Category: Movies

  • Julia Roberts and George Clooney Reunite as Warring Exes in the Romantic Comedy “Ticket to Paradise”

    From Working Title, producer of unforgettable and iconic blockbuster rom-coms like Notting Hill, Bridget Jones’s Diary, Love Actually and Four Weddings and a Funeral, Ticket to Paradise is et to bring back those “feels” that had left the audience eager to re-experience the collective excitement of  watching a love story in a cinema.      

    “The world had completely changed when the pandemic hit. I thought about what I wanted to write and work on next, and I landed on writing something that would make people happy—something joyous and optimistic. Romantic comedies bring a large audience together to collectively laugh with each other, and after a few tough years, that seemed like a beautiful thing to bring to the big screen,” shared director Ol Parker.

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    (from left) David (George Clooney) and Georgia (Julia Roberts) in Ticket to Paradise, directed by Ol Parker. (Photo Credit: Universal Pictures)

    It was rich comedic material for Clooney and Roberts to mine, and luckily, they both saw its potential. “Julia and I weren’t actively looking for a project to do together, but, of course, it was easy to say yes to a chance to work on another project with her,” Clooney says. “Ol Parker sent the script to both of us at the same time and said that he had written the parts for Julia and me. So, right after I read it, I called Julia and told her, ‘I’ll do it if you do it,’ and she said, ‘Well, I’ll do it if you will.’ And not long after that, we were heading to Australia.” 

    Roberts and Clooney’s history and friendship goes way back, and that friendship comes across in their work. “George and I have always had a good chemistry as friends,” Roberts says. “We approach our work in similar ways as well. I think we also get a lot of joy out of making each other laugh. So, each day was like a search for me to find how I could make George laugh. We both take an immense amount of care in creating an environment where people feel creative and happy at work. It brings out the best in everyone.”

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    (from left) Wren (Billie Lourd, back to camera), Gede (Maxime Bouttier) and Lily (Kaitlyn Dever) in Ticket to Paradise (Universal Pictures)

    Although Ticket to Paradise is principally a comedy, it touches on deeper, universal themes of love, regret and the complex emotions of parenting children as they take their first real steps into adulthood. Unlike most romantic comedies, which are primarily about people in their 20s or early 30s, the film explores love, in all its permutations, and about the sweet surprise of second chances.

    Ticket to Paradise opens on October 5 in local cinemas nationwide from Universal Pictures International.

  • FDCP’s Pista ng Pelikulang Pilipino Returns for 6th Edition, Features Classic Films of New National Artists

    The Film Development Council of the Philippines (FDCP) flagship film festival, Pista ng Pelikulang Pilipino (PPP), returns to the big screen this year featuring award-winning classic films of the new National Artists for Film and Broadcast Arts. The films will be screened for free in TriNoma Cinema in Quezon City and in all Cinematheques Centres nationwide (Manila, Iloilo, Negros, Davao, and Nabunturan) from September 9 to 23.

    In line with the month-long celebration of Philippine Film Industry Month this September which aims to recognize the invaluable achievements of all the stakeholders and sectors of the industry, this year’s PPP Classics section consists of films of the three new National Artists for Film: actress Nora Aunor, screenwriter Ricky Lee, and late director Marilou Diaz-Abaya.

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    Newly-restored film Atsay by Eddie Garcia and Tatlong Taong Walang Diyos by Mario O’Hara, starring “Superstar” Nora Aunor, will have their gala premiere on September 9 in TriNoma Cinema. National Artist Aunor won the Gawad Urian Best Actress awards for Tatlong Taong Walang Diyos in 1977 and Garcia’s Atsay bagged the Metro Manila Film Festival (MMFF) – Best Film award in 1978.

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    Notable films written by award-winning screenwriter Ricky Lee, Cain at Abel and Gumapang Ka sa Lusak by Lino Brocka, will be screened on September 14. Cain at Abel received the FAMAS Awards Best Picture in 1983, while Gumapang Ka sa Lusak bagged the Best Picture award in Gawad Urian in the same year.

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    Feature films Brutal and Karnal from the “trilogy” of multi-awarded director Marilou Diaz-Abaya will have their public screening on September 15. Diaz-Abaya bagged the MMFF Best Director award for her film Brutal in 1980 and the MMFF Best Picture prize for Karnal in 1983.

    The annual PPP will also be returning to offer fresh perspectives from the youth and the regions, featuring the finalists from Sine Kabataan Short Film Lab and Festival and Sine Isla: LuzViMinda Short Film Competition. PPP Classics will be screened together with the Sine Kabataan and Sine Isla short films starting September 17 to 24 in all Cinematheques Centres (Manila, Iloilo, Davao, Negros and Nabunturan).

    The PPP Classics lineup is supported by Solar Films, ABS-CBN’s Sagip Pelikula, and Viva Films.

    For more information and updates on PPP 6, follow their official page on Facebook.

  • Go Inside the Making of “Smile” With New Featurette for the Horror Film

    Go behind-the-scenes with writer-director Parker Finn, star Sosie Bacon and the cast of Smile as they discuss the creation of the psychological terror in the newly released featurette “It’s Smiling at Me” which may viewed below:

    Trailer Courtesy of Paramount Pictures International

    After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter (Sosie Bacon) starts experiencing frightening occurrences that she can’t explain. As an overwhelming terror begins taking over her life, Rose must confront her troubling past in order to survive and escape her horrifying new reality.

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    Sosie Bacon stars in Paramount Pictures Presents in Association with Paramount Players A Temple Hill Production “SMILE.”

    Written and directed by Parker Finn, the film stars Sosie Bacon, Jessie T. Usher, Kyle Gallner, Robin Weigert, Caitlin Stasey with Kal Penn and Rob Morgan.

    Paramount Pictures Presents In Association with Paramount Players A Temple Hill Production “Smile”

    SMILE Official Poster
    Poster Courtesy of Paramount Pictures International

    In cinemas across the Philippines September 28, Smile is distributed in the Philippines by Paramount Pictures through Columbia Pictures.  Follow us on Twitter, Instagram and YouTube. Connect with #SmileMovie and tag @paramountpicsph

    Photo & Video Credit: “Paramount Pictures International”

  • WATCH: Tom Cruise Sits on Top of a Plane for ‘Mission: Impossible – Dead Reckoning Part One’ Teaser Drop

    Paramount Movies has revealed the Mission: Impossible – Dead Reckoning Part One teaser trailer shown at the CinemaCon. The sneak peek opens with Tom Cruise casually sitting on top of a flying propeller plane while another plane appears with director Christopher McQuarrie on board. Watch the teaser trailer for Mission: Impossible – Dead Reckoning below:

    Following the success of his film Top Gun: Maverick, Tom Cruise is returning to the big screen to play Ethan Hunt in the seventh installment of the hit spy film franchise. While details about the film’s plot are still under wraps, fans can expect action-packed sequences with breathtaking stunts that Tom Cruise does himself!

    The film also stars Ving Rhames, Simon Pegg, Rebecca Ferguson who will all reprise their roles in the franchise, while Hayley Atwell, Pom Klementieff, Shea Whigham, Cary Elwes, and Esai Morales will be playing new characters. The film is slated for a US release on July 14, 2023.

  • WATCH: Singing Croc Befriends Family in the New Trailer of “Lyle, Lyle, Crocodile”

    Trailer Courtesy of Columbia Pictures

    Based on the best-selling book series by Bernard Waber, Lyle, Lyle, Crocodile is a live-action / CGI musical comedy that brings this beloved character to a new, global audience.

    Trailer Courtesy of Columbia Pictures

    When the Primm family (Constance Wu, Scoot McNairy, Winslow Fegley) moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle – a singing crocodile (Shawn Mendes) who loves baths, caviar and great music-living in the attic of his new home. The two become fast friends, but when Lyle’s existence is threatened by evil neighbor Mr. Grumps (Brett Gelman), the Primm’s must band together with Lyle’s charismatic owner, Hector P. Valenti (Javier Bardem), to show the world that family can come from the most unexpected places and there’s nothing wrong with a big singing crocodile with an even bigger personality.

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    Photo Courtesy of Columbia Pictures

    Lyle, Lyle, Crocodile will feature original songs performed by Shawn Mendes and written by the songwriting team behind The Greatest Showman, Benj Pasek & Justin Paul. Joining Pasek and Paul in writing original songs for the film are Ari Afsar, Emily Gardner Xu Hall, Mark Sonnenblick, and Joriah Kwamé. Directed and produced by Will Speck and Josh Gordon, the screenplay is by Will Davies. The film is produced by Hutch Parker and executive produced by Kevin K. Vafi, Dan Wilson, Robert J. Dohrmann, Benj Pasek, Justin Paul, Tarak Ben Ammar and Andy Mitchell.

    In cinemas across the Philippines starting October 12, Lyle, Lyle, Crocodile is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.  Connect with the hashtag #LyleLyleCrocodile

  • The documentary ‘Fanny: The Right to Rock” is a big middle finger to sexism, racism, homophobia, and ageism

    The band Fanny is marketed as “one of the most important rock bands you’ve never heard of,” and the hour-and-a-half documentary ‘Fanny: The Right to Rock’ by Bobbi Jo Hart manages to trace the all-women rock band’s rise and unfortunate fall into obscurity during the rock music scene of America during the early 70s. Needless to say, in the 60s and 70s, rock music was the territory of men. There were women who fronted bands but there were no rock music groups where all the members were women, playing instruments, and proving they were just as good with their instruments as any man. But Fanny did not just have to come head-to-head with sexism, they had to go against racism and homophobia as well as two members were Filipina Americans and some were lesbians. 

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    But the documentary is not just a historical review of the band’s beginnings and struggles to be taken seriously, it also examines their talents and their impact in the industry – Fanny paved the way for women in rock – through interviews with rock luminaries to contextualise what it was they were able to accomplish amidst all the criticisms and pushback against an all-women rock band.

    But writer and director Bobbi Jo Hart doesn’t stop there. The power of this documentary is how the historical review of their struggles to change the industry is used to frame the present-day narrative of how three of the original members have reunited to try and pick up where they left off as women in their 60s.

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    In a way, the documentary is operating within two timelines – the past and the present – and how both are interacting to underscore that their story as a band has not yet ended. There is still a future that is hinted at through this documentary and it makes for a riveting watch.

    For a documentary to really stand out, one needs access; access to the subject of the documentary and the people around them. Hart has this in droves. All the members, past and present, are available for interviews except for one. Industry insiders include musical legends Todd Rundgren, Bonnie Raitt, The B-52s Kate Pierson, The Go Go’s Kathy Valentine, Def Leppard’s Joe Elliot, and David Bowie’s guitarist and bassist, Earl Slick and Gail Ann Dorsey. In fact, though he had passed away already, David Bowie’s presence is strongly felt as he was a champion for Fanny and constantly rallied for their recognition for their artistry. The documentary has various accounts of their beginnings, home footage of their performances in gigs and television shows, and photographs of their lives in LA when they just signed their record deal. Very little is left to the imagination and what is built is an image of a band that could have been, who paved the way for women in an industry that was not forgiving, who were not recognised for their talents and creativity, and how they eventually vanished and erased until recently.

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    Filled with songs from the five albums they released before they disbanded, it really highlights how good they were and with footage of them aging beautifully and still as sharp and as skilled as ever, it creates an energy and an excitement with this whole idea of them coming back together, recording an album, and adding ageism to the many barriers they’ve taken down in their journey to reclaim what could very well be their destiny.

    The documentary manages to highlight how Fanny, and their resurgence in popularity is a testament to this need to battle and fight all forms of erasure, whether it’s sexist, homophobic, racist, or ageist. These women have stood against it and almost overcame it over 40 years ago but just missed out on success as they were on the brink. But this documentary chronicles their second chance and lays the foundation for a new future for the band.

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    It’s eye-opening and inspiring. It’s funny and daring and touching. It’s a great, good-ol’ rock and roll story and I do hope people get to see it.

    My Rating:

    5 stars - Don't Look Up review


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    Fanny: The Right to Rock is now showing in cinemas nationwide. Buy your tickets here.

  • ‘Stranger Things’ Star Sadie Sink Joins New Thriller About Cults, ‘Berlin Nobody’

    Sadie Sink, who plays Max in the hit show Stranger Things and starred in the Fear Street films, has joined the cast of the upcoming thriller film, Berlin Nobody.

    Inspired by the 2015 novel Tokyo, by Nicholas Hogg, Berlin Nobody follows the American ex-pat and social psychologist Ben Monroe, who relocates to Berlin for his research on the rise of cult mentality. As he dives deeper into German cultism, his rebellious teenage daughter Mazzy is charmed by a mysterious local boy.

    Sadie is set to play Mazzy, while Ben will be played by Eric Bana, best known for his roles in Hulk and The Time Traveler’s Wife. Sylvia Hoeks, Jonas Dassler, and Sophie Rois are also part of the cast.

    Before Sadie, Kiernan Shipka of The Chilling Adventures of Sabrina was supposed to play the part of Mazzy. Shipka has now been announced to star in Prime Video’s Red One which also stars Dwayne Johnson and Chris Evans

    Berlin Nobody is written and directed by Jordan Scott. More details about the upcoming film are yet to be revealed. Follow us on  Facebook, Instagram, and Twitter to get the latest news on film, TV, and more updates around the city!

    ALSO READ
    ‘Stranger Things’ Season 4 Interviews: Darker Journeys, New Faces, and Vecna of The Upside Down

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    Homestream image from Sadie Sink’s Instagram account.

  • Cine México Film Fest Returns To The Shang

    Christmas arrives early for cinephiles in the metro. Shangri-La Plaza, known as the home of foreign film festivals, teams up with the Embassy of Mexico in the Philippines once again to bring the crop of successful Mexican films to Philippine silver screens—all for free. After three years, Cine México film festival is back and running on September 7-11, 2022 at the Shang’s Red Carpet.

    Cine Mexico Film Festival Poster

    Cine México is screening six films from various genres that offer a glimpse of modern Mexican culture. It opens with La Promesa (The Promise), a 2018 production by Oscar Blancarte that was selected as the Outstanding Feature Film at the 15th Annual Sacramento Film Awards. Set in a small rural Mexican town, this heartwarming film is about the strong bond an intelligent yet rebellious boy formed with his teacher and mentor who fell into depression after his wife left him.

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    The 2015 comedy Ella es Ramona (She is Ramona) directed by Hugo Rodrigue revolves around Ramona, a woman who struggled all her life because of her weight. When visiting a tarot café, she finds magical beetles that may finally change her luck.

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    Then there’s 90 Dias para el 2 de Julio (90 Days to Election Day), a 2021 film by Rafael Martinez Garcia about a young man who remains hidden in a house throughout the presidential elections after his boyfriend and presidential candidate of a very conservative party asked him to.

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    Fuego Adentro (Fire Within) is a 2020 piece by Jesús Mario Lozano about a lonely and repentant man who hides in a remote mountain village until his younger brother finds him and delivers news about his beloved Marta. The reunion allows the brothers to catch up and also change their lives forever.

    04 Fuego Adentro

    El Mar entre las Casas (The Sea between the Houses) is directed by Juan Pablo García Gordillo and released in 2020. It centers around a biologist who returns home after the death of his mother to settle her affairs. Staying longer than he intends to, he meets and falls in love with his neighbor Estela.

    05 El Mar entre las Casas

    One of the must-watch films at Cine México is the award-winning Después de Lucia (After Lucia). This 2012 Michel Franco film tells the story of Alejandra who struggled to start anew in a new city with her father after the death of her mother, Lucia. The film received several awards including UN Certain Regard Award at Cannes Film Festival, Special Jury Prize at Chicago International Film Festival, Best Director at Havana Film Festival, and Horizon Award Special Mention at San Sebastian International Film Festival.

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    All films will be screened in Spanish, with English subtitles. Entrance is free of charge on a first-come, first-served basis.

    Discover modern cinematic worlds shaped by respected Mexican filmmakers at Cine México happening on Sept. 7-11, 2022 at the Shang’s Red Carpet.

    For updates and inquiries, follow Shangri-La Plaza on Facebook at www.facebook.com/shangrilaplazaofficial and on Instagram @shangrilaplazaofficial.

  • Reese Witherspoon Produces Inspiring Tale “Where the Crawdads Sing”

    Trailer Courtesy of Columbia Pictures

    Where the Crawdads Sing tells the story of Kya, an abandoned girl who raised herself to adulthood in the dangerous marshlands of North Carolina. For years, rumors of the “Marsh Girl” haunted Barkley Cove, isolating the sharp and resilient Kya from her community. Drawn to two young men from town, Kya opens herself to a new and startling world; but when one of them is found dead, she is immediately cast by the community as the main suspect. As the case unfolds, the verdict as to what actually happened becomes increasingly unclear, threatening to reveal the many secrets that lay within the marsh.

    “I read the novel in one day. I just couldn’t put it down,” says Witherspoon. “I fell in love with Kya as a main character, as a little girl who’s growing up in a very rural area, shunned by society and trying to find a way to just save herself, just survive. The experiences she has with the two men in her life are both so touching but also terrifying. Delia Owens wrote this book with such authenticity, you could just tell she really grew up in this place.”

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    Photo Courtesy of Columbia Pictures

    A literary phenomenon, the book skyrocketed to the top of the bestseller lists when Witherspoon picked it for Reese’s Book Club – and its record-breaking run has lasted over 191 weeks. With over 12 million copies sold in total, it was the top-selling book of 2019 and 2020 and set a new record for the most weeks at #1 on the New York Times hardcover fiction bestsellers list.

    “I remember when Reese first told me about this book,” says producer Lauren Neustadter, President, Film and Television at Hello Sunshine. “We loved Kya, we loved the world, we loved the story of her survival, against all odds. When we thought about it as a movie, there was so much that was so appealing. The backdrop is absolutely magnificent and the story is epic in scope. The marsh itself is incredibly cinematic. The lush greens and also the world that she lives in, the lagoon, the beach all of the settings are so incredibly beautiful and romantic. And then Kya herself is such an extraordinary character – an unconventional heroine and certainly the hero of her own story. To see this remarkable woman against such a beautiful backdrop felt inherently cinematic, and it felt perfect to bring to life on screen.”

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    Photo Courtesy of Columbia Pictures

    “I don’t know where my book would be without Reese Witherspoon,” says Owens. “First it was her Book Club, then the Best Seller list, and now the movie. She’s done a lot for this book and for many, many authors.”

    3000 Pictures presents in association with HarperCollins Publishers a Hello Sunshine production, Where the Crawdads Sing. Starring Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer, Jr., and David Strathairn. Directed by Olivia Newman. Produced by Reese Witherspoon and Lauren Neustadter. Screenplay by Lucy Alibar. Based upon the novel by Delia Owens. The executive producers are Rhonda Fehr and Betsy Danbury. The director of photography is Polly Morgan, ASC. The production designer is Sue Chan. The editor is Alan Edward Bell, ACE. The costume designer is Mirren Gordon-Crozier. The music is by Mychael Danna.

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    Photo Courtesy of Columbia Pictures

    In cinemas across the Philippines starting September 14, Where the Crawdads Sing is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.  Connect with the hashtag #CrawdadsMovie

  • “The Woman King” to World Premiere at the 47th Toronto Film Festival

    Trailer Courtesy of Columbia Pictures

    The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the emotionally epic journey of General Nanisca (Oscar®-winner Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…

    Directed by Gina Prince-Bythewood, the story is by Maria Bello and Dana Stevens and the screenplay by Dana Stevens. Produced by Cathy Schulman, Viola Davis, Julius Tennon and Maria Bello, Peter McAleese serves as executive producer. The film stars Viola Davis, Thuso Mbedu, Lashana Lynch, Sheila Atim, Hero Fiennes Tiffin and John Boyega. The action drama is co-financed by Entertainment One (eOne).

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    Photo Courtesy of Columbia Pictures

    TIFF is also delighted to announce that Viola Davis and director Gina Prince-Bythewood will be participating in the festival’s audience-pleasing “In Conversation With…” series which features in-depth conversations with film artists, writers and cultural figures about their creative process.

    The Woman King marks a new high point in both Davis and Prince-Bythewood’s remarkable careers. While Davis wowed fans in her role as whip-smart and charismatic defence lawyer Annalise Keating in the hit TV series How to Get Away With Murder (2014–2020), the Oscar, Emmy, and Tony Award winner has also built an impressive resume leading ensemble films such as Fences (2016), Widows (TIFF ’18), and, most recently, Ma Rainey’s Black Bottom (2020).

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    Photo Courtesy of Columbia Pictures

    Prince-Bythewood shot onto the film scene with her beloved feature directorial debut, Love & Basketball (2000), for which she also wrote the screenplay. Since her debut, she has proven her storytelling, writing, and directing prowess again and again, focusing on stories about Black women in particular with such influential films as The Secret Life of Bees (2008), Beyond the Lights (TIFF ’14), and the wildly inventive blockbuster action thriller The Old Guard (2020).

    As TIFF hosts the World Premiere of The Woman King at this year’s Festival, Davis and Prince-Bythewood will sit down for an in-depth conversation about the journey of making this stunning, paradigm-shifting film, their creative collaboration, and their respective artistic paths in Hollywood.

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    Photo Courtesy of Columbia Pictures

    In cinemas across the Philippines starting October 5, The Woman King is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.  Connect with the hashtag #TheWomanKing