Tag: Streaming

What’s New On Netflix This October 2024

As we dive into the cozy season of October 2024, Netflix is set to deliver a thrilling lineup of fresh content. Whether you’re craving spine-tingling horror to get into the Halloween spirit, heartwarming dramas to cozy up with, or exciting new releases in every genre, this month’s offerings promise something for every viewer. From returning fan-favorites to must-watch debuts, here’s a rundown of what’s new on Netflix this October.

YOUR TOP PICK THIS MONTH

Outside (Film)
Launch date: October 17 | Stream it here

A family retreats to an isolated farm during a zombie outbreak, but years of painful secrets take a toll as they navigate their desolate world.

GET SPOOKED!

IT’S WHAT’S INSIDE (Film)
Launch date: October 4 | Stream it here

A pre-wedding reunion descends into a psychological nightmare for a group of college friends when a surprise guest arrives with a mysterious suitcase.

The Platform 2 (Film)
Launch date: October 4 | Stream it here

After a mysterious leader imposes his law in a brutal system of vertical cells, a new arrival battles against a dubious food distribution method.

Woman of the Hour (Film)
Launch date: October 18 | Stream it here

An aspiring actress crosses paths with a prolific serial killer in ’70s LA when they’re cast on an episode of “The Dating Game. ” Based on a true story.

Hellbound: Season 2 (Series)
Launch date: October 25 | Stream it here

As the chaos deepens, lawyer Min Hyejin, The New Truth and Arrowheads get entangled anew amid the sudden resurrections of the formerly condemned.

(VERY) CUTESY ROMANCE

Blue Box (Series)
Launch date: October 3 | Stream it here

Badminton player Taiki has always admired basketball star Chinatsu from afar. But one spring day, a surprising turn brings them unexpectedly close.

Heartstopper: Season 3 (Series)
Launch date: October 3 | Stream it here

Charlie and Nick are ready to take things to the next level. As they grow closer in every way, they face their relationship’s biggest challenge yet.

Deceitful Love (Series)
Launch date: October 9 | Stream it here

After turning 60, a wealthy woman suddenly falls in love with an attractive and much younger man, but her family raises doubts about his intentions.

Lonely Planet (Film)
Launch date: October 11 | Stream it here

At an idyllic writers retreat in Morocco, a newly single novelist finds an unexpected connection with a younger man who’s reevaluating his life choices. Laura Dern and Liam Hemsworth star in this seductive romantic drama from writer-director Susannah Grant (“Erin Brockovich”).

ANIMATED DREAMSCAPES

Ranma1/2 (Series)
Launch date: October 6 | Stream it here

Akane Tendo meets her new fiancé, Ranma Saotome, a martial arts prodigy with a twist: he magically transforms into a girl upon touching cold water.

The Boy and the Heron (Film)
Launch date: October 7 | Stream it here

After his mother’s death, young Mahito moves to her hometown, where a mysterious heron leads him into a fantastic realm shared by the living and the dead.

Tomb Raider: The Legend of Lara Croft (Series)
Launch date: October 10 | Stream it here

Thrust into a high-stakes chase around the world, fearless adventurer Lara Croft confronts her traumatic past while unraveling an ancient mystery.

MORE FOR YOUR MUST-WATCH LIST

Making It in Marbella (Series)
Launch date: October 1 | Stream it here

Making It In Marbella. Making It In Marbella | Courtesy of Netflix © 2024

The Swedish agents at the luxury real estate firm Homerun Brokers compete for the best listings in Spain’s high-end holiday destination Marbella.

The Amazing Digital Circus: Season 1 (Eps 1-3) (Series)
Launch date: October 5 | Stream it here

A woman is caught in a bizarre virtual reality where she and other trapped humans become bound to the whims of an unhinged AI ringmaster.

The Menendez Brothers (Documentary)
Launch date: October 7 | Stream it here

In 1996, Lyle and Erik Menendez were convicted for the murders of their parents in what became one of the most famous criminal cases of the late 20th century. For the first time in 30 years, and in their own words, both brothers revisit the trial that shocked the nation.

Starting 5 (Sports Series)
Launch date: October 9 | Stream it here

This captivating sports series follows Jimmy Butler, Anthony Edwards, LeBron James, Domantas Sabonis and Jayson Tatum throughout the 2023-24 NBA season.

Uprising (Film)
Launch date: October 11 | Stream it here

In the Joseon Dynasty, two friends who grew up together — one the master and one the servant — reunite post-war as enemies on opposing sides.

Comedy Revenge (Series)
Launch date: October 15 | Stream it here

Hosted by legendary comedian Lee Kyeong-kyu, 18 comedy powerhouses compete in an all-out battle of hilarity once again — let the giggles begin!

The Shadow Strays (Film)
Launch date: October 17 | Stream it here

The Shadow Strays. Aurora Ribero as 13 / Nomi in The Shadow Strays. Cr. Courtesy of Netflix © 2024

Skilled in the art of killing, a young assassin defies her mentor to save a boy from a ruthless crime syndicate — and she’ll destroy anyone in her path.

Family Pack (Film)
Launch date: October 23 | Stream it here

When an old card game comes to life, a family jumps back in time to a medieval village where they must unmask werewolves to secure their return home.

This is the Zodiac Speaking (Documentary)
Launch date: October 23 | Stream it here

This is the Zodiac Speaking. (L to R) Inspector Dave Toschi and Inspector Bill Armstrong in This is the Zodiac Speaking. Cr. Courtesy of Netflix © 2024

In this true-crime docuseries, a family searching for answers shares clues and eye-opening testimonies about the prime suspect in the Zodiac murders.

The Hunger Games (Film)
Launch date: October 24 | Stream it here

In a dystopian future, teens Katniss and Peeta are drafted for a televised event pitting young competitors against one another in a fight to the death.

As October unfolds, Netflix continues to deliver a mix of new releases and returning favorites that are sure to keep viewers hooked. With an array of genres and stories to explore, there’s no shortage of entertainment to enjoy. Whether you’re watching solo or planning a movie night with friends, Netflix has you covered for all your streaming needs this month. Get ready to discover your next binge-worthy favorite!

October 2, 2024
REVIEW: A Promising Irreverent Cop Show: a review of the first 3 episodes of ‘Seoul Busters’

The first three episodes of the upcoming Disney+ streaming show, ‘Seoul Busters,’ features irreverent humor that goes no-holds barred with its humor and comedy. Unlike other comedic K-drama cop shows that takes its storylines seriously while dropping comic moments and funny dialogue here and there, ‘Seoul Busters’ is more about having fun and cracking jokes at almost every turn. It feels more like a situational comedy than a comedic cop serial, which means that it has a different flavour but is still distinctly a K-drama.

The 12-episode show is about the worst performing squad in the violent crimes police squad. They include Moo Jung-ryeok (Park Ji-Hwan), who is a tough talking, hot-headed, former member of the National Boxing team; Jeong Jeong-hwan (Seo Hyun-woo), an obsequious detective who is always pandering to anyone of authority; Seo Min-seo (Park Se-wan), the only woman in the group who is as tough talking as the guys but is secretly hiding her longing for a boyfriend; and the rookie, Jang Tan-sik (Lee Seung Woo), who appears to be not very bright or not at all capable but is extremely enthusiastic and eager to be helpful.

Combined, they form the lowest-rank squad and are a constant pain to their superintendent. It’s so bad that they were forced to relocate in a former day care center when their office was up for renovation. The visual comedy of these tough talking police detectives trying to work in the setting of a day care center. The building interiors are colorful, there’s a ball pool, a slide, and most of the chairs are built for children. In two episodes of the first three episodes, there’s an interrogation scene where they are in a room with tiny chairs and tables and the Moo Jung-ryeok and the suspect have to play out an interrogation scene while sitting in seats made for children. The idea of it is hilarious.

Things change when a new captain is brought into play. Enter Dongban Yu-bin (Kim Dong-wook). He’s smart, capable, and multi-awarded and while he was set for a job at the administrative level, he requested to be transferred to violent crimes as he feels he still has much to learn on the field. He is perfect in every way, entering a crime scene and observing little details that is shown to the audience by subtitles popping out with every detail that catches his attention. He has relatively poor social skills, though, and as he is assigned to the squad, Moo Jung-ryeok immediately dislikes him, Jeong Jeong-hwan tries to get to his good side, Seo Min-seo is fighting her growing feelings for him, and Jang Tan-sik is trying his best to still be helpful.

The first episode of the 12-episode series is set to establish the characters and the milieu and introduces us to the first case. The second and third episode shows the detectives at work, trying to solve the case and getting into hilarious shenanigans while playing out the dynamics of the new team. The first case gets resolved by the end of episode three before they introduce a new case, so it seems that the show may take on an episodic structure with the goal of seeing if Dongban Yu-bin has what it takes to raise the squad from the lowest to the level of even being competent.

While the first case is solved through some detective work, the intricacy of the crime is revealed so it creates a whodunit structure, the show is really more focused on the humor aspect. It is not afraid to go highbrow or even low brow (sometimes even veering into toilet humor). It seems nothing is off limits at the moment and so how the show will continue to evolve will be quite interesting.

For some reason, the show reminds me of ‘Brooklyn 99’ and if the humor continues in this vein, it’s going to be a fun 12 episodes.

My Rating:

SEOUL BUSTERS is now streaming on Disney+. Watch it here.

September 15, 2024
REVIEW: The ‘Rings of Power season 2’ is a clumsy meditation on corruption

I was not a fan of the first season of ‘The Rings of Power,’ the Prime Video streaming series based on the appendices of JRR Tolkien’s beloved ‘Lord of the Rings’ books. My biggest gripe was in the depiction of the elves as people who were just as frivolous and emotionally unstable as the humans. I talked about the inevitable comparisons that were going to be made between the show and Peter Jackson’s vision of that world in his ‘Lord of the Rings’ trilogy. But considering the amount of money that Prime Video has thrown at this show, I was curious to see if things would get better on its second round.

The second season is now focused on the forging of the titular Rings of Power. The eight-episode season is focused on Sauron (Charlie Vickers), who has now disguised himself as the elf Annatar manipulates the elvish smith Celebrimbor (Charles Edward) to forge more rings for the dwarves and the race of man. Galadriel (Morfydd Clark) must face the consequences of her actions in season one as she is forced to confess of her dealings with Sauron, when he was disguised as the human Halbrand to Gil-galad (Benjamin Walker) and Elron (Robert Aramayo). The dwarves are in disarray as an earthquake caused by the rise of a volcano in Mordor destroys the sun shafts in Kaza-dum forcing King Durin (Peter Mulan) and his son Durin (Owain Arthus) to navigate their tempestuous relationship. The Harfoots Nori (Markella Kavanagh) and Poppy (Megan Richards) continue to accompany the Stranger (Daniel Weyman) to find the point of the stars while, in later episodes, we discover the chaos that is happening in the realms of men, highlighting the story of Queen Regent Miriel (Cynthia Addai-Robinson) and Isildur (Maxim Baldry) as the orcs march out of Mordor led by Adar (Sam Hazeldine).

It’s a lot of stories that is happening simultaneously and what is attractive about the show is how the immense budget is reflected in the CGI and the production of each scene. The show looks expensive, and the special effects are convincing enough, giving life to giant spiders, ents, trolls, and even the Barrow-Wights. The world is immersive, with hundreds of extras keeping the world populated and making sure the show doesn’t feel small.

In fact, with all the storylines at play, it’s just a marvel at how much all of this must cost.

There is an enjoyable aspect to the narrative: a classic epic adventure story with multiple protagonists on their own quests to strive towards stopping a great evil. But as we are now into the second season, several characters have yet to interact and some of the storylines have yet to fully intersect, which slows down the pace of the whole show altogether. At eight episodes, the Stranger and his quest for his forgotten memories and his name takes forever and while it continues to strengthen the bond between him and the two Harfoots, his storyline still feels adjunct to the main narrative.

The ones who get the most focus are the elves, and this is still my most sour spot on the whole show. For beings that live for thousands of years, they make the most foolish mistakes and make the most questionable of actions. Galadriel’s insistence of facing Sauron despite the fact that he has fooled her for almost all of the first season should be a cause for self-reflection and instead, it emboldens her to do more acts that feel impulsive and reckless. The same can be said for Elrond and the way by which Celebrimbor is so easily swayed and manipulated by Sauron-as-Annatar does not feel at all seemly for the character of the elves.

The highlights of the show are the moments when it focuses on the Dwarves. Disa is still one of the most realised characters in the show and is performed extremely well by Sophia Nomvete. Their storyline is the one that moves at a proper pace yet still manages to delve into the emotional weight of the issues at hand. Things get even worse when the dwarven rings come into play.

Season 2 grounds itself by exploring the corrupting effect of power and fame and glory. It’s best when it navigates this as best seen in the storyline of the Dwarves or when Elrond argues with Galadriel regarding her ring (though Galadriel’s position, considering her past experience with Sauron, makes for a weak argument) or the way by which Sauron plays with Celebrimbor’s own pride. It would have been interesting to see this play out if the writing was stronger and tighter (which means removing the adjunct stories like The Stranger’s or Isildur’s) but all of this is bogged down by the rest of the storylines that all don’t push towards a clear focus.

And, by the end of the season, there’s still so many storylines left opened – of course, for the eventual third season – but none of which feels even partially resolved. It still feels like the first act of the larger story and that can get quite tedious.

My Rating:

The Lord of the Rings – The Rings of Power is now streaming on Prime Video. Watch it here.

September 8, 2024
Star-Studded Premiere Unveils Gripping Drama Awaits in ‘PULANG ARAW,’ Netflix’s Historical Epic

Netflix Philippines pulled out all the stops to celebrate the arrival of PULANG ARAW, the country’s biggest historical series of 2024. The Peninsula Manila Hotel became a beacon of glamour and anticipation on July 9, 2024, as a dazzling array of celebrities, press, content creators, and VIPs gathered for the series’ star-studded premiere event. All were eager to catch the first glimpse of what is touted to be a groundbreaking series.

Celebrity Insights and Historical Portrayals

Leading the charge were the captivating stars of PULANG ARAW – Barbie Forteza, Sanya Lopez, David Licauco, and Alden Richards – who commanded the spotlight with their captivating presence. The supporting cast also graced the red carpet, adding another layer of intrigue as they hinted at the intricate web of stories woven within the series. Dressed in 1940s attire, reflective of their characters’ era with impeccable style in “Pulang Araw,” they shared insights into their roles and the deep connections to Philippine history they portray.

Lead stars Barbie Forteza, Sanya Lopez, David Licauco, and Alden Richards were the cynosure of all eyes, donned in striking 1940s attire, reflecting their characters’ era with impeccable style.

Photo credit: Netflix

Alden Richards, portraying Eduardo dela Cruz, shared his deep connection with the project, reflecting on its decade-long journey from conception to screen. He shares that the project has been a long-awaited endeavor for him and the production team, “Nabanggit na po ito sa akin ng aking boss na si Ms. Annette (GMA Executive Atty. Annette Gozon-Valdes, President of GMA Films and GMA Worldwide) sampung taon na ang nakakalipas.” (“This was mentioned to me by my boss, Ms. Annette, ten years ago”). He highlighted the series’ significance in bringing forgotten historical narratives to the forefront of modern consciousness.

Barbie Forteza, embodying the vivacious Adelina dela Cruz, shared her enthusiasm for showcasing vaudeville within the series, drawing parallels between the art form and the enduring spirit of finding joy amidst adversity. “Kahit sa buhay, kahit na anong kinakaharap mong problema at paghihirap, lahat ‘yun ay kakalimutan mo, kasi the show must go on,” (“Even in life, no matter what hardships you face, you’d forget them all, because the show must go on”)

Sanya Lopez, who steps into the shoes of Teresita, elaborated on the series’ intent to educate the current generation about the sacrifices that shaped their freedoms. “Para sa akin ‘yun ‘yung katangian ng isang magiting na babae, na hindi lang noong panahon ng mga Hapon o ng digmaan, kundi sa panahon ngayon ng mga makabagong Teresita. Na patuloy lumalaban sa mga pagsubok, sa mga panga-abuso, sa pangmamaliit. Na lumalaban para sa kanilang karapatan,” (“For me, that’s the main characteristic of a brave woman, not only during that period, but even today, a time of modern-day Teresitas. They continue to fight the challenges, the abuse, and the oppression. They fight for their rights,”) She also shared her privileged experience of conversing with actual comfort women as part of the preparation for the role, which added a profound layer to her portrayal. Echoing her sentiment, Alden emphasized the importance of remembering the heroes of yesteryears, which he believes is a cornerstone of the series.

View this post on Instagram

A post shared by ClickTheCity (@clickthecity)

David Licauco, portraying the conflicted Hiroshi Tanaka, shared insights into his character’s dilemmas of heart versus duty, adding layers to the narrative fabric of ‘Pulang Araw’. Sanya also highlighted her character’s embodiment of courage, drawing inspiration from historical figures to deliver a performance that connects with both historical enthusiasts and casual viewers alike.

Photo credit: Netflix

Barbie and David, known collectively as ‘BarDa,’ discussed their dynamic working together again. For David, one particular scene made him realize how different Barbie is in this show, ‘yung iksena na nag-I love you ako kay Barbie, dun ako may nakitang kakaiba. Napakagaling ni Barbie Forteza bilang aktres.” (“The scene where I told Barbie I love her, I saw something different there. Barbie Forteza is a brilliant actress.”). On the other hand, Barbie not only commended him for his Japanese-speaking skills but also applauded David for the growth in his passion for acting, “Natutunan niyang mahalin ‘yung craft. (…) Ibang David Licauco po talaga ang mapapanood natin dito, and I’m just very proud of him.” (“He learned to love the craft. (…) We’ll get to see a different David Licauco here, and I’m just very proud of him.”)

Photo credit: Netflix

Behind the Scenes and Beyond

The influence of vaudeville is a significant element in ‘Pulang Araw,’ especially for the characters played by Barbie and Sanya. The actresses shared their memorable experiences preparing for these roles, highlighting the rigorous tap dance sessions they undertook before filming commenced. “Tap dance classes, bago pa man magsimula ang taping. Ang saya ng experience kasi sobrang lapit sa puso ko si Sanya.” (“Tap dance classes, even before we started filming. The experience was fun because Sanya is someone I hold close to my heart.”) Sanya was equally enthused with the experience, cherishing the moments she spent training with Barbie, “Kumakanta habang nagta-tap dance—umaarte habang nagta-tap dance. (…) Masarap sa feeling na meron kaming bagong natutunan para sa palabas na ito.” (“Singing while tap dancing—acting while tap dancing. (…) It’s a great experience to learn something new for this show.”)

Photo credit: Netflix

To conclude the event, the supporting cast composed of Sef Cadeyona, Aidan Veneracion, Neil Ryan Sese, Jay Arcilla, Ashley Ortega, Mikoy Morales, Rochelle Pangilinan-Solinap, Angelu de Leon, and Epy Quizon headed to the stage to introduce their characters and hint at their relationships with the main cast, teasing viewers with their intriguing connections and hinting at the complex interplay of relationships that viewers can expect. The event culminated with a screening of the pilot episode, leaving the audience eager for the series’ official release.

PULANG ARAW premieres first on Netflix starting Friday, July 26, 72 hours before free TV airing.

About PULANG ARAW

Pulang Araw chronicles the lives of Adelina (Forteza), Teresita (Lopez), Hiroshi (Licauco), and Eduardo (Richards) during the Japanese occupation of the Philippines. Find out how the characters navigate an intricate web of loyalty, betrayals, sacrifices, and resilience amidst the backdrop of a war ravaging the country.

PULANG ARAW is directed by Dominic Zapata and written by Suzette Doctolero.

July 11, 2024
REVIEW: Big Stars and impressive budget propel ‘Red Swan’ through its hazy first two episodes

Two big stars – Kim Ha Neul and Jung Ji Hoon (more popularly known as Rain) – are some of the biggest and most established names in Korean entertainment. Working together is definitely big news, and you can see the Disney+ produced K-Drama has the budget to celebrate this artistic collaboration. ‘Red Swan,’ based on its first two episodes, is poised as an action/romance/thriller as Kim Ha Neul plays Oh Wan Soo, the wife of a chaebol heir whose high-profile global charities has put her in the crosshairs of terrorist groups. While on an important event in Manila, she is attacked and is rescued by a highly trained, former policeman, Seo Do Yoon (Jung Ji Hoon), who ends up joining her security detail. What complicates things is that it seems Do Yoon is following a trail of the murder of his friends which leads him straight into the chaebol family that Oh Wan Soo is married into. Adding fuel to the fire, Wan Soo has had it with her adulterous husband and may be attracted to her brand-new bodyguard.

‘Red Swan,’ written by Choi Yoon Jung and directed by Park Hong-kyun, is fast-paced and glitzy. It prefers to take short cuts in character building and development and is more intent in showing off its cast and its huge budget. It relies on archetypes and tropes to help set up the characters and their place in this world while impressing upon us the high stakes world of this reality. Oh Wan Soo is an impressive woman. Her foundation, The Now Foundation, has done what appears to be immeasurable good for the world. So much so, that she’s being targeted by Isis. She is unfazed, though, but what is more surprising is the way by which her husband’s family reacts.

Her mother-in-law, as early as episode one, is already being poised to take the mantle of the drama’s main antagonist, or one of them, at the very least. She’s an abrasive woman who is fond of shouting and throwing things around. She’s the typical feisty, rich, and sinister mother-in-law who looks down on our protagonist and will definitely get in her way. Oh Wan Soo’s husband, Kim Yong-guk (Jung Gyu-Woon), doesn’t get to show much of any layers other than his dismissive affair that’s revealed by the second episode but there might be more to him than meets the eye.

The break-neck speed by which the story unfolds makes it difficult for the creative team to juggle its storylines. It awkwardly juggles between Oh Wan Soo and Seo Do Yoon, whose storylines begin very far away from each other that when the show jumps from one to the other, it doesn’t quite make sense. Do Yoon is in Manila trying to find clues to the murder of a friend, also from the police force. While searching for it in Manila, he comes across Oh Wan Soo as she is attacked in Makati and the story finally comes together.

There are a lot of issues plaguing the first two episodes of ‘Red Swan.’ The most apparent is the way by which it depicts Manila. Sure, the drone shots that establish location was taken in the city but it’s shots of a commercial space that is meant to be Makati looks either somewhere in McKinley Hill (not a place I’m familiar with) or a completely different location altogether. It doesn’t help that all the crowd extras are primarily white or East Asian looking. It doesn’t look or feel like Makati at all (though it is nice that we are depicted as such a clean, orderly place). The storyline feels rushed to try and set up this world early to try and get the two main characters together and to start the romantic storyline up and running but also amping up the feel of dread and danger. It’s quite a lot to handle and the direction and writing isn’t holding everything up in this regard.

Fortunately, the two lead stars are a completely arresting watch. Kim Ha Neul adds a certain dignity to Oh Wan Soo that makes her a fascinating character study. She’s tired of all the BS and it seems she’s lost all track of what is keeping her moving forward. When Seo Do Yoon comes into her life, she gazes into him trying to decode him and discover what he is about. It’s that look that brings about the passion in this show. Jung Ji Hoon has a gait and a posture of a leading man. He has such a strong presence that even if the scenes play out so typically like any action series I’ve seen before, his swagger hits differently that it doesn’t get boring.

Hopefully, after all the stumbling around and trying to put all the story elements into place, the show will pick up and find its rhythm and pace because its stars can’t carry the whole show solely on their shoulders for the rest of the eight episodes to follow.

My Rating:

Red Swan is now streaming on Disney+. Watch it here.

July 9, 2024
Superstars Rain and Kim Ha Neul Talk About Their New Drama ‘Red Swan’ on Disney+

Last July 2, the cast and director of the new K-Drama produced by Disney+ ‘Red Swan’ held a press conference on the day before the first episode was released on the streaming platform. ClickTheCity was invited to watch as the cast – which includes Korean superstars Kim Ha Neul and Jung Ji-Hoon (better known as Rain) as well as Jung Gyu-woon, Seo Yi Sook, and Ki Eun Se – talked about the show and showed off their vibrant personalities.

The drama promises to be an action-packed suspense thriller with a very healthy dose of romance. Kim Ha Neul stars as Oh Wan Soo, a former world champion professional golfer who marries into a chaebol family and becomes a UN Goodwill Ambassador whose work threatens terrorist organizations and has her at their crosshairs. Jung Ji-Hoon plays a former policeman who becomes Wan Soo’s bodyguard, but he has an agenda of his own. From the first two episodes, while Wan Soo faces a threat from the outside, her biggest threat may come from her husband’s mother (Seo Yi Sook).

Photo courtesy of Disney+

Like any press conference, the moderator invites each of the cast to come up on stage for photos and then asked the two leads, Kim Ha Neul and Jung Ji-Hoon to pose together. Immediately, you can see their chemistry playing off of each other when the moderator asks them to pose as their characters, and Rain immediately imitates a security detail, complete with gesturing towards his ear as if he was wearing an earpiece. The two laugh at the gesture but are able to get serious enough for one good shot.

From the get-go, you can see how comfortable they are with each other which plays off well onscreen as the passion between the two characters are already evident as early as episode one.

On the flipside, when Seo Yi Sook joins the two on stage, they were asked to make “fatal pose” and Rain opens his arms for a hug to Seo Yi Sook, who also laughs. The irony is at play here as it seems that Seo Yi Sook may play the main villain.

Photo courtesy of Disney+

When it was time to answer questions from the press, the cast was joined by Park Hong-kyun. The first question was directed to the leads, and they were asked why they accepted to do ‘Red Swan.’ Kim Ha Neul opened up about how she had loved ‘The Bodyguard’ with Kevin Costner and Whitney Houston so it was a chance to do her own version. But what really gripped her was how strong the script was. For Jung Ji Hoon, he had always wanted to work with director Park Hong Kyun and every time a project would surface, something always came up and the project never pushed through. So when this show was offered to him, he said yes immediately.

Director Park Hong Kyun is known for his action-packed style of directing and had always wanted to work with Rain in an action-led series. He knew what Rain could do as an action star and was very happy that Rain was always giving a lot of ideas in how to do certain action scenes. The two seemed like willing collaborators to make the show more thrilling. It also gives a glimpse of Rain’s experience and creative side. Jung Ji-Hoon is a very physical actor and likes to do his own stunts. “I like to be responsible for my action sequences,” he said. What shocked Park Hong Kyun, though, was Jung Ji-Hoon’s emotional strength. He was the last person cast for the drama and he was chosen because of his experience in action but his vulnerability became the show’s hidden strength.

Source: Disney+ FB

“My character doesn’t have a lot of lines,” Jung Ji-Hoon said. “So, I have to work a lot with just how I look and I have to act with only my eyes.” Park Hong Kyun was amazed and was not expecting this side of Jung Ji-Hoon’s range as an actor. He also shared that Rain had worked closely with their consultant on how to properly project and come off like a real bodyguard and Rain said that part of it was having to speak with a “cool tone,” which he had observed from his research. The moderator then asked him if he could try speaking with his modulated voice and the actor asked for a moment and he fixed his posture and then, with a totally new tone of voice asked the audience to please support the drama.

For Kim Ha Neul, she watched a lot of Goodwill Ambassadors and tried to capture their grace and poise. And while she golfs in her leisure time, she had to really train hard as her character “was the best in the world” and she knew she couldn’t just fake it. For Jung Gyu-woon, who plays the husband of Kim Ha Neul, he wanted to steer away from a stereotypical chaebol heir. While his character is problematic, he pushed for the character to be truly in love with Oh Wan Soo so that there would be a tortured nuance to the character. “He’s a complex character,” he said, “And I want to show him struggling that his wife, which he loves so much, has so much friction with his mother.”

Photo courtesy of Disney+

On the other hand, Ki Eun Se sees her character as a sort of comic relief. From the first two episodes, she comes off as a family friend, sometimes a nanny to On Wan Soo’s child but she has her own agenda and it’s to take Jung Gyu-woon for her own. “Her story is the one that breaks all the tension,” she says, laughing.

With the many genres that are playing out in ‘Red Swan,’ the two leads were asked what approached did they focus on the most and while Kim Ha Neul felt that her character was more focused on the threats to her life, that as an actress, she focused on the mystery and the intrigue – the suspense genre that pushes the show’s plot forward – but for Rain, he felt that he wanted to focus more on the romance aspect of the story. Because he wanted to put the relationship of Oh Wan Soo and her bodyguard at the center, he opted to say the lines as written and to avoid from doing improvisations to help Kim Ha Neul work with him for their passionate scenes.With the show’s pedigree of great talent involved and the sort of camaraderie that they projected during this press conference; ‘Red Swan’ may be a show to watch out for on Disney+.

July 5, 2024
What’s New On Netflix This July 2024

As the rainy season sets in, there’s no better time to cozy up indoors with Netflix’s exciting lineup of new releases for July 2024. Whether you’re looking to escape the dreary weather with a thrilling adventure, a heartwarming story, or a gripping drama, Netflix has something for everyone this month. From highly anticipated original series and blockbuster films to captivating documentaries and family-friendly favorites, get ready to dive into a world of entertainment. Here’s a sneak peek at what’s new on Netflix this July 2024, perfect for those rainy day marathons.

YOUR TOP PICK THIS MONTH

Beverly Hills Cop: Axel F (Film)
Launch date: July 3 | Stream it here

Forty years after his unforgettable first case in Beverly Hills, Detroit cop Axel Foley returns to do what he does best: solve crimes and cause chaos.

RETURN OF THE CLASSICS

Clueless (Film)
Launch date: July 8 | Stream it here

At a Beverly Hills high school, queen bee Cher excels at makeovers and matchmaking. But figuring out her own love life? Ugh, as if!

Cobra Kai: Season 6 Part 1 (Series)
Launch date: July 18 | Stream it here

With the global tournament approaching, Daniel and Johnny work to rebuild their team. But old enemies and new threats stand in the way of victory.

Sweet Home: Season 3 (Series)
Launch date: July 19 | Stream it here

The world teeters on the boundary between monsters and humans, leaving humanity with a difficult choice. As desires clash, a desperate fight ensues.

Elite: Season 8 (Series)
Launch date: July 26 | Stream it here

Omar and Nadia reunite just as graduation nears for students at Las Encinas and one last mystery pushes friendships — and enemies — to the brink.

LOVE & ALL THAT JAZZ

Goyo (Film)
Launch date: July 5 | Stream it here

A young autistic museum guide lives by a strict routine — until he falls in love with his coworker and must confront a whirlwind of new, intense emotions.

The Boyfriend (Series)
Launch date: July 9 | Stream it here

Over the course of a month, a group of men live under one roof and run a coffee truck together to connect and hopefully meet their one true boyfriend.

Anyone But You (Film)
Launch date: July 16 | Stream it here

At a lavish destination wedding, two singles whose one date ended badly pretend to be a couple to pacify her interfering parents and make his ex jealous.

The Decameron (Series)
Launch date: July 25 | Stream it here

As the bubonic plague spreads through Italy, a group of nobles and servants retreat to a villa, where their lavish getaway quickly spirals into chaos.

FOR THE THRILL OF IT ALL

Vikings: Valhalla: Season 3 (Series)
Launch date: July 11 | Stream it here

Seven years have passed. As Harald aspires to become King of Norway, Leif searches for the Golden Land and Freydis seeks a happy life for her people.

Master of the House (Series)
Launch date: July 18 | Stream it here

A family enters a power struggle following the death of their patriarch, who leaves behind his diamond empire — and the housekeeper he recently married.

Tokyo Swindlers (Series)
Launch date: July 25 | Stream it here

A team of swindlers gets wind of prime real estate worth 10 billion yen and will stop at nothing to pull off their most ambitious scam yet.

MORE FOR YOUR MUST-WATCH LIST

SPRINT (Sports Series)
Launch date: July 2 | Stream it here

Elite sprinters navigate training, media scrutiny and fierce competition in this sports series following their race to become the world’s fastest humans.

The Man with 1000 Kids (Documentary)
Launch date: July 3 | Stream it here

A group of families learn the charismatic man they had trusted is sperm donor to hundreds – or perhaps thousands – of other children across the world.

3 Days 2 Nights in Poblacion (Film)
Launch date: July 4 | Stream it here

Together for the first time in years, two women hit the nightlife and navigate love, friendship and heartbreak before one of them moves away for good.

The Imaginary (K&F Series)
Launch date: July 5 | Stream it here

Rudger, a made-up friend, gets separated from his best friend Amanda and must team up with lost Imaginaries to get back to her before he fades away.

Eva Lasting: Season 2 (Series)
Launch date: July 10 | Stream it here

Eva’s return sparks a new round of school debates, deep chats, dating dramas, magical moments of camaraderie — and endless hope for Camilo.

Exploding Kittens (Series)
Launch date: July 12 | Stream it here

It’s the ultimate fight between good and evil when God and his nemesis, the spawn of Satan, are sent to Earth to live with humans — as talking cats.

T・P BON: Season 2 (Series)
Launch date: July 17 | Stream it here

Now an official Time Patrol agent, Bon continues his extraordinary rescue missions through space-time while mentoring his new assistant, Yumiko.

Skywalkers: A Love Story (Documentary)
Launch date: July 19 | Stream it here

“Two real-life daredevils test the limits of their love and trust by illegally scaling one of the world’s tallest buildings to perform an acrobatic stunt. “

As the rain continues to pour outside, Netflix ensures that your indoor entertainment is anything but gloomy. With this month’s impressive selection of new releases, there’s plenty to keep you captivated and cozy throughout July. From heart-pounding thrillers to inspiring documentaries and everything in between, Netflix has curated a diverse array of content to suit every taste. So, grab your favorite blanket, settle in with some snacks, and enjoy the endless entertainment that awaits. Happy streaming!

All titles and dates are subject to change.

July 5, 2024
MOVIE REVIEW: It’s Not Just a Fantasy: a review of ‘The Idea of You’

I’m surprised at how utterly relatable ‘The Idea of You’ was for me, and all the screaming gays and women in the cinema I was in when watching the Anne Hathaway and Nicholas Galitzine romantic drama/comedy about an older divorced mother of a teenager and her relationship with a 24-year-old pop star. I may not have children, but I do love my idol groups and as someone who has reached middle age and feeling the brunt of adulting in a very difficult and tedious world, the fantasy of getting swept off of my feet by a younger, handsome pop star is a fantasy I didn’t realise was a very real thing that was stirring inside.

And the direction by Michael Showalter and the screenplay by Showalter and Jennifer Westfeldt (based on the book by Robinne Lee) really plays into the fantasy of it. Everything within the set-up of this narrative to the way the element of the story plays out is all so fictional and so convenient for this sort of story. Hathaway plays Solene Marchand, who runs an art gallery in Silver Lake. She has a teenage daughter, Izzy (Ella Rubin) and her ex-husband has, of course, cheated on her with a younger workmate. Her ex-husband pays for VIP passes and a meet and greet with Izzy’s favorite band when she was in seventh grade, August Moon, in Coachella and gets Solene to take them there. At Coachella, she accidentally meets Hayes Campbell, a member of August Moon and he is smitten by her. Their love story begins.

Of course, Hayes loves art. The trust issues both have – Solene from her failed marriage while Hayes stems from his stardom and the pitfalls of money and fame – allows them to find some sort of peace and safety with each other. The fact that Solene had a baby at such a young age (it was mentioned that it was unplanned) meant that she never got to really experience the wild and crazy time that we are expected to have in our 20s. Hayes becomes an avenue for her to find out who she truly is as a person outside the choices that she made in her lost her youth.

Everything about the first hour and a half of this film plays so well to the fantasy of this dramatic situation. It’s passionate. It helps that both actors are so ridiculously good-looking and that they do an amazing job of really selling the love story. There’s this youthful longing that Galitzine dips into and throws at Hathaway and there’s a way that Hathaway takes this unbelievable character and makes her so real. It’s as if she understands and makes her character understand that this situation is crazy, and she still runs with it. She has a way to make each facial expression – whether she’s hurt or in the throes of joy or in a state of disbelief – seem so real and natural. Showalter also doesn’t hold back in making their relationship sexual and despite its frequency, it never feels gratuitous or obscene. It’s really rooted in Hayes’ youth and Solene’s desire to reclaim hers.

It’s the last half hour when the film pushes away from the fantasy to try and delve into the real-world issues that comes with the territory. It highlights the double standards that the world has on women dating younger men, and the ways by which the world and society boxes them into certain roles. Of course, there’s no way a global pop star can keep a relationship secret and it shows off how ugly it can all be.

And while the film manages to convey the hurt this “scandal” does to Solene but the film never tries to put judgement on all the delusional people on the internet who makes these sort of judgments to people they do not know, whose business they have no right to comment on or pass judgement. I know it’s not the film’s job to moralize against this, but I felt that it was in the right space to make some sort of statement about the public’s delusion that they have a right to say whatever they want on the lives of people they do not know – even if it’s a pop star who works in the public sphere.

The film feels young without trying too hard. It’s chock full of songs both new (to showcase August Moon with Nicholas Galitzine credited for singing all his parts) and some really nice, older songs like St Vincent and Fiona Apple. ‘The Idea of You’ is a wonderful little fantasy that comes alive on screen. It never really pretends to be serious or realistic, jumping certain narrative beats because it can, and because it does, it’s this lovely little escape that pulls down your guard so that it can explore some really important core issues before coming back and finishing it off in the tone and mood that it began with.

My Rating:

The Idea of You is now streaming on Prime Video, watch it here!

May 2, 2024
What’s New on Netflix This May 2024

The weather’s heating up, and so is Netflix this May! Get ready to ditch the beach for the couch (or vice versa, no judgment here) because a fresh wave of shows and movies is about to hit the streaming giant. We’re talking action-packed adventures with A-list stars, laugh-out-loud comedies, heartwarming coming-of-age stories, and documentaries that will have you glued to your screen. So, grab your remote, bookmark this guide, and get ready to explore the hottest titles hitting Netflix this May!

If you’re always on the lookout for Netflix’s latest releases, then look no further! We’ve listed down shows and films to anticipate and add to your watchlist this month of May!

Top Pick Of The Month

Atlas (Film)
Launch date: May 24

Gear up for a mind-blowing adventure this month with “Atlas,” premiering on May 24th. This sci-fi action flick stars Jennifer Lopez as a data analyst with a serious case of AI-phobia. When a mission to capture a rebellious robot goes sideways, she’s forced to team up with the very thing she fears to save humanity. Talk about a plot twist!

Love & Life

Frankly Speaking (Series)
Launch date: May 1

Need a good laugh? We’ve got you covered! Kicking off May 1st is the side-splitting series “Frankly Speaking,” where a respected announcer hilariously loses his ability to filter his thoughts on live TV. Brace yourself for some seriously funny consequences.

The Atypical Family (Series)
Launch date: May 4

Blessed with superpowers, a man and his family begin to lose their abilities under the weight of the world — until a mysterious woman changes everything.

Mother of the Bride (Film)
Launch date: May 9

If you’re a sucker for rom-coms, “Mother of the Bride” (launching May 9th) promises tropical wedding chaos and family drama with a healthy dose of laughter. In this breezy rom-com, a tropical island wedding teeters on the brink of disaster after the mother of the bride discovers the groom’s father is her ex.

Bridgerton: Season 3 Part 1 (Series)
Launch date: May 16

As a new crop of debutantes yearns to become the brightest of the ball, a wallflower with a double life finds her light amid secrets and surprises.

ECLECTIC SELECTIONS

A Man in Full (Series)
Launch date: May 2

Facing relentless foes and sudden bankruptcy, an Atlanta real estate tycoon must claw his way back to the top when his empire begins to crumble.

Super Rich in Korea (Series)
Launch date: May 7

The drama is real this May! Delve into the world of “Super Rich in Korea” (May 7th), a series that explores the extravagant lifestyles of multi-billionaires living it up in Korea. Singaporean tycoons, Italian luxury brand heirs, and Pakistani nobles. Explore the lavish lives of multibillionaires living in Korea, and why they came.

The 8 Show (Series)
Launch date: May 17

Feeling competitive? “The 8 Show” (May 17th) will put your competitive spirit to the test. This show throws eight contestants into a mysterious building where they face off in a high-stakes game for a life-changing sum of cash. Eight individuals trapped in a mysterious 8-story building participate in a tempting but dangerous game show where they earn money as time passes.

Eric (Series)
Launch date: May 30

A desperate father, alongside a tenacious cop, battles his own demons on the streets of 1980s New York as he searches for his missing nine-year-old son.

SQUAD GOALS

Road Trip (Film)
Launch date: May 14

And if simpler times are calling your name, “Road Trip” (May 14) follows four women on a hilarious journey to fulfill a lifelong dream after their friend’s passing. After their friend’s death, four women set out on the dream trip they planned as teenagers, rekindling old bonds as they pay their last respects.

I Am Not Big Bird (Film)
Launch date: May 21

A heartbroken guy takes a spontaneous trip to Thailand with his friends to escape his troubles, but the fun ends when he is mistaken for a notorious porn star.

Geek Girl (Series)
Launch date: May 30

Craving a show that breaks the mold? “Geek Girl” (May 30) might be your perfect pick. This heartwarming series follows an awkward teen who discovers her true potential and confidence in the world of high fashion. Awkward teen Harriet has always wanted to fit in. Until she gets scouted by a top London model agent and learns that some people are meant to stand out.

MORE FOR YOUR MUST-WATCH LIST

Unfrosted (Film)
Launch date: May 3

Get ready for a blast from the past! This May, Jerry Seinfeld returns with a hilarious Pop-Tart-themed comedy, “Unfrosted” (May 3). In a time when milk and cereal ruled breakfast, a fierce corporate battle begins over a revolutionary new pastry. A Pop-Tart comedy from Jerry Seinfeld.

Bodkin (Series)
Launch date: May 9

In this darkly comedic thriller, a crew of podcasters sets out to investigate the mysterious disappearance of three strangers in an idyllic Irish town.

Blood of Zeus: Season 2 (Series)
Launch date: May 10

To escape the Underworld forever, Hades crafts a plan to claim Zeus’s crown for himself and reunite with his beloved Persephone as ruler of Olympus.

Tires (Series)
Launch date: May 23

At his father’s auto shop, a hapless manager strives to improve customer service and drive profits while keeping his troublemaking cousin in line.

My Oni Girl (Film)
Launch date: May 24

A shy teenage boy’s inability to say no is tested when a headstrong girl drags him on a mystical journey amid summer snow to find her missing mom.

Dancing for the Devil: The 7M TikTok Cult (Documentary)
Launch date: May 29

And for a truly unique experience, “Dancing for the Devil: The 7M TikTok Cult” (May 29) is a three-part documentary series that exposes the dark side of social media fame and the manipulative tactics of cults. A group of prominent TikTok dancers are trapped in a cult masquerading as a management company called 7M. Among them is Miranda Wilking, whose family is desperately trying to get their daughter out. As other dancers and former members escape and work to rebuild their lives, it isn’t until they come together to try and put a stop to the cycle of their abuser that the real healing begins. This three part documentary series from director Derek Doneen, Dirty Robber and WV Alternative exposes the diabolical tactics used by cult-like organizations to exert control over people as well as the lengths families will go to keep their loved ones safe.

The Titan Games: Season 2 (Series)
Launch date: May 29

With pro athletes and everyday people now competing in three divisions, Dwayne “The Rock” Johnson searches for challengers worthy of Mount Olympus.

A Part of You (Film)
Launch date: May 31

A teenager struggles to pick up the pieces of her shattered world in this emotional and bittersweet coming-of-age drama about those who are left behind.

The Life You Wanted (Series)
Launch date: COMING SOON

Gloria is finally happy after transitioning and settling down — until a longtime friend reappears with disrupting news and throws her world into chaos.

So, what are you waiting for? With this amazing selection, there’s a perfect show or movie waiting for you on Netflix this May. As the days get shorter and the evenings cozier, grab your favorite snacks, settle in, and enjoy the cinematic journey that Netflix has thoughtfully curated for you. From binge-worthy series to cinematic masterpieces, this month offers a diverse range of content that ensures there’s never a dull moment. Happy streaming!

All titles and dates are subject to change.

May 1, 2024
REVIEW: The first season of ‘Fallout’ is crazy good, with an emphasis on crazy

I know nothing about the video game ‘Fallout,’ which is the basis for the new 8-episode series on Amazon Prime with the same name, created by Graham Wagner and Geneva Robertson-Dworet. Not knowing the source material meant coming in completely blank and was very much pleasantly surprised at what I saw. ‘Fallout’ is a post-apocalyptic satire in a world driven mad by the destruction of the planet. Resources are limited, the powerful exercise authority by strength and fear, while those with available supplies keep it to themselves. The nuclear fallout (probably where the show gets its name) means that the world is irradiated; mutants abound, food is scarce, and no one can be trusted.

https://youtu.be/V-mugKDQDlg?si=4TgXarYYCERAPTgY

The show follows the lives of three main characters: Lucy (Ella Purnell), Maximus (Aaron Moten), and The Ghoul (Walton Goggins). Lucy comes from the vault, a portion of the human race who were able to escape the ravages of the nuclear war that has kept them safe and well fed in the huge underground bunkers prepared way before the war broke out. But the population is thinning and living in the bunker has kept them safe but naive and sheltered. Maximus lives above ground, a trainee who is training to be a squire for one of the knights of The Brotherhood. The knights wear powerful suits of armor and while they are poised to be a sort of protective authority they’ve devolved into bullies. The Ghoul is a bounty hunter, and due to the effects of radiation poisoning (and whatever else), he regenerates quickly and has lived over 200 years.

Brotherhood of Steel and Vertibirds in “Fallout”

Ella Purnell (Lucy) in “Fallout”

The three lead characters are all crazy in their own way and through their lens, we see how satire of ‘Fallout’ plays out in the ways it questions authority, kindness (in a soulless world), hope, and civilization when everything has been torn apart.

Ella Purnell (Lucy) in “Fallout”

Power Suit and Aaron Moten (Maximus) in “Fallout”

Walton Goggins (The Ghoul) in “Fallout”

The show is violent and gory, and it revels in that imagery. It is constantly reminding you that this idea of the world is an ugly one and a brutal one and it is not afraid to show it. Luckily, the film is scarce on gratuitous sex and nudity. When it has (and it’s very few) it used for its full effect and is never seen or felt as objectifying its characters. It’s a welcome change from other shows.

The satire comments on the way the world’s harshness and how one must act to survive in such a world is a mirror to the world we live in today. As the show’s reality is situated with the nuclear disaster happening in the 60s or 70s, it means the technology is from that time – clunky, heavy, analog – which creates interesting visual textures that helps highlight the overall conservative moral values of the people at The Vault (Lucy’s world) and how that counterpoints with the values of the tattered world above the ground. The old school vibe amplifies the way the world has gone bonkers and the low-tech, lo-fi way by which technology is presented gives us a feel that the world has never gone to a level of sophistication that can afford better values. In Maximus’ world, The Brotherhood have metal armor, high powered weapons, and futuristic helicopters, but everyone is aggressive and a bully. There are tradeoffs here and it helps show the rich world building of the show.

Power Armor Suits in “Fallout”

The plot is exciting and thrilling but it’s the world-building of ‘Fallout’ that really hooks you in. You want to see how this world deals with situations. It’s cynical and jadedness that when Lucy brings in her naivety and innocence to a predicament, it really shines bright and how it reflects and bounces off Maximus or The Ghoul. I’d like to see more of this should the show be greenlit for a second season.

Walton Goggins (The Ghoul) in “Fallout”

One of my only gripes is the show is over scored. It likes to violate every scene with a classic song from the 60s (maybe even older) and while it is charming in the first few episodes, by episode 5, it’s overdone. It can get annoying and distracting pretty quickly.

There’s a lot that this show can cover, and I love the twists and turns of this first season. Yes, it’s jaded and cynical, but it surprisingly offers a lot of hope too (as it reaches the finale of the first season). And it has an interesting enough cliff-hanger of an ending that makes me want to see more and more of this world. A world destroyed by nuclear war is nothing new so it may have to rehash certain situations that we may have seen in other platforms and media but the characters it has introduced are engaging and its subversive anti-corporation messages are read loud and clear.

I want a second season. I want to see how much crazier this show can get.

My Rating:

Fallout is now streaming on Prime Video, watch it here!

April 16, 2024