much she has changed,â McGraw says. âIn the first movie, she was fiery and fearless. Now she feels like an outcast. She is beaten down, getting bullied at school and carrying a lot of pain. It was harder to get into her head this time. In the first film, our personalities were alike. Now, we are kind of opposites. She has become quiet and introverted, and I am more extroverted. But that made it even more interesting to explore who she is becoming.â
Watch the Official Trailer
Catch a glimpse of the nightmare that awaits. Watch the Black Phone 2 official trailer here:
Now Showing in Philippine Cinemas
Black Phone 2 is now showing in theaters across the Philippines. Prepare for a darker, more intense return to the world of The Grabberâwhere trauma speaks louder than screams, and the past refuses to stay buried. Check showtimes and buy your tickets here.
The final installment of Jerrold Tarogâs Bayaniverse is a powerful political drama that details the cunning machinations of Manuel Quezon and his bid for being the first Filipino president of the Republic of the Philippines, outside of American colonial rule. âQuezonâ unabashedly paints the Philippine president as a manipulator and somewhat of a narcissist, quite adept at playing the political game and creating a system that allowed him to fulfill his agenda at the price of creating todayâs patronage political system.
Jericho Rosales is completely transformed as the charming, cutthroat Manuel Quezon. He uses his full superstar onscreen presence to showcase Quezonâs ability to broker deals, convince rivals to join forces, and to outwit the American colonial forces. His posture, his intonation and line delivery is so affected that it almost feels comical, put-on but as the film continues to unfold and the consistency of his performance wins you over, you stop seeing Rosales and he becomes this political mastermind.
Co-written with Rody Vera, director Jerold Tarog makes full use of the medium of film, creating a film within the film to showcase Quezonâs use of the platform to help create a myth of his persona. Tarog employs the character of Nadia Hernando (Therese Malvar), who is a director and puts together Quezonâs propaganda films. The films are so successful that it helps catapults Quezonâs popularity but Nadia and her father, the journalist Joven Hernando (played by Cris Villanueva as the older Joven and Arron Villaflor as the younger Joven in flashbacks), know the truth behind the myth theyâve made.
While the films paint Quezon as a hero, a secret cut of the film made by Nadia shows the truth she and her father know. It details the way Quezon has run circles around the American governor-general Leonard Wood (Iain Glen) and Quezonâs own rival and, later, his vice-president Sergio Osmena (Romnick Sarmenta). It details all the ugly politicking that transpired during the eventual presidential campaign when he goes toe-to-toe with Emilio Aguinaldo (Mon Confiado) for the presidency.
Throughout the filmâs 139-minute run time, what we see is the origins of personality politics in the country and the establishing of our patronage system. The veil has been lifted and the story that Tarog and Vera weave is one of dirty politics, all in the name of winning freedom and independence from the colonial hold of the United States.
No matter how charming and effective Jericho Rosales is in his portrayal of Quezon, what really comes to light is how powerful media is in our game of politics, that in order to win in that field one must be willing to do whatever it takes, and like Quezonâs wife, Aurora (Karylle) tells him when he asks her if what heâs doing is right, her response is as honest as it can be: âI believe you believe what you are doing is right.â
âQuezonâ is grand and epic in scale and scope. Tarog imagines for us what the campaign during this period would be like: large-scale crowd scenes, gorgeous scenery of colonial architecture, and striking costumes that highlight our American and Spanish colonial roots while interplaying this with that of our folk and local sensibilities when portraying the people whose very nation Quezon is fighting for.
The movie is thrilling, never dawdling. The pace is quick and brutal, and its imagery is playful and dynamic. At one moment, it captures Quezon in mid-manipulation, sly and cunning; in another scene, he comically loses his temper (which funnily enough happens quite a lot). Other times, the backstory is filled in the form of a silent film that Nadia creates for us to see their perception of Quezonâs truth.
But the most powerful thematic idea that really comes to the forefront, is in the midst of fighting for our independence, Quezon gets lost in the battle and makes this about himself; or maybe it has been about him all this time. It underscores that our political history has always been the battlefield of narcissists who crave for power, to direct the course of our nationâs history whether with the best of intentions or not. Watching the film, Iâm amazed at its technical flourish, its bravado and ambition. But as the film ends, Iâm feeling rage and anger, seeing the root cause of our issues with our government as detailed by the news and social media these past few weeks. The filmâs timing couldnât have been any better.
My Rating:
Catch Quezon on the big screen and witness how history, ambition, and myth collide in Jerrold Tarogâs bold reimagining of Philippine independence. Check showtimes near you.