After a highly acclaimed 2023 run, RAMA HARI returns onstage by popular demand, opening the 2024 season of Alice Reyes Dance Philippines.
The production holds the prestige of being the only collaboration that features the masterful works of five National Artists, Alice Reyes for Direction and Choreography, Ryan Cayabyab for Music, Bienvenido Lumbera for the libretto, Salvador Bernal for Production Design, and English Lyric Translations by Rolando Tinio.
Two alternate casts will be performing:
A blockbuster masterpiece, RAMA, HARI is presented by Alice Reyes Dance Philippines and the Cultural Center of the Philippines with the generous support of Century Pacific Food, Inc., First Philippine Holdings, and the Samsung Performing Arts Theater. Reserve your tickets now before they run out!
FEB 16, 2024 | 7:30 PM FEB 17, 2024 | 2:00 PM & 7:30 PM FEB 18, 2024 | 2:00 PM & 7:30 PM FEB 23, 2024 | 7:30 PM FEB 24, 2024 | 2:00 PM & 7:30 PM FEB 25, 2024 | 7:30 PM
*All Performances are to live music performed by The Orchestra of the Filipino Youth
Subscribe to ARDP’s 2023 Dance Season and celebrate the best of Filipino artistry and talent! For season subscriptions and ticket reservations, email ardancephilippinesinc@gmail.com or text at 09671536173. For more information, check @ARDancePh on Facebook, Instagram, and TikTok.
About ARDP
Alice Reyes Dance Philippines (ARDP) is the newest and most exciting addition to the Filipino dance scene. Its goal is to inspire and transform lives through dance. Born out of the need to give displaced artists a home during the pandemic. Founded by National Artist for Dance, Alice Reyes, the company features an astounding breadth of Filipino Works by National Artists and the top Filipino choreographers. It showcases the best in Filipino dancers and talents for the local and world stages.
The renowned international tour of Cameron Mackintosh’s acclaimed production of Boublil and Schönberg’s “Miss Saigon” is set to captivate audiences in Manila before embarking on a journey across Asia. The full casting, announced today, introduces a blend of seasoned and rising stars, promising to deliver a powerful rendition of this beloved musical.
Abigail Adriano (Miss Saigon AU) | Photo by Daniel Boud
Filipino-Australians Take the Lead
The cast is headlined by Filipino-Australians Abigail Adriano, stepping into the iconic role of Kim, and Seann Miley Moore, captivating as the Engineer. Adriano, a 19-year-old talent, follows in the footsteps of renowned performers like Lea Salonga and Eva Noblezada, bringing a fresh perspective to the role. Miley Moore, known for their impactful portrayal, adds depth to the complex character of the Engineer.
Supporting Cast Shines Bright
Abigail Adriano & Nigel Huckle | Photo by Daniel Boud
Joining Adriano and Miley Moore are Nigel Huckle as Chris, Sarah Morrison as Ellen, Lewis Francis as John, and Laurence Mossman as Thuy. Each actor brings unique nuances to their roles, contributing to the rich tapestry of the narrative.
Kiara Dario: From Local Stage to Global Spotlight
Filipina performer Kiara Dario, recognized for her lead role in Repertory Philippines’ “Snow White and the Prince,” joins the “Miss Saigon” company as Gigi. This marks her first foray into international touring, adding a local flair to this global production.
A Production Resonating with Contemporary Significance
Cameron Mackintosh expressed enthusiasm for the cast, noting their ability to capture the essence of “Miss Saigon” and its modern-day relevance. GMG Productions’ CEO Carlos Candal echoed this sentiment, highlighting the excitement of bringing this production to Manila. “This is a cast with incredible energy and heart who totally get the true story of Miss Saigon and its contemporary resonance. I have no doubt it’ll be one of the most unforgettable productions of Miss Saigon we have ever seen.” GMG Productions’ CEO Carlos Candal also commented, “We’re incredibly excited to bring Miss Saigon to Manila and showcase the incredible talents of this diverse and remarkable ensemble. Filipinos will undoubtedly be treated to the exceptional artistry and performances this company of world-class performers can deliver.”
“This show is Asian excellence and this cast is giving Slay-Asian pride!” Miley Moore said. “Miss Saigon is a story that resonates with so many of us and our families so seeing all of us together, ready to tell this story, is really empowering. The spotlight is now on our community, and we are going to own the stage and tell our truth.” Miley Moore has garnered rave reviews for their portrayal of the challenging role of the Engineer.
Empowerment and Pride
Seann Miley Moore | Photo by Daniel Boud
Seann Miley Moore shared their excitement about the cast’s diversity and the story’s resonance. “This show is Asian excellence, and this cast is giving Slay-Asian pride!” they remarked.
42 Talents Ready to Shine
The “Miss Saigon” company comprises 42 performers, including Michael Boyle, Carlo Boumouglbay, Ellie Chan, Shannon Cheong, Celine Cleveland, David Duketis, Natasha Dumlao, Gelina Enriquez, Sara Haruta, Leyton Holmes, Jiho Hwang, Emily Huynh, Mikaila Imaguchi, Patrick Jeremy, Hamish Johnston, Nicholas Kong, Vi Lam, Winchester Lopez, Robbie Mejica, Bailey Nathan-Park, Tetsuya Okubo, Atsushi Okumura, David Ouch, Tony Oxybel, Paloma Renouf, Annabelle Rosewarne, Jack Connor Rowan, Trevor Santos, LouisStockil, Asmara Soekotjo, Tamsyn Thomas, Brad Veitch, Aday Velasco, Louisa Vilinne, and Sam Ward, each adding their unique talents to the production.
Photo by Daniel Boud
A Team of Visionaries
Directed by Laurence Connor, with musical staging by Bob Avian and additional choreography by Geoffrey Garratt, the production boasts stunning design, lighting, and sound elements, enhancing the overall impact of this timeless story.
Miss Saigon has music by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil, adapted from original French lyrics by Alain Boublil, with additional lyrics by MichaelMahler. ThenewproductionisdirectedbyLaurenceConnorwithmusicalstagingby Bob Avian and additional choreography by Geoffrey Garratt. Production design is by Totie Driver and Matt Kinley based on an original concept by Adrian Vaux; costume design by Andreane Neofitou; lighting design by Bruno Poet; projections by Luke Halls; sound design by Mick Potter; and orchestrations by William David Brohn. Music supervision is by Alfonso Casado Trigo and Guy Simpson, with associate choreography by Richard Jones and the Asian tour production is directed by Jean-Pierre Van Der Spuy.
“Miss Saigon” will grace The Theatre at Solaire from March 23 to May 5. Tickets are available exclusively through TicketWorld. For more information and updates, visit www.gmg-productions.com or follow @gmg.productions on social media.
CONTROL + SHIFT is a series of 8 new works (both short plays and short contemporary dance performances) that hopes to “spotlight the theme of narrative change” as it is mentioned at the start of the show. Running for two weekends (January 12-14 and January 19-21), the performances are set to reframe the ways with which we speak about each other as, according to the preface at the start of the show, that we are drowning in a world full of misinformation and disinformation.
It feels like a statement to start the new year for PETA to usher in a new era of exploring socially relevant plays that has been the theater company’s bailiwick. I was able to catch Set A, which had three short plays and one contemporary dance performance, which was an exciting way to start a new year of theater for me.
SET A
Momsilogues Written by Zoe Damag, Julia Enriquez, Pia Viola, Gold Villar-Lim Directed by Gold Villar-LimPerformed by Kitsi Pagaspas, Julia Enriquez, Pia Viola
This play is about three mothers who come together to cook for a school activity and in the ensuing bonding activity end up revealing striking issues involving women. They range from the difficulties of being a mother of a child on the autism spectrum, to giving up your dreams because of an unplanned pregnancy, and even juggling a family and career on your own.
‘Momsilogues’ takes its time to get into the meat of the story – the three monologues of each mother and the issues they represent – and it builds the world and the characters carefully. It gives you time to get to know them. What’s interesting is the way the writers allow the women to push each other’s buttons, to test their boundaries, before they break down into a real moment of vulnerability and gives these women a chance to support each other. There is an attempt to take a symbolic approach here: each mother is an ingredient to tapsilog, and it’s incorporated into the narration how each one is like a fried egg, the tapa, or the fried rice. At first, it doesn’t work, but by the time the play is done, it sort of hits home. It helps that the actresses are really cooking tapa on stage (they offer it to the audience at the end of the show).
Pagaspas, Enriquez, and Viola do a strong job at bringing these characters to life. There are times when the “woke and progressive” mom gets a little cloying – her lines feel a little forced and scripted – but the overall effect of the entire play, especially the monologue about the mom taking care of the child on the spectrum really hits its mark.
Ang Mga Halimaw sa Compound Z Written by Sabrina Basilio Directed by Norbs Portales Performed by Felicity Kyle Napuli, Sabrina Basilio, Kiki Baento, Nicole Manlulo, Donn Boco, Jason Barcial, Ada Tayao
Of the four performances, ‘Ang Mga Halimaw sa Compound Z’ is the one that doesn’t quite work. The short play is set in a science fiction world where monsters live amongst men. People turn into monsters and, in a place called Compound Z, the monsters are being rehabilitated so they can become human again and reintegrate into society. A reporter visits the compound to interview some of the monsters there for an article about the cure, but she has an agenda of her own.
The reason the play doesn’t quite succeed is that the play’s running time isn’t enough to build the world properly. The concept needs more time (maybe a full-length play?) to fully flesh out its world. There are many symbolic elements here – the monsters can be metaphors for activists or insurgents, the religious order that runs compound Z can be analogous to a tyrannical government – but the world needs to develop more. The work is also not character-driven, but plot driven, and so the story might also be stronger if explored as a film.
Due to the constraints of time, trying to fit within the duration of a one-act play, a lot of the story feels rushed and a lot of is discussed rather than acted out. The play never really gives us any example of how these monsters are monstrous and, for this concept to work, we really need to see it in action. ‘Ang Mga Halimaw sa Compound Z’ is an interesting experiment, but I think the true take away here is that the story is meant for a different medium.
Albularyo Direction, concept, and choreography by Carlon Matobato Dramaturgy by Ian SegarraPerformed by Carlon Matobato, Noelle Polack, Ekis Gimenes, Mico Esquivel, Carlos Deriaga, Raflesia Bravo
A contemporary dance piece, ‘Albularyo’ shows us a faith healer as he battles spirits to in the contemporary world. The ballet configures video to amplify the performance and creates a series of segments, the faith healer takes on several dancers who are trying to cause harm – from smoke demons to spirits that chatter and talk and even one that consumes – and it creates a dazzling spell. It’s been a while since I’ve seen a contemporary dance performance and seeing Raflesia Bravo dance again is always a welcome treat.
‘Albularyo’ is a moody piece that teeters towards the repetitive but manages a strong ending and powerful performances.
Children of the Algo Written by Mixkaela Villalon Directed by John Moran Performed by Ado Villanueva, Jan Magcaling, James Pe Lim, Mika Nitro
This was a fantastic piece. The four actors mimic the experience of skimming through social media – Tiktok or Instagram or Facebook reels – and it’s just a dazzling display of content acted out live. Each actor goes through different ways by which these social media influencers engage with their audience. From unboxing videos to pseudo-intimate confessionals, to showing us their home, or talking about their daily expenses. The play, at first, seems like it has no rhyme or reason. Just a never ending display of content and the more the play unfolds, the more the play seems to say how social media is so vapid, noisy, and insubstantial (at least that’s what I got from it).
But as one of the content creators start to realize that life is not fair for everyone, and a strong typhoon connects all four content creators together, reality is fractured and one creator manages to break into other people’s content, the play manages to create a strong criticism against the way social media has affected the way we see the world.
This is a brilliant play that feels new and is coming in strong with something important to say about the way we see the world and how it is filtered by our interactions in social media.
My Rating:
CONTROL + SHIFT is running at the PETA Theater Center until January 21. For tickets, please contact Trish at +639-15-311-8199.
As we step into 2024, the Philippine Educational Theater Association (PETA) embraces its mission with renewed vigor, presenting a bold and compelling collection of new theater performances. Under the banner of “CONTROL + SHIFT: Changing Narratives,” PETA sets out to redefine stories, challenge assumptions, and transform toxic narratives, ultimately reclaiming and reshaping the stories of the Filipino people.
The Visionaries Behind the Revolution
PETA artists, in collaboration with creative partners and collaborators, have passionately crafted eight new works, blending devised performances with the re-staging of the acclaimed “KUMPRONTASYON.” This groundbreaking collection will grace the stage at the PETA Theater Center from January 12-14 and 19-21, 2024.
CONTROL + SHIFT : Changing Narratives features eight new works, devised performances, and the re-staging of KUMPRONTASYON at the PETA Theater Center from January 12-14, 19-21, 2024.
Unveiling the Narrative Alchemy
Momsilogues: A Savory Journey of Life and Love
Zoe Damag, Julia Enriquez, Pia Viola, and Gold Villar-Lim’s “Momsilogues,” directed by Gold Villar-Lim.
Directed by Gold Villar-Lim, “Momsilogues” takes center stage, unraveling the intricate tales of single mom foodie vloggers. In this interactive vlog about tapsilog, the audience is invited on a savory journey delving into the realms of career, love, and motherhood.
Ang Mga Halimaw sa Compound Z: Rethinking Monster Myths
Directed by Norbs Portales, Sabrina Basillo’s “Ang Mga Halimaw sa Compound Z” weaves a gripping narrative. A journalist interviews recovering “halimaw” as they reintegrate into society, uncovering shocking revelations that could reshape humanity’s destiny. This play explores the construction of monster myths and their impact on young Filipinos.
Albularyo: A Movement Journey into Folk Healing
Direction, concept, and choreography by Carlon Matobato, dramaturgy by Ian Segarra
Carlon Matobato’s creation, “Albularyo,” is a mesmerizing movement performance delving into the world of Filipino folk healing. It aims to heal not only the ills of the body but also the nation, offering a unique exploration of our cultural roots.
Children of the Algo: Navigating Gen Z Realities
Directed by John Moran, Mixkaela Villalon’s “Children of the Algo” explores the hidden realities of Gen Z content creators in the digital age. With wit and vulnerability, the play challenges viewers to see beyond the algorithm, unveiling deeper truths.
Kislap at Fuego: A Fairytale Amidst Revolution
Directed by Maribel Legarda and J-mee Katanyag, Filipino translation by Gentle Mapagu
Dominique La Victoria’s “Kislap at Fuego” transports audiences to an unexpected fairytale set amidst the Philippine Revolution against Spain. The play seeks to reshape conversations about love, rebirth, and revolution.
/ (Slash): Navigating Influencer Culture
Directed by Meann Espinosa
Liza Magtoto’s “/ (Slash),” directed by Meann Espinosa, delves into the complex world of influencer culture. As an influencer’s best friend faces cancellation, the play explores loyalty, righteousness, and branding in the industry.
Ang Parangal: A Humorous Take on Inept Governance
Direction & concept by Eric dela Cruz, adaptation & co-conceptualized with Michelle Ngu-Nario
Directed by Eric dela Cruz, “Ang Parangal” adapts Miloš Forman’s 1967 comedy film, The Fireman’s Ball. The play unfolds as a group of barangay tanod organizes a community celebration, showcasing the dire ineptitude in governance, proving that spectacles and good intentions aren’t enough.
Nakatala Sa Tubig: Women’s Roles in Times of War
Direction & concept by Eric dela Cruz, adaptation & co-conceptualized with Michelle Ngu-Nario
Glecy Atienza’s “Nakatala Sa Tubig” (Staged Reading) collaborates with Anthony Cruz & Bobet Mendoza to present a performance discourse on water and the lives and roles of women in times of war. In this adaptation of Miloš Forman’s 1967 comedy film, The Fireman’s Ball, a group of barangay tanod organizes a community celebration in tribute for their retired barangay captain but crumbles in the face of their dire ineptitude. Spectacles and good intentions are not enough to make up for incompetence in governance.
Pilipinas, Geym Ka Na Ba?: Dark Twists in Childhood Games
Directed by Kovi Billones with directing guidance from Ian Segarra
In this devised performance by Umalohokan, Inc., directed by Kovi Billones with guiding insight from Ian Segarra, Kyle Saldonido’s “Pilipinas, Geym Ka Na Ba?” explores the dark twists in childhood games that the residents of Barangay Pinapili must conquer to leave an obscure playground.
KUMPRONTASYON: Theater as a Platform for Difficult Conversations
Melvin Lee’s “KUMPRONTASYON” presents three plays – Allan Palileo’s “Lakambini,” Guelan Luarca’s “The Impossible Dream,” and Joshua Lim So’s “A Color for Tomorrow.” This production serves as a powerful platform for difficult but necessary conversations on unresolved historical and political events.
The Power of Theater
These thought-provoking performances aim to use the power of theater as a platform for collective meaning-making and social transformation. PETA invites everyone to join this theatrical revolution and witness the empowering stories come to life! For more information and ticket reservations, visit tinyurl.com/PETAControlShift. Don’t miss the chance to be part of a narrative transformation that might just change the world.
Repertory Philippines returns to form for its 87th season with a full lineup, a first since 2019, marking a celebration of the enduring legacy of one of the country’s foremost theater companies and a resurgence of live stage performances all around the world.
REP launches into 2024 with exciting new productions that explore a kaleidoscope of narratives and characters that tackle the profound universality of love and yearning. This new season takes audiences to the familiar highs and lows of all kinds of relationships and inspires them to deepen their appreciation for Filipino culture. As one of the longest-running English-speaking theater companies in Southeast Asia, REP opens its 2024 season by bringing two exciting global productions to Philippine theater.
The first is the Manila premiere of Betrayal, one of the best-known plays of British theater icon and Nobel Prize winner in Literature Harold Pinter. It will feature London-based Filipino actors James Bradwell, James Cooney, and Vanessa White with Jef Flores and Regina De Vera as covers. Running from March 1 to 17, this production employs a reverse-chronological structure to tell the story and examine the consequences of an extramarital affair on three complex individuals and how clandestine meetings turn to dramatic confrontations. A recipient of the Laurence Olivier Award and New York Drama Critics’ Circle Award, the drama has featured prominent British actors like Michael Gambon, Daniel Craig, Rachel Weisz, and Tom Hiddleston.
This Manila staging of Betrayal holds many other firsts for REP. It is going to be the first Pinter play of the theater company. It marks the Philippine directorial debut of Victor Lirio, a Manila-born, New York and London based actor and theatre director, who trained at London Academy of Music and Dramatic Art and earned his Master of Arts in Drama Directing from the Bristol Old Vic Theatre School. He was most recently Resident Director on Dr Semmelweis at the Harold Pinter Theatre in London’s West End starring Oscar winner Mark Rylance. REP will also collaborate with Lirio on The Bridge Project, a “skills exchange” program for professional practitioners trained in different theater cultures to create a congress for collaborative learning. The three Filipino-British actors, along with two New York-based Filipino-American designers and Lirio, are being flown in to Manila by REP in February not only to perform in Betrayal, but also to hold free masterclasses, lectures and readings, for Filipino theater practitioners and audiences.
From June 7 to 30, REP then goes off-Broadway with the lighthearted Joe Di Pietro (book and lyrics) and Jimmy Roberts (music) musical I Love You, You’re Perfect, Now Change taking audiences through a whirlwind series of vignettes on love and relationships. Perfect for fans of modern musicals and sitcoms, the revue is rife with a whirlwind cast of characters ranging from big-city singles and awkward wallflowers to suburban settlers and sassy seniors – all played by a cast of four! The longest-running off-Broadway musical revue with tours to 250 cities worldwide, this musical also tackles everything people thought about dating and marriage, lovers, and in-laws—but were just too afraid to confront and admit.
Directed by the ‘first lady’ of Philippine musical theater Menchu Lauchengco-Yulo, REP’s I Love You, You’re Perfect, Now Changeensures a seamless blend of hearty humor and music. Other renowned creatives joining the production are Ejay Yatco for musical direction and Joey Mendoza for set design.
For its last two 2024 offerings, REP celebrates its roots by underlining its love for Filipino storytelling. Repertory Theater for Young Audiences (RTYA) showcases Filipino folklore in the all-new children’s musical Jepoy and the Magic Circle an adaption of The Magic Circle, a children’s short story by Philippine cultural icon and literature legend Gilda Cordero Fernando. The light-hearted musical centers on Jepoy and his dog, Galis, as they enter the whimsical balete world and befriend kapres, aswangs and tiyanaksand everything in between, to attend a tikbalang wedding.
Premiering in the last quarter of the year, Jepoy and the Magic Circle is bound to resonate with young audiences, leaving them with a meaningful and enduring message about the power of empathy and caring for the planet. This musical adventure is brought to life by RTYA Creative Director Joy Virata as its director, award-winning playwright Rody Vera, and Ejay Yatco as its musical director.
REP caps off 2024 in November till December its first-ever original jukebox musical: Going Home to Christmasfeaturing the music of Mr. Christmas himself, Jose Mari Chan!
For the season’s closing show, REP taps distinguished director, actor, and set designer Leo Rialp as director and esteemed theater actor Jeremy Domingo as assistant director. The musical is written by REP stalwarts Robbie Guevara, Luna Griño-Inocian, and Joel Trinidad, with additional scenes by Cathy Azanza-Dy.
Chan’s music and lyrics lend themselves to the charming and heartwarming stories; provide the perfect soundtrack for this seasonal offering; and, make Going Home to Christmas a theater experience the whole family will surely enjoy.
What makes the 2024 season extra special for REP is it also marks its nostalgic return to the Carlos P. Romulo Theater in RCBC Plaza, when they inaugurated the theater in 2001 with Celebration III, A Musical Revue before running for two wonderful decades at the Onstage Theater in Greenbelt.
“This new REP season is going to be one for the books. We’re back and stronger than ever since the pandemic, having experimented with virtual theater and mounted Rodgers and Hammerstein’s musical Carousel as well as currently staging Snow White and the Prince for RTYA,” says REP President and CEO Mindy Perez-Rubio. “Despite dealing with close to four years of darkness, the show must go on. REP is ready for a new chapter with a fresh lineup of carefully curated productions, plus the initiation of The Bridge Project, that will enrich the cultural lives of Filipino theatergoers and artists.”
Catch the entire REP 2024 season by purchasing season passes now. Season subscribers can get access to REP productions at up to 30% off. The full season year pass includes 3 season shows + RTYA, with the Gold Year Pass at Php 6,650 (Orchestra Center), the Silver Year Pass at Php 5,250 (Orchestra Side) and a Balcony Year Pass at Php 3,710. Student and Corporate Season Passes are also available at discounted prices.
For show-buying and ticket inquiries, contact REP at 0966-905-4013 or send an email at marketing@repphil.org or sales@repphil.org.
For updates and show schedules, visit www.repertoryphilippines.ph, or like and follow @repertoryphilippines on Facebook and Instagram.
In the late 1990s, Intramuros hosted a series of cultural shows produced and curated under the management of the Intramuros Administration. Dubbed Intramuros Evenings, the program featured the best of Philippine artists and performing groups. However, the program ceased for various reasons.
This year, the Intramuros Administration is reviving the program, kicking off with the re-staging of CCP Out-Of-The-Box (OTB) Series, Isang Gabi ng Sarsuwela on November 18, 6pm, at the Baluarte de San Diego, located inside the Walled City of Manila.
“We wanted to revive Intramuros Evenings because this is not just for the promotion of Intramuros as a tourist destination, but also for the promotion of our identity, culture, and heritage. The idea is to integrate historical preservation of heritage sites inside Intramuros with urban renewal and cultural tourism,” said Intramuros Administration head Atty. Joan Padilla.
Sharing the same goals to promote and preserve what is inherently Filipino and celebrate the best of the best in performing arts, the IA partnered with the Cultural Center of the Philippines for the revival of Intramuros Evenings.
First held in 1996, Intramuros Evenings shares a long history with the leading arts institution. It used to feature performances from CCP resident companies such as the Philippine Philharmonic Orchestra (PPO), Ballet Philippines, and Tanghalang Pilipino.
With the revival of Intramuros Evenings, the CCP’s OTB series is a timely fit to showcase a similar revival of the sarsuwela. Owing its roots to the Spanish zarzuela originally brought to the Philippines in the late 1800s, the sarsuwela became the popular form of entertainment for many Filipinos, particularly in the early 1900s.
“When we planned the CCP Out-of-the-Box Series, we already have the eye towards bringing it to Intramuros. When we designed and programmed the series, it was intended to include productions that can travel. With modular set design and technical requirements, we can re-stage the different productions under the series anywhere, anytime,” shared CCP artistic director Dennis Marasigan.
The CCP Out-Of-The-Box Series features performances that audiences normally wouldn’t see in conventional programming. It aims to create a space for adventurous audiences, artists, and ideas.
Isang Gabi ng Sarsuwela, the opening salvo of Intramuros Evenings, features excerpts and songs from classic and contemporary sarsuwela productions. Marasigan and music director Joed Balsamo have put together top-notch performers who have all distinguished themselves in classical and musical theater, such as Nenen Espina, Franco Laurel, Ayen Munji Laurel, Reuben Laurente, Lorenz Martinez, Shiela Valderrama Martinez, Jonathan Tadioan, and Karylle Tatlonghari.
Within the spirit of promoting our culture and heritage, the event will take place in Baluarte de San Diego, a historic bastion of Spanish colonial fortification in Intramuros.
“We are pushing Baluarte de San Diego as the initial site for Intramuros Evenings to reintroduce this historic site to the public. The consequent installments of Intramuros Evenings will feature other historic sites inside the Walled City of Manila,” said Atty. Padilla.
Completed between 1653 and 1663, Baluarte de San Diego is a bulwark shaped like an ace of spades. The bulwark includes the Fort Nuestra Senora de Guia, a circular tower designed by Jesuit priest and architect Antonio Sedeño and built from 1586-1587. In 1593, the upper portion of the tower was demolished after suffering from cracks. The rest of the structure was integrated into Baluarte de San Diego.
In 1762, the Baluarte was breached by the British forces with cannon fire, but was restored when the Spaniards returned years after. An earthquake destroyed the structure in 1863, leading to its abandonment. During the Battle of Manila in 1945, the circular fort was buried under layers of soil, saving it from total destruction.
The circular fort was excavated in 1979, while the baluarte was restored by 1992, with a garden added at its base. Since then, the first stone fort in Manila is now an archeological park.
“The partnership with the Intramuros Administration comes in perfect timing. Since the CCP Main Building is undergoing rehabilitation, we have been looking for new venues where we can bring our performances and productions,” concluded Marasigan.
The CCP continues to go beyond the corners of the complex and into the regions and other cities, bringing its various programs, shows, and projects to different venues and reaching out to more audiences.
Catch the revival of Intramuros Evenings, featuring the CCP Out-Of-The-Box Series: Isang Gabi ng Sarsuwela, on November 18, 2023, 6PM at Baluarte de San Diego, Intramuros. The show is free to the public. Entrance fee to Baluarte de San Diego is priced at Php 75, with discounted price of Php 50 for students, senior citizens, and PWDs.
For latest updates, follow the CCP official social media accounts on Facebook, Twitter, Instagram and Tiktok, and visit the CCP website (www.culturalcenter.gov.ph) for tickets and other inquiries.
In an exciting turn of events, GMG Productions announces an extended run of the Manila run of Cameron Mackintosh’s phenomenal new production of Boublil & Schönberg’s MISS SAIGON. Initially set to draw curtains on April 21, 2024, the theatrical masterpiece is now set to captivate audiences until May 5, 2024. This extension is a testament to the unwavering appeal of this timeless musical.
Audience Enthusiasm Ignites Extended Performances
GMG Productions’ CEO, Carlos Candal, shared, “Due to the incredible demand for tickets to Miss Saigon, we’ve made the exciting decision to extend its run in Manila. The passion of the Manila audience is the driving force behind this, and we’re thrilled to offer more people the chance to experience the classic production.”
The Artistic Tapestry of Miss Saigon
MISS SAIGON, with its haunting melodies by Claude-Michel Schönberg and poignant lyrics by Richard Maltby Jr. and Alain Boublil, adapted from original French lyrics by Boublil and additional lyrics by Michael Mahler, continues to resonate with audiences worldwide. The production, helmed by director Laurence Connor and featuring musical staging by Bob Avian with additional choreography by Geoffrey Garratt, is a visual and auditory masterpiece.
A Visual and Auditory Masterpiece
This rendition of MISS SAIGON is a spectacle of creative design and technological advancement. Totie Driver and Matt Kinley mesmerize with their production design, born from Adrian Vaux’s original concept. The visual feast continues with Andreane Neofitou’s costume design, Bruno Poet’s lighting artistry, Luke Halls’ captivating projections, and Mick Potter’s immersive sound design. The musical arrangements breathe life through the orchestrations of William David Brohn, under the meticulous music supervision of Alfonso Casado Trigo and Guy Simpson.
Seize Your Chance to Be Part of the Magic
MISS SAIGON’s new show dates, a response to the overwhelming demand, are now open for booking exclusively through TicketWorld. The extended run in Manila is staged at The Theatre at Solaire, thanks to GMG Productions’ initiative.
As MISS SAIGON prepares to land at The Theatre at Solaire in March 2024, don’t miss your chance to be part of this theatrical phenomenon. Stay updated with all the latest news and exclusive announcements by visiting www.gmg-productions.com or following @gmg.productions on social media.
Immerse yourself in the emotion, the story, and the unforgettable music of MISS SAIGON in Manila. Whether it’s your first time or a revisit to the classic, the extended run promises an experience that will resonate long after the final bow.
Meet the cast of Disney Princess – The Concert as a quartet of Broadway and television stars celebrate the music from every Disney Princess in an unforgettable show, alongside their magical Music Director and enchanting Prince. Catch the shows in MANILA on November 18 & 19, 3PM & 8PM at the Samsung Performing Arts Theater, CEBU on November 22, 8PM at the Waterfront Hotel Cebu City and DAVAO on November 21, 8PM at the SMX Convention Center Davao. Presented by Disney Concerts and Wilbros Live.
Anneliese van der Pol is a TV icon of the millennial generation, known for portraying ‘Chelsea Daniels,’ Raven-Symoné’s best friend, on Disney Channel’s record-breaking series, That’s So Raven and Raven’s Home. On Broadway, Anneliese was the final actress to play ‘Belle’ in Disney’s Beauty and the Beast alongside Donny Osmond, when it closed at The Lunt-Fontanne Theatre in 2007. Most recently, she’s been having a blast touring the US (and world!) with Disney Princess – The Concert!
Aisha Jackson was last seen on Broadway as ‘Snow White’ in the Britney Spears musical Once Upon a One More Time. Previously, during her run in Disney’s Frozen on Broadway, she made history as the first Black woman to portray the role of ‘Anna.’ Additional Broadway credits include Paradise Square, Beautiful: The Carole King Musical, and Waitress. Aisha is a true advocate for change, equity, and inclusion on Broadway, and hopes to continue creating roles for Black women to shine and lead, because representation matters.
Krysta Rodriguez has proven herself to be a versatile actress of both stage and screen. A veteran of nine Broadway shows, Rodriguez most recently starred as ‘Cinderella’ in Into the Woods (on Broadway and in Los Angeles) and originated the role of ‘Wednesday’ in The Addams Family. Her past roles include originating ‘Ilse’ in the critically acclaimed revival of Spring Awakening, ‘Casey’ in First Date opposite Zachary Levi, and Disney heroine ‘Megara’ in the world premiere stage adaptation of the beloved animated film Hercules. Additional Broadway credits include the original companies of In the Heights, Spring Awakening, A Chorus Line (revival) and Good Vibrations.
Steffanie Leigh made her Broadway debut as the title role in Disney’s Mary Poppins. She went on to originate the roles of Liane d’Exelmans in Gigi and the iconic supermodel Dorian Leigh in War Paint, starring Patti LuPone and Christine Ebersole. Her international and regional credits include Venus in Fur at Singapore Repertory Theatre, Gods of Comedy at The Old Globe and McCarter Theatre, and Passion at Signature Theatre for which she received a Helen Hayes Award nomination for her portrayal of ‘Clara.’
Adam J. Levy is currently in Broadway’s Moulin Rouge and was last seen in the first national tour of Waitress. His New York and regional credits include Fiddler on the Roof, The Light in the Piazza, A Chorus Line, Hairspray, Lysistrata Jones, and Merrily We Roll Along. He has sung with symphony orchestras across the US, including the National Symphony Orchestra at the Kennedy Center, the LA Phil at the Hollywood Bowl, and the New York Philharmonic at Lincoln Center.
Benjamin Rauhala is one of the Broadway community’s most trusted music directors and collaborators. He is the music supervisor, co-creator, and on-stage host of Disney Princess – The Concert, which has been thrilling audiences internationally since October of 2021. He worked as an arranger on the opening numbers of the 2022 and 2023 Tony Awards as well as the 2023 BAFTA Film Awards for Academy Award winner Ariana DeBose, with whom he has collaborated closely since 2012. Rauhala has toured the world since 2014 as the music director for Jeremy Jordan, the Tony-nominated star of Broadway’s Newsies, and in 2020, he was named ‘Best Musical Director’ at the Broadway World Cabaret Awards.
Disney Princess – The Concert will include songs like “How Far I’ll Go,” “A Whole New World,” “Just Around the Riverbend,” “Part of Your World,” “Almost There,” “Let It Go” and more!
Tickets are available at TicketWorld.com.ph and TicketWorld outlets for MANILA shows, and SMTickets.com and SM Tickets outlets for CEBU and DAVAO shows. For more information, follow @WilbrosLive on social media.
Last Sunday, theater lovers in Manila received the surprise of their lives! The curtain call of PETA‘s play ‘Walang Aray’ was just the beginning, as the night held an even bigger surprise. Right after the finale, PETA treated the audience to a hint of what’s coming next.
Photo Credit: Steph de la Paz and Kovi Billones
PETA’s Unexpected Reveal
Gio Gahol and Marynor Madamesila, renowned for their roles as Tenyong and Julia in “Walang Aray”, stepped into the iconic shoes of Popoy and Basha, characters from the beloved movie. With the famous lines, “She had me at my worst. You had me at my best,” echoing in the theater, it became clear: PETA was setting the stage for “One More Chance the Musical.”
Photo Credit: Steph de la Paz and Kovi Billones
Ben&Ben Lights Up the Night
But the surprises didn’t end there. As the set curtains dramatically unveiled, the audience was greeted with the striking presence of Ben&Ben. The hall filled with melodies as the crowd joyfully joined in, singing the band’s hit songs, Kathang Isip and Araw-Araw. Songs that resonate with a generation, making Ben&Ben a staple in contemporary Philippine music. Their monumental achievement as the most streamed OPM Artist and Group in the Philippines speaks volumes about their artistry.
Photo Credit: Steph de la Paz and Kovi Billones
PETA’s Legacy of Jukebox Hits
PETA’s legacy is adorned with jukebox musicals that have left an indelible mark on the theater landscape. Their record showcases gems like the immensely successful “Rak of Aegis” and the critically acclaimed “Three Stars and a Sun”, a tribute to the genius of Francis Magalona.
With “One More Chance the Musical”, PETA is ready to offer another classic, adding to their illustrious lineup of theatrical masterpieces.
Mark your calendars, theater enthusiasts! “One More Chance the Musical” is gearing up to take the stage by storm in April 2024 at the revered PETA Theater Center.
For corporate partnerships or if you’re considering a show purchase, PETA’s door is always open. Reach out at petatheater@gmail.com or dial 0917-539-1112. For the latest buzz and updates, keep a tab on PETA’s social channels – @petatheater on Facebook, Instagram, and Twitter.
The anticipation is palpable, the excitement undeniable, and the heartbeat of Manila’s theater scene is quickening! Riding the wave of international accolades and roaring applause, GMG Productions, in association with GWB Entertainment, has announced that Cameron Mackintosh’s globally acclaimed production of Boublil & Schönberg’s “Miss Saigon” is coming straight from its phenomenal run at the Sydney Opera House to Manila’s The Theatre at Solaire this March 2024.
A String of Acclaimed Performances
Having made its stellar debut in London in May 2014, “Miss Saigon” has been setting benchmarks with record-breaking advance sales and critical acclaim. It collected a whopping 9 Whatsonstage Awards. It then opened on Broadway, followed by a hugely successful US Tour. The New Yorker called it “A Dynamite Broadway revival.” The UK’s The Daily Telegraph wrote, “This thrilling new production spills out beyond the theatre and speaks directly to the times we live in – magnificent performances.” The Daily Mail said, “The greatest musical of all time just got even better!” And now, Manila, a city with a profound bond with this legendary musical, gears up for this theatrical marvel in March 2024.
A Timeless Tale of Love and Sacrifice
Rooted in the heart-wrenching narrative of Puccini’s “Madame Butterfly,” “Miss Saigon” shifts the setting to the turmoil of 1970s Vietnam. Audiences are swept off their feet following the poignant saga of Kim, a resilient Vietnamese woman, as she navigates the chaos of Saigon during the Vietnam War, falls in love with an American G.I. named Chris, and embarks on an extraordinary three-year quest for reunion, all while harboring a heart-wrenching secret.
Her love story, punctuated by war’s chaos, heartache, and a glimmer of hope, sets the stage for an epic narrative that transcends time.
A Homecoming of Sorts: ‘Miss Saigon’ and the Philippines
Sir Cameron Mackintosh‘s delight is palpable, “I’m absolutely thrilled to be bringing my spectacular new production of Miss Saigon to Manila. Without a doubt, it is the best production of Saigon I have ever produced, with one of the most brilliant casts that have ever performed the show around the world. I can’t envisage another show of this scale being done in Manila for the foreseeable future.”
Indeed, Manila’s bond with “Miss Saigon” is profound, having paved the way for Filipino luminaries like Lea Salonga and Rachelle Ann Go.
The Filipino Connection: A Deep-Seated Bond
Carlos Candal, the dynamic CEO of GMG Productions, added that “Following the incredible success of Hamilton, and continuing with GMGP’s commitment to bringing the absolute pinnacle of musical entertainment to Manila, I could not be more excited to be presenting “Miss Saigon” at the Theater at Solaire. Filipinos have a deep connection with “Miss Saigon” because it has been the stage where countless Filipino artists have had their moment to shine.” “The production has given talents like Lea Salonga, Jon Jon Briones, Joanna Ampil, Rachelle Ann Go, and countless others a platform to showcase their extraordinary skills and passion, and we’re excited to welcome a new company of world-class performers to share the new staging of this phenomenal production.”
Torben Brookman, Director of GWB Entertainment, shares “After witnessing the Opening Night of this production in Sydney recently, audiences are in for an absolute treat with the best production of this incredible show that I’ve ever seen – the heat will be on in Manila! Cameron Mackintosh’s production of Boublil and Schönberg’s classic musical first premiered in London’s West End in 1989. The Tony® and Olivier award-winning musical has been seen by 38 million people worldwide, staged in 32 countries, in over 350 cities, and in 15 different languages for the past 34 years
Miss Saigon has music by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil, adapted from original French lyrics by Alain Boublil, with additional lyrics by Michael Mahler. The new production is directed by Laurence Connor with musical staging by Bob Avian and additional choreography by Geoffrey Garratt. The production design is by Totie Driver and Matt Kinley based on an original concept by Adrian Vaux; costume design by Andreane Neofitou; lighting design by Bruno Poet; projections by Luke Halls; sound design by Mick Potter; and orchestrations by William David Brohn. Music supervision is by Alfonso Casado Trigo and Guy Simpson.
The Manila season is presented at The Theatre at Solaire by GMG Productions, with tickets on sale on November 6 only through TicketWorld. Theatre fans can also enjoy exclusive first access to the show with UnionBank of the Philippines as the show’s official sponsor and pre-sale partner or through the GMG Miss Saigon waitlist atwww.gmg-productions.com. Pre-sale period will run from October 23 to November 3.
Mark Your Calendars!
Witness Miss Saigon at The Theatre at Solaire in March 2024. With tickets going live on November 6 exclusively via TicketWorld, it’s time to set those reminders! Exclusive early-bird access? UnionBank of the Philippines, the show’s prestigious sponsor, has got you covered. And if the anticipation gets too much, hop onto the GMG Miss Saigon waitlist at www.gmg-productions.com, starting October 23. Stay tuned and follow @gmg.productions on social media. Don’t let the sun go down on this spectacular event!
