Just a taste is all it takes. Warner Bros. Pictures has unveiled the haunting new character posters for “Wuthering Heights,” Emerald Fennell’s daring reimagining of Emily Brontë’s timeless novel. With Margot Robbie and Jacob Elordi at the center, the film promises a feverish romance that lingers long after the screen fades to black.
Each poster teases a soul laid bare. Each gaze hints at desire sharpened by pain. And somehow, it all feels deliciously inevitable.
Set to open in cinemas on February 11, 2026, just in time for Valentine’s Day, Wuthering Heights invites audiences into a world where love is never gentle and passion is never simple.
Margot Robbie and Jacob Elordi: A Dangerous Union
Academy Award and BAFTA nominee Margot Robbie stars as Cathy, opposite BAFTA nominee Jacob Elordi as Heathcliff. Their connection is immediate, consuming, and uncomfortably intense. What begins as romance soon twists into something far more intoxicating—an all-consuming bond fueled by longing, jealousy, and raw emotion.
Emerald Fennell, celebrated for Promising Young Woman and Saltburn, brings her unmistakable voice to the story. Bold, provocative, and unapologetically sensual, this adaptation leans into the madness of love, rather than shying away from it.
A Vision Led by Emerald Fennell
Written and directed by Fennell herself, Wuthering Heights is produced by Josey McNamara and Margot Robbie under LuckyChap Entertainment, alongside Lie Still. Executive producers include Tom Ackerley and Sara Desmond.
Behind the scenes, Fennell reunites with trusted collaborators, shaping a lush and unsettling cinematic experience:
Linus Sandgren (Director of Photography)
Suzie Davies (Production Designer)
Victoria Boydell (Editor)
Kharmel Cochrane (Casting Director)
Anthony Willis (Composer)
Jacqueline Durran (Costume Designer)
Original songs by Charli xcx
Together, they craft a world steeped in longing, where every shadow and silhouette pulses with emotion.
A Stellar Supporting Cast
Joining Robbie and Elordi is an exceptional ensemble, including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell. Each performance adds another thread to this tangled, tragic love story, enriching the emotional storm at its core.
A Valentine’s Date with Darkness
Presented by Warner Bros. Pictures and MRC, Wuthering Heights will be released in U.S. theaters on February 13, 2026, with international screenings beginning February 11, 2026.
This Valentine’s Day, romance isn’t sweet—it’s savage, passionate, and utterly unforgettable.
The final Wednesday of January is stacked with fresh reasons to head back to the cinema. Opening today are six new releases led by Mercy, Send Help, We Bury the Dead, Crayon Shin-chan the Movie Super Hot The Spicy Kasukabe Dancers, Death Whisperer 3, and The Thing with Feathers. Adding even more flavor to the week, FDCP World Cinema also kicks off today, bringing acclaimed international films to Philippine screens through February 3. From futuristic courtroom tension and survival horror to animated chaos, emotional drama, and powerful global storytelling, this week’s lineup is packed with variety. Which one are you watching first?
Let’s check out what’s new on the big screen this week.
2026 • R-13 • 1h 39m ACTION, SCIENCE FICTION, THRILLER GET SHOWTIMES Filmed for IMAX, experience it in 3D
Justice gets a technological twist in this high-concept thriller. Set in the near future, a detective stands trial for the murder of his wife. His judge is not human, but an advanced A.I. system he once believed in. With only 90 minutes to prove his innocence, every second becomes a race against logic, emotion, and fate.
Chris Pratt and Rebecca Ferguson bring urgency and intensity to a story that questions trust, technology, and how justice should truly work.
Why watch it now? Because ticking-clock tension feels sharper on the big screen.
2026 • R-13 • 1h 53m DARK COMEDY, HORROR, THRILLER GET SHOWTIMES
After surviving a plane crash, two colleagues find themselves stranded on a deserted island. With no rescue in sight, unresolved grudges resurface as they struggle to work together and stay alive.
Send Help mixes biting humor with escalating tension, creating a survival story that’s as much about psychological warfare as it is about physical endurance.
Why catch it this week? Perfect for viewers who enjoy twisted humor paired with sharp suspense.
In a world shaken by a catastrophic military disaster, the dead do not simply rise, they hunt. The military insists the undead are slow and harmless, offering comfort to grieving families. When Ava enters a quarantine zone to search for her missing husband, she discovers a terrifying truth that grows worse by the hour.
Anchored by Daisy Ridley, this film blends emotional weight with relentless tension, turning loss into a haunting journey of survival.
Why see it in cinemas? Because stories about love and fear hit harder when shared in the dark.
2026 • PG • 1h 45m HORROR, GET SHOWTIMES SHOWING EXCLUSIVELY AT ROBINSONS MOVIEWORLD
Shin-chan is back with bigger laughs and a global adventure. The Kasukabe gang travels to India for a dance festival, but chaos erupts when Bo-chan becomes possessed by a mysterious evil force and transforms into a powerful tyrant. With music, mischief, and nonstop antics, it is up to the Kasukabe Guard to save their friend and stop the madness.
Bright, silly, and bursting with energy, this one is perfect for families and longtime fans alike.
Why watch it this week? Because Shin-chan’s humor always plays best with a crowd.
2026 • R-13 • 1h 43m ACTION, HORROR, THRILLER GET SHOWTIMES SHOWING EXCLUSIVELY AT SM CINEMAS
The terror continues in the latest chapter of this chilling franchise. After defeating the black-suited ghost, Yak is pulled into another nightmare when his youngest sister is kidnapped by a cult. Joined by Sergeant Paphan, he ventures into a cursed village where danger waits at every turn.
Fast-paced and packed with supernatural tension, this sequel raises the stakes while expanding its eerie world.
Why watch it now? Because horror fans know the best scares belong in cinemas.
2026 • R-13 • 1h 37m DRAMA GET SHOWTIMES SHOWING EXCLUSIVELY AT AYALA MALLS CINEMAS
Grief takes an unexpected form in this moving drama. After a devastating loss, a father struggles to raise his young sons while coping with an unpredictable and uninvited presence in their home. As sorrow, love, and imagination intertwine, the film becomes a powerful reflection on loss and resilience.
Benedict Cumberbatch delivers a deeply affecting performance that anchors this quiet but emotionally rich story.
Why catch it this week? Because intimate stories often leave the longest echoes.
FDCP World Cinema January 28 to February 3
Image Source: Film Development Council of the Philippines FB Page
Alongside new mainstream releases, FDCP Presents A Curation of World Cinema brings internationally acclaimed films to Philippine cinemas this week. Running from January 28 to February 3, this special lineup showcases diverse voices and stories from around the world.
Image Source: Film Development Council of the Philippines FB Page
Selected titles will screen at Robinsons Movieworld, Ayala Malls Cinemas, Gateway Cineplex, Power Plant Cinema, Shangri-la Plaza Red Carpet Cinema, and Cinema 76.
Plan Your Next Cinema Run
From futuristic thrillers and survival horror to animated fun, emotional drama, and award-winning world cinema, this week’s releases bring something for every movie mood. Whether you’re planning a solo cinema break or a group movie night, this week’s new movies brings plenty of options worth seeing on the big screen. So tag your crew, grab that extra-buttered popcorn, and catch these must-see films.
Stay tuned for next week’s fresh batch of releases and updates. Keep ClickTheCity bookmarked for the latest showtimes, your next movie is a click away!
The futuristic action thriller Mercy has stormed its way to No. 1 at the U.S. box office, delivering an impressive debut that ends Avatar: Fire and Ash’s five-week reign. With its high-stakes premise and timely themes, the film has quickly captured the attention of audiences and critics alike.
Set in a not-too-distant future, Mercy centers on Detective Chris Raven (Chris Pratt), who is accused of killing his wife. Given just 90 minutes to prove his innocence, Raven must plead his case before an advanced A.I. judge named Maddox (Rebecca Ferguson). If he fails, the punishment is final, the death penalty.
A Story Where Technology Meets Humanity
Beyond its action-packed surface, Mercy explores deeper questions about justice, accountability, and artificial intelligence. Chris Pratt highlights how both lead characters undergo powerful emotional arcs throughout the film.
“Chris Raven’s story is his attempt to establish he’s not guilty while being forced to come to terms with his demons,” says Pratt, “but an equally incredible arc is the character of Judge Maddox, who feels like a cold, calculating computer program but through the course of the film actually becomes more sentient. She’s a character who essentially is trying to hide the humanity creeping up inside of her programming.”
The film reflects modern concerns about AI’s growing role in society, particularly within systems meant to uphold fairness and truth.
“In a way, the film could be seen as offering a sort of Bill of Rights about how AI should be controlled, if it ever finds its way into the justice system,” Pratt continues. “Who knows what advances will be made between now and 2029? Maybe in a few years, someone will watch this film and say, ‘Wow, they got that right!’”
Chris Pratt Sends a Special Greeting to Pinoy Fans
Adding to the excitement, Chris Pratt has shared a special video greeting exclusively for Filipino audiences, expressing his gratitude and enthusiasm ahead of the film’s Philippine release.
Strong Praise from U.S. and UK Critics
Following its successful debut, Mercy has earned positive reviews from international critics:
Variety praises the film as a “well-executed future-shock thriller.”
ComicBookMovie.com calls it “great popcorn entertainment with some wild twists.”
Press Association UK describes it as “a thought-provoking and thrilling 90 minutes.”
VT UK commends its “Hugely original plot. Gripped from start to finish.”
The consistent praise highlights Mercy as both an entertaining and meaningful cinematic experience.
Opening Soon in Philippine Cinemas
Mercy opens in Philippine theaters on January 28, 2026, with screenings in IMAX and 4DX for an immersive moviegoing experience. The film is distributed locally by Columbia Pictures, the Philippine office of Sony Pictures Releasing International.
Join the conversation online using #MercyMovie and follow @columbiapicph for updates.
I’ve never actually played the video game Silent Hill, though I did watch my cousin play the very first game on her PlayStation. That game scared me half to death, and I was just watching it. It helped me better understand the film adaptation Silent Hill back in 2006, starring Radha Mitchell and Sean Bean and directed by Christophe Gans. I remember liking it. I remember being scared, and I do remember talking about how much I enjoyed the experience with my friend.
So, I was a little excited to see Return to Silent Hill, since it is also directed by Christophe Gans and co-written by Gans, Sandra Vo-Anh, and Will Schneider. Based on the Konami game Silent Hill 2, Gans delivers breathtaking imagery and immerses us into a post-apocalyptic hellscape. Unfortunately, its weak story and character development, as well as its continuously jumping narrative between the present day and flashbacks holds back what could have been a genuinely scary movie.
Return to Silent Hill follows the story of James (Jeremy Irvine), who meets Mary (Hannah Emily Anderson) after he accidentally runs over her bag at a highway bus stop. She misses her bus, but the two manage to see a spark that prompts James to walk Mary back to the picturesque town of Silent Hill.
The film then jumps a year later and James is now an alcoholic living in the city, who has dreams of Mary. He’s causing trouble at a bar, and his therapist (Nicola Alexis) keeps calling him to make sure he shows up for his visit as he is spiraling. But as he gets home, he finds a letter from Mary asking him to return to Silent Hill.
When he returns, he finds the town covered in ash. It’s worse than a ghost town. And when a siren wails, the world transforms into a dark, brimstone world where creatures roam freely. As James wanders the empty streets (and sometimes monster-ridden) looking for Mary, the film shifts to the past to reveal why he left her in the first place.
From the get-go, the film quickly assumes we believe in the love story of James and Mary, which is the crux of the film’s emotional core. But since the love story is revealed through flashbacks as the story unfolds, we really question the characters’ motivations and really wonder whether James really can’t let go of Mary. It doesn’t help that many of the flashbacks show the two in love – constantly kissing and embracing – but doesn’t delve into why they’re in love. It’s a love story for the sake of the plot.
Irvine and Anderson don’t have the kind of chemistry that tells its own story, so without the narrative beats of a true love story, the film feels very forced. It doesn’t help that the film takes a lot of short cuts to explain things that are happening – people suddenly appearing to serve as exposition and then quickly discarded – and then after everything has been said, the world building of how Silent Hill came to be this way was still left vague and obtuse, and not in a good way.
What the film manages to deliver, though, is gorgeous imagery. The set pieces of James walking through the empty, ash-covered town are just simply gorgeous to look at. Gans and cinematographer Pablo Rosso play with the angles so that the camera swivels up into the air to give us top shots or comes really close to give us an over-the-shoulder shot, which feels reminiscent to many video games. It also creates a tension because we know we are watching a horror film, and the long shots set up the fear that creatures will be rushing forth, or worse, in the tight shots from James’ point-of-view, when he turns a corner, will we see a creature there? This creates real dread so that three or four major jump scares feel unnecessary.
But the creature designs are also breathtaking, and the way Gans features them is quite impressive. From a bit of reading online, it seems that Gans had permission to redesign the creatures and Patrick Tatopoulos, who is credited as Creature Designer, did an amazing job with some of the monsters, most especially the Moth Lady and the Red Pyramid (who apparently is taken from the game).
It’s such a shame because the film had all the elements to deliver a good scary movie, but because I couldn’t get hooked into the characters, I couldn’t feel scared. I’m still amazed by the visuals and the direction, though it felt like it belong in a different movie.
My Rating: 2.5 Stars
Step back into the haunting world of Silent Hill with Return to Silent Hill. Check showtimes near you and experience the terror on the big screen.
Ayala Malls Cinemas once again raises the bar in curated storytelling as it exclusively premieres The Thing with Feathers, a deeply affecting film that confronts love, loss, and the fragile resilience of the human spirit. Opening January 28, the film invites audiences into an intimate cinematic journey that lingers long after the screen fades to black.
Known for championing films that move beyond spectacle, Ayala Malls Cinemas continues its mission to present stories that resonate on a personal level. With The Thing with Feathers, the cinema experience becomes both reflective and emotionally rewarding—crafted for viewers who seek substance, sincerity, and meaningful narratives.
Benedict Cumberbatch in a Performance of Quiet Power
Fronted by award-winning actor and international star Benedict Cumberbatch, famously recognized for his role as Marvel’s Doctor Strange, the film showcases a striking transformation. Cumberbatch embodies a grieving father struggling to hold his family—and himself—together after a devastating loss.
His portrayal is restrained yet intense, capturing grief not as a single emotion but as a shifting presence that moves between memory and reality. With every scene, Cumberbatch delivers a performance that feels honest, raw, and deeply human, cementing this role as one of his most compelling to date.
Watch the Trailer here
From Acclaimed Novel to Haunting Cinema
The Thing with Feathers is adapted from Max Porter’s celebrated novel, Grief Is the Thing with Feathers, a modern literary work praised for its poetic and unconventional approach to mourning and survival. The film preserves the book’s emotional weight while translating its haunting symbolism into a visual language that feels intimate and immersive.
Director Dylan Southern brings a personal sensitivity to the project, allowing the story to unfold with quiet intensity. Speaking about the novel, Southern shared:
“I loved Max Porter’s novel ‘Grief is the thing with Feathers’ the minute I read it. It was a book I didn’t know I needed. It allowed me to look at my own experiences of grief and bereavement as well as parenthood in a way that unlocked a lot of stuff I’d been carrying around for years.“
This emotional connection is felt throughout the film, resulting in a cinematic experience that balances sorrow with moments of tenderness and hope.
A Space for Reflection, Comfort, and Connection
More than just a film screening, The Thing with Feathers reflects Ayala Malls Cinemas’ commitment to creating spaces where audiences can pause, reflect, and connect with stories that mirror real emotions. The film offers comfort through storytelling—acknowledging pain while gently pointing toward healing.
Through thoughtfully selected releases like this, Ayala Malls Cinemas proves that cinema can be both entertaining and emotionally enriching, providing stories that speak quietly yet powerfully to the heart.
Elevated Moviegoing at Ayala Malls Cinemas
Watching The Thing with Feathers is further enhanced by Ayala Malls Cinemas’ premium features, designed to make every visit exceptional. Select cinemas offer free popcorn, while Dolby Atmos sound brings depth and clarity to every moment. Guests can relax in plush leather seats with ample legroom, enjoying satisfying snacks and refreshing beverages throughout the screening.
Every detail works together to create a comfortable, memorable environment—one that invites viewers to return for more meaningful cinematic experiences.
Film Synopsis
After the sudden death of his wife, a young father finds his sense of reality unraveling as a mysterious presence emerges within the walls of the apartment he shares with his two young sons.
Let Crow guide you through a story shaped by grief, memory, and hope. The Thing with Feathers opens January 28, exclusively at Ayala Malls Cinemas.
Who are they? Nobody special. Nobody knows them? Not for long—because they’re Nobody.
China’s all-time No. 1 2D animated film, Nobody, is finally making its way to Philippine cinemas this February 4, bringing with it a joyful, uplifting story that celebrates overlooked heroes and the quiet power of courage, friendship, and heart.
As of January 26, Nobody proudly holds a perfect 100% rating on Rotten Tomatoes’ Popcornmeter, a clear sign of its strong connection with audiences worldwide. Praised for its humor and emotionally grounded storytelling, the film stands out as a loving tribute to traditional 2D animation infused with cultural heritage, folklore, and playful satire.
A Celebration of Hand-Drawn Animation
Critics and early viewers have applauded Nobody for its breathtaking hand-drawn animation and ink-wash-inspired art style, calling it a visual treat that feels both nostalgic and refreshingly modern. Every scene is rich with texture and personality, creating a vibrant world that feels alive and deeply expressive.
Beyond its striking visuals, the film shines through its thoughtful balance of comedy and heart. Each character is given moments to sparkle, making their journey feel sincere, charming, and emotionally rewarding.
Watch the Trailer here:
Four Nobodies, One Unforgettable Journey
At the center of the story are four nameless little demons—a pig, a toad, a weasel, and a gorilla—who live quiet, unnoticed lives on the remote Mount Langlang. They are not powerful, legendary, or admired. Still, they dare to dream of something more.
Inspired by the legendary pilgrimage of Tang Monk, the unlikely group sets off on a daring and unpredictable journey, hoping to gain strength, recognition, and purpose. Along the way, they face danger, battle evil forces, and confront their own fears, learning that true heroism isn’t about fame or glory.
Their witty banter, growing bond, and emotional resilience turn their adventure into a heartfelt exploration of what it truly means to matter. Through every twist and challenge, audiences will find themselves cheering, laughing, and rooting for these small heroes with big hearts.
Official Synopsis
On the remote Mount Langlang, four nameless little demons — a pig, a toad, a weasel, and a gorilla — live quiet, overlooked lives. Unnoticed by the world, they are neither powerful nor heroic. One day, they embark on a daring journey, mimicking the legendary Tang Monk’s pilgrimage to the West, hoping to gain strength, recognition, and a sense of purpose.
Along the way, they face dangers, encounter evil forces, and are tested in courage and wisdom. In the end, they defeat a formidable enemy, yet lose their magical abilities and return to ordinary animal forms.
Though they do not achieve legendary fame, they earn respect and gratitude from those they helped, proving that even a “nobody” can accomplish extraordinary deeds.
Nobody Is Too Small to Matter
Nobody is a heartfelt reminder that greatness doesn’t require recognition, and heroism can be found in the most unexpected places. With its joyful tone, inspiring message, and stunning artistry, the film promises a cinematic experience that resonates long after the credits roll.
Catch Nobody in Philippine cinemas starting February 4, and follow Encore Films Philippines on Facebook and Instagram @encorefilmsph for more updates.
The stars are aligning for another spectacular adventure. Nintendo and Illumination have released the Yoshi First Look Trailer for The Super Mario Galaxy Movie, confirming that the beloved green dinosaur is finally joining Mario, Luigi, and the rest of the gang on their biggest journey yet. The animated sequel opens in Philippine cinemas on April 4, promising a joy-filled, galaxy-spanning experience for fans of all ages.
Back to the Mushroom Kingdom—and Beyond
Following the massive success of The Super Mario Bros. Movie in 2023, which earned over $1.3 billion worldwide, the new film expands the colorful universe into uncharted cosmic territory. The Super Mario Galaxy Movie raises the stakes as familiar heroes venture far beyond the Mushroom Kingdom, encountering new worlds, unexpected dangers, and exciting allies—none more anticipated than Yoshi.
Returning to voice the iconic brothers are Chris Pratt as Mario and Charlie Day as Luigi, whose bond once again anchors the story. They’re joined by an all-star cast that brings energy and heart to every scene, including Anya Taylor-Joy as Princess Peach, Jack Black as Bowser, and Keegan-Michael Key as Toad. The cast also features Benny Safdie, Kevin Michael Richardson, and Brie Larson, adding even more depth to the intergalactic adventure.
Watch the Yoshi First Look Trailer here:
A Proven Creative Team Returns
Once again, the film is produced by Chris Meledandri of Illumination and Shigeru Miyamoto of Nintendo, ensuring the franchise remains faithful to its roots while pushing the story forward in bold, imaginative ways.
Directing duties return to Aaron Horvath and Michael Jelenic, with Matthew Fogel back as screenwriter. The music, composed by Brian Tyler, adds a powerful and uplifting emotional pulse that perfectly complements the film’s action, humor, and heartfelt moments.
With Yoshi finally stepping into the spotlight and the Galaxy setting the stage, The Super Mario Galaxy Movie shapes up to be a fantastic, feel-good cinematic event packed with nostalgia, humor, and heart. Prepare for lift-off when the adventure arrives in Philippine cinemas on April 4.
As a creature feature, Primate gets a lot of things right by simplifying the story and putting the horror at the center. Director Johannes Roberts and screenwriter Ernest Riera, alongside Roberts, removes all the unnecessary story and puts the focus on serving some delicious scares. It’s a tight film at 89 minutes, quickly going over the exposition so the thrills can start as soon as possible. The film works because of this narrative economy and it amps up the joy of screaming your guts out at every turn.
Primate follows Lucy (Johnny Sequoyah), who returns home to Hawaii during a college break with her good friend Kate (Victoria Wyant) and Kate’s friend Hannah (Jessica Alexander). Lucy hasn’t gone home in a while because of her dad, Adam (Troy Kotsur), a popular deaf author who is rarely home. Lucy’s absence is felt strongly by her sister, Erin (Gia Hunter).
Victoria Wyant as “Kate”, Troy Kotsur as “Adam”, and Gia Hunter as “Erin” in Primate from Paramount Pictures.
To Hannah’s surprise, she discovers that Lucy’s family has adopted a chimpanzee, Ben, who has been taught sign language and can “speak” through an ipad. There are variables involved like Kate’s brother Nick (Benjamin Cheng), who is Lucy’s crush, and two guys they meet on the plane, whom they might invite over to party with them as Lucy’s dad leaves – yet again – for another book event.
Benjamin Cheng as “Nick”, Victoria Wyant as “Kate”, Jessica Alexander as “Hannah”, Johnny Sequoyah as “Lucy”, and Miguel Torres Umba as “Ben” in Primate from Paramount Pictures.
All of this unfolds quickly, with the friends all partying while Lucy’s dad is away, completely unaware that Ben has been bitten and contracted rabies. When Ben goes feral and starts attacking, the teens are stranded in the pool – because Ben can’t swim and most likely afraid of water – away from their phones, while a rabid, intelligent chimpanzee lurks, just waiting to tear them apart.
Victoria Wyant as “Kate”, Jessica Alexander as “Hannah”, Gia Hunter as “Erin”, and Johnny Sequoyah as “Lucy” in Primate from Paramount Pictures.
Roberts and Riera do a clean job of showing us the size and scale of the house, which becomes a death trap for these teens. The characters are typical but not annoying, and their reactions to the situation are apropos to the dangers they are in.
Victoria Wyant as “Kate” and Johnny Sequoyah as “Lucy” in Primate from Paramount Pictures.
So you might not like the characters for whatever reason, but you can’t help empathizing with them because it is such a horrible situation to find yourself in.
Director Johannes Roberts in Primate from Paramount Pictures.
Roberts has a natural feel for this kind of horror – making use of darkness, tight shots, the absence of music, and the idea that a chimpanzee is extremely mobile and strong – that makes every scene a tension-filled exercise in pure horror.
Victoria Wyant as “Kate” and Johnny Sequoyah as “Lucy” in Primate from Paramount Pictures.
And the horror is gruesome. It is bloody and brutal. When I watched, women were screaming and men were too, though they were also cheering when heads were bashed and skin torn from the flesh.
Miguel Torres Umba as “Ben” in Primate from Paramount Pictures.
This is a film that pulls no punches. It’s as edgy as a horror film should be and because the film never weighed itself down with unnecessary plot points – the family drama is never overplayed, the slight romance angle between Lucy and Nick is quickly shut down before the film’s inciting incident – the only thing we have to focus on is whether these kids will survive.
Miguel Torres Umba as “Ben” and Johnny Sequoyah as “Lucy” in Primate from Paramount Pictures.
The film sort of gives a nod to the classic horror novel (and film) Cujo by Stephen King with the film adaptation directed by Lewis Teague. But Primate comes off equally scary – if not scarier – because the chimpanzee is smart and strong and fast, while Cujo is only really two of the three.
Johnny Sequoyah as “Lucy” and Director Johannes Roberts in Primate from Paramount Pictures.
At the same time, there is a faint recognition of family as Ben grew up with Lucy, so much so that even Kate and Nick know quite a lot about him. While Lucy and the rest are not keen to go easy on the ape, that adds an extra tinge of pain running through the story. It almost feels like betrayal.
Jessica Alexander as “Hannah” and Miguel Torres Umba as “Ben” in Primate from Paramount Pictures.
I could go on about how the film seems to mock humans trying to upset the natural order—teaching an animal human language and treating it as family—but that argument doesn’t fully hold up. Chimps are intelligent, can be trained to communicate, and we naturally love our pets as part of the family. More importantly, the film isn’t trying to make a deeper point; it’s focused on delivering some genuinely thrilling scares. And in that, it succeeds spectacularly. Primate is a ton of fun and probably best experienced in the cinema with friends.
My Rating: 4 Stars
Primate delivers heart-pounding scares, a smart and terrifying chimpanzee, and pure adrenaline. Check showtimes near you and scream along with your friends in theaters now!
A legendary battle is about to begin. The long-awaited live-action “Masters of the Universe” has officially revealed its teaser trailer, reigniting the iconic saga of heroism, destiny, and power. Set to conquer Philippine cinemas in June 2026, the film ushers He-Man back into pop culture spotlight, bigger, bolder, and more exhilarating than ever.
From Prince Adam to He-Man
At the heart of the story is Prince Adam, portrayed by Nicholas Galitzine. After being separated from his home for 15 years, Adam is drawn back to Eternia, only to discover a world devastated by darkness. Eternia now trembles under the cruel grip of Skeletor, menacingly brought to life by Jared Leto.
Guided by the mystical Sword of Power, Adam must rise above fear and loss. With courage taking hold, almost unexpectedly, he embraces his true identity as He-Man, the most powerful man in the universe, determined to save his family and reclaim his world.
Watch the Official Teaser Trailer here:
Allies, Enemies, and an Epic Struggle
No hero stands alone. Joining Adam are his loyal allies Teela (Camila Mendes) and Duncan, also known as Man-At-Arms (Idris Elba). Together, they form a united front against Skeletor’s reign, proving that strength is not only measured by power, but by heart, loyalty, and hope.
A Visionary Take on a Timeless Franchise
Directed by Travis Knight, the film promises a thrilling blend of emotional storytelling and large-scale spectacle. The screenplay is penned by Chris Butler alongside Aaron Nee & Adam Nee & Dave Callaham, with a story developed by Aaron Nee & Adam Nee and Alex Litvak & Michael Finch. The film is based on the beloved Masters of the Universe franchise by Mattel, bringing a modern cinematic touch to a classic mythos.
With its first teaser promising a powerful, hope-filled, and visually stunning adventure, “Masters of the Universe” is gearing up to become one of 2026’s most talked-about releases. When destiny calls, a hero answers, catch He-Man’s triumphant return in Philippine cinemas this June 2026. Distributed locally by Columbia Pictures PH.
Excitement ran high in Mexico City as Chris Pratt stepped onto the red carpet for the premiere of his newest action thriller, Mercy, localized in Mexico as Sin Piedad, last January 17. The Hollywood star was greeted with loud cheers and infectious enthusiasm, as fans eagerly snapped photos, asked for selfies, and shared unforgettable moments with the actor.
Chris Pratt, Kali Reis, and Timur Bekmambetov attend the red carpet premiere of Mercy on January 17 in Mexico City
Joining Pratt were director Timur Bekmambetov and co-star Kali Reis, both warmly welcomed by the crowd. The trio took time to interact with fans, creating a lively and feel-good atmosphere that perfectly matched the film’s rising global buzz.
A High-Stakes Battle Between Man and Machine
Mercy is a sleek, futuristic action thriller from visionary director Timur Bekmambetov. The film stars Chris Pratt as Detective Chris Raven, a man accused of killing his wife and placed on trial for his life.
Chris Pratt strikes a pose at the Mexico premiere of MercyFans hold up a poster at the Mexico premiere of Mercy
What makes the case even more chilling is the judge—an advanced AI named Maddox, portrayed by Rebecca Ferguson. Raven is given just ninety minutes to prove his innocence or face the ultimate punishment. With constant surveillance, mounting pressure, and the help of his trusted partner Detective Jacqueline Diallo (played by Kali Reis), the story unfolds as a tense race against time. As the clock ticks, the film raises gripping questions about justice, truth, and the technology designed to protect humanity.
Watch the Official Trailer here:
A Must-Watch Cinematic Experience for Filipino Audiences
Packed with intense action, emotional stakes, and futuristic visuals, Mercy is set to deliver a powerful and exciting big-screen experience. The film opens in Philippine cinemas on January 28, 2026, including IMAX, promising audiences a visually striking and emotionally charged ride.
Chris Pratt and Kali Reis on stage at the Mexico premiere of Mercy
Mercy is distributed locally by Columbia Pictures, the Philippine office of Sony Pictures Releasing International.
Stay updated and join the conversation using #MercyMovie, and follow @columbiapicph on social media.
