Category: Theatre

Theatre Group Asia (TGA) Announces Powerful 2026-27 Line-up

Theatre Group Asia (TGA) proudly announces its 2026-27 season theatrical lineup featuring three globally celebrated works, all of which, is set to be staged in Philippines for the first time.

TGA Creative and Overall Artistic Director Clint Ramos shares, “TGA’s 2026-27 honors three unforgettable, powerful stories that stir, challenge, and transform. This season places the human capacity to influence through love, survival, and creation on center stage. While each production proudly spotlights artists and narratives, the season ultimately celebrates something even greater: the power every person holds to shape hearts, defy limits, and leave a lasting mark.”

Opening the season in September 2026 is The Notebook: The Musical, which makes its international premiere in Manila. Featuring music and lyrics by Ingrid Michaelson and a script by Bekah Brunstetter, the musical debuted in 2022 at Chicago Shakespeare Theater under the direction of Michael Greif and Schele Williams. The production is touted for its emotional restraint and lyrical storytelling, offering a more intimate and reflective take on Nicholas Sparks’ iconic novel. While the story is best known through the 2004 film adaptation starring Ryan Gosling and Rachel McAdams, the stage version expands the narrative by portraying Allie and Noah across multiple stages of their lives, allowing audiences to witness how love matures, fractures, and ultimately endures. As a contemporary romance written with modern musical sensibilities, The Notebook: The Musical holds cultural significance for its tender exploration of memory, aging, and devotion, redefining the epic love story for a new generation.

In February 2027, TGA presents the Philippine premiere of Ang Tahanan ni Bernarda Alba, a Filipino-language staging of Federico García Lorca’s final and most powerful play. Written shortly before Lorca’s death, the work premiered posthumously in Buenos Aires in 1945 under the direction of Margarita Xirgu and was immediately recognized as a cornerstone of modern drama. The play follows the tyrannical Bernarda Alba, who enforces an eight-year mourning period on her daughters after her husband’s death, ruling her household through fear, tradition, and repression. Beneath the suffocating silence, desire and rebellion grow until the family is driven toward tragedy. Widely regarded as one of the greatest Spanish-language plays of the twentieth century and adapted countless times for stage and film, Bernarda Alba remains a searing critique of authoritarian control, patriarchy, and social conformity. In its Filipino incarnation in Chay Yew’s adapted version and transposed by Guelan Varela-Luarca, the play resonates with renewed urgency, underscoring the universal human struggle for freedom, dignity, and life itself.

Concluding the season in June 2027 is Stephen Sondheim and James Lapine’s Sunday in the Park with George. The musical premiered on Broadway in 1984 under Lapine’s direction and was initially met with awe for its intellectual ambition and emotional depth, even as it challenged conventional musical theatre audiences. Inspired by Georges Seurat’s painting A Sunday Afternoon on the Island of La Grande Jatte, the work explores the obsessive drive of an artist consumed by creation and the personal costs that accompany artistic brilliance. A parallel narrative set a century later reflects on legacy, innovation, and the enduring question of what it means to make meaningful art. Awarded the Pulitzer Prize for Drama in 1985 and now widely regarded as one of the greatest musicals ever written, Sunday in the Park with George stands as a profound meditation on creativity, sacrifice, and the power of art to transcend time.

Together, these three productions form Theatre Group Asia’s boldest season yet. TGA’s Season 2026-27 is made possible with the support of Ayala Land, BPI, and Philippine Airlines. For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.

January 28, 2026
FEU Center for the Arts Presents a Free Staging of “Walang Sugat” on Feb. 4

In celebration of Far Eastern University’s 98th founding anniversary, the FEU Center for the Arts (FCA) proudly presents WALANG SUGAT, a historic and more than century old sarswela written by Severino Reyes with music by Fulgencio Tolentino.

This special production features arrangements and additional music by Josefino Toledo, an FEU Outstanding Alumnus.

Under the direction of Alegria O. Ferrer from the University of the Philippines College of Music, the production brings to life one of the most beloved works in Philippine theater.

The musical direction will be led by Roijin Suarez, Artistic Director of the FEU Chorale.

The cast is composed of both current students and alumni from the FEU Chorale, FEU Theater Guild, and FEU Guides, highlighting the University’s diverse artistic community.

The production will also feature special performances from the FEU Bamboo Band, FEU Dance Company, FEU Theater Guild, FEU Drum and Bugle Corps, and FEU Drummers.

This landmark staging not only celebrates FEU’s 98th year of excellence in education and culture but also commemorates the anniversary of the shot that started the Filipino American War on February 4, 1898.

“Walang Sugat” revolves around the love story of Tenyong and Julia during the time of revolution. While Tenyong takes up arms in the fight for the nation’s freedom, Julia is confronted with pressure and opposition from her family and the church because of her love for him. Through their story, the sarswela depicts the sacrifices demanded by the struggle for independence and the deep wounds left by war and colonization.

Join us on February 4 at 5:30 PM at the FEU Auditorium and witness the FEU Center for the Arts’ staging of Walang Sugat.

Admission is free.

Register through the QR code or via the link below.
https://forms.office.com/r/TLQwAUQYBF

January 28, 2026
Charlie and the Chocolate Factory Makes Its Manila Stage Debut This July

Manila is about to get a taste of pure imagination. For the first time ever, Charlie and the Chocolate Factory lands in the Philippines, bringing Roald Dahl’s beloved story to life at The Theatre at Solaire from July 8 to July 26, 2026.

This Manila premiere marks a major moment for local theatre fans. Presented by Broadway International Group and Broadway Asia in association with GMG Productions and a roster of global partners, this production invites audiences of all ages into Willy Wonka’s wonderfully inventive world. Whether you grew up with the book, the classic film, or simply love a spectacular night at the theatre, this is one show that promises visual wonder and heart.

Charlie and the Chocolate Factory | Photo by Yingzhou

From Golden Tickets to Pure Imagination

Based on Roald Dahl’s iconic novel, the musical follows young Charlie Bucket on his unforgettable journey inside Willy Wonka’s mysterious chocolate factory. Expect chocolate rivers, nut-sorting squirrels, mischievous Oompa-Loompas, and theatrical surprises at every turn.

Charlie and the Chocolate Factory | Photo by Yingzhou

The show blends beloved songs from the 1971 film such as “Pure Imagination,” “The Candy Man,” and “I’ve Got a Golden Ticket,” with fresh original numbers by Grammy and Tony Award winners Marc Shaiman and Scott Wittman, the creative duo behind Hairspray and Mary Poppins Returns. The result is a production that feels both nostalgic and thrillingly new.

A Global Hit Now Heading Our Way

After a sold-out run at Shanghai Culture Square in November 2025 and raves from audiences across Asia, the Broadway Musical is now making its Manila debut as part of a massive international tour. This global journey will travel through major cities including Hong Kong, Singapore, Beijing, Shanghai, Hainan, Taipei, and Seoul, with Manila proudly on the list.

Charlie and the Chocolate Factory | Photo by Yingzhou

Producers Simone Genatt and Marc Routh describe the scale and imagination behind the show in their statement.
“Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY is a dazzling fantasy for everyone from everywhere. This new production features miraculous special effects and cutting edge hologauze 3D technology based on advanced magic principles. We are so excited to share the breathtaking world of this beloved Broadway musical about the power of imagination, and the art of invention with Beijing audiences in this spectacular new immersive production from an all-Broadway creative team!”

That same production now makes its way to Manila, complete with the technical wizardry and creative flair that have captivated audiences worldwide.

Charlie and the Chocolate Factory | Photo by Yingzhou

Illusions, Inventions, and Stage Wizardry

A major highlight of the show is its theatrical magic, led by celebrated Las Vegas illusion designer Tim Clothier. Known for creating jaw-dropping stage effects, Clothier brings fresh ideas to Willy Wonka’s world. His passion for theatrical invention shines through in his words.
“Willy Wonka is the king of imagination, and being able to design new stage wizardry for that character is a dream come true.”

Expect eye-catching effects, innovative illusions, and immersive stagecraft that bring Dahl’s surreal universe vividly to life.

Charlie and the Chocolate Factory | Photo by Yingzhou

Ticket Details and Early Access

The Manila run is strictly limited, so fans will want to mark their calendars early. Here is how to secure seats:

UnionBank of the Philippines Early Access
January 12 to 15, 2026 via ticketworld.com.ph

GMG Productions Waitlist for Early Seating
Sign up at gmg-productions.com until January 14 at 11:59pm Philippine Time

Public On Sale
January 17, 2026 through TicketWorld

For the latest announcements, follow GMG Productions on Facebook, Instagram, and TikTok, and @charlieglobaltour on Instagram for international tour updates.

The Broadway production of Charlie and the Chocolate Factory premiered in 2017, running for more than 300 performances before touring North America for four years. It later enjoyed success in London’s West End, where it earned two Olivier Awards.

This touring version brings that celebrated legacy to Manila, blending family-friendly storytelling with world-class design, playful choreography, and a score that balances nostalgia with fresh energy. It is a rare chance to experience a Broadway-scale musical locally that speaks to both young audiences and seasoned theatre fans.

Charlie and the Chocolate Factory | Photo by Yingzhou

The Creative Team Behind The Magic

The musical features music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and a book by David Greig based on Roald Dahl’s novel. Songs from the original motion picture were written by Leslie Bricusse and Anthony Newley.

The original Broadway staging was directed by four-time Tony Award winner Jack O’Brien with choreography by Joshua Bergasse. For the global tour, the production is directed by Matt Lenz, choreographed by Alison Solomon, and musically supervised by Nate Patten and Greg Jarrett.

Design credits include Mark Thompson for set and costumes, Christine Peters for tour scenic design, Jeff Sugg for projections, Rory Beaton for lighting, Mike Thacker for sound, Basil Twist for puppetry, and Tim Clothier for illusions. Orchestrations are by Doug Besterman with musical arrangements by Marc Shaiman.

GMG Productions serves as Manila General Manager, ensuring the show arrives with the same polish seen on international stages.

With its inventive visuals, beloved music, and imaginative storytelling, Charlie and the Chocolate Factory is set to become one of Manila’s most anticipated theatre events of 2026. It is joyful, family-friendly, and filled with moments that spark wonder long after the curtain call.

For show updates and more information about the production, visit www.broadwayasia.com.

January 7, 2026
Gerónimo Rauch, Jeremy Secomb, Lea Salonga, Rachelle Ann Go, Red Concepcion, and Emily Bautista Lead Les Misérables The World Tour Spectacular in Manila
A fresh wave of excitement is sweeping through Manila’s theater community as Les Misérables The World Tour Spectacular confirms its all-star international cast for its strictly limited run at The Theatre at Solaire, happening January 20 to March 1, 2026. This monumental production assembles top-tier West End and Broadway artists, alongside beloved Filipino performers who carry the banner of local excellence on the global stage.

Presented by Cameron Mackintosh, in association with Nick Grace Management and GMG Productions, this expanded and reimagined staging of the Victor Hugo classic is set to be one of the most ambitious theatrical events ever mounted in the Philippines.

Ensemble – photograph by Danny Kaan

A Star-Studded Lineup Led by Global Favorites

The Manila season is anchored by powerhouse performers Gerónimo Rauch as Jean Valjean and Jeremy Secomb as Javert. Rauch, celebrated for his roles in Les Misérables, The Phantom of the Opera, and Jesus Christ Superstar, brings unmatched intensity and emotional depth to Valjean. Secomb, who previously portrayed Javert in the West End, returns to the role with commanding presence and formidable vocals.

They are joined by an ensemble of acclaimed international artists including Will Callan as Marius, Lulu-Mae Pears as Cosette, Harry Chandler as Enjolras, and Earl Carpenter as the Bishop of Digne.

Filipino Legends Bring Their Magic Home

Four world-renowned Filipino artists headline the Manila season, showcasing the Philippines’ unparalleled musical theater talent:
- Lea Salonga as Madame Thénardier
- Rachelle Ann Go as Fantine
- Red Concepción as Thénardier
- Emily Bautista as Éponine
These homegrown talents, each with acclaimed performances across stages in London, New York, and beyond, return to Manila bringing experience, artistry, and heart.

Local auditions earlier in the year also welcomed young Filipino performers into the production as Little Cosette, adding another homegrown layer to this multicultural company.

Lea Salonga, Rachelle Ann Go, Red Concepción, and Emily Bautista: Icons Reunite with a Classic

Salonga, who has played both Éponine and Fantine on Broadway, continues her illustrious Les Misérables legacy with a new role as the formidable Madame Thénardier. Her storied career spans award-winning performances, iconic animated roles, and recent Broadway triumphs.

Rachelle Ann Go returns as Fantine, a character she has portrayed to widespread acclaim in both London and the international arena. Known for her unforgettable turn as Eliza Hamilton in the West End, Go remains one of the Philippines’ most respected and versatile performers.

Red Concepción steps back into the mischievous shoes of Thénardier following a string of remarkable roles around the world, from Chicago on Broadway to a memorable run as The Engineer in Miss Saigon.

Emily Bautista reprises her role as Éponine, a character she previously portrayed on the North American Tour. Her performance as Kim in Miss Saigon and her involvement in productions like Do You Hear The People Sing? further cement her place as one of today’s rising stars.

Enjolras (James D. Gish) and Ensemble – photograph by Danny Kaan

A Massive Company and a Monumental Production

The cast list continues with a robust ensemble featuring Jonathon Bentley, Georgina Blessitt, Amelia Broadway, Michael Burgen, Mary Jean Caldwell, Rosy Church, Gabrielle Cummins, Beth Curnock, and many more artists from around the world.

Ensemble – photograph by Danny Kaan

The production also showcases a powerful orchestra composed of both Filipino and international musicians. Among the talented Filipino performers joining the pit are John Gerald Calma, Dino Decena, Mary Anne Espina, Fransisco Llorin, Mhaze Lim, Jonathan Livioco, Dondon Lucena, Luke Manuel, Kier Manimtim, Marloe Maruyama, Gabriel Mendoza, Paul Ramos, Coi Reyes, Steve Retallick, Raymond Sarreal, Jordan San Jose, and Miko Villena.

GMG Productions CEO Carlos Candal shares his excitement, stating “We’re incredibly honored to bring LES MISÉRABLES: THE WORLD TOUR SPECTACULAR to Manila, and we’re equally delighted to see Filipino talent represented both on stage and among the musicians.” He adds that “This production is a celebration of world-class artistry, and we’re thrilled for Filipino audiences to experience it.”

What Makes This Production Different?

This staging builds upon the massively successful Les Misérables: The Staged Concert, which ran for over 200 sold-out performances in the West End. Now expanded into a globe-spanning tour filled with cutting-edge production design, the show features:
- A completely reimagined set design
- Striking new lighting and projections
- A company and crew of more than 110
- A sweeping live orchestra performing Schönberg’s iconic score
After drawing more than one million audience members worldwide, the tour continues to break box office records. Its sold-out run in Shanghai, rapid ticket sales in Australia and Japan, and upcoming stops at the Royal Albert Hall and Radio City Music Hall demonstrate the global impact of this spectacular new version.

Tickets Are Now on Sale

The Manila season is strictly limited with no extensions possible. Final tickets are available now through TicketWorld.

Show dates:
January 20 to March 1, 2026
Venue: The Theatre at Solaire

About the Show

Les Misérables The World Tour Spectacular is based on the novel by Victor Hugo, with music by Claude-Michel Schönberg and lyrics by Herbert Kretzmer. The production features text by Alain Boublil and Jean-Marc Natel, direction by James Powell and Jean-Pierre Van Der Spuy, design by Matt Kinley, costumes by Andreane Neofitou, Christine Rowland, and Paul Wills, and lighting by Paule Constable and Warren Letton. Projections are by Finn Ross, with sound by Mick Potter and music supervision by Stephen Brooker and Alfonso Casado Trigo.
December 5, 2025
Theatre Group Asia (TGA) Reveals Full Cast for ‘A Chorus Line’

After a rigorous six-month casting process spanning New York, Manila, Cebu, Bacolod, and Davao, Theatre Group Asia (TGA) proudly announces the full cast of its highly anticipated production of A Chorus Line*, to be directed and choreographed by Emmy Award-winner and Broadway powerhouse Karla Puno Garcia.

This ensemble of exceptional Filipino performers joins previously announced stars: Tony and two-time Grammy Award nominee Conrad Ricamora as Zach, and Fil-Am Broadway triple threat Lissa de Guzman, celebrated for her portrayal of Elphaba in the Wicked Broadway National Tour as Cassie.

In a life-imitates-art twist, the auditions mirrored the very heart of the show: a raw, emotionally charged battle for a place in the lineup, perfectly captured in the musical’s iconic opening plea, “I Hope I Get It.” And get it they did. Here’s the full cast:

Renee Albulario as Diana Morales. A Fil-Am New York–based artist whose Broadway credits include assistant director for Just in Time, assistant choreographer for Here Lies Love, and performer in David Byrne’s American Utopia.

Angelo Soriano as Mike Costa. A Manila-born performer who has shared the stage with Lea Salonga, Vina Morales, Justin Bieber, Zendaya, and Macy Gray. Broadway credits: Aladdin: The Musical and Here Lies Love.

Michaela Marfori as Bebe Benzenheimer. The Orlando native has appeared in the Broadway National Tour of West Side Story, MJ the Musical, and Frozen. TV appearances include the 78th Tony Awards, Saturday Night Live, Disney’s Magical Christmas Day Parade, and Eurydice.

Jordan Andrews as Al DeLuca. The Pinoy Big Brother S10 “Musical Dream Chaser” made his West End debut as Tam in Miss Saigon, followed by The King and I. Local credits: Joseph the Dreamer, Ang Huling El Bimbo, Spelling Bee, Rent, Once on This Island, Tabing Ilog: The Musical, and Shrek the Musical.

Rapah Manalo as Richie Walters. Seen in Shrek the Musical, Ang Huling El Bimbo, Delia D., Buruguduystunstugudunstuy, Snow White and the Prince, Mula Sa Buwan, Bar Boys: A New Musical, and Coriolano.

Ken San Jose as Mark Anthony. A Fil-Am dancer, singer, and choreographer who rose to prominence on World of Dance Philippines. He has worked with Matt Steffanina and WilldaBeast Adams, is a member of Supahdance, and has performed in Joseph the Dreamer and Mark Tuan’s tour in LA, Korea, and China.

Stephen Viñas as Bobby Mills. A Gawad Buhay Award winner with credits including Shrek the Musical, Delia D., Ang Huling El Bimbo, Carousel, Alice in Wonderland, I Love You, You’re Perfect, Now Change, Next to Normal, Little Shop of Horrors, Dani Girl, Mula Sa Buwan, Lapu-Lapu, Newsies, Sandosenang Sapatos, and Tabing Ilog: The Musical.

Mikaela Regis as Sheila Bryant. Credits include Shrek the Musical, Delia D., Buruguduystunstugudunstuy, Quomodo Desolata Es?, Bar Boys: A New Musical, Mula Sa Buwan, and Dekada ’70. As a playwright, she has earned a Gawad Buhay nomination for Best Original Script.

Iya Villanueva as Maggie Winslow. Trained in ballet and jazz from age five under the Bacolod Dance Academy and Garcia-Sanchez School of Dance. Credits: Ang Huling El Bimbo, Buruguduystunstugudunstuy, Mula Sa Buwan, The Bodyguard the Musical, Liwanag Sa Dilim, Joseph the Dreamer, and Si Faust.

Universe Ramos as Paul San Marco. A former dance captain of Glendale High’s award-winning team and EDGE Performing Arts Center scholar. Recently made his Manila debut as Oberon/Theseus in A Midsummer Night’s Dream.

Richardson Yadao as Larry. Two-time Gawad Buhay awardee, dancer, educator and choreographer. He has dance for the Alice Reyes Dance Philippines, Royal Caribbean Productions, Ballet Philippines, Romançon Dance Company, Filipinescas Dance Company, Vela Damian School of Ballet, Maquiling Ballet and Manila Dance Center. Theater performances include Rama Hari, Mabining Mandirigma, Manhid, The BodyGuard the Musical and A Christmas Carol.

Julio Laforteza as Don Kerr. Began training at age 7 under Sofia Zobel Elizalde, James and Liesl Laforteza, and PJ Rebullida. A NYU Tisch scholar, he is Associate Director of Galaw Co Dance Theater and faculty at Studio Dance by Lina.

Brie Chappell as Val Clark. Trained at Tring Park School for the Performing Arts and The Urdang Academy. Credits include Made in Dagenham, Jane Eyre, and The Album: Skool Edition.

Sam Libao as Kristine Urich. Trained with Steps Dance Studio, La Salle Dance Company, and G-Force. Theater credits include Joseph the Dreamer and Once on This Island.

Alyanna Wijangco as Judy Turner. Seen in Shrek the Musical and Delia D., and Jepoy and the Magic Circle.

Jessica Carmona as Connie Wong. A New York-based Fil-Am performer and NAAP member who has trained at Juilliard, Carnegie Mellon, and the Point Park Conservatory.

Luca Olbes as Gregory Gardner. A high-school senior who has appeared in Footloose, The Addams Family, High School Musical, and Ballet Philippines’ The Nutcracker.

Jim Ferrer as Butch Barton. UK credits include Here Lies Love and Matilda. Philippine credits: Saturday Night Fever, Tarzan, Legally Blonde, Newsies, Oz, Alice in Wonderland, The Quest for the Adarna, Camp Rock. Former dance captain for Joseph the Dreamer and choreographer for Legally Blonde and Si Faust.

Winchester Lopez as Tom Tucker. Part of Miss Saigon’s UK International Tour, Danish production, and Austrian run (as dance captain). Recently Dance Supervisor for Miss Saigon Australia and Asia, and appeared in The Bodyguard The Musical.

Rofe Villarino as Victor Vickers. Trained in dance and voice at Mandaue City School for the Arts, performing with the MCSFA Dance Company and Children’s Choir. Credits: Shrek the Musical, Delia D., Ang Huling El Bimbo, Mula Sa Buwan, and the international tour of Siddhartha the Musical.

Lord Kristofer Logmao as Frank. A multidisciplinary performer and former UPeepz world champion, with credits in Shrek the Musical, Delia D., and major theme-park productions. Associate Choreographer for select Full House Theater Company shows.

Paulina Luzuriaga as Tricia. Trained at Steps Dance Studio and CityDance Conservatory (Washington, D.C.). Debuted in Peter Pan the Musical and recently appeared in Ang Parokya ni Edgar: Buruguduystunstugudunstuy.

Anna del Prado as Lois Dillettente. Performed for five years at Hong Kong Disneyland’s Mickey and the Wondrous Book. Recently starred as Kasing in Pulang Langob and has sung and danced in concerts for Gary Valenciano and SB19.

Vince Denzel Sarra as Roy. Also known as “Bomba Ding,” he is a dancer and drag performer from the House of Ding. Theater credits include Delia D., and Walang Aray.

Franco Ramos (Swing). A De La Salle–CSB Technical Theater scholar with over a decade of experience. Known for Gaya Sa Pelikula, he recently appeared in Shrek the Musical, Delia D., and Jepoy and the Magic Circle.

Anyah de Guzman (Swing). A Fil-Am performer trained at Osceola County School for the Arts, earning acting nominations for Guys & Dolls and West Side Story. Philippine credits include Snow White and The Prince and Zsazsa Zaturnnah.

A landmark of American musical theatre, A Chorus Line celebrates its 50th Anniversary by continuing to shine a spotlight on the ensemble—the unsung heroes of every show. Following 17 hopefuls vying for eight roles, it remains a timeless ode to ambition, sacrifice, and individuality.

Tickets are available via TicketWorld, priced from ₱900 to ₱5,500. The show runs March 12–29, 2026, with performances on Thursdays and Fridays at 7:30 p.m., and on Saturdays and Sundays at 2:00 p.m. and 7:30 p.m.

A Chorus Line is presented by Ayala Land, BPI and Philippine Airlines, the official carrier with additional support from Make it Makati, Circuit Makati and Ayala Malls.

For more information, visit theatregroupasia.com, follow @theatregroupasia on Instagram, or like the official Theatre Group Asia Facebook page.

December 2, 2025
The Sandbox Collective Announces Full Cast Of ‘Spring Awakening’

The Sandbox Collective revealed the full cast of SPRING AWAKENING, which features a powerful ensemble of theater veterans and rising stars to open the company’s 12th year and 2026 season.

With book & lyrics by Steven Sater, music by Duncan Sheik, and based on the play by Frank Wedekind, SPRING AWAKENING is the groundbreaking, Tony Award–winning musical that follows the turbulent journey of adolescence, where silence is rewarded and curiosity is punished. Exploring timeless themes of mental health, sexuality, growing up, and family life, the show’s power lies in its ability to transcend eras and resonate deeply with audiences across generations.

Director Andrei Nikolai Pamintuan shared that the show’s story mirrors the oppressive ideas our society continues to grapple with.

“This bourgeoisie, which SPRING AWAKENING takes aim at, manifests today in the form of political elites, conservative religious sects, and a ‘parentocracy’ that seek to preserve the status quo — fearing the so-called corruption of youth and resisting what they deemed as ‘radical’ thought and rapidly shifting industries that are reshaping daily life,” Pamintuan said.

“The struggles faced by the young characters in the show — teen pregnancy, sexual and physical abuse, mental health issues, and self-harm — are the very challenges many young people continue to face, particularly in the Philippines,” he said.

THEATER VETERANS, RISING STARS TO TAKE THE STAGE IN THIS LANDMARK MUSICAL

A mix of Philippine theater’s stalwart veterans and rising stars is set to breathe new life into SPRING AWAKENING 20 years after it first premiered on Broadway.

“First Lady” of Philippine Theater Menchu Lauchengco-Yulo and multi-awarded artist Ana Abad Santos will share the role of Adult Woman. Meanwhile, “King of Philippine Musical Theater” Audie Gemora will step into the role of Adult Man.

Menchu Lauchengco-Yulo is a multi-awarded actress, director, and artistic director. Throughout her illustrious career, she has brought to life iconic roles such as Eva Perón in Evita, Fosca in Passion, Mrs. Lovett in Sweeney Todd, and Diana in Next to Normal, as well as appearing in the Manila production of Miss Saigon. Most recently, she captivated audiences as the titular character in the Singapore staging of Kimberly Akimbo.

Making her much-awaited return to stage, Ana Abad Santos is a director, producer, and actress across film, television, and theater. She has earned recognition for her powerful performances in A Streetcar Named Desire (as Blanche DuBois), Portrait of the Artist as Filipino (as Candida), and An Evening at the Opera (as Miranda), among others. Most recently, she appeared in the film “Quezon,” portraying Carmen Hernando.

Appearing in over 70 plays, Audie Gemora is a stage, television and film actor, singer, recording artist, dancer, host, on-camera & voice talent for TV and radio commercials, director, choreographer, producer, impresario and educator. He has played major roles in productions like Pippin, Evita, and Les Misérables, and has won multiple Philstage Gawad Buhay Awards for his performances — notably for Sweeney Todd, The Producers, and La Cage Aux Folles.

Taking the stage alongside theater luminaries are Nacho Tambunting and Alex Diaz who share the role of Melchior Gabor; Nic Chien and Omar Uddin who alternate as Moritz Stiefel; and Sheena Belarmino who will play the role of Wendla Bergmann.

Returning to the Philippine stage after moving to New York, Nacho Tambunting began performing professionally in 2006 in The Sound of Music. Nacho Tambunting originated the role of Felix Starro, Jr. in Felix Starro—the first Filipino-American musical to premiere Off-Broadway. He was most recently seen as Jake in the world premiere of Everything Beautiful Happens at Night. A proud member of SAG-AFTRA and Actors’ Equity Association, he has also appeared on TV and in film.

Alex Diaz is a multi-hyphenate, Gawad Buhay nominated stage, film, and television actor whose journey began as a student radio DJ before being launched in Star Magic Circle 2013. He made his theatrical debut as Racetrack Higgins in Disney’s Newsies and was most recently seen as Chris Abueva in Bar Boys: The Musical.

Nic Chien made his professional musical theater debut in Matilda, and has wanted to be a theater actor ever since. He most recently played the role of Jack in Into the Woods. Nic has also made numerous concert appearances alongside his mother, Lea Salonga. In 2023, he participated in the English Speaking Union’s National Shakespeare Competition where he placed third.

Omar Uddin has been in the entertainment scene since age 12, being a regular for the fourth and fifth season of Team Yey! and 2 Good 2 Be True. He made his theatrical debut in Tagu-taguan Nasaan Ang Buwan? and has continued to play lead roles in shows such as A Christmas Carol, The Lion King International Tour, Bar Boys: The Musical, Next To Normal and, most recently, Quomodo Desolata Es?.

Star Magic artist Sheena Belarmino is a singer, dancer, and actress. She started her career in reality competitions like Dance Kids, Tawag ng Tanghalan Kids, and Your Face Sounds Familiar Kids. At the age of 8, she started her theater career in Cebu, and has since played iconic roles such as Basha in One More Chance: The Musical, Eds Delos Santos in Tabing Ilog, and Natalie Goodman in Next To Normal.

Also joining the cast are Angelo Martinez as Hänschen Rilow; Vino Mabalot as Otto Lämmermeier; Jam Binay as Ilse Neumann; Angia Laurel as Martha Bessell; Mijon Cortez as Anna; Felicity Kyle Napuli as Thea; Elian Dominguez as Ernst Röbel; and Davy Narciso as Georg Zirschnitz.

Angelo Martinez is a Singapore-based performer and the first Filipino to portray Evan Hansen in the Southeast Asian production of Dear Evan Hansen. He was last seen as Aaron Puckett in Kimberly Akimbo alongside Menchu Lauchengco-yulo. Spring Awakening marks his homecoming debut in the Philippines.

Vino Mabalot is an actor and stratospheric tenor known for his emotionally distinctive performances. He is currently performing as the Mock Turtle in Alice in Wonderland, and was recently seen as Tony Javier in Quomodo Desolata Es? and Gabe Goodman in Next to Normal.

Jam Binay is a sought after theater actress and has been seen in different roles in various productions such as Pingkian: Isang Musikal, Next to Normal, In the Eyes of the People, Bar Boys: The Musical, and understudy in Ang Huling El Bimbo.

Making her theatrical debut, Angia Laurel is a dynamic and passionate singer-songwriter and actor. She graduated from De La Salle–College of Saint Benilde with a degree in Production Design for Theater, and has earned critical acclaim for her debut single “Back Again” under ABS-CBN Music’s Tarsier Records. Her upcoming single “Talon” is set for release this November, with her first full-length album following in early 2026.

Mijon Cortez is a musician, singer-songwriter, sound designer, and actor whose work bridges music and theater. She began her artistic journey in student theatre with productions such as The Importance of Being Earnest, Lady Aoi, and Las Viajeras.

Felicity Kyle Napuli is an actress known for her work in theater, television, and film. She has portrayed numerous characters onstage including Becky in A Little Princess, Matilda in Matilda the Musical, and Young Nala in Disney’s The Lion King international tour. Recently, she is known for lending her vocals to the Tagalog dub of K-Pop Demon Hunters.

Elian Dominguez is a theater artist and eco-warrior with a Bachelor’s Degree in Environmental Science from Ateneo de Manila University. He made his professional theater debut in The 25th Annual Putnam County Spelling Bee, which was followed by his role as Jepoy in Jepoy and the Magic Circle. He’s most recently seen in Bar Boys: The Musical.

Davy Narciso is a theater actor who has played different roles in productions such as Next To Normal; I Love You, You’re Perfect, Now Change; and Othello, among others. During his time in college, he also starred in various productions as an active performer of the Ateneo Blue Repertory.

Rounding out the cast are Female Swings Pappel and Nikki Bengzon, and Male Swings Lance Soliman and Gabo Tiongson.

Pappel is a singer-songwriter under O/C Records, and member of The Busking Community. She’s last seen in Side Show: The Musical and Bar Boys: The Musical. Nikki Bengzon makes her professional musical theater debut in Spring Awakening. She was last seen in A Midsummer Night’s Dream and Ateneo Blue Repertory’s production of Next To Normal.

Lance Soliman is a musical theater artist, vocal coach, events performer, and recording artist. He was last seen in Alice in Wonderland and Jepoy and The Magic Circle. Gabo Tiongson is an accomplished performer, a virtuoso of the acoustic guitar, a versatile voice-over artist, and a champion at cheerdancing. He was recently seen in Alice in Wonderland.

With Pamintuan at the helm, the artistic team of SPRING AWAKENING also includes Ejay Yatco as musical director, Nunoy Van Den Burgh as choreographer, Missy Maramara as intimacy director, Wika Nadera as set designer, Raven Ong as costume designer, D Cortezano as lighting designer, Gabbi Campomanes as assistant director, Salve Villarosa as dramaturg, Aron Roca as sound designer, Sheik Completado as technical director, and Jaydee Jasa as hair and makeup designer.

SPRING AWAKENING is the inaugural show of The Black Box at The Proscenium Theater in Rockwell, Makati. The show will run from February 13 until March 22, 2026. Tickets are now available on Ticket2Me (tinyurl.com/SandboxSpring2026).

SPRING AWAKENING is presented through special arrangement with Music Theatre International (MTI), New York, NY, USA.

For more information, follow The Sandbox Collective on Facebook, Twitter and Tiktok – @TheSandboxCo. You may also visit our website at www.thesandboxco.com.

November 18, 2025
A Christmas Carol Announces Full Cast

“Bah, humbug!” — nope, not today!

The Christmas season drew closer as 9 Works Theatrical recently announced the full cast of A CHRISTMAS CAROL THE MUSICAL and gave the public a taste of what its staging will be at the 780-seater state-of-the-art Proscenium Theater.

Director Robbie Guevara called the musical “one of the best classical stories ever written, ” adding that the theater is “the best venue in the country” to showcase a production of this scale and heart.

“We really want to highlight the Proscenium Theater, ” Guevara shared. “We’ll be showcasing stagecrafts that have been done in other countries, but haven’t been seen here yet. We’ll also introduce new elements you didn’t see in The Bodyguard [The Musical].

Meet the cast

Seasoned actor, singer, voice-over talent, event host, and DJ Arnel Carrion headlines A Christmas Carol as Ebenezer Scrooge. Arnel began his career in 1990, and has done numerous stage plays and musicals since. He was most recently seen in Liwanag Sa Dilim Musical earlier this year.

Child stars Enzo Dognidon and Jethro Ting share the role of Tiny Tim, the symbolic figure of hope in the musical.

Award-winning actor, singer, and writer Franco Laurel reprises his role as Ghost of Christmas Past; veteran international theater performer and TV/film actor Lorenz Martinez plays the role of Ghost of Christmas Present; and ballet and jazz dancer Carmelle Ros plays the role of Ghost of Christmas Yet To Be. Rounding up the iconic “ghosts” of A Christmas Carol is Boo Gabunada, who plays the role of Jacob Marley.

Star Magic artist and theater rising star CJ Navato joins the cast as Young Ebenezer. Viva artist and Gawad Buhay awardee Nicole Omillo plays Emily.

Multi-award-winning performer and Entertainment Director John Joven Uy plays the role of Bob Cratchit, with Anna Santamaria making her theater comeback in A Christmas Carol as Mrs. Cratchit.

Artist and educator Jasper John Jimenez joins the cast as Mr. Fezziwig. Joining him and returning to the stage is Meliza Reyes as Mrs. Fezziwig.

Visual artist, host, online content creator, and singer-songwriter Neo Rivera plays the role of Fred. International performer Molly Langley also joins the cast as Sally.

Also making her theater comeback is director, actress, and singer for stage and TV Mariella Laurel, who will play Mrs. Mops. Last seen in The Bodyguard The Musical, dance artist, educator, choreographer, and Gawad Buhay multi-awardee Richardson Yadao plays Mr. Smythe. Former member of award-winning group The Opera Belles Rica Laguarda joins the cast as Mother of Scrooge. Doctor by day, theater actor by night Gary Junsay plays Beadle.

Adding to the cast are Joshy Ramirez who plays John William Scrooge; Derrick Gozos as Baker; Denzel Chang as Mr. Hawkins; Roxy Aldiosa as Poulterer; Natalie Duque as Grandma; and Matthew Barbers as Fishmonger.

And rounding up the cast are child actors Sofia Aguilar and Atalie Castillo, who will alternate as Martha Cratchit; Giani Sarita and Manolo Villalva, alternating as Scrooge at 12 years old; Bianca Estacio and Sofia Laurel as Grace Smythe; Elian Santos and Kim Hewitt as Jonathon; Ani Cinco and Lucia Laurel as Fan; and Drake Manlapaz and Liam Nery as Fred’s Son.

Joining the artistic team are Robbie Guevara as director; Raul Montesa as assistant director, Daniel Bartolome as musical director; Mio Infante as scenographer; PJ Rebullida as choreographer; Yek Barlongay as tap choreographer; Gabo Tolentino as lighting designer; Aji Manalo as sound engineer/designer; Joee Mejias as video and projection designer; Sheik Completado as technical director, Elliza Aurelio as hair and makeup designer, and Yukie Sarto as photographer.

Heading the 9 Works Theatrical production team is managing director and executive producer

Santi Santamaria; with Anna Santamaria as operations and finance director; Charyl De Guzman as production manager; Jonjon Martin and Loreta Arroyo as PR managers; GM Hernandez as marketing manager; Cass Lim as marketing & digital content head; and Pachot Festejo as production stage manager.

A CHRISTMAS CAROL will be showing on all weekends from November 29 until December 21, 2025, at 7:30 PM on Fridays and Saturdays, and 3:00 PM on Saturdays and Sundays, at the Proscenium Theater, Rockwell Center in Makati City. Tickets will be available on Ticketworld.

For updates, partnerships & bulk buying inquiries, follow us on Facebook and Instagram (@9workstheatrical and @prosceniumtheater).

A CHRISTMAS CAROL is a 9 Works Theatrical production, presented by ROCKWELL, together with METRO as official media partner and MAC Cosmetics as official make-up partner. Special thanks to Pitchworks Inc., PilotTV and The People Diary PH by Myra Ho.

A CHRISTMAS CAROL The Musical is presented through special arrangement with Music Theatre International (MTI).

#AChristmasCarolAtRockwell #AChristmasCarolMNL

November 7, 2025
Bluey’s Big Play is Coming to the Philippines From July 31 to August 9, 2026

Ticket pre-sale starts on November 21 at 12 NN, followed by the general on-sale on November 22 at 12 NN via www.InsigniaPresents.com. he Olivier Award-nominated Bluey’s Big Play: The Stage Show will be live at the Newport Performing Arts Theaterfrom July 31 to August 9, 2026.

Featuring brilliantly created puppets, this theatrical adaptation of the Emmy® award-winning children’s television series is packed with music, laughter, and fun for the whole family. Audiences of all ages will get to see Bluey, Bingo, Mum (Chilli) and Dad (Bandit) as they’ve never seen them before.

When Dad feels like a little bit of afternoon time out, Bluey and Bingo have other plans! Join them as they pull out all of the games and cleverness at their disposal to get Dad off that bean bag. With an original story by Bluey creator Joe Brumm, and music by Bluey composer, Joff Bush, this is Bluey – for real life.

“Bluey has quickly become a beloved part of family life in the Philippines, with fans embracing the series’ heartwarming stories and spirit of learning through play,” said Sophia Spinelli, VP of Brands and Marketing, BBC Studios Asia. “The response to the theatrical stage show from fans around the world has been nothing short of amazing and we’re absolutely delighted to have Manila as the second Asian stop in Bluey’s Big Play The Stage Showworld tour. We can’t wait for Filipino families to experience the world of Bluey and her family in a brand new way and live on stage in their city.”

Andrew Kay, Producer, HVK Productions said: “We are absolutely thrilled to bring Bluey’s Big Play to Manila! Sharing the magic of Bluey with families in the Philippines is incredibly exciting. The story, the music, and the humourof Bluey resonate with children and adults alike and we can’t wait to see the joy and laughter it brings to audiences there. Manila is such a vibrant city and we are looking forward to creating unforgettable memories for families together.”

Since premiering in Australia in 2020, Bluey’s Big Play The Stage Show has toured globally across the UK, Ireland, Canada, the US, Europe, Singapore, South Africa and the UAE and has been seen by millions of fans worldwide.

Bluey’s Big Play The Stage Show features original voices from the TV sensation, including the instantly recognizable voices of Melanie Zanetti as Mum and David McCormack as Dad. The larger-than-life puppets are commanded by a talented international cast. It is directed by Rosemary Myers of Windmill Theatre Company, and presented by BBC Studios and Andrew Kay in association with Windmill Theatre Co.

Since bursting onto TV screens in Australia in 2018, Bluey has enjoyed a plethora of critical success at home and abroad, most recently winning Best Children’s Program at the 2025 TV WEEK Logie Awards. Bluey has also won a 2022 BAFTA Children & Young People Award in the International category and picked up its sixth AACTA Best Children’s Program award, adding to its International Emmy.

A global-ratings hit, Bluey was the most-watched series globally on Disney+. In the Philippines, Bluey first premiered in 2020 and is available to watch on Disney+.

Pre-sale tickets will be available from 12:00PM (local time) on Friday, November 21, exclusively for Insignia Presents newsletter subscribers.

General ticket sales for the shows will open at 12:00PM (local time) on Saturday, November 22. For more information please visit www.InsigniaPresents.com.

November 3, 2025
THEATER REVIEW — At a Larger Venue, “Bar Boys: The Musical” Reaches Its Full Potential Through Scale

I’m a fan of “Bar Boys: The Musical,” written by Pat Valera (book and lyrics) and Myke Salomon (lyrics and music), based on the film by Kip Oebanda, and directed by Mikko Angeles, since its two runs at the PowerMac Spotlight Theater in Circuit Makati. It was inspiring, funny, and poignant (I remember crying both times I saw it). The music was great filled with all-new, all-original songs, and the performances were stellar. It was a great show. But now that it has moved to the Hyundai Hall at the Areté Theater, the show has transformed into a big, bold musical where the larger scale amplifies everything that was already great about the production.

In a larger theater, the creative team went all out. The production now features larger set pieces that are wheeled in, a larger video projection on screen right behind the cast as they are performing, more space for its hardworking ensemble to fill, and new heights as the set pieces are as high as two stories allowing the staging to be as tall as its scope is wide.

Bar Boys The Musical | Photo by Kyle Venturillo

Now staged on a proscenium, the direction is now fully directed toward the audience rather than contained at the center, as it was in the original traverse staging (a long platform with the audience on both sides). This shift allows the show to fully project its idealism, realism, and inspirational message straight to the crowd for full effect.

Bar Boys The Musical | Photo by Sace Natividad

“Bar Boys: the Musical” tells the story of four friends – Erik, Chris, Torran, and Josh – who enter law school together with the hopes of changing the world a better place. But each of our leads have their own battles to face. Erik comes from a humble background and money is tight. Chris hides a secret about his background, which also fuels his need to make the world a better place. Torran, raised by a single mother, feels the pressure of living out his mother’s dreams while he is discovering who really is. Josh, who hails from the province, wants to be an environmental lawyer but his idealism gets in the way of the reality of the law.

Bar Boys The Musical

The show is impressive by being intersectional, tackling various issues like the class divide, the power and the abuse of the law, corruption, acceptance, and waking up to a harsh world; all of this without being scattered or confusing. The narrative has a spot for each of the four characters, a case that becomes the catalyst for the growth of some of the protagonists, all the while portraying the exacting demands of law school and passing the bar.

Bar Boys The Musical | Photo by CJ Ochoa

By giving the ensemble moments to portray other law students, we see the various dreams and hopes that people have that widen the scope of the play. There’s something for everyone here, but it never feels like it is only touching the surface. The emotions that it evokes are not from shallow, easy plot points. The struggle is real. There are scenes and songs that emphasize it so when a loss is felt, it hits hard. When a victory is achieved, that feeling reaches out to the audience in full.

Bar Boys The Musical | Photo by CJ Ochoa

With a larger space and the audience gathered in one direction, Angeles is able to create spectacles and meant to be witnessed. The actors can now interact more freely, exchanging knowing looks when making throwing politically charged jokes or when a scene feels like it is talking to the audience.

Bar Boys The Musical | Photo by Irvin Arenas

With the bigness of the theater, the tiniest and most intimate scenes – like the ones shared by Erik and his father or Justice Hernandez, the toughest but most important teacher the lead characters meet – become these powerful turning points that emphasize the narrative beats. In the smaller venue, we feel like voyeur peeking into private moments. On a proscenium stage, we feel permitted to watch allowing us to fully react and feel what these scenes evoke in us to feel.

Bar Boys The Musical | Photo by Irvin Arenas

Most of the cast from the previous runs have returned, and they wear these roles like a second skin. Alex Diaz, who plays Chris, has a confidence that defines his character, which also makes him a little forceful, leaning into domineering. Jerom Canlas, who plays Torran, is having more fun with the character, working with physicality and gestures to show how his character’s hidden nature is a lot more visible to everyone but himself. Josh is always a fan favourite and Omar Uddin has charm by the boatload and he uses this to fill the stage. Juliene Mendoza, who plays Erik’s father Peping, and Gimbey Dela Cruz, who plays a dual role of Torran’s mother and a lady who Josh befriends, are such solid performers that they help the show hit its most poignant moments.

Bar Boys The Musical | Photo by CJ Ochoa

But the two who truly rise to the new scale of this production are Benedix Ramos as Erik and Sheila Francisco as Justice Hernandez. Ramos manages to layer his portrayal of Erik in such a way that even his moments of weakness are felt even when he’s keeping it inside. He vascillates from big emotions to small emotions and all of it are picked up on stage that he has the most dynamic of performances. He has such a gift that allows him to work small but can project it big so that its seen and heard and felt all the way to the back of the audience.

Bar Boys The Musical | Photo by Kevin Sembrano

Francisco, on the other hand, who has played Justice Hernandez as a wise, older mentor, with a calm energy, now plays her as a rockstar in field of law. She’s brazzy, she’s tough, she’s admired, and she knows it. She comes in like a force of nature and embodies the reason why every character in the play is so in awe of her.

Bar Boys The Musical | Photo by Myra Ho

So, it’s equally amazing when, in the more somber moments, she becomes a nurturing, tender soul that can inspire the lead characters in their darkest moments. It’s a powerhouse performance that shows, Francisco has been holding it back in the smaller venue in fear of tearing it down with her power.

Bar Boys The Musical | Photo by Kyle Venturillo

On opening day, there were a few technical hiccups, and the new ensemble still needed to tighten their choreography and to temper their boundless energy. But these are easily fixed that will naturally smooth out with more performances. Even with these little flaws, the show is already such a triumph of theater. This is how “Bar Boys: The Musical” should be: big and bold. It’s an inspiring play that’s fun and moving and it truly deserves a venue grand enough and a production that can amplify its message to an even larger audience.

My Rating:

Catch Bar Boys The Musical in all its bold, inspiring glory as it takes over Hyundai Hall, Areté until November 23. With powerful performances, unforgettable songs, and moments that hit right in the heart, this larger-than-life production shines brighter than ever. Don’t miss it! Grab your tickets now via Ticket2Me.

November 3, 2025
“Jesus Christ Superstar” to Open In Manila This May 2026

One of the world’s most influential rock operas is coming to the Philippines. The Olivier Award-winning production of Jesus Christ Superstar is set to make its Manila debut at The Theatre at Solaire from May 2 to 24, 2026, as part of its international tour. Tickets go on sale November 8 exclusively via TicketWorld. UnionBank cardholders can access the pre-sale from November 3 to 7.

A Bold Reimagining of A Global Classic

With music and lyrics by Emmy, GRAMMY, Oscar, and Tony winners Andrew Lloyd Webber and Tim Rice, Jesus Christ Superstar has remained a cultural touchstone for more than 50 years This production was reimagined by London’s Regent’s Park Open Air Theatre, where it originated, and is helmed by director Timothy Sheader and choreographer Drew McOnie. Completing the creative team is design by Tom Scutt, lighting design by Lee Curran, sound design by Nick Lidster, and music supervision by Tom Deering.

A global phenomenon that has wowed audiences for decades, JESUS CHRIST SUPERSTAR is a timeless work that explores the biblical portrayal of the extraordinary events that led to the death and resurrection of Jesus Christ as seen through the eyes of his betrayer, Judas Iscariot. The story, told entirely through song, explores the personal relationships and struggles among Jesus, Judas, Mary Magdalene, Jesus’ disciples, his followers, and the Roman Empire. Originally released as a concept album, the iconic 1970s rock score contains such well-known numbers as ‘Superstar’, ‘I Don’t Know How to Love Him’, and ‘Gethsemane’.

Jesus Christ Superstar The North American Tour company of Jesus Christ Superstar. Photo by Evan Zimmerman for MurphyMade

JESUS CHRIST SUPERSTAR opened on Broadway in 1971 at the Mark Hellinger Theatre. The original London production opened at the Palace Theatre on 9 August 1972 and ran for over eight years. By the time it closed, after 3,358 performances, it had become the longest-running musical in West End history at that time. JESUS CHRIST SUPERSTAR has been reproduced regularly around the world in the years since its first appearance, with performances including a Broadway revival in 2012, an ITV competition TV show called Superstar that led to casting Ben Forster as Jesus in an arena tour of the show, and a production at the Regent’s Park Open Air Theatre celebrating 45 years since the musical’s Broadway debut.

Producer David Ian said, “After incredible success in Australia and the UK, we’re delighted to be bringing Jesus Christ Superstar to Manila. This Olivier Award-winning production has amazed audiences around the world with its raw energy and breathtaking performances. Whether you’ve loved the show for decades or are discovering it for the first time, this will be an unforgettable experience.”

Carlos Candal, CEO of GMG Productions, said: “We’re beyond thrilled to bring one of Andrew Lloyd Webber’s most iconic and influential musicals of all time to Manila. Jesus Christ Superstar is a show that transcends generations. Its music and story continue to inspire audiences, and we can’t wait for Filipino fans to experience this powerful production live.

This production of JESUS CHRIST SUPERSTAR won the 2017 Olivier Award for Best Musical Revival and the 2016 Evening Standard Award for Best Musical, selling out two consecutive engagements in 2016 and 2017. The production played a West End engagement at the Barbican in 2019 before returning to Regent’s Park Open Air Theatre in concert version during the summer of 2020, followed by a universally acclaimed UK tour in 2023/24.

Casting will be announced soon.

Tickets and Pre-sale Access

Jesus Christ Superstar runs May 2–24, 2026 at The Theatre at Solaire. The pre-sale period runs from November 3 to 7. The Manila season will run from May 2 to 24, 2026, at the Theatre at Solaire. Tickets will officially go on sale on November 8 exclusively via TicketWorld. Theatre fans can also enjoy early access through UnionBank of the Philippines, GMG Productions’ official 2025 season bank sponsor and pre-sale partner or join the GMG JESUS CHRIST SUPERSTAR waitlist at www.gmg-productions.com.

About the Production

The 2026 international tour of Jesus Christ Superstar is produced by GMG Productions and David Ian for Crossroads Live and Work Light Productions. The original staging was developed at London’s Regent’s Park Open Air Theatre, where the revival first gained widespread acclaim.

Stay updated on upcoming productions by visiting www.gmg-productions.com or following @gmg.productions on social media. For additional information about this production, please visit www.jesuschristsuperstar.com

With its pioneering rock score, emotional storytelling, and award-winning reimagining, Jesus Christ Superstar has shaped modern musical theatre for more than five decades. Fans across generations continue to discover and celebrate its music, making this Manila engagement one of the most awaited theater events of 2026. Whether you’re a lifelong fan or curious first-timer, this staging promises striking performances and a powerful theatrical experience. Mark your calendars for November 8 and prepare to welcome this global classic to Manila.

October 30, 2025