Tag: QCShorts

  • QCinema Awards ₱3.5 Million to Five Emerging Filipino Filmmakers for 2026 QCShorts

    QCinema Awards ₱3.5 Million to Five Emerging Filipino Filmmakers for 2026 QCShorts

    The QCinema International Film Festival has unveiled the five recipients of its 2026 QCShorts Production Grant, awarding a combined ₱3.5 million ($57,817) to promising Filipino filmmakers set to create bold and compelling short films.

    Selected from a record-breaking pool of 395 submissions, this year’s projects reflect the growing diversity of Philippine cinema, featuring stories rooted in regional cultures, queer experiences, political realities, folklore, and personal identity.

    According to QCinema artistic director and newly appointed QC Screen Commission executive director Ed Lejano, the selection process highlighted the increasing presence of regional filmmakers and genre-driven storytelling.

    “What stands out, even when we were shortlisting, are the increasing number of films from the regions and works that are deeply rooted in genre,” says Ed Lejano, QCinema’s artistic director and the newly appointed executive director of the QC Screen Commission. “Many of the titles that stood out use filmmaking, narrative conventions, satire, and even myths as a way to make sense of the violence, extremism, absurdity, and gross injustice happening today.”

    Five New Voices Receive QCShorts Support

    The 2026 QCShorts grantees are:

    • Carla Pulido Ocampo – Agsangit Laeng ti Al-alia (A Ghost Can Only Howl)
    • Maki Makilan – Body Works
    • Toni Cañete – Maanaa Kanimo (With You)
    • Rodiell Veloso – Run Shirley Run!
    • Clister Santos – Sana’y Nandito Ka

    Jason Tan Liwag, QCinema’s head of short film programming, noted that this year’s selections tackle themes of division, belonging, and emotional distance.

    “This new batch of shorts all examine widening rifts between the individual and the family, between our bodies and beliefs,” says Jason Tan Liwag, head of short film programming. “Whether it’s about distant wars, fissures within communities, or personal alienation, we are committed to holding space for stories that are deeply political, regional, and quintessentially Filipino.”

    Stories Rooted in Identity, Community, and Survival

    Carla Samantha P. Ocampo
    Carla Pulido Ocampo – Agsangit Laeng ti Al-alia (A Ghost Can Only Howl)

    “Agsangit Laeng ti Al-alia” Revisits Revolution and Gender

    Written and directed by Carla Pulido Ocampo and produced by Lester Valle, Agsangit Laeng ti Al-alia (A Ghost Can Only Howl) is an Ilocano-language period drama centered on a young feminine herbolario who dreams of joining revolutionary fighters while struggling against his father’s deteriorating mental state.

    Ocampo and Valle are no strangers to QCinema. Their previous QCShorts-supported project, Tokwifi, earned awards from QCinema, Cinemalaya, Gawad Urian, and FAMAS.

    Maki Makilan
    Maki Makilan – Body Works

    “Body Works” Explores Love Beyond Transaction

    Body Works, written and directed by Maki Makilan and produced by Earvic Noay, Patti Lapus, and Dodo Dayao, tells the story of a laid-off dishwasher who enters a paid romantic arrangement to survive, only to face unexpected emotional complications.

    Makilan’s work often explores themes of migration, queerness, and displacement. Her films have screened in Cebu, Bangkok, and San Diego, among other cities.

    Toni Canete
    Toni Cañete – Maanaa Kanimo (With You)

    “Maanaa Kanimo” Blends Faith and Queer Identity

    Writer-director Toni Cañete brings a heartfelt queer coming-of-age story through Maanaa Kanimo (With You), produced by Tin Velasco and Micah Tadena.

    Set within a close-knit community disrupted by the disappearance of a Mama Mary statue, the film follows two sisters navigating questions of morality, identity, and faith. Cañete, who comes from Cagayan de Oro City, has previously won recognition from the CCP Gawad Alternatibo and the Mindanao Film Festival.

    Rodiell Veloso
    Rodiell Veloso – Run Shirley Run!

    “Run Shirley Run!” Delivers Dark Comedy and Body Horror

    Among the most unusual projects in this year’s lineup is Run Shirley Run!, a dark comedy queer body horror film written and directed by Rodiell Veloso and produced by Rajiv Idnani and Tomomi Furuyama.

    Set in Mindanao, the story follows a suicidal manananggal whose body splits in two—one half longing for death while the other desperately clings to life. Chaos unfolds when aswang hunters and mischievous teenagers cross paths with the creature.

    Veloso cites filmmakers Takashi Miike, Sion Sono, and Julia Ducournau as inspirations. He is also an alumnus of the Busan Asian Film School and Full Circle Lab Philippines.

    Clister Santos
    Clister Santos – Sana’y Nandito Ka

    “Sana’y Nandito Ka” Highlights Family Reconnection Through Animation

    Completing the roster is Sana’y Nandito Ka, an animated slice-of-life drama written and directed by Clister Santos and produced by Leon Lopez and Alex Poblete.

    The film follows a young man reconnecting with his estranged mother after six years apart. Santos, a multimedia artist and CIIT College of Arts and Technology graduate, previously earned acclaim for his short film Ili-Ili (2023), which premiered at the 38th BFI Flare: London LGBTQIA+ Film Festival and won Best Animation at the CCP Gawad Alternatibo 2024.

    Continuing the Legacy of QCShorts

    Launched in 2016, the QCShorts Production Grant was established to support original Filipino storytelling through the short film format. Over the years, its grantees have gained recognition from major international festivals including Sundance, Berlin, Toronto, Locarno, Clermont-Ferrand, and Singapore.

    Since its inception, QCinema has awarded ₱14.85 million ($245,237) to 56 short film projects from across the Philippines, showcasing a wide range of cinematic styles, languages, and perspectives.

    The selection committee for this year’s QCShorts grant included Ed Lejano, Kints Kintana, Jason Tan Liwag, Philbert Dy, Iana Bernardez, Quark Henares, Venice Atienza, and Sam Manacsa.

    The selected films are scheduled to make their world premieres during the 14th QCinema International Film Festival, happening from November 13 to 22, 2026.

  • #QCShorts 2023 Calls for Submissions

    QCinema International Film Festival is now accepting submissions for #QCShorts 2024. The festival is offering six production grants, each valued at P350,000, to support emerging filmmakers. Deadline is on February 25, 2024, 11:59 PM.

    All Filipino citizens aged 18 and above are qualified to submit their narrative fiction, animation, or experimental entries, with a maximum total running time (TRT) of 20 minutes, including opening and closing credits.

    The final film output must have its world premiere in this year’s edition of QCinema. In addition to screenings during QCinema 2024, both theatrical and online, QCinema reserves the right to screen the film after the festival, with prior notice to the proponent. 

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    Rights to the final film output belong to the proponent. 

    Applicants must submit two PDF files: a full script in standard screenwriting format and a full deck containing the logline, short synopsis (maximum of 3 paragraphs), long synopsis (maximum 1-page concept treatment), director’s statement, director’s profile, producer’s profile, producer’s statement, sample works (project details with link/s, including access credentials for password-protected files), proposed cast and crew, line item budget (pre-production, actual production and postproduction costs), financial plan, and timeline of production.

    Only one entry per proponent (either the director or producer) is allowed. 

    Filmmaker proponents and co-financiers must abide by QCinema festival rules, guidelines, deadlines, and contracts. In case of violations, QCinema reserves the right to disqualify the filmmaker or proponent and forfeit the entire grant. 

    The festival also reminds everyone to adhere to health and safety protocols. QCinema will not be liable for any untoward incidents during production. Also, use of original literary sources, music materials, and film footage must have proper clearance from its respective copyright owners before it can be used in the final film output

    For more details and to submit, visit: https://qcinema.ph/submissions/qcshorts2024/