The Cultural Center of the Philippines Arthouse Cinema proudly presents a two-day special screening event with the theme “ON VERS(E/U)S AND DRONES” this September 2022. Featuring two excellent masterpieces that capture and preview our current timeline, the films exhibit how poetic verses and the panoptic humming of drones remind us to defend our humanity in the face of violence and indifference.
Lav Diaz’ “Ang Hupa” shows a fictional 2034 AD where Southeast Asia has been in the dark for the last three years, literally, because the sun hasn’t shone as a result of massive volcanic eruptions at the Celebes Sea in 2031 and madmen control countries, communities, enclaves and bubble cities. It exposes cataclysmic epidemics razing over the continent where millions have died and millions have left. The film will be screened at the CCP Tanghalang Manuel Conde on September 21, 2022 at 2 PM with a running time of 4 hours and 39 minutes.
On the following day, Cinemalaya 2017 Best Film “RESPETO” by Treb Monteras II will be screened at 2 PM which then, exhibits the underground Pinoy hip-hop culture and on how we, as artists and individuals, find the words to find ourselves.
Both films will have a talkback session after the screening and are FREE to the public. A reminder to everyone as well that due to the still existing pandemic, the new normal protocol of the CCP will still be implemented. You can find out more about CCP’s new normal protocol here: https://bit.ly/CCPNewNormalProtocol2022
For more information, visit the CCP website (www.culturalcenter.gov.ph) and follow the official CCP social media accounts on Facebook, Twitter, and Instagram for the latest updates.
A tale of outsized ambition and outrageous excess. Brad Pitt, Margot Robbie and Tobey Maguire lead the stellar cast of Paramount Pictures’ new original epic, Babylon from La La Land director Damien Chazelle.
Brad Pitt plays Jack Conrad and Diego Calva plays Manny Torres in Babylon from Paramount Pictures.
Check out the film’s first-look images below and watch Babylonin cinemas across the Philippines January 2023.
Watch the film’s uncensored trailer below:
About Babylon
Paramount Pictures Presents A Marc Platt / Wild Chickens / Organism Pictures Production A Damien Chazelle Film BABYLON.
Lukas Haas plays George Munn and Diego Calva plays Manny Torres in Babylon from Paramount Pictures.
From Damien Chazelle, BABYLON is an original epic set in 1920s Los Angeles led by Brad Pitt, Margot Robbie and Diego Calva, with an ensemble cast including Jovan Adepo, Li Jun Li and Jean Smart. A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.
Margot Robbie plays Nellie LaRoy in Babylon from Paramount Pictures.
Written and directed by Damien Chazelle, produced by Marc Platt, Matthew Plouffe, Olivia Hamilton, executive produced by Michael Beugg, Tobey Maguire, Wyck Godfrey, Helen Estabrook, Adam Siegel
Margot Robbie plays Nellie LaRoy in Babylon from Paramount Pictures.
Starring Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, P.J. Byrne, Lukas Haas, Olivia Hamilton, Tobey Maguire, Max Minghella, Rory Scovel, Katherine Waterston, Flea, Jeff Garlin, Eric Roberts, Ethan Suplee, Samara Weaving, Olivia Wilde
Diego Calva plays Manny Torres and Jean Smart plays Elinor St. John in Babylon from Paramount Pictures.Director Damien Chazelle on the set of Babylon from Paramount Pictures.
Babylon is distributed in the Philippines by Paramount Pictures through Columbia Pictures. Follow us on Twitter, Instagram and YouTube. Connect with #BabylonMovie and tag @paramountpicsph
Disney’s next animated film has revealed its wondrous trailer! Strange World will take a family of explorers into an uncharted land filled with strange yet fantastical creatures, as they go on their most important mission yet.
Watch the trailer for Strange World below:
The movie follows the Clades, a legendary family of explorers led by Searcher, who find themselves on an unpredictable mission. Searcher is joined by his larger-than-life father Jaeger, his adventure-seeking son Ethan, and his pilot and partner Meridian. The crew also consists of the fearless Callisto Mal, a mischievous blob, a three-legged dog, and a slew of ravenous creatures.
Directed by Don Hall (Big Hero 6) with co-director and co-writer Qui Nguyen (Raya and the Last Dragon), Strange World will feature the voices of Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, Gabrielle Union, and Lucy Liu.
Strange World is scheduled for a US release date on November 23. Follow us on Facebook, Instagram, and Twitter to get the latest news on film, TV, and more updates around the city!
“I felt The Woman King was an important story because I saw myself in it,” says Viola Davis, the Oscar®-winning actress and producer of the film inspired by the historical all-female unit of warriors who protected the Kingdom of Dahomey from the late 1600s until the late 1800s.
“I saw my femininity in it. I saw my blackness in it. I saw a really important part of history in it,” adds the actress. “I always say any part of history is important, even the small parts. And I think that it is a story that the world is hungry for.”
Photo courtesy of Columbia Pictures
The Agojie warriors lived to serve, defend, and protect the Dahomey kingdom and its king. The Dahomey Kingdom was one of the wealthiest at the time, and its defenders, the Agojie, were the most feared warriors in West Africa, in the territory we now recognize as modern-day Benin.
The Dahomey culture, which significantly valued women, enjoyed a unique and incredibly progressive social structure for the time, with all official roles balanced by both a male and female leader. This system of gender parity included all of the kingdom’s most important positions—from military generals to financial advisors and religious leaders—and reached all the way to the highest ranks where the king would bestow the title of Kpojito—or Woman King—upon a female reign mate.
Photo courtesy of Columbia Pictures
Davis says that the story of the Agojie warriors spoke to her because it reflected her own journey of pride and self-acceptance, like that which many women experience. “I spent four years at a training school where I felt like I had to cover up who I was in order to be a great actress. I had to really fool you into believing that I wasn’t Black with my body, with my voice; that I had to be sort of a prototype of what we deem as feminine,” Davis explains. “The Woman King breaks all the rules. In the hearts and minds of every woman out there, they wish for that. They hope for that. They hope for a space where they can just sort of bust out of all those confines and say, ‘Here I am and I like it,’ where they can be in the arena of belonging.”
Davis adds that preparing and training for the role and creating the character of the warrior general Nanisca put into focus all of the messages about her body she had received over the years. “All the things that I was taught when I was a girl wanting to win the Miss Central Falls Recreation contests, wanting to look good in a bikini, wanting to be thin and cute, delicate, and pretty, while I was always really muscular and thicker,” she says. “I was always feeling like my femininity could not be created with this canvas. Then, all of a sudden, with this role, my muscles, my arms, my thick legs, my heavy voice were perfect. When I walked on the set as Nanisca, I felt unapologetic about it. I celebrate it physically, in every way.”
Photo courtesy of Columbia Pictures
In cinemas across the Philippines October 5, The Woman King is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Connect with the hashtag #TheWomanKing
The upcoming horror satire film The Loneliest Boy in The World has revealed its macabre trailer. The film follows a teen who finds friends in the unlikeliest of places: the graveyard.
Watch the trailer for The Loneliest Boy in the World below:
The movie follows the teenage boy Oliver who was told to find new friends after the tragic death of his mother. Instead of finding friends the way most people do, he decides to dig corpses up from their graves to create a pretend family. But the next day, he would discover that the “friends” he dug up had come back to life, and he must keep this a secret from his neighbors and classmates.
Directed by Martin Owen and written by Piers Ashworth, the film stars Max Harwood, Hero Fiennes Tiffin, Susan Wokoma, Evan Ross, Tallulah Haddon, Hammed Animashaun, Jacob Sartorius, Zenobia Williams, Sam Coleman, Mitchell Zhangazha, Nicola Roberts, Alex Murphy, Carol Anne Watts, Ashley Benson, and Ben Miller.
The UK movie is set to be released in select theaters on October 14, and on digital and on-demand this October 18. Follow us on Facebook, Instagram, and Twitter to get the latest news on film, TV, and more updates around the city!
To portray the heroine, Alice—one-half of a deliriously happy couple in New Line Cinema’s audacious, twisted and visually stunning thriller, “Don’t Worry Darling”—director Olivia Wilde cast globally acclaimed Academy Award-nominated actress, Florence Pugh (“Little Women,” “Black Widow”).
Trailer courtesy of Warner Bros. Pictures
In the film “Don’t Worry Darling“, Alice (Pugh) and Jack (Harry Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Chris Pine) anchors every aspect of daily life in the tight-knit desert utopia. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why.
Photo courtesy of Warner Bros. Pictures
The provocative, relatable themes of the project piqued Pugh’s interest: “It’s about so many different dynamics. It’s about control, manipulation, oppression, relationships, sexual fantasies. It’s about how do you keep your life perfect and when it’s not… what are you going to do about it?”
For Pugh, the idea of Victory is both a place and a way of life: “Victory is perfection. Victory is when you are young and you close your eyes, and you imagine the best possible life for yourself. How do you imagine it? You imagine it by palm trees. You imagine it by the pool. You imagine it with a cocktail in your hand, and you looking amazing all the time. That is what I see Victory as. Everything is heightened, and everything is perfect.”
Photo courtesy of Warner Bros. Pictures
“There’s something about Florence that is just so smart,” Wilde says, “the way she questions and considers everything. I thought, ‘That’s the quality we need for Alice.’ Once I spoke to Florence as taking on Alice, I thought, ‘Now, everything starts from this, everything starts from her instincts.’ Everything else became really clear… who we were going to surround her with came into focus based on what she was going to create. The conversations were all about how this woman needed to be everything except the kind of 1950s housewife. How it had to feel organic. You didn’t want to, for a second, question whether or not she was real or the world was real. And how the relationship between Alice and Jack had to be deeply passionate and feel really contemporary, in a sense—equal.”
Asked what filmgoers will take away from “Don’t Worry Darling,” Pugh concludes, “I think for me, it’s the fact that you’re completely swept up in this world. You totally feel like these are your people, just living in a heightened reality in the 1950s—I think you’re very quickly swept up in their lives, their relationships and their fun. And that’s where it catches you… so much so that when Alice is going through all of this, even she is shaking her head, trying to wake up and be perfect the next day. It kind of goes back to how much would you turn a blind eye to, even if your gut was telling you that something is wrong?”
Photo courtesy of Warner Bros. Pictures
A New Line Cinema presentation, “Don’t Worry Darling” is distributed worldwide by Warner Bros. Pictures and is set to open in cinemas across the Philippines on September 28. Join the conversation online and use the hashtag #DontWorryDarling
The cast and filmmakers from “Amsterdam” celebrated the film’s upcoming release at the film’s world premiere at Alice Tully Hall in Lincoln Center. Director/writer/producer David O. Russell, along with Christian Bale, Margot Robbie, John David Washington, Andrea Riseborough, Mike Myers, Michael Shannon, Rami Malek, Timothy Olyphant, Robert De Niro, producers Matthew Budman and Anthony Katagas and executive producers Drake and Adel “Future” Nur were in attendance, as was Ben Stiller, who moderated a Q&A with the cast and filmmakers immediately following the screening.
“Amsterdam” opens exclusively in theaters and will arrive in Philippine cinemas October 6, 2022.
From 20th Century Studios, New Regency, and acclaimed filmmaker David O. Russell comes “Amsterdam,” an original crime epic about three close friends who find themselves at the center of one of the most shocking secret plots in American history. A fascinating and richly intricate tale that brilliantly weaves historical fact with fiction for a timely, cinematic experience, the film Written and directed by five-time Oscar® nominee David O. Russell, “Amsterdam” is produced by Arnon Milchan, Matthew Budman, p.g.a., Anthony Katagas, p.g.a., David O. Russell, p.g.a., and Christian Bale, with Yariv Milchan, Michael Schaefer, Sam Hanson, Drake, and Adel “Future” Nur serving as executive producers.
Some horror movies aim to subtly spook audiences. Others try to make viewers squirm in their seats. But filmmaker Parker Finn had a far more ambitious goal in mind when he set out to write and direct his debut feature, Smile. “I wanted to make a movie that felt like a sustained panic attack from start to finish,” he says.
Trailer courtesy of Paramount Pictures International
The chilling story of a clinical psychiatrist who begins experiencing terrifying and inexplicable occurrences following a bizarre encounter with a patient, Smile was inspired by a short film Finn made in 2020. Titled Laura Hasn’t Slept, the short starred Caitlin Stasey — who also has a memorable role in Smile — and won a Special Jury Award in SXSW®’s Midnight Short category. The 11-minute film generated intense industry buzz around Finn, who successfully pitched a feature version to Paramount Pictures and producers Marty Bowen and Wyck Godfrey’s Temple Hill Entertainment.
Sosie Bacon stars in Paramount Pictures Presents in Association with Paramount Players A Temple Hill Production “SMILE.”
Although drawing thematic inspiration from Laura Hasn’t Slept, Smile takes the story in a frightening new direction. Finn says he wanted to explore what it would be like to experience your mind turning against you in horrifying ways. “You know that sense of dread you feel when you wake up from a bad dream? That feeling of panicky doom that lingers with you afterwards, even though you know it wasn’t real? I wanted Smile to capture that feeling on screen.”
Kyle Gallner stars in Paramount Pictures Presents in Association with Paramount Players A Temple Hill Production “SMILE.”
A lifelong fan of horror, Finn believes one of the prerequisites of the genre is characters worth caring about. “The scariest movies are the ones that work first as dramatic stories, so my goal was to create a great lead character — because if you’re invested in her, you’ll be invested in her plight,” he explains. “Then you can start layering in shocking moments that strike at the core of what the audience is afraid of, and find ways to pull the rug out from under them and subvert their expectations in terrifying ways.”
Smile centers on Dr. Rose Cotter, a dedicated psychiatrist at a public hospital whose mission is to ensure her troubled patients get the help they need. But when a malevolent evil enters Rose’s life, the tables turn and she finds herself struggling to convince her friends and family that the surreal nightmare she’s experiencing is real. As her fight for sanity and survival becomes increasingly desperate, she’s forced to investigate the bizarre mystery and piece together clues to figure out what’s happening to her.
Poster courtesy of Paramount Pictures International
Reflecting on his journey from short filmmaker to feature writer-director, Finn says he can’t wait to terrify legions of moviegoers around the world. “Nothing can prepare you for what happens in Smile,” he says with a mischievous grin. “It’s going to shock you, it’s going to scare you, and you’ll want to cover your eyes. It’s got big, frightening moments that will cause you to jump out of your seat, but it also leans in to this creeping sense of unease that slowly burrows its way beneath your skin. Basically, it’s a roller coaster that you’re going to want to talk about with your friends as soon as it’s over.”
A few months ahead of its much-awaited sequel, James Cameron’s Avatar, also known as the highest-grossing movie of all time, is heading back to cinemas this September, now in its remastered version!
A film meant to be seen on the big screen, Avatar‘s re-release will give new viewers the opportunity to experience the epic sci-fi adventure, and for existing fans to revisit the breathtaking world of Pandora! This comes just in time for the release of Avatar: The Way of Water in December, the first of four sequels spawned by Cameron’s film.
Before its global re-release, we got to join the virtual press conference for the film, where director James Cameron and actors Sam Worthington, Zoe Saldaña, Sigourney Weaver, Michelle Rodriguez, and Stephen Lang answered some questions from the press, regarding the movie that made cinema history.
Below are the highlights of the press conference:
Director James Cameron, why did you want to bring Avatar back to the big screen, and how will audiences be able to experience it now?
It’s been 12 years since the release, and so basically if you’re kind of under 22 or 23 years of age, it’s very, very unlikely that you’ve seen the film in a movie theater. Which in a way kinda means you haven’t seen the film. I mean, we authored the film for the big screen, for the giant screen, in 3D. And now we’ve remastered it in 4K, in high dynamic range and some 48-frame-per-second sections in the film.
It’s looking better than it ever looked, even back in its initial release. And there are so many people out there, a whole new kinda generation of film fans coming up. Even if they like the movie on streaming or, you know, Blu-ray or however they saw it, they still haven’t really seen the movie the way we intended it to be seen. And we just watched the film recently when we finished the whole remastering process, and it kinda blew us away.
And you know, that’s hard to say with any degree of humility, but I mean, we were really impressed with how the movie looked. Just the physical experience of the film. And we’re just really excited to share that with people that have never seen it in a movie theater.
Why do you think the film was so incredibly popular with audiences back when it was released, and why do you think those same things will resonate today for an audience?
Well, I think any film is only as good as the people in it, and you see in front of you five individuals who brought their heart and souls to that film.
Sometimes in very different ways. I mean, Zoe’s challenges were different from Michelle’s challenges, and [Lang’s] challenges, and so on. But I think people respond to people. But in this particular case with Avatar, they’re responding to people sometimes that are 10 feet tall, like Sam’s characters, Zoe’s characters. Technically Zoe, I think you’re nine foot two as Neytiri.
You’re also in a world, and you’re these otherworldly characters. Some of you played these otherworldly characters with, you know, big eyes and cattails and all that sort of thing. So I think it took us out of our day-to-day problems. It took us out of our day-to-day political discourse and the chaos and disorderliness of real life. And it took us to a place where, yes, there’s conflict. There are all sorts of important things going on. But it’s all through a lens of fantasy or science fiction.
And so, from whatever culture you’re in, whether you’re in China or Japan, Europe, North America, it didn’t matter. People saw some universality of their lives in these characters through this lens of science fiction. And then I think it was the physical execution, the finish of the film that I think in the first few minutes, people just gave up trying to figure out how it was done because we mixed so many techniques it took us years to develop.
And so they just kinda surrendered to a sense of immersion in a world and in a fantasy, and you’re willing to go on a fantasy if you can relate to the main characters. And I think, you know, Sam’s character took us on that journey. That’s Sam taking us on that journey. And Sigourney’s character kinda set the frame for it, made it all seem somehow rational. And Lang’s character made it all seem rational in a very different way from a very different perspective. I think people found universals of human experience that they could relate to.
Sigourney Weaver, on that first day, how thoroughly did you know what your character was gonna look like, and how did that impact how you played the character?
I think it was the early days when I shot Grace’s first avatar. So I hadn’t quite drilled in her, in fact, her earthly being yet. And so a lot of it is just, you know, with Jim, you step off the cliff, you know that the best people in the world are in charge of every department, and you can trust that the process will never let you down. So that, even though I didn’t have the answers to everything, my challenge that day, on that first day, was to invent my avatar self who is so much taller, freer. Not a smoker. You know, a person in touch with the natural world in a way that Dr. Grace Augustine could never be because she’s a human.
She’s an earthling. This is not her planet. So, I mean, there’s just no end to the fun you have in terms of challenges that keep coming at you in a Cameron film. You never go, “My job is done.” That never happens. You just go, “Oh my God, that wave is over.” Now I understand this wave is coming at me. All this new stuff to think about.
Michelle Rodriguez, what is the one scene that is your favorite to watch and that you’re excited to see remastered because you know it will look amazing?
I would have to say the tribal ceremony at the Tree of Life, when they’re trying to bring back Sigourney’s character to life. There’s something really powerful about that moment, and it resonates with me in such a deep way. Because it seems so beautiful, natural, ancient, and spiritual, you know? I felt like I was on Earth looking at the ceremony while on some sort of hallucinogenic [Laughs]. But yeah. That’s my favorite scene.
Zoe Saldaña, in what ways did the movie and its experience change you as an actor?
I mean, we can see all the opportunities that being a part of Avatar gave me. And I was able to sort of build a career and a lifestyle and still support my family, which for artists, it’s a very important thing. I think that as an artist that loves, in a very unconditional way, storytelling. It really instilled in me that discipline to dig deeper to create a backstory for a character. Because the character, in order for you to understand where your character is, you need to know where your characters come from. And that is something that I practice that I don’t have, you know, a training in acting. But I do feel that being a part of Avatar was my Juilliard. It was my NYU course where I really got to play with people that were genuinely wishing me to succeed. And it was an environment that was very playground-like. And therefore, I was very free.
And I got to try so many things. And I remember Jim saying so many times, like, “There’s no such thing as a mistake. You try it, and if we don’t like it, at least we tried it.” And I also would hear him say to other people. “If I’m coming at you because of something snit working, and you come at me with some bullsh*t story, you better just tell me, ‘I don’t know what happened, Sir.” [Laughs] And I remember that. I remember going, “Don’t ever have everything to say. When you don’t know, you just don’t know, and let’s keep finding it.”
So that’s definitely something that I’m practicing in my career. And now as a mother, I get to pass some of those teachings to my kids. I don’t know if they’re assimilating it, but I’m gonna keep trying. [Laughs].
Stephen Lang, movie fans have really embraced your character, Quaritch, since the movie came out. Did that surprise you?
I think to an extent it has surprised me. But when I think about it, think of the reasons behind it, maybe it becomes somewhat less surprising. I think that in playing Quaritch, we know his function in the script. We know he’s the bad guy, and I think as an actor, that’s not particularly helpful for you. What really is helpful for me is to find the qualities that have brought him to this position of leadership that he is at when we meet him, which is to say he is a very capable commander.
And he inspires loyalty. He leads by example. I think that his courage is probably unquestioned. And so what I’m saying is that there’s a lot of positive qualities to the man. He happens to have a little problem, you know [laughs] fitting in with this planet, maybe. But also, we, as a people, and I’m talking about Americans right now specifically, we’re a very aggressive and mission-oriented people.
You know, a number of times, I’ve had people come up to me kind of in a sotto voce way say, “You know, I really am behind Quaritch. I’m on his team.” And I always feel like, “Really? I don’t want to know you.” [Laughs] So, anyway, I think it’s the positive qualities –and there are many– that people respond to leaders, no matter what their moral stance may be. I think that we see a lot of evidence of that in our recent political climate in the United States.
Sam, why do you think that audiences are still so emotionally attached to Avatar?
Look, I think this was a story about a young guy that went to another planet and he was looking for something. Looking to belong. And he found it in another culture that he didn’t really know anything about.
And I think, personally, I think that sense of belonging permeates with all of us. We’re all kind of looking for our own little clan, our own clique, our own group of people that can comfort us and give us confidence, and that we can learn from. And, you know, I think that there’s something in that that’s very interesting. And I don’t think that was a theme that was, say, hammered out. I just think that that was a subconscious feeling that maybe we all received globally when we watched the movie, this sense of wanting to belong.
For James Cameron, what makes you proud to have been part of this film?
Looking back with the perspective of now 12 years later, I guess I’m proudest in a general sense of the team. And I want to break that down. There’s the beauty that was created by the artists, the designers, the set builders. The people that sort of built out that world in all its detail and all the creatures in it, and every blade of grass, and the beauty that they were able to create, even when that beauty was scary.
Like the Viperwolves and the Thanator, I still think of them as beautiful and part of the majesty of nature. But there’s also the human beauty, so that was created by this cast that’s sitting here right now. Just this amazing ability to play, to create, to become people, and to do it in different forms…
I just look back on everybody’s work and just so grateful to have had an opportunity to work with these amazing people. And I think that’s why I promptly went out and wrote another and another and another Avatar [Laughs]. I just wanted to continue with this family which is such a great, great experience.
Fresh from its successful premiere at the Toronto International Film Festival, the initial reviews for The Woman Kingare now out, and critics are unanimous in praising Viola Davis’ fierce reinvention as an action hero and the film as a rousing, action-packed crowd-pleaser.
Watch the film’s trailer below :
Trailer courtesy of Columbia Pictures
Garnering 100% Fresh Rating over at review aggregator site Rotten Tomatoes (as of September 12), The Woman King’s admirers say the historical epic offers an awards-worthy performance from Davis, a breakout star in Thuso Mbedu and impressively choreographed action scenes.
“It feels like the `Gladiator’ for Black women, and what a welcome surprise,” writes Variety. “With the right messaging and awards campaign from Sony Pictures, the film could be among the many consumer-friendly titles in the hunt for Oscar attention.”
Photo courtesy of Columbia Pictures
The Hollywood Reporter raves “Energetic performances and technical precision come together to glorious effect in Gina Prince-Bythewood’s rousing action film. It’s a lush, prime piece of entertainment in many respects.”
IndieWire says “The film is bursting with remarkable elements: a vivid and fully realized setting, eye-popping battle sequences, richly drawn characters, and wonderful performances from everyone.”
Lashana Lynch stars in THE WOMAN KING.
“The Woman King marks a ceasefire between two long-warring foes: Action and acting,” praises The New York Post, while The Guardian describes it as “a sturdy, rousing piece of studio entertainment, that makes both the new feel old and the old feel new.”
“Thrilling and enrapturing, emotionally beautiful and spiritual buoyant,” applauds RogerEbert.com. “The Woman King isn’t just an uplifting battle cry. It’s the movie that director Gina Prince-Bythewood has been building toward throughout her entire career.”
Trailer courtesy of Columbia Pictures
Finally, BBC attests that “The Woman King leans toward fantasy in its heroic moments, but is rooted in truth about war, brutality and freedom. It is a splashy popcorn movie with a social conscience.
About The Woman King
The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the emotionally epic journey of General Nanisca (Oscar®-winner Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…
Trailer courtesy of Columbia Pictures
Directed by Gina Prince-Bythewood, story by Maria Bello, screenplay by Dana Stevens and Gina Prince-Bythewood. The film is produced by Cathy Schulman, Viola Davis, Julius Tennon, Maria Bello and executive Produced by Peter McAleese.
The cast is led by Viola Davis, Thuso Mbedu, Lashana Lynch, Sheila Atim, Hero Fiennes Tiffin and John Boyega.
In Philippine cinemas October 5, The Woman King is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Connect with the hashtag #TheWomanKing