Tag: PPO

PPO’s 42nd Concert Season Celebrates Music Across Time and Borders

The Philippine Philharmonic Orchestra (PPO) proudly stages their highly anticipated 42nd Concert Season, titled MODULATIO, running from September 2026 through April 2027. The new season brings together world‑renowned soloists and exceptional Filipino talents for a series of breathtaking orchestral performances, with the anticipated return to the newly-rehabilitated Tanghalang Nicanor Abelardo (Main Theater) of the Cultural Center of the Philippines for its finale concert.

While celebrating the orchestra’s 53 years, Modulatio presents the PPO as a musical chameleon traversing through centuries. Led by Maestro Nowak, the PPO also cements its reputation of being the nation’s premier orchestra in its 42nd concert season.

The season kicks off on September 25, 2026 with CONCERT I – DA CAPO in a program blending beloved classics and sweeping orchestral masterpieces, setting a high‑energy tone for the months ahead. Featured works are Filipino composer Jeffrey Ching’s “What Happens in Every Classical Piece Explained in 15 Minutes” (Sinfoniettina on G-C for Mozart Orchestra) and the Asian premiere of Austrian composer Carl Czerny’s Symphony No. 6.  Spanish virtuoso Martin Garcia Garcia showcases his dynamic artistry in performing German composer Ludwig van Beethoven’s Piano Concerto no.5, op. 73, E flat Major “Emperor.”

Come October 16, the next concert installment, billed as CONCERT II – ELEGANCE, will feature Filipino composer Redentor Romero’s Philippine Portraits and Polish composer Zygmunt Noskowski’s The Steppe. Filipino classical pedal harpist Vien Ignacio takes center stage, bringing refined Asian flair to British-German composer Georg Friedrich Händel’s Harp Concerto in B-flat Major.

CONCERT III – BOLERO on November 6 will feature French composer Claude Debussy’s Prelude a l’apres-midi d’un faune, and French composer Maurice Ravel’s Alborada del gracioso and Bolero. Filipino violinist Kaycee Galano returns to perform classical string selections, showcasing the richness and versatility of Filipino artistry alongside full orchestral accompaniment with French composer Camille Saint-Saens’ Violin Concerto no.3, op.61, B minor.

The PPO will perform German composer Ludwig van Beethoven’s Egmont Overture and Symphony no.3, op. 55, E flat Major “Eroica” in CONCERT IV – DESTINY on December 4.  Acclaimed Italian concert pianist Mario Galeani delivers festive favorites and timeless concertos with German composer Ludwig van Beethoven’s Piano Concerto no. 4, op.58, G Major, wrapping the year in warmth and virtuosity.

Ushering the New Year on January 15, 2027, the PPO will premiere Filipino composer Jerry Dadap’s Symphony no. 5 in CONCERT V – GENESIS and Filipino composer Jeffrey Ching’s Journey to the Alps and Victor’s Meditation from the Opera Frankenstein. Internationally renowned Russian-American pianist Natasha Paremski graces Manila with her signature intensity and precision, performing Russian composer Sergei Rachmaninoff’s Piano Concerto no. 3, op.30, D minor.

The PPO will take on Russian composer Dmitri Shostakovich in CONCERT VI – RESILIENCE on February 12, featuring Festive Overture, op.96 and Symphony no. 5, op.47. Home-grown violin luminary Diomedes Saraza Jr. performs iconic violin concertos, bridging local pride with world-class excellence with Russian composer Dmitri Shostakovich’s Violin Concerto no. 1, op.99.

CONCERT VII – VISIONS on March 12 will present the Philippine premiere orchestra in a performance of German composer Robert Schumann’s Manfred Overture and French composer Cesar Franck’s Symphony in D minor. Korean violin sensation Ju-Young Baek brings lyrical depth and technical brilliance, presenting works from the Romantic and modern eras through Polish composer Karol Szymanowski’s Violin Concerto no. 1, op.35.

Capping the concert season, the PPO will come home to Tanghalang Nicanor Abelardo (CCP Main Theater), following the rehabilitation of the center’s Main Building. The grand finale, CONCERT VIII – AL FINE, on April 16, 2027 will feature soloists and chorus in Filipino composer Jeffrey Ching’s completion of the Lacrimosa, Sanctus, Benedictus and Osanna fragments from Mozart’s unfinished Requiem, K626 (Sussmayr version) and French composer Hector Berlioz’s Symphonie Fantastique, op.14. Ukrainian violinist Dmytro Udovychenko closes the season with electrifying virtuosity, promising a memorable conclusion to the concert season with English composer Edward Elgar’s Violin Concerto, op.61, B minor.

A Season of Unity and Excellence

“Our 42nd season is a celebration of Filipino talent, global artistry, and the power of music to connect us. Through the Philippine Philharmonic Orchestra, we bring the world to Manila and Filipino artistry to the forefront of the international stage,” said Kaye C. Tinga, the president of the Cultural Center of the Philippines.

The Philippine Philharmonic Orchestra, the country’s premier symphony orchestra under the Cultural Center of the Philippines, has been advancing orchestral music since 1973, performing locally and touring internationally to critical acclaim.

Concerts I, III, IV, and V will take place at the Samsung Performing Arts Theater in Makati, while Concerts II, VI and VII will be held at The Metropolitan Theater. The season finale, Concert VIII, will be staged at the Tanghalang Nicanor Abelardo (CCP Main Theater).

For more updates on PPO’s 42nd concert season, visit the CCP’s official website (culturalcenter.gov.ph) or follow the CCP’s social media pages (Facebook, Instagram, TikTok, and YouTube) for more information.

September 10, 2026
Triumph, Thanksgiving, and timeless classics in PPO Concert IV this November

After a series of performances showcasing technical mastery and global artistry, the Philippine Philharmonic Orchestra (PPO) continues its 41st season with CONCERT IV: TRIUMPH AND THANKSGIVING on November 14, 2025, 7:30 p.m., at the Samsung Performing Arts Theater in Makati City.

With the passionate Maestro Grzegorz Nowak at the helm, PPO’s Concert IV promises an evening of sweeping emotions and classical brilliance, highlighting the timeless works of master composers Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Modest Mussorgsky.

A timeless repertoire for the world-class orchestra

The November concert opens with the drama of Mozart’s Don Giovanni Overture, one of the composer’s most celebrated operas. The opera follows the legendary character Don Juan as he seduces women while roaming around Spain with his trusted servant Leporello. Their daring escapades are set to Mozart’s enthralling music.

As it balances sharp wit with the impending consequences of Don Juan’s actions, Don Giovanni Overture displays Mozart’s ingenious ability to weave contrasting elements into one captivating piece.

The program continues with Beethoven’s Piano Concerto No. 5 in E flat Major, Op. 73. Titled Emperor, this monumental piece embodies the German composer’s interpretation of heroism, as seen through his student and patron Archduke Rudolf. Composed in 1809 when Vienna was under siege by the French, the “Emperor” ultimately shows the triumph of the human soul.

PPO’s Concert IV: Triumph and Thanksgiving concludes the night with Sergej Gorchakov’s orchestral arrangement of Mussorgsky’s Pictures at an Exhibition. The composition vividly takes its listeners on a walk through a gallery, inviting them to reflect on the works of Viktor Hartmann. The Russian painter and architect who had died young was a dear friend to Mussorgsky.

Originally written as a piano suite, Gorchakov’s lush orchestration beautifully transforms Pictures at an Exhibition into a gallery of sound.

Bringing classical elegance to life on the piano

Coming back to the country to bring to life the classic masterpieces, internationally recognized pianist Mark Bebbington will perform Beethoven’s Piano Concerto No. 5 in E flat Major, Op. 73.

A certified champion of British music, Bebbington has emerged as one of Britain’s innovative pianists. He had also toured with the London Philharmonic, Philharmonia, and Royal Philharmonic orchestras. His prowess in performances and recordings promises to illuminate Mozart and Beethoven’s majestic passages.

Carrying musical sensitivity, Bebbington previously joined the PPO in its nine-concert tour across the United Kingdom. He was declared a “hidden gem” by the orchestra’s concertmaster and artist-in-residence violinist Diomedes Saraza Jr.

Offering gratitude with melodies

In revisiting a classical repertoire, the PPO underscores its own evolution as a dynamic and world-class ensemble in its 41st concert season. The fourth installment bears the theme “Triumph and Thanksgiving,” reflecting the celebration of artistic excellence and appreciation.

Through Concert IV, the PPO also offers heartfelt gratitude to its audiences who continue to support the orchestra’s mission of bringing classical music closer to every Filipino. Slated on November 14, 2025, at 7:30 p.m. at the Samsung Performing Arts Theater, expect an evening of enchanting melodies with the nation’s premier orchestra.

Tickets for PPO concerts are priced at Php3,000, Php2,500, Php2,000, and Php1,500, available at TicketWorld. For an exclusive 20 percent discount, be a PPO subscriber. Email salesandpromotions@culturalcenter.gov.ph or call the CCP Box Office at +63931-033-0880 to purchase a PPO’s 41st concert season subscription.

For more updates on the PPO and its upcoming performances, visit the CCP’s website (https://culturalcenter.gov.ph/). You may also follow the CCP’s official pages on Facebook, Instagram, TikTok, and YouTube for more information.

November 6, 2025
Conveying Emotions and Stories Through Music

A good live performance is one that creates a connection between the artist and the audience, where the music not only sounds great but also feels emotionally resonant, and this was exactly what renowned Russian pianist Nikolay Khozyainov brought to Manila when he performed as a guest soloist recently.

“It was my first time to come to the Philippines, to perform with the PPO for the Filipino audience. Filipino people and musicians are very passionate and sophisticated people, it was a great joy to present the incredible masterpiece of Rachmaninov for the audience in Manila,” said the Russian pianist.

Billed “Russian Masters,” the third concert of the Philippine Philharmonic Orchestra for its concert season this year was curated to pay tribute to some of the best Russian composers: Peter Ilich Tchaikovsky, Sergei Rachmaninoff, and Sergei Prokofiev.

Leading the orchestra was PPO music director Maestro Grzegorz Nowak, with whom Khozyainov has worked with before. When the Maestro invited him to collaborate again, this time in Manila, Khozyainov was more than happy to oblige.

Born in Blagoveshchensk in 1992, a city in the Russian Far East, Khozyainov began to play the piano at the young age of five after hearing classical music in a local music store. “I came up to my mother and told her: ‘I want to play music.’ I had a desire to make those incredible sounds myself. Piano is like an orchestra for me, I can express any instrument on it, including the human voice,” shared Khizyainov.

For a gifted pianist like Khozyainov, the most important aspect of every piece is the emotion that it conveys. Music, after all, has always been a way to bring people together. It has the power to influence and advocate significant movements in the world, especially in preventing conflict and promoting peace.

Performing Rachminoff’s Piano Concerto No. 2, one of the most amazing piano concertos in the piano repertoire, for the PPO Concert III, Khozyainov described the whole concerto as a masterpiece that “simply takes your breath away.”

“It was written in a very difficult period in Rachmaninoff’s life, he had depression and couldn’t compose anything. This piece is about overcoming desperate situations and getting to the light despite everything,” he expounded.

Khozyainov’s personal style when it comes to playing the piano involves going to the source of everything. For him, it is impossible to recreate a piece without knowing the sources.

“That is why I always study all existing manuscripts, all circumstances surrounding the creation of a musical piece. A printed score is good to have, but to really feel the piece with all your heart, you need to dive deeply into the manuscript. This way you can truly understand all the intentions of the composer.”

Passion is Khozyainov’s driving force. With recitals, concerto engagements, and sold-out performances on all continents at the world’s foremost stages, every performance is not just a display of skill, but an expression of his love for the art.

“It’s about bringing the essence of the music to life, making each note tell a story that the audience can relate to,” concluded Khozyainov.

Through the mastery of the great Russian composers, their music and stories will live on as part of humanity – celebrated and retold over and over again for the many years to come.

The next PPO concert, dubbed “Ode to Joy,” will premiere on December 8, 2023, 7:30pm, with Franz Liszt’s Piano Concerto no. 2 in A and Ludwig van Beethoven’s Symphony no. 9, op.125, D minor. Filipino pianist and former CCP president Raul Sunico will perform with the PPO.

The PPO concert season is in partnership with SSI Group, Inc., TBWA\SMP, Ascott Bonifacio Global City, and Lyf Malate Manila.

For more information about the PPO’s 39th concert season and their upcoming shows, visit the CCP (www.culturalcenter.gov.ph) and follow the official CCP social media accounts on Facebook, Twitter, and Instagram for the latest updates.

November 22, 2023
PPO Recreates Its First Ever Concert For Its 50th Anniversary Gala

After its successful metamorphosis on its recently concluded 38^th concert season, the Philippine Philharmonic Orchestra turns gold.

Established in 1973, the country’s leading orchestra looks back at its humble beginnings through its PPO 50^th ANNIVERSARY GALA, slated on May 12, 8pm, at the Metropolitan Theater, the temporary home of the PPO while the CCP Main Building is undergoing rehabilitation.

For this milestone, the CCP resident orchestra recreates in part its very first concert, which happened on May 15, 1973. That debut concert of the orchestra, under the baton of Maestro Luis C. Valencia, its first music director, with Julian Quirit as concertmaster.

In the 1973 concert, the PPO performed Alfredo S. Buenaventura’s Bathaluman and National Artist Lucrecia Kasilag’s Divertissement for Piano and Orchestra. The late National Artist was the president and artistic director of the center back then.

Made possible through the auspices of the former First Lady Imelda R. Marcos, the concert also featured Manuel de Falla’s Noches en los Jardines de España and G. Gershwin’s Rhapsody in Blue, with guest performer pianist Benjamin Tupas.

Initially intended to accompany performing artists at the CCP Theater when the orchestra was founded in 1973, the PPO had been reorganized in 1979, with Prof. Oscar C. Yatco at the helm. Three years later, the Philippine Philharmonic Orchestra was born with a new vision – to be ranked among the best in the world. From then on, the PPO has grown to become the country’s leading orchestra.

Under the baton of Maestro Rodel Colmenar, the PPO will once again relive the first concert, performing Buenaventura and Kasilag masterpieces, with young pianist Aidan Ezra Baracol as guest performer.

Known as the founder and music director of the Manila Philharmonic Orchestra (MPO), Rodel Colmenar has further proven his great skills and passion for music on international platforms and has collaborated with several outstanding local and foreign classical artists. As a conductor, he is significantly involved in the Kurt Masur Conducting Workshop in Detmold, Germany, and in the masterclasses of French conductor Jean Sebastian Bereau and Italian conductor Pierro Gamba.

Young virtuoso Baracol is currently a Grade 12 scholar at the Philippine High School for the Arts. He has won 16 local and international piano competitions over the last three years, notably the Junior Piano category of the National Music Competitions for Young Artists (NAMCYA). He is currently a scholar of the CCP.

Critically-acclaimed Filipino tenor Arthur Espiritu will perform Salut! Demeure e Chaste et Pure! from Faust (Charles Gounod), Che gelida manina from La Boheme (Giacomo Puccini), and Kundiman ng Langit (Augusto Espino).

Renowned for his impressive vocals and great presence on stage, Espiritu has performed in various operas, concerts, and recitals across the United States and other countries, showcasing his versatility and range as a performer. He has performed in the CCP opera production of Lucia di Lammermoor in 2020.

The anniversary concert will culminate with a must-watch performance of renowned pianist Dr. Raul Sunico, playing G. Gershwin’s Rhapsody in Blue under the baton of PPO resident conductor Herminigildo Ranera.

A former CCP president, Sunico has brought home several awards in piano competitions held abroad including a silver medal in the 1979 Viotti International Piano Competition in Vercelli, Italy. He has also given solo recitals in Canada, Mexico, France, the United States, and Australia, among other countries. The Outstanding Young Men of the Philippines Awardee for Music in 1986, he has recorded around 50 compact discs, including his piano transcriptions of Filipino folk songs and kundimans, concertos by Grieg, Saint-Saens, Ravel, and Lucino Sacramento; solo classical pieces; popular American songs set to piano; chamber and duo piano music, and original compositions.

A multi-awarded performer, Ranera was a three-time prize winner of the NAMCYA in 1982 and 1983 as a performer in Trombone, Baritone, and Tuba (Chamber Music) categories. He was a prize-winner of the 1983 League of Filipino Composers Competition for Young Composers and collaborated with his mentor, Fr. Manuel P. Maramba, O.S.B. for various CCP productions. Ranera is the founder of the Philippine Band Association (PHILBANDA), a board member of the Asia-Pacific Band Directors Association, and the adviser of the Band Conductors League of the Philippines.

Coinciding with the gala concert, the CCP and PPO partnered with Widescope Entertainment to launch “Serenata,” the seven-track album consisting of well-loved Philippine folk songs and melodies from various regions of the country, on Spotify.

Originally released in 2014, the album includes: Atin Cu Pung Singsing (Kapampangan), Sarung Banggi (Bicolano), Ti Ayat Ti Maysa Nga Ubing (Ilocano), Sampaguita (Original Spanish “La Flor de Manila”), Malinac lay labi (Pangasinense), No Te Vayas De Zamboanga (Chavacano), and Walay Angay (Ilonggo).

National Artist Ryan Cayabyab gave a fresh interpretation to the seven well-loved folk songs, without compromising their traditional musical characteristics and making them multi-layered compositions.

The decision to release Serenata in Spotify is in line with the CCP’s continuous efforts to awaken the consciousness of Filipinos to Philippine cultural heritage, and encourage the development and enhance public interest and appreciation of arts in various fields.

Tickets to the PPO 50^th Anniversary Concert are available at the CCP Box Office, located at Tanghalang Ignacio Gimenez, Vicente Sotto Street, from Tuesday to Friday, from 9a.m. to 6pm. You can also get tickets at the TicketWorld via www.ticketworld.com.ph. Ticket prices are: Php 3,000.00 (Loge Premium and Orchestra Center Premium), Php 1,500.00 (Orchestra Left and Right), and Php 800.00 (Balcony Center, Right, and Left).

For other ticket details and inquiries, contact the CCP Marketing Department at salesandpromotions@culturalcenter.gov.ph. Visit the CCP website at www.culturalcenter.gov.ph. Follow the official CCP social media accounts on Facebook, Twitter, Instagram, and TikTok for the latest updates.

May 5, 2023