Tag: Showing in Cinemas on October 7

  • She Looks Like Mom, But She Isn’t: James Wan and Rob Savage Unleash a New Nightmare in ‘Other Mommy,’ in Cinemas October 7

    She Looks Like Mom, But She Isn’t: James Wan and Rob Savage Unleash a New Nightmare in ‘Other Mommy,’ in Cinemas October 7

    Horror has been on a thrilling run in 2026, ushering in a fresh era of scares and introducing audiences to bold new nightmares. For producer James Wan, the genre’s evolution is something worth celebrating, especially as a new generation of filmmakers finds inventive ways to frighten moviegoers.

    We’re at a very exciting inflection point in the horror genre, but also in cinema in general,” Wan says. “With successes like Obsession and Backrooms you are seeing the next wave of filmmaking—and the next wave of filmmakers—who are making movies and telling stories that are connecting to a whole new generation. I am so excited about where we are going because horror is such a great commentary on societal fears and societal anxieties that we can do a lot of fun things that most other genres cannot.

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    Meet the Terrifying Other Mommy

    Enter Other Mommy, an adaptation of Josh Malerman’s bestselling horror novel, Incidents Around the House. At the center of the chilling story is Bela (Arabella Olivia Clark), a young girl who befriends a sinister entity capable of taking on the appearance of Bela’s mother, played by Jessica Chastain.

    For Wan, the unsettling relationship between the mysterious presence and the child it seeks to manipulate made the story particularly compelling.

    I was interested in the concept of an entity that mimics someone and uses that ability to get into a child’s heart, get into her mindset, and take over,” Wan says. “I thought it was an interesting way to portray what a demonic presence wants by appealing to a child’s innermost love, innocence and emotion.

    Watch the first trailer of Other Mommy:

    Rob Savage Embraces the Story’s Darkness

    Director Rob Savage was equally determined to explore the unsettling material without stripping away the qualities that made Malerman’s novel so disturbing.

    It was non-negotiable for me to preserve the darkness, contradictions, and emotional complexity of the novel,” Savage says. “I did not want to make a softened or sanitized version of this story. When I first came in with my take, I wanted to make sure we were really making the book, and Blumhouse Atomic Monster were completely aligned with that.

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    And Savage had another ambitious goal. He wanted to turn Other Mommy into the kind of unforgettable horror villain audiences could instantly recognize.

    He describes the entity as “something in the tradition of Freddy Krueger or Michael Myers, and there are not many of those in modern horror cinema.”

    A Nightmare That Keeps Changing

    Rather than simply showing audiences what Other Mommy is capable of, Savage wanted viewers to experience the same uncertainty, fear, and mounting dread that Bela encounters throughout the film.

    Whenever she appears, or whenever her presence is felt, you learn something new about what she can do, how she can manipulate Bela, and how she can manipulate the audience, Savage says. The goal was to make sure viewers never felt they had seen the entirety of her.

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    That unpredictable nature gave Wan and Savage plenty of room to transform the entity into something especially unnerving for the big screen.

    The sweetness of Other Mommy is almost too sweet, but underneath it, you feel something coiled and furious,” Savage says. “As she becomes more monstrous, that control starts to slip and the thing underneath begins to come through.

    Sweet, familiar, and hiding something horrifying beneath the surface, Other Mommy may look like someone Bela can trust. But appearances can be terrifyingly deceiving.

    Other Mommy haunts Philippine cinemas starting October 7.

    Follow Universal Pictures PH on Facebook, UniversalPicturesPH on Instagram, and UniversalPicsPH on TikTok for the latest news and updates.

  • Aaron Sorkin’s ‘The Social Reckoning’ Returns to Facebook, Opens in PH Cinemas October 7

    Aaron Sorkin’s ‘The Social Reckoning’ Returns to Facebook, Opens in PH Cinemas October 7

    Facebook has come a long way from its humble beginnings in a university dorm room. Today, it is a global corporate titan whose influence reaches into personal lives, public conversations, and international affairs.

    That transformation becomes the heart of writer-director Aaron Sorkin’s The Social Reckoning, a high-stakes biographical thriller that revisits the world explored in The Social Network, this time from a dramatically different point in Facebook’s history.

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    The film centers on the unprecedented Facebook leak by whistleblower Frances Haugen, which exposed internal evidence about the social media platform’s algorithms and their potential effects on mental health, perceptions of reality, and democratic discourse.

    The story was investigated by The Wall Street Journal reporter Jeff Horwitz and became widely known as The Facebook Files.

    The Social Network was about how Facebook was invented. The Social Reckoning is about what social media has become, Sorkin says

    Rather than serving as a direct sequel, The Social Reckoning works as a companion piece and a stand-alone story. This time, Facebook is no longer an ambitious startup finding its footing. It is a massive corporate institution making decisions capable of affecting millions of people.

    Watch the trailer:

    The real-life investigation behind “The Social Reckoning”

    Sorkin found the inspiration for his new film after reading Frances Haugen’s The Power of One and Jeff Horwitz’s Broken Code, two books that examine the events surrounding one of Facebook’s biggest controversies.

    The work of Haugen and Horwitz brought the company’s internal practices into public view, fueling investigations and conversations whose effects continue to be felt today.

    When I came across those two books, suddenly there was a very dramatic story, says Sorkin.

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    I spent hours with Jeff and Frances, at first unsure of exactly what I was looking for. But as the script’s focus began to take shape, I was able to use my time with them more and more productively, looking for very specific answers to how they took on this investigation.

    Their experiences gave Sorkin the foundation for a thriller built around information, risk, power, and two people willing to challenge one of the world’s most influential technology companies.

    Mikey Madison and Jeremy Allen White take on Facebook

    At the center of The Social Reckoning is the relationship between Haugen, played by Mikey Madison, and Horwitz, portrayed by Jeremy Allen White.

    Together, the two find themselves confronting a corporation with extraordinary resources and global reach.

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    What interested me most about Frances is that so many people like her found a new lease on life from social media, a place where they could fully be who they are. She knows its potential first-hand, says Sorkin.

    And then I saw Jeff as a stand-in for the audience, this guy who doesn’t get this world or its language and is learning what is happening inside it as he goes along.

    That contrast gives audiences two different perspectives on an increasingly complicated digital world: one from someone who understands social media’s possibilities from within, and another from someone gradually discovering how the machinery works.

    David Fincher remains connected to the story

    While The Social Network director David Fincher is not behind the camera for The Social Reckoning, Sorkin says his former collaborator remained involved and supportive.

    David read it right away and a couple of hours later, sent me an email that said, ‘This is nitroglycerin.’ He has been very supportive throughout and a real cheerleader of the movie, says Sorkin.

    The new film therefore carries a connection to its acclaimed predecessor while allowing Sorkin to approach the material through his own directorial perspective.

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    A puzzle built across different timelines

    For Sorkin, part of the excitement comes from gradually allowing audiences to understand how each piece of the story connects.

    The movie has what I hope is a fun structure for the audience,” reflects Sorkin.

    The different timelines put you on the edge of your seat and become a puzzle until you see all the connections. Then, in the third act you see Facebook with its hands on the levers and dials of public conversation at a crucial moment.

    With its combination of corporate intrigue, journalism, technology, and real-world consequences, The Social Reckoningexplores how dramatically the social media landscape has changed since audiences first watched Facebook take shape in The Social Network.

    This time, the question is no longer simply how Facebook began, but what happened after it became powerful enough to reshape the way the world communicates.

    The Social Reckoning arrives in Philippine cinemas on October 7. Distributed locally by Columbia Pictures PH.