Completely sung-through, ‘We Aren’t Kids Anymore’ by Drew Gasparini is more of a patchwork quilt of a play, exploring the feelings of doubt and uncertainty that comes with growing up. There’s a very loose narrative hare, implied upon by the quiet moments between songs as the five players interact with each other without dialogue, as directed by Rem Zamora. These interactions between the actors suggests relationships and histories that are never quite explored and so it leaves a lot to the imagination. What we get, instead, is a musical that puts to song the hopes and dreams and fears and anxieties of people who are no longer children, who are facing the realities of adulting, and wondering if they are who they wanted to be.
Barefoot Theatre Collaborative puts together five incredible performers – Myke Salomon, Maronne Cruz, Gio Gahol, Luigi Quesada, and the incredible Gab Pangilinan – to play these characters that can be us or people we know. They sing songs of heartbreak, of living on the edge, of reaching rock bottom, or of reconciling one’s youth to try and make sense with where they are going. Written by Drew Gasparini and featuring a poem by Keith White, ‘We Aren’t Kids Anymore’ is less a story than it is a mood, a moment of interrogation, and sometimes, it’s a declaration.
The stage is set in the round, with the audience on all four corners of the PowerMac Center Spotlight Blackbox theater. At the center is an elevated stage with a pit in the middle for the band. The stage is cordoned off by a bench that surrounds all sides. Each player comes up, does their quiet interactions hinting at connections, before jumping into songs. The lack of a clear narrative can be jarring, especially if you are unaware of the play’s structure like I was, and you are looking for hints of a story and it wasn’t until the third song that I realized there wasn’t one.
This is actually a tricky play to perform because each player has got to sing each song and create a character for that song and imbue it with history and a future in the span of the opening verse to the end note. It was extremely difficult for Luigi Quesada who sang the hell out of his solo, but the song is a torch song about love and it felt like a song that would be sung after a lot of stories has already happened. We don’t have access to that story so Quesada is singing his heart out, but the story was missing. But Quesada gets to recite the poem by Keith White that helps frame the whole play and sings the stirring showstopper.
Myke Salomon had the role where his character was singing songs about other people – mostly family – and so it was in the storytelling form. He was creating the story for us to follow. Cruz had the character with the most radio friendly songs, in my opinion. She has so much personality and verve as an actress that these were easily some of my favorite parts. But that ones who really managed to instill a story in their moments were Gio Gahol, who has a stirring song about hitting rock bottom, and Gab Pangilinan, who filled up the whole PowerMac Center Spotlight that evening but made each song feel like the stand-alone story that it is.
We have such incredible and talented actors in the theater world and these five are wonderful examples of that. With barely a narrative to hold things together, their interactions are authentic and honest, though opaque, and the way that they harmonize through the songs creates a complete picture.
As a person who comes into a play looking for a story to chew on, I feel like I’m wanting more, but I was very much full of the incredible performances of these hard-hitting songs. As someone who is going through something right now, on a personal level, this show is a bit of a big group hug that tells us we aren’t alone. If you’re feeling lost, unsure of your path, unsure of the choices you’ve made leading up to the today, Barefoot’s ‘We Aren’t Kids Anymore’ will help you feel like you’re not alone.
My Rating:
Experience the emotional journey of We Aren’t Kids Anymore at the PMCS Blackbox Theater until May 25, 2025. Buy tickets now at Barefoot Theatre Collaborative.
