Author: Wanggo Gallaga

  • Prime Video Streaming Exclusive: The ‘Fallout’ Cast Talks Season 2

    Prime Video Streaming Exclusive: The ‘Fallout’ Cast Talks Season 2

    One of Prime Video’s biggest hits last year was the series adaptation of the popular role-playing video game franchise Fallout. The eight-episode show immerses viewers into a post-apocalyptic world, following the stories of three survivors of the nuclear fallout that ruined America.

    Fallout Season Two Red Carpet Premiere Event
    Fallout Season Two Red Carpet Premiere Event | Credit: Phillip Faraone/Getty Images for Prime Video
    LOS ANGELES, CALIFORNIA – DECEMBER 08: (L-R) Albert Cheng, Vice President, Prime Video U.S., Peter Friedlander, Head of Global TV, Amazon MGM Studios, Sue Kroll, Global Head of Marketing, Amazon MGM Studios, Laura Lancaster, Head, US SVOD TV Development and Series – Co-Productions, Amazon MGM Studios, James Altman, Kyle MacLachlan, Geneva Robertson-Dworet, Todd Howard, Justin Theroux, Ella Purnell, Walton Goggins, Jonathan Nolan, Aaron Moten, Lisa Joy and Mike Hopkins, Worldwide Head of Prime Video and Amazon MGM Studios attend the Fallout season two red carpet premiere event at Academy Museum of Motion Pictures on December 08, 2025 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for Prime Video)

    It follows Lucy (Ella Purnell), an inhabitant of an underground vault, who grew up there, unaware of the world above. When she exits the vault, she meets a world in survival mode and is the antithesis of what she raised for. There she meets Maximus (Aaron Moten), a squire of the Brotherhood of Steel, an order of soldiers that battles in metal suits, and later on, The Ghoul (Walton Goggins), a mutated bounty hunter transformed by radiation poisoning.

    Once known as Cooper Howard, The Ghoul was an actor who become an endorser for the company that built the vaults and was alive before the Great War that triggered the nuclear cataclysm 200 years ago.

    Fallout S2 Static16x9 Ensemble 3840x2160 PRE PV FINAL en US 4775566 700 2

    Now, the second season of the hit series arrives on December 17, and ClickTheCity was invited to a virtual roundtable interview with the three lead actors and alongside fellow journalists from across the Asia Pacific, to talk about what’s in store for the new season. 

    Fallout Season Two Red Carpet Premiere Event
    Fallout Season Two Red Carpet Premiere Event | Credit: Phillip Faraone/Getty Images for Prime Video
    LOS ANGELES, CALIFORNIA – DECEMBER 08: (L-R) Lisa Joy, Walton Goggins and Jonathan Nolan attend the Fallout season two red carpet premiere event at Academy Museum of Motion Pictures on December 08, 2025 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for Prime Video)

    Seated side by side, the three stars showed great comfort in each other’s company. They eagerly listened to each other’s answers, and even being late into their interview schedule (they had several roundtable interviews before our session), they were enthusiastic and excited to talk about the new season.

    The discussion below is a mix of ours and the other journalists’ questions:

    Fallout Season Two Red Carpet Premiere Event
    Fallout Season Two Red Carpet Premiere Event | Credit: Phillip Faraone/Getty Images for Prime Video
    LOS ANGELES, CALIFORNIA – DECEMBER 08: (L-R) Kyle MacLachlan, Justin Theroux, Ella Purnell, Walton Goggins and Aaron Moten attend the Fallout season two red carpet premiere event at Academy Museum of Motion Pictures on December 08, 2025 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for Prime Video)

    Do you remember how you felt when season 2 was greenlit, since it has been a while?

    Aaron Moten: It has been a while since season 2 was greenlit. (laughs)

    Ella Purnell: (turning to Aaron) I think we were at a wine bar, right? We were getting dinner or something?

    AM: That’s right.

    EP: And then Jonah told us and we cheered. And I had a feeling, but I wasn’t sure and it was a beautiful, happy moment, surrounded by this kind of little family. It was really great. I found it really emotional.

    Fallout Season 2 Ella Purnell
    Fallout Season 2 – First Look | Courtesy of Prime

    Going into the second season, were there any suggestions you were able to give for your character that you were able to implement? Now that you know your character better, were there ways where you were able to show yourselves in that character?

    Walter Goggins
    Walton Goggins | Credit: Lorenzo Sisti/Prime Video

    Walton Goggins: There were things about Cooper Howard that I can’t get into, but we dig much deeper into who he is. We pick up where we left off last year with the realisation that his wife might be the principal architect of the end of the world. And it was about talking with the writers about his journey and what is ultimately revealed and how best to get to that point. There were a lot of discussions back and forth about the relationship between Frances Turner, who plays my wife Barb, and it was a lovely collaboration. I can’t wait for people to see that side of the story.

    Speaking of revelations, there were several revelations your characters discovered at the end of season one. How have those revelations changed your characters coming into this second season, without spoiling too much?

    AM: Yeah, right. Because a SWAT team will come in and take us out.

    (Ella Purnell laughs at the joke)

    AM: It’s a beautiful thing that you are touching upon here because we are just at the beginning of our story. Thankfully. We are so happy to be doing the second one and finally get to be showing it to a wide audience and we are excited about getting into a third. But it’s a beautiful thing to know that these experiences that we have now been sharing together are changing these characters. And that where they are going is this mystery and I’d like to fantasize that we might not recognize them by the end of it from where they started. This is still the beginning. I just loved getting into season 2 because we are expanding these themes. We just come out of the overture and we’re now in the first movement, you know what I mean? And there are new players at the board. I was also obsessing about [Justin} Theroux and what he’s done and Kumail [Nanjiani] and Macaulay Culkin joining our show. We get a lot more and we have more to say this year and it is super exciting, all the growth these characters have.

    Johnny Pemberton and Aaron Moten
    Johnny Pemberton (Thaddeus) and Aaron Moten (Maximus) in FALLOUT SEASON 2
    Photo Credit: Lorenzo Sisti / Prime © Amazon Content Services LLC

    I’ve seen how much excitement you guys have in talking about this show in season one and now in season two. Why does this show mean so much to you, in terms of making it and the story?

    (They discuss amongst themselves who would take the question. Goggins asks if he could and Purnell says she has a take, but he should go but then Purnell takes it while everyone laughs)

    EP: We were talking about this today at the car. This show has changed my life on so many levels. It’s so incredibly, creatively fulfilling. I’ve learned so much in my personal life and I’ve become a better actor and I’ve met some incredible life-long friends. The reason I talk about this show so much with pride and excitement is because of how deeply it has shaped me. And how deeply it has touched me in so many ways. I carry this character in me. And I will forever. It’s been an incredible, emotional– and it’s not done! We’re doing it again! And it’s going to keep going on and keep evolving and hopefully, fingers crossed, touch wood, it will be with me in my thirties and for many more years. I think about when I hear the fans of the game, you know it’s been twenty years since this game has been around, and thousands of people have shaped this game and this show. We have 700 crew. We have an incredible ensemble. You know fathers have played it with their sons and fathers have played it with their fathers. People get emotional when they talk about this game. This is a global community and to be even a tiniest part of that, like, that’s incredible. It’s mind blowing.

    How do you feel about your character’s growth looking back at season one again?

    AM: I’m very excited about it. I don’t know. Maybe my excitement is… (thinks hard) It’s really interesting to do films and obsess over one script. Right? It’s one way we tell a story but we get eight scripts in every season of this show. And I love that we created this world where I’m not bored… as an actor. And I don’t mean that I’m easily bored but I do just think that if it were the same I would lose my taste for it. I like new problems to solve. I get excited about the development because it is what keeps me invested in what we put together. And not just the story but in how I’m evolving as an artist. Sometimes it’s even hard for me to talk about season two. It is the past for me. We are about to share it with the world but I’ve already moved on. Sometimes, even that can be challenging. But I know that it is going to keep growing and doesn’t necessarily mean in the linear way with how these characters develop. But it is exciting.

    Fallout S2 Static2x3 SignTrio 2000x3000 PRE PV FINAL en US KAPS 700

    After watching the first three episodes, it would be interesting to ask Walton who he prefers playing, Cooper or the Ghoul? Because they are two different people. What was that like?

    WG: You know, you can’t have one without the other, right? And I enjoy both. One of them takes two and half hour on the [makeup] chair and the other takes about eight minutes on the chair. But Cooper Howard is going through a lot this year and he’s a man who is having his entire – much like Lucy, in a way, coming out of the vault – I never really thought or talked about it in this way. Like Lucy comes out of the vault in season one and the world that you thought you knew is not the reality of what the world is and that is a journey that Cooper Howard is on. And it is chaotic. It just doesn’t make sense to him and it was so delicious and so complicated and so dark, going to work, even when it’s funny. And then anytime I get to put on that jacket and those spurs and walk in the desert as the Ghoul, man. (laughs) Look. Look. I love everything about this show. The question before this, it dovetails into this: about why we care so much about it? Because if we don’t care than nobody else will care. But if we do care, then maybe everybody else will care. And more importantly, it’s because this is what I love to do most in the world. I don’t know how not to care about something I am a part of. I wouldn’t be here if I didn’t care. And just to speak to that, very specifically. You guys have seen the first three episodes but this journey that Lucy and I go on, it’s fun to think “Oh it’s two actors on a fucking road trip.” Well, who gives a shit? I’ve seen that movie, right? But then I see two people: one, who doesn’t even know how to have a conversation with another human being, you know? He doesn’t do that. And the other doesn’t know where she’s going or what she’s doing. They are in two completely different spaces. One is an optimist and the other is a nihilist. And eventually, she is thinking “I will or vice-versa” but that’s irrelevant to me. We had the most fun. There was one morning when we first started, Ella and I were walking next to each other – this is just an example – and then Ella said “wait a minute, why are we walking beside each other?” Because it’s easier for you to get a two-shot? Why am I walking next to him? (looking at Purnell) And I was, like, “Yeah? Why are you walking next to him?”

    EP: They would not walk next to each other!

    WG: They don’t. They’d drift back and forth. Right? They have to earn that proximity. And we messed with all of that and thought about who is the first person to speak. It was Lucy. What was the first time the Ghoul answered? What was the first thing out of her mouth that the Ghoul had a response to. And what was the first question the Ghoul asked her about her life?I just get obsessed about thinking about the reality of any situation and that’s a long-winded answer to the question you were asking.

    EP: It was a great answer.

    WG: But I just felt like talking.

  • Disney+ Rolls Out Exciting New Japanese Titles for December and 2026

    Disney+ Rolls Out Exciting New Japanese Titles for December and 2026

    Last month, Disney+ unveiled its new slate of streaming shows at a major press event in Hong Kong.  The President of the Walt Disney Corporation Asia Pacific, Luke Kang, announced how there’s a stronger push to leverage Disney’s global market to highlight Asian series, specifically Korean and Japanese shows. He also cited that anime, as a genre, has seen a significant 60% growth in countries outside the Asia Pacific region. 

    Their big Christmas gift? A lot of new and exciting anime shows are premiering next year, along with new seasons of well-loved shows will be seeing new seasons in the coming months. 

    Here’s a rundown of what to expect in the coming weeks:

    Merry Berry Love (working title)

    Disney 3 Cast of Merry Berry Love Mio Imada and Ji Changwook at the Disney Originals Preview 2025 Courtesy of TWDC

    A Japanese and Korean collaboration, this romantic comedy stars Ji Chan Wook and Mio Imada and follows the story of a “botched Korean designer and a Japanese farmer who begin an unlikely co-farming journey on a mysterious island in Japan.” The two stars attended the event and shared the experiences working on the project. Ji Chan Wook stated how he enjoyed the premise of his character and was excited to work in Japan, while Mio Imada talked about the language barrier, which is an integral part of the story element in the drama and how she studied K-drama romcoms to prepare for her role. 

    Disney 4 Cast of Merry Berry Love Mio Imada and Ji Changwook at the Disney Originals Preview 2025 Courtesy of TWDC

    There’s no official release date yet, and the title is still a working one as the team continues to finalize the episodes, but it is expected to be released next year.

    Cat’s Eye (Season 2)

    Cat's Eye

    The popular anime’s second season has been confirmed. The series follows three sisters who run a cafe as a cover for their other job, which is to retrieve their father’s art collection, which was stolen by an underground art broker syndicate known as “Cat’s Eye.” Things get messy when one of the sisters starts dating the detective assigned to the Cat’s Eye case. 

    Season 2 premieres on December 26.

    Tokyo Revengers: The War of the Three Titans Arc (Season 3)

    Tokyo Revengers

    The hit anime, part of Disney’s long-standing partnership with leading manga publisher Kodansha, will premiere its third season in 2026. The new season will reconcile the tragic events of the previous season’s epic feud, as characters carry their grief into the future. As the characters confront their inner demons, the world will enter the “Three Titans Era,” where three powerful teams will vie for supremacy. This sounds incredible and will give everyone a chance to catch up as Disney+ promises that the “final revenge begins.”

    Travis Japan Summer Vacation! In the USA

    Travis Japan Summer Vacation

    This unscripted series follows the seven-member Japanese global group Travis Japan as they travel across America for a 10-day well-deserved summer vacation. Two members of the group were present to talk about their upcoming series. Umi revealed that viewers will get to see a different side, more authentic side of the band, while Genta talks about how the band had travelled previously to the US to study for seven months but now they get to really immerse in that world and see the landscape and culture.

    The reality show is set to premiere in the summer of 2026.

    Medalist (Season 2)

    Medalist

    Another collaboration between Kodansha and Disney, the second season of this anime follows Tsukasa Akeuraji, a failed figure skater, who meets Inori Yuitsuka, a young girl with big dreams but whose parents are pushing her to give them up. Impressed by her determination, Tsukasa takes Inori under his wing and works together to become world-class medalists. Reports have been made that former Olympic skater Rika Hongo will provide motion-capture performances for the skating, with choreography by former Olympic skater Akiko Suzuki.

    Medalist season 2 premieres on January 24, 2026.

    Death Stranding Isolations (working title)

    Death Standing Isolations

    Based on the popular video game by legendary game creator Hideo Kojima, Death Stranding: Isolations will be a Japanese anime series that tells an entirely new story set in the world of the game. According to director Takayuki Sano, the show will be able to stand side-by-side with the game and promise stunning visuals and imagery as the anime will feature 2D hand-drawn animation. Hideo Kojima, who attended the press event with Takayuki Sano, explained that he wanted even those who haven’t played the game to experience the world he created, and asked the director to utilize anime’s storytelling strengths to tell the story in a fresh way.

    No release date has been announced yet, but the anime is already in the works.

  • MOVIE REVIEW: Great World Building Makes ‘Zootopia 2’ Enjoyable

    MOVIE REVIEW: Great World Building Makes ‘Zootopia 2’ Enjoyable

    The strongest element in Zootopia 2 is its world-building and how it connects the expansion of the Zootopia geography and politics with an allegory of our current global condition. Zootopia was already a rich world from the first movie but the second one dives deeper into its history and is unafraid of relating it to real-world issues like erasure, discrimination, and xenophobia (in this case, amongst other species). When the movie revolves around this, it really finds its center and shines. However, the film can get pretty chaotic, and the character dynamics, which thrusts the narrative forward, is a disjointed discussion that favours one character’s flaws over another that can be misinterpreted in many ways.

    Following directly after the events of the first film, Zootopia 2 continues the story of Judy Hopps (voiced by Ginnifer Goodwin) and Nick Wilde (Jason Bateman), who are now partners in the Zootopia Police Department. Having saved the city, all eyes are on them but their personalities constantly clash, and Judy’s overbearing need to prove herself constantly puts her in the ire of the police chief and the rest of the department.

    Zootopia 2

    After a smuggling bust goes awry, Judy finds evidence that a snake may have entered Zootopia. Snakes, and other reptiles, have not been allowed in Zootopia for a hundred years. But after the mishap in the smuggling case, Judy and Nick are sent to partner therapy, but Judy goes on the case anyway to discover a snake (Ke Huy Quan) has gotten into Zootopia and he wants to steal a journal from the Lynxley family, a rich and powerful family in the city.

    Zootopia 2

    Throughout the film, Judy and Nick are constantly bickering. Judy is deadset in solving the case, while Nick is more than willing to let it go so as to not get into any more hot water with the chief. Throughout the film, Nick is constantly being led into trouble and danger because Judy is sure that something wrong is happening and she will save the day no matter what the cost. Considering the film is talking about partnership and trust, the film feels skewed towards favouring Judy over Nick. We are led to believe early on that Judy is right, so the film absolves her when she puts herself, Nick, and others in danger just to assuage her sense of right and wrong. It favours her gung-ho, no holds barred approach and never seems to take into account that Nick is doing everything in his power to keep Judy from getting into more trouble than she already is. The film talks about equal partnership but throughout the movie, it seems like Judy keeps taking and Nick has no choice but to follow along. It doesn’t feel equal to me, and it feels off considering this is a movie that is also pushing for cooperation, consideration, and true partnership. 

    Zootopia 2
    (L-R): Bloats and Higgins (voiced by Stephanie Beatriz and Wilmer Valderrama) in Walt Disney Animation Studios’ “Zootopia 2.” From the Oscar®-winning team of Disney Animation chief creative officer Jared Bush and Byron Howard (directors) and Yvett Merino (producer), “Zootopia 2” opens in theaters Nov. 26. © 2025 Disney Enterprises, Inc. All Rights Reserved.

    I also find the film’s opening, Judy going against orders, to be such an overplayed trope that really needs reconsideration. The maverick stereotype, who is never truly humbled, is not an ideal example to show children.

    Zootopia 2 Group

    Aside from that, Zootopia 2 really hits hard with its metaphor about racism and oppression; how the ruling class can rewrite or erase history while maintaining power, all in the guide of polite society. The movie also takes us down to Marsh Market, a district occupied primarily by marine mammals and that world is so interesting and such a fine contrast to the cosmopolitan allure of Zootopia. It feels rural or provincial and less elitist and when we see the world of the reptiles, the symbol becomes quite clear. While it is easy to relate Zootopia and its push back against reptiles as America versus minority races, this can be compared to any such sort of prejudice or divide, be it gender identity or preference, race, religion, or other divides. 

    The animation is beautifully rendered, allowing the world to truly come alive and engaging both kids and adults alike. There are quite a bit of action and a lot of gags, some are good and evoke laugh out loud responses while the others can get gimmicky. Regardless of my misgivings about the central dynamic between Judy and Nick, Zootopia 2 still has its charms and if they can continue to explore the other areas of Zootopia with the same way they did in Marsh Market, a third installment would be warranted.

    My Rating:

    Springsteen Deliver Me from Nowhere



    Don’t miss the adventure, Zootopia 2 is still in theaters! Get your tickets today and join Judy, Nick, and the rest of Zootopia for an unforgettable adventure full of laughs, action, and stunning animation.

  • MOVIE REVIEW: Wicked: For Good Is Ariana Grande’s Movie and a Showcase of Her Acting Range

    MOVIE REVIEW: Wicked: For Good Is Ariana Grande’s Movie and a Showcase of Her Acting Range

    With the first film, Wicked, primarily tracking Elphaba’s (Cynthia Erivo) narrative arc, growing from a wide-eyed girl who admires the Wizard into an empowered woman willing to battle for truth and to stop oppression at the cost of her own reputation, the second film shifts the focus to Glinda (Ariana Grande). Glinda awakens from her privileged life in an unjust world that caters to and protects her and people like her. The shift in protagonists is a smart move, as there’s little new to do with Elphaba’s character. Unfortunately, in order to keep Elphaba’s presence on equal terms with Glinda, Wicked: For Good suffers from a messy plot that tends to meander before reaching its finale.

    Set five years after the first film, Wicked: For Good finds Elphaba demonized as the Wicked Witch of the West, despite her efforts to free the animals from slavery and from losing their voices. Glinda, on the other hand, has become a sort of symbol for all that is good in Oz, a ruse perpetrated by the Wizard (Jeff Goldblum) and Madame Morrible (Michelle Yeoh).

    Wicked: For Good

    To continue distracting the people of Oz from the growing tyranny of the Wizard and Morrible, they announce Glinda’s engagement to Prince Fiyero (Jonathan Bailey), who is now the Captain of the Wizard’s Guard. While he is determined to let Glinda find happiness, he knows he is still in love with Elphaba. Elphaba must muster her newfound magic and rally any allies in the land to help battle the Wizard and his propaganda, but her greatest ally could also be her most terrible foe: Glinda.

    Wicked For Good 2552 D052 00131R
    Michelle Yeoh is Madame Morrible in WICKED FOR GOOD, directed by Jon M. Chu.

    Lucky for Wicked: For Good, the film nails its landing. It is at its best when Erivo and Grande share scenes together. Their friendship – both onscreen and off – is what really sells the whole movie. It’s the heart and soul of the piece. We follow the awakening of these two powerful women to an unjust society and how they strive to make things better as two different people from two very different backgrounds. While the first film was able to fully realise the devastating force of oppression by showing it through the character of Dr. Dillamond.

    Cynthia Erivo as Elphaba in Wicked For Good
    Cynthia Erivo is Elphaba in WICKED FOR GOOD, directed by Jon M. Chu.

    In Wicked: For Good, this aspect is not given as much emphasis and so the struggle that Elphaba takes – freedom for the animals – and what Glinda will eventually discover on her own.

    Wicked For Good
    L to R: Bowen Yang is Pfannee, Bronwyn James is Shenshen, and Ariana Grande is Glinda in WICKED FOR GOOD, directed by Jon M. Chu.

    This is where the film gets messy. The whole first hour of the film is set up to work on Easter eggs for the film, connecting it to TheWizard of Oz, the film the book is inspired from. Instead of showing us more of the oppression, to remind us exactly what Elphaba is fighting for, the film takes more time to introduce to us to the Cowardly Lion (voiced by Colman Domingo), showing us the origin of the Tin Man, bring in Dorothy, and tidying up the stories of Nessarose (Marissa Bode) and Boq (Ethan Slater), two characters whose presence lacks any sort of nuance or layer that would make them interesting outside of their being plot devices for Elphaba. 

    Wicked For Good

    There’s even a lovely little scene between the Wizard and Glinda, featuring the lovely song number Wonderful, where they try to convince Elphaba to work with them. But it sort of drags on much too long within the story as the focus should be more on Grande as Glinda. 

    Wicked For Good
    L to R: Cynthia Erivo is Elphaba and Jonathan Bailey is Fiyero in WICKED FOR GOOD, directed by Jon M. Chu.

    While Erivo and Bailey are terrific as Elphaba and Fiyero, it is Grande who truly shines, showcasing the full spectrum of her acting range in this movie. From her choices in singing to the way she delicately telegraphs her character’s shifts and discoveries through tiny gestures and looks, Grande elevates the character and really adds so much depth and soul to Glinda. The film is anchored by her transformation and it’s what drives the film forward. Without a strong emphasis on the oppression of the animals and the freedom the Elphaba is fighting for and Glinda is waking up to, the whole of Wicked: For Good rests upon the dynamics between the two protagonists’ relationship. That’s what is most enjoyable here.

    Wicked For Good
    L to R: Cynthia Erivo is Elphaba and Ariana Grande is Glinda in WICKED FOR GOOD, directed by Jon M. Chu.

    So that when they finally sing For Good, which we all know is coming, it hits with all the emotional resonance the film can provide, fulfilling a promise that was made as far back as the first movie. This is how the film nails its landing, despite its messy first two acts. While Wicked and Wicked: For Good do great work in showing how fascism and autocracy work, with the second film highlighting the importance and power of public imagery and propaganda in swaying the minds of the people – the true heart and soul of both films lies in the relationship between two very unlikely friends. It’s the reason why I can forgive Wicked: For Good for its adherence to the source material – both the musical and the throwbacks to the original film and book – because I was truly touched and moved by the friendship Erivo and Grande has breathed into Elphaba and Glinda.

    My Rating:

    Springsteen Deliver Me from Nowhere



    Experience the magic yourself, catch Wicked: For Good in theaters now! Check showtimes and watch Cynthia Erivo and Ariana Grande light up the screen.

  • Top-Tier New K-Dramas Are Coming to Disney+ Starting December All the Way into 2026

    Top-Tier New K-Dramas Are Coming to Disney+ Starting December All the Way into 2026

    Last November 13, at Hong Kong Disneyland, Disney+ unveiled its lineup of new shows on the streaming service, covering the last two months of the year and extending into 2026. The streaming giant gathered media guests, influencers, and content creators from around the world as it unveiled its upcoming slate for 2026.

    Trust me, it’s jaw-droppingly awesome. The president of The Walt Disney Corporation Asia Pacific, Luke Kang, was present to deliver his opening remarks, where he talked about the growing global interest in Asian stories. Stories that are authentic to the culture and reach global appeal. He highlights the growing popularity of Disney+ original K-dramas, with Moving being a prime example of K-dramas’ ability to become global cultural signposts. There’s a growing market for K-dramas outside of Asia, most notably in Brazil, Mexico, and France. 

    Disney+ Shows in November 2025 and 2026

    To give a taste of the K-dramas to come, Disney+ invited the directors and stars of its upcoming series to showcase the sheer star power that’s coming to the House of the Mouse.

    Upcoming K-Dramas in Disney+ From November 2025 to 2026

    The Manipulated

    The Manipulated
    Cast of The Manipulated, Ji Changwook and Doh Kyungsoo, at the Disney+ Originals Preview 2025 (Courtesy of TWDC)

    The first six episodes of this 12-episode series, which takes its inspiration from the film Fabricated City (starring Ji Chang-wook), is already on Disney+ and they are explosive. Ji Chang-wook plays the lead in this action-suspense drama: a man who faces off against Doh Kyung-soo’s character, who frames him for a murder he didn’t commit. 

    The Manipulated
    Cast of The Manipulated, Ji Changwook and Doh Kyungsoo, at the Disney+ Originals Preview 2025 (Courtesy of TWDC)

    Both stars were present at the event, and when asked why Ji Chang-wook’s recent dramas on Disney+ have revolved around these gritty crime stories, Ji quickly stated that he has “a lot of affection for this genre.” On getting his character right, Doh made sure to work with the stylists to get the exact look that would help him get into character. He said he had no experience to draw from to play a character that was so vile, so he had to use his imagination to try to build a character “the audience would love to hate.”

    Made In Korea

    Made In Korea
    Cast of Made in Korea, Hyun Bin, Jung Woosung, Woo Dohwan, with director Woo Minho at the Disney+ Originals Preview 2025 (Courtesy of TWDC)

    Debuting on December 24, 2025, this slick and smart series set in 1970s Korea follows a spy who is running his own operation for his own greed. It’s a story about power and corruption against the backdrop of Korea’s tumultuous political history in that era, with Hyun Bin leading a cast that also includes Jung Woo-sung, Woo Do-hwan, and Won Ji-an. 

    Made in Korea
    Cast of Made in Korea, Hyun Bin, at the Disney+ Originals Preview 2025 (Courtesy of TWDC)
    Made in Korea
    Cast of Made in Korea, Woo Dohwan, at the Disney+ Originals Preview 2025 (Courtesy of TWDC)

    They previewed the first episode for the attendees, and it was truly thrilling. Action-packed and suspenseful, the show wasn’t afraid to get silly as well, which creates a multi-layered experience that’s definitely going to keep you engaged.

    KR Made in Korea
    Made in Korea | Photo Courtesy of Disney+

    The show only has six episodes, but with the second season already in production and slated for released in late 2026, the wait won’t be long.

    Gold Land

    Gold Land
    Cast of Gold Land, Park Boyoung, Kim Sungcheol, Lee Hyunwook, with director Kim Sunghoon at the Disney+ Originals Preview 2025 (Courtesy of TWDC)

    Park Bo-young, Kim Sung-cheol, Lee Hyun-wook, and other stars in this crime drama about a van of smuggled gold bars. Director Kim Sung-hoon said this show “is about desire” and the lengths to which some of these characters would go to keep the gold for themselves.

    4 Cast of Gold Land Park Boyoung at the Disney Originals Preview 2025 Courtesy of TWDC Large
    Cast of Gold Land, Park Boyoung at the Disney+ Originals Preview 2025 (Courtesy of TWDC)
    Gold Land
    Gold Land | Photo Courtesy of The Walt Disney Company

    Park Bo-young sheds her usual bubbly side to go against type and really get into the dark world of Gold Land. She said, “I want to bring something new to the table.” Regarding her character, she was excited to show her character shifts from innocence to the darker side of human nature.

    A Shop for Killers (Season 2)

    A Shop For Killers (Season 2)
    A Shop for Killers (Season 2) | Photos Courtesy of The Walt Disney Company

    Not even the director and lead star Lee Dong-wook guessed that the show would be so successful that it would get a second season. So, the cast returns, with Lee and Kim Hye-jun taking on the offensive in the second season.

    A Shop for Killers (Season 2)
    A Shop for Killers (Season 2) | Photos Courtesy of The Walt Disney Company
    KR A Shop for Killers S2 2
    A Shop for Killers (Season 2) | Photos Courtesy of The Walt Disney Company

    They promise more action, and the director stated that people thought the first season was big, but he disagreed: “It only looked that way because I was focused on building the tension.” This time, he promised it would really scale up for Season 2.

    Perfect Crown

    Perfect Crown
    Perfect Crown | Photo Courtesy of The Walt Disney Company

    Receiving the biggest cheers and loudest reactions from the crowd, Perfect Crown is set in a reimagined, alternate universe where Korea is under a constitutional monarchy. The romantic dramedy is about a prince (Byeon Woo-seok) and the heiress of the country’s biggest conglomerate (IU), who agree to enter a relationship to get ahead of the politics and power struggles, but of course, they find love in the process.

    Perfect Crown
    Perfect Crown | Photo Courtesy of The Walt Disney Company
    Perfect Crown
    Perfect Crown | Photo Courtesy of The Walt Disney Company

    As the show is still in production, the stars were not present to answer the questions, but the room was abuzz with excitement. The short clips shared at the event gave off a lot of charm, and it is bound to be a success.

    Portraits of Delusion

    Portraits of Delusion
    Portraits of Delusion | Photo Courtesy of The Walt Disney Company

    Set in 1935 Gyeongseong, Bae Suzy and Kim Seon-ho star in this adaptation of a popular webtoon. This romantic drama follows a vampire who commissions portraits to be made and a struggling young artist with a past. The clips shown feature quite a bit of action, as well as Bae Suzy in multiple styles, showing off the agelessness of her character.

    Portraits of Delusion
    Portraits of Delusion | Photo Courtesy of The Walt Disney Company

    Still in production, Portraits of Delusion will be released in the second half of 2026.

    The Remarried Empress

    The Remarried Empress
    The Remarried Empress | Photo Courtesy of The Walt Disney Company

    Also, an adaptation of a popular webtoon, The Remarried Empress stars Shin Min-ah, Ju Ji-hoon, Lee Jong-suk, and Lee Se-young. Shin Min-ah plays the perfect empress who is shocked to see her husband (Ju Ji-hoon) returns home with a mistress (Lee Se-young) and demands a divorce. To maintain her power, she agrees only if she’s allowed to marry a prince from a rival kingdom (Lee Jong-suk). The clips show off big, bold sets and lavish designs, and the storyline seems straight out of a campy melodrama but with these top-tier actors, we know it’s going to be done right.

    The Remarried Empress
    The Remarried Empress | Photo Courtesy of The Walt Disney Company

    Shin Min-ah was a little nervous because of the webtoon’s popularity and said she hopes “that this lives up to the fans of the webtoon’s expectations.” Lee Se-young and Ju Ji-hoon had no worries, as they talked about how fun it was working on the set: “Everyone is such a veteran, so we had a lot of good days,” Ju remarked. 

  • MOVIE REVIEW: You Can’t Make a Rock Legend Human: A Review of ‘Springsteen: Deliver Me from Nowhere’

    MOVIE REVIEW: You Can’t Make a Rock Legend Human: A Review of ‘Springsteen: Deliver Me from Nowhere’

    I grew up listening to Bruce Springsteen’s music, so a biopic about the musician and the emotional struggles he had gone through while putting together one of his more famous albums, ‘Nebraska,’ was an intriguing prospect. Jeremy Allen White, whom I’m familiar with since his work on ‘Shameless,’ portrays the musician affectionately known as “The Boss,” adding another layer of interest as I know he’s grown as an actor with his critically acclaimed performance in the hit show ‘The Bear.’

    Springsteen: Deliver Me from Nowhere centers on 1981, right after one of Bruce Springsteen’s sold-out tours. Portrayed as an artist wary of commercial success and stardom, he appears exhausted and in need of a break. His manager, Jon Landau (Jeremy Strong), rents him a house near his New Jersey hometown where he can lie low and write new songs. There, Bruce ends up confronting his troubled childhood, his difficult relationship with his father (Stephen Graham), and his nurturing mother (Gabby Hoffman).

    Springsteen Deliver Me from Nowhere

    There, he begins writing songs, cutting demos and recording demos on a low-tech four-track recorder with Mike Batlan (Paul Walter Hauser) and develops a romance with Faye Romano (Odessa Young), the sister of an old high school friend. The songs become a way through for him to reconcile his past and his fears of the future. He begins to get irritable and frustrated as he records the songs in the studio with his band, finding that the purity of the demos should be kept. His relationship with Faye gets serious, which prompts him to distance himself as he is afraid of hurting her. There’s pressure from the studio who wants to cash in on his recent hit tour and force him to go commercial. All the while, Jon is protecting Bruce through all of this as Bruce must face what’s really troubling him inside.

    Director and screenwriter Scott Cooper takes an intimate approach in portraying the American rock legend. Far from the big concerts and the magazine covers, he situates Jeremy Allen White in mundane settings – as mundane as a rock star can afford – like a large house in Colts Neck, playing as a session guitarist in small-town bar with a home grown band, the diner where Faye works, a rural amusement park, and driving long stretches of highway sandwiched by New Jersey forests.

    Springsteen: Deliver Me From Nowhere

    The film is introspective and quiet. Playing out most of the narrative in New Jersey, there’s a rustic, provincial feel to it that contrasts Bruce’s blossoming fame. The film works hard to try and paint Bruce Springsteen as a regular person even though we know he’s about to become an even bigger musical star after this album. The contrast between the settings in New Jersey to the ones in New York when he records and when the executives are previewing the material. At this point in his life, the film seems to say, he’s still an ordinary man on the precipice of rock stardom.

    White is magnificent as Springsteen. He performs all his own songs (as noted in the credits) and appears to play his own instruments. He has the deep voice and the drawl I’ve come to remember from Springsteen’s interviews. But more than that, Jeremy Allen White embodies an everyman quality to the character, someone so unaware of his own aura.

    Springsteen Deliver Me From Nowhere

    Jeremy Strong is equally a standout here as Jon Landau, portraying a man who understands Springsteen completely. Without fanfare or loud moments, his presence is a quiet strength that is dead set on protecting his talent. There’s a concern that never becomes imposing, that hovers just below the surface that the camera picks up, which he is able to let out when he’s talking to his wife (Grace Gummer). Together, White and Strong amplify their scenes and present the ideal dynamic between manager/artist relationship.

    The film talks about depression and the struggles of a famous artist as he is putting together a landmark album, and I found the film engrossing and insightful. I love seeing how songs and albums are put together – both as demos and studio cuts – but also in the business sense, when record executives start talking about marketing and sales. So, this was interesting to me, on a personal level. How interesting it would be to others, I’m not so sure. When the film enters the musical numbers, it’s great as this is music that I love listening to. 

    But when the film ended, I felt at a loss about what it really was trying to say. While it tells us that even big rock legends are suffering from depression, it feels somewhat distant from the everyday occurrences of people suffering from this mental condition. At this point in his life, Springsteen had Landau and his own success to fall back on. He made a great album, for sure, but what do I do with his? By working so hard trying to make Springsteen appear normal and human, it inadvertently reminds us of how great an artist he is and how privileged he was at the time of this story. 

    My Rating:

    Springsteen Deliver Me from Nowhere



    Experience the story behind the legend! Springsteen: Deliver Me from Nowhere is now showing in cinemas, don’t miss Jeremy Allen White’s stunning portrayal of Bruce Springsteen. Check showtimes and buy your tickets now

  • MOVIE REVIEW: The Predator Takes Center Stage in “Predator: Badlands” and Opens Up the World in Exciting New Ways

    MOVIE REVIEW: The Predator Takes Center Stage in “Predator: Badlands” and Opens Up the World in Exciting New Ways

    Director Dan Trachtenberg proves he’s the man for the job when it comes to expanding the Predator universe, originally created by Jim and John Thomas. After doing an amazing job with the animated film Predator: Killer of Killers, he returns with the live-action feature length Predator: Badlands, the ninth installment in the franchise, which proves that he knows how to expand the universe. This time, the Predator takes center stage as the main character and exploring their world and culture.

    Predator: Badlands follows Dek, a Yautja runt sentence to execution by his own father for being “disgrace” to their own clan. After a narrow escape, Dek flees to the planet Genna, home to a powerful beast known as the Kalisk.

    Predator: Badlands
    (L-R) Kwei (Mike Homik) and Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    It is implied that the Kalisk is the only creature that has not been taken as prey by the Yautja race and has caused the death of many Yautja who tries to take its head as a trophy. But Genna itself is a dangerous place where every plant and creature is a predator on its own. The flora and fauna are all deadly and Dek must survive without his full gear in order to even have a chance at taking on the Kalisk.

    Elle Fanning in Predator Badlands
    Thia (Elle Fanning) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    On his adventure, he encounters Thia, a damaged synthetic from the Weyland-Yutani Corporation (famously of the Alien franchise and mentioned in the Blade Runner universe). Missing her lower half, Thia is part of an all-synthetic research team, who are studying the biodiversity of Genna.

    Predator: Badlands
    (L-R) Thia (Elle Fanning) and Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    It’s an expedition composed completely of synthetics as humans would probably not survive the planet. Together, they face multiple dangers and form an unlikely bond.

    Predator: Badlands
    Dimitrius Schuster-Koloamatangi on the set of 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    Its premise is relatively simple. As a sci-fi action-adventure film, Predator: Badlands already delivers with exciting fight sequences, strange and lethal opponents from animals to vegetation, and the Kalisk is a sight to behold.

    Predator Badlands TP3 still 015 Large
    Dimitrius Schuster-Koloamatangi as Dek in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    The fight choreography feels fresh and unique, and it uses anything and everything within the arsenal of the future, both familiar and alien, to make the film feel exciting and different.

    Predator Badlands TP2 088901 Large
    (L-R) Thia (Elle Fanning) and Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    The bonus of all of this is the interesting story that builds from Dek and Thia’s dynamic. As a Yautja, Dek was raised to believe that relying on others is a weakness and that every hunt must be faced alone. Thia, on the other hand, was programmed with heightened empathy and curiousity – a quality that the Yautja dismisses and looks down upon – as her work involves studying the living organisms. Thia has a wide-eyed, enthusiastic exuberance for life, a quirk in her programming. Together, they argue but also end up relying on each other and learning from each other’s perspectives. 

    Predator: Badlands
    Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    Dimitrius Schuster-Koloamatangi plays Dek. A stuntman, Schuster-Koloamatangi has the incredible physical presence (despite being a “runt” of the species) to convey a strong warrior and ably perform the stunts.

    Predator Badlands TP2 087089 Large
    Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    He wore a suit to help form the physicality while motion-capture CGI was used to transform his head into a Yautja, allowing him to act with the CGI registering his emotions and allowing the multiple features of the Yautja to move accordingly – from the gaping jaws to eye movements, and such. Dek speaks entirely in the Yautja language, which really hems in the alien-ness of the character and is much appreciated.

    Predator Badlands FP 0135 Large
    (L-R) Elle Fanning as Tessa and Ella Fanning as Thia in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    Elle Fanning plays a double role as the synths Thia and her counterpart Tessa, who seem to lead the expedition and oversee studying the wildlife of Genna. Thia and Tessa are contrasting characters, with Thia showing the bubblier side of heightened programmed sensitivity, while Tessa shows the darker, angrier side of it.

    Predator Badlands TP3 still 021 Large
    (L-R) Elle Fanning as Thia and Dimitrius Schuster-Koloamatangi as Dek in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    It’s Fanning’s exuberance that creates the texture that keeps Predator: Badlands from being such a dark affair. It keeps it spritely and helps evoke a playfulness in Dek that allows the film more dynamics in tone.

    Predator Badlands TP1 088220 Large
    Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios’ PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    What could have been just a straight-up action-adventure then becomes a little tale about the power of community and found family. It’s a little bonus that Predator: Badlands has a grounded story outside of all the thrills and spills. At the same time, the film is not shy in presenting the company as an evil entity that uses “the good of humanity” as an excuse for wanton destruction and planetary exploitation. This seems to be a running theme in any film that features Weyland-Yutani Corporation from the Alien franchise, the two Blade Runner films, and now the Predator universe.

    Predator Badlands Dan Trachtenberg
    Dan Trachtenberg on the set of 20th Century Studios’ PREDATOR: BADLANDS film. Photo by Nicola Dove. © 2024 20th Century Studios. All Rights Reserved.

    Dan Trachtenberg has hit two home runs with his Predator films, and I hope he does more. I’d love to see more of these characters and this world.

    My Rating:

    A Big Bold Beautiful Journey



    Predator: Badlands is now showing in cinemas. Check showtimes and buy your tickets now to experience the action, adventure, and alien mayhem on the big screen!

  • MOVIE REVIEW: Incredibly Crafted, “Bugonia” Is an Absurdist Black Comedy With Great Performances

    MOVIE REVIEW: Incredibly Crafted, “Bugonia” Is an Absurdist Black Comedy With Great Performances

    I absolutely adore director Yorgos Lanthimos’ films. Their wildly idiosyncratic, absurdist tone is such a breath of fresh air in a cinematic landscape that can often feel heavy-handed or pandering to its audience. From The Lobster to The Favourite to Poor Things, Lanthimos creates realities that are as chaotic and off-kilter as the world now seems to be. I’ve been told his earlier Greek works are even more so, though I’ve yet to see them. In his latest outing, Bugonia, he teams up with screenwriter Will Tracy, who has written for the screenplay for The Menu and episodes of Succession, and also who also served as the former editor-in-chief of the satire website The Onion. Bugonia is an English-language remake of the Korean film Save the Green Planet! by director Jang Joon-hwan and this movie reunites Lanthimos with Emma Stone, who he has collaborated with since The Favourite.

    Bugonia follows Teddy Ganz (Jesse Plemons) and his autistic cousin Don (Aidan Delbis) as they plan to kidnap CEO Michelle Fuller (Emma Stone), whom they believe is an alien from Andromeda. Teddy and Don live quite a distance from town, taking care of bees, and Teddy is completely hooked on conspiracy theories, especially those about aliens. Michelle is a no-nonsense boss, who runs a biotech company and seems to be in the process of making big changes to the corporate culture. When she’s kidnapped and chained in the cousins’ the basemen, a mental battle begins. As Michelle tries to figure out how to call for help or escape, Teddy demands that she take him to her ship so he can negotiate Earth’s freedom from Andromedan control.

    Bugonia

    Punctuated by Jerskin Fendrix’s impeccably playful score, the film’s simple premise creates a space for Stone, Plemmons, and Delbis to showcase their incredible acting abilities. Through cinematographer Robbie Ryan’s lens, Lanthimos contains the story primarily within the confines of Teddy and Don’s apartment. He creates a claustrophobic environment that heightens the battle of wits that’s occurring in the film. Stone and Plemmons are in fine form here, completely committing to the silliness of the film’s premise and allowing the comedy to rise despite the real dangers and the brutal violence that builds and bursts within the movie.

    Bugonia

    It’s interesting how the film manages to subvert emotions here, with the natural tendency to root for Stone’s Michelle Fuller, as a victim of a crazed-conspiracy junkie with violent tendencies. Except Michelle isn’t always the nicest of people, either. There’s a coldness to her and a calculating mind that comes into play as the back-and-forth start to reveal more about the two character’s connection. As more and more information is uncovered, Lanthimos and Tracy create a space for us to empathize with Teddy as well. Throughout all this, we also feel for Don, who is caught in the middle of these two powerful egos that are not beneath using him for their own ends.

    Bugonia

    Lanthimos is unafraid to get silly but at the corner of every scene is violence and impending danger for the characters and, as a director, he’s not too shy to bring us there. Teddy tortures Michelle and this is given ample screentime, showing us that as funny as we find Bugonia to be, there are dangers to this sort of blind belief in these conspiracy theories. As human as the film makes Teddy out to be, it does not shy away from also showing us how his frailty can lead him to do such horrendous things. 

    Bugonia

    As the film reaches its extremely violent climax, Lanthimos and Tracy are unafraid to push even harder into the absurdity that its ending brings out the loudest laughs in a film that has quite a lot already within its almost two hour run time. Another message is delivered, though a bit underdeveloped, but the film as a whole is a testament to Lanthimos’ mastery of the craft, bringing us along on strange, bloody ride through the darkest corners of human civilization.

    My Rating:

    A Big Bold Beautiful Journey



    Get ready for a wild, wicked ride into Yorgos Lanthimos’ bizarre world. Bugonia is now showing in cinemas, check showtimes and buy your tickets now.

  • DISNEY+ STREAMING SERIES REVIEW: Disney+ New Crime Drama “The Manipulated” Is Building Up to a Big Face-Off

    DISNEY+ STREAMING SERIES REVIEW: Disney+ New Crime Drama “The Manipulated” Is Building Up to a Big Face-Off

    The new Disney+ crime drama series The Manipulated is a glossy yet brutal thriller about an everyman, Park Tae-joong (Ji Chang-wook), who is framed for a horrible crime by an insanely wealthy fixer, An Yo-han (Doh Kyung-soo). Catching the first four episodes of the show, the series feels more like a movie cut into parts, with a large continuing narrative that only really follows Tae-joong and how he survives in prison while Yo-han is inadvertently making his life more difficult. The Manipulated is fast paced, pulls no punches, and is setting us up for a big showdown between its two leads.

    Tae-joong is a hardworking man with big dreams. He is constantly working, mostly as a delivery rider, trying to raise money to open a cafe while paying for the studies of his younger brother, Tae-jin. He is also knowledgeable with plants, a gift he has learned from his late mother. But one night, one phone call and a diversion from his usual routine finds him as the suspect of a brutal murder and some hard evidence has turned up that puts him in prison. There, the gentle hardworking man must turn into a warrior if he is going to survive.

    Disney+ The Manipulated

    The crux of the show’s first four episodes is centered on how this genuinely good person, wonderfully portrayed by Ji Chang-wook, turns into a fighter when his back is pushed against the wall. When binge watching the first four episodes, all the things that could go wrong for Tae-joong happens to Tae-joong bringing him to his darkest place only to be reborn as a strong-willed, very capable man. Surprisingly, the issue of his incarceration – what we, as the audience, known as false evidence because we witness what truly transpired – is hardly touched upon and the series seems more focused on Tae-joong’s transformation. 

    Disney+ The Manipulated

    When the case is brought up again, that’s the only time An Yo-han is revealed. Doh Kyung-soo portrays Yo-han as a psychopath, completely devoid of empathy and humanity, he plays him like a child who always gets what he wants. He’s portrayed as unbelievably wealthy, definitely supported by his work as a fixer, and unbelievably bored. We still know quite little at the start, but we know he’s the cause of Tae-joong’s suffering and so far, the series has made it that he’s going to be a character we are going to want to see suffer.

    Disney+ The Manipulated

    Structurally, the series isn’t built like a regular show. This is Tae-joong’s story, and most probably Yo-han’s too, once Tae-joong finds out his role in all of this, and the narrative rests entirely on Tae-joong’s journey. The first four episodes are set to break him, rebuild him, and then break him again, in order for him to take matters into his own hands.

    Disney+ The Manipulated

    The Manipulated continues the portrayal of a rough prison system that is filled with corruption and illegal activities. Some inmates, like Yeo Deok-su (Yang Dong-geun), are vile and evil and they find Tae-joong’s presence a wrench in their system of control within the prison.

    Disney+ The Manipulated

    The inner politics and territorial disputes among the inmates in the prison serve to play an important role here while there’s some shred of goodness left in the setting in the form of an inmate, No Yong-sik (Kim Jong-soo), who has found peace as an assistant to the prison priest, and one warden who stands as the only one in the whole prison who seems to have his humanity intact.

    Disney+ The Manipulated

    Directors Park Shin-woo and Kim Chang-ju are unafraid to go all in on the violence and brutality. The action scenes in the series are intense and make full use of Ji Chan-wook’s very capable physicality. Ji Chan-wook is charming as Tae-joong. He captures the goodness and the everyman quality that the character needs but can also bring out the darkness in him when his world starts crashing down. And Ji Chan-wook is no stranger to action. His past shows have shown that he’s very capable at making the fight scenes look good.

    Disney+ The Manipulated Poster

    The Manipulated is off to a great start. It has powerful lead actors and a narrative that’s shaping up for a face off that we’d be excited to see play out. The ending of episode four also hints at a certain death match, not unlike The Hunger Games. If it does, it will bring another layer into the show that may be a little too unrealistic for its rather grounded first four episodes, but it may amplify our need to see Tae-joong get his justice. I’m excited to find out.

    My Rating:

    stars 4 0



    Ready to see how far one man will go for justice? The Manipulated is streaming exclusively on Disney+. Catch the tension build with every episode.

  • MOVIE REVIEW: “Dreamboi” Is a Trippy, Sexy Trans-Empowerment Film That Plays by Its Own Rules

    MOVIE REVIEW: “Dreamboi” Is a Trippy, Sexy Trans-Empowerment Film That Plays by Its Own Rules

    Rodina Singh’s “Dreamboi” is a trippy exploration of how trans women use fantasy as a survival mechanism, as writer-director explained during a talkback after one of the screenings. Its lush visuals (with cinematography by Malay Javier) juxtapose a neon-lit, oversaturated erotic dreamscape with the dull, grayish tones of the protagonist’s real life. In one reality, the protagonist, Diwa (EJ Jallorina) battles the everyday challenges a trans woman faces in order to be seen, heard, and accepted, grappling with issues involving the use of public restrooms and violence in the streets. In the other reality, beyond the dirty, heavily vandalized labyrinthine steps to the level six basement where she is offered the use of a restroom that no one else uses, Diwa finds herself one cubicle away from Dreamboi (Tony Labrusca), an audio-porn star whom she subscribes to and is the center of all her erotic desires.

    Dreamboi

    “Dreamboi” is not your typical film that sets the main character on a journey toward a goal. Instead, Singh’s movie is an exploration of the psyche of a trans woman who navigating and surviving an unwelcoming world through fantasy. It is not enough that she has her tribe, a group of trans women who serve as Diwa’s found family, in a bar in Barangay Pag-asa run by a mother figure played with such verve by Iyah Minah. It is not enough that Diwa has an officemate, Maki (Migs Almendras), who showers her with affection and flirts with just the right amount of tenacity as to not become a stalker. Dreamboi becomes a symbol of Diwa’s strength and sense of self. Her proximity to him, whether it’s through the CDs she orders and listens to on her headphones or in the blurred lines of fantasy and reality within that basement level restroom where they see each other through a dirty mirror as Diwa relieves herself and Dreamboi pleasures himself, this becomes a coping device that allows Diwa to keep moving forward.

    Dreamboi

    Jallorina is a force of nature. She manages the tension that is pulling at Diwa, allowing her to be soft and vulnerable when she’s around her found family in Barangay Pag-asa, and equal cold and stern when confronting a bully in her office (Meanne Espinosa). She even bends this a little when around Maki, whose flirtations she does not dismiss outright but keeps him at a distance – Is it caution? Is it self-preservation? Does she not want to ruin the friendship? It’s a different character altogether but inherently still Diwa.

    Dreamboi

    Jallorina gives Diwa a full range of character that makes her fully nuanced and textured. The most powerful of which is when she allows herself to fully break down when her world crashes around her, showing a vulnerability that is captured wonderfully through the camera.

    Dreamboi

    “Dreamboi” is far from your usual, run-of-the-mill movie. It’s weird and it’s not afraid to be weird. Singh skillfully balances multiple genres, portraying the trans woman’s life as horror, comedy, light romance, moving drama, and hard-hitting erotica. The dynamic music by Silas and the sound mixing and design by Immanuel Verona and John Buquid never allows the audience to settle. The caution and apprehension Diwa feels at all times punctuates the soundscape, and Singh never fully brings the film into the genre of comedy so as to not underplay the constant threat of danger. But “Dreamboi” does have its funny moments. 

    Dreamboi

    As part of Sine Silip, “Dreamboi” also has its sexually charged scenes. But in this film, as Tony Labrusca and Jenn Rosa (who plays Lilith, Dreamboi’s partner) throws themselves into the film’s sex scenes, what we see is Diwa’s psyche taking physical form. Here, sex becomes power and the more Diwa imagines it, and eventually imagines herself a part of it, the film’s erotic scenes then become a trans woman’s reconciliation of her own empowerment. All the indignities she suffers, she pushes through as she finds it in herself to believe what she knows is true, no matter how hard others try to take it away from her.

    Dreamboi

    “Dreamboi” is more than just a movie. It’s a trippy, erotic fantasy that blurs the line between fantasy and reality to depict some of the survival mechanisms at play in a trans woman’s life. It’s a powerful film that doesn’t play by the rules and why should it? 

    My Rating:

    A Big Bold Beautiful Journey



    Step into the surreal world of “Dreamboi” a bold, rule-breaking film, now showing in cinemas. Check showtimes and buy tickets here.