Tag: ART

Repertory Philippines opens limited run of Yasmina Reza’s Tony & Olivier award-winning comedy ‘ART’

Repertory Philippines (REP) has raised the curtain on Yasmina Reza’s Olivier & Tony award-winning comedy, ART, with a translation by Christopher Hampton and directed by Victor Lirio. The 88th season’s play will have a limited run only until June 29, with performances scheduled on Friday and Saturday at 8PM, and matinee performances on Sunday at 3:30PM at REP Eastwood Theater in Quezon City.

REP’s production of ART is comprised of New York, London, and Manila-based creatives. The international cast features London-based Filipino-British actor Martin Sarreal, who appeared in Season 3 of the hit Netflix series, Bridgerton; award-winning Manila-based actor Brian Sy, who was recently seen in The Sandbox Collective’s Tiny Beautiful Things and in Company of Actors in Streamlined Theatre (CAST) PH’s Othello as Cassio; and British stage, film, and television actor Freddy Sawyer, a Bristol Old Vic alum and who appeared in Apple TV’s hit series, Trying.

Directed by Victor Lirio, ART’s creative and production teams include Miguel Urbino (scenic and costume design), Miriam Crowe(lighting design), Fabian Obispo (original music and sound design), Maisie Carter (fight director), Zoe Littleton (voice coach), Uriel Villar (assistant director), Julia Pacificador (associate scenic designer), Hazel Gutierrez Marges (production manager), and Jayvee Carreon (production stage manager).

Written by French playwright Yasmina Reza and translated by British playwright Christopher Hampton, this witty and sharp one-act play features three long-time friends Serge (Sarreal), Marc (Sawyer), and Yvan (Sy).  While it explores the subjective nature of art with an  Antrios painting —an all-white piece  tinged with the faintest off-white stripes worth 200,000 francs—becoming a source of tension, the play also cleverly and hilariously dives deep into the complexity of friendships and how easy it is for personal beliefs to strain relationships.

Also sharing the stage are artworks by members of the HOPE Project, an initiative made up of Persons Deprived of Liberty (PDL) from the Bureau of Jail Management and Penology (BJMP) in Lipa City, Batangas. Founded by jail warden Aris Villaester, HOPE Project (or Help One Person Deprived of Liberty Every Day) supports the release of qualified and deserving PDLs who are ill, in their senior years, and have no financial means to pay for legal fees.

Apart from supporting the creations of PDLs, REP’s ART is also part of the Bridge Project 2025 Season, made possible with a partnership with the Bristol Old Vic Theatre School and MINT College.  The skills exchange program focuses on classical work with week-long workshops on Shakespeare Rhetoric, Voice & Alexander Technique, Movement and Stage Combat led by visiting tutors from New York and the United Kingdom. With a generous funding from the Community Investment arm of JTI Philippines andthe Mercedes Zobel Foundation, the Bridge Project also offers production arts workshops on scenic design and lighting for theaterperformance.

Don’t miss the limited run of REP’s take on the internationally acclaimed comedy ART only until June 29 at REP Eastwood Theater.

Tickets to ART are available through Ticketworld at tinyurl.com/REPArtTW and Ticketmelon at tinyurl.com/REPArtTM. For direct ticket inquiries and showbuying opportunities,  message REP  social media pages @repertoryphilippines, call 09626918540 or 09669054013, or email info@repphil.org or sales@repphil.org.

For more information on the Bridge Project 2025 Season and how to register for the workshops, visit www.repertoryphilippines.ph.

For updates and show schedules, visit www.repertoryphilippines.ph, or like and follow @repertoryphilippines on Facebook and Instagram.

June 23, 2025
Theater Review: Dissecting Friendship A Review of Repertory Philippines’ ‘Art’

The multi-awarded French play ‘Art’ by Yasmina Reza, translated into English by Christopher Hampton, has opened in Manila through Repertory Philippines under the direction of Victor Lirio. A comedy that unfolds in one act with no intermission and runs for nearly 90 minutes, the play centers on three friends whose friendship goes under intense scrutiny when one buys an odd, very expensive piece of artwork.

Serge (played by Martin Sarreal), Marc (Freddy Sawyer), and Yvan (Brian Sy) have been friends for 15 years. Trouble begins when Serge buys an “Antrios painting” for 200,000 francs, a white painting with some shades of off-white, which Marc considers a complete waste of money. Marc and Serge argue about the purchase, buttons are pushed, and sharp words are exchanged. Both friends turn to Yvan, hoping he will mediate, but Yvan prefers to take a softer approach, telling each one what they want to hear. After all, Yvan is about to get married and he’s got troubles of his own that’s brewing.

Yvan (played by Brian Sy) and Serge (played by Martin Sarreal) | Photo by: Joel H. Garcia

Without an intermission, the play runs through several scenes: duets, monologues, and a final extended gathering of the three characters, where they finally confront each other head-on. At first, the conflict seems to be about the painting, a debate over classicism versus post-modernism but beneath the surface, it’s way more than that. In order to truly address the issue, their relationship is placed under a microscope. What we witness is a friendship being renegotiated. Fifteen years is a long time. They’ve changed. Dynamics have shifted, but they haven’t been honest with themselves about it.

Written by French playwright Yasmina Reza and translated by British playwright Christopher Hampton, this witty and sharp one-act play features three long-time friends Marc (Sawyer), Yvan (Sy), and Serge (Sarreal)
| Photo by: Joel H. Garcia

The play in itself is funny. There’s a lot of use of repetition – characters repeating what the other is saying as a means to heighten tension and humour – and the three friends can be very catty, using their personal history to make barbed remarks at the other’s expense. I don’t know why I want to say it’s very French, even though I’ve only seen three French plays (translated into English) but it has that appeal and charm.

Yvan (played by Brian Sy) and Marc (played by Freddy Sawyer) | Photo by: Joel H. Garcia

But watching the opening night of the show, I was having a hard time connecting with the piece. Martin Sarreal, a Filipino British actor who is living in Britain, and the Brit actor Freddy Sawyer have a very English attack on the characters. Their accents are on full display while Brian Sy speaks naturally without an English inflection. The delivery of Sarreal and Sawyer are razor-sharp but dry. It’s cold while Sy has the Filipino warmth to his Yvan. Because of these tonal differences, I had such a hard-time seeing the three as friends for 15-years.

Yvan (played by Brian Sy) and Serge (played by Martin Sarreal) | Photo by: Joel H. Garcia

Because of the brutality of each one’s verbal attack, and the coldness to which the two more active characters take their offensive, it felt like they hadn’t been friends for a long while now and this approach feels like it loses some of the play’s charm. It’s so vicious that I wonder how they even made it to this point. When I imagine it as French – I’ve never been to France and have only spoken to very few French people, but I am basing it on a lot of French cinema I’ve seen and the caricatures that are presented on comedy shows – and I imagine that the snobbish and aloof stereotype of the French could get away with such stinging remarks of a friend. But Sy has so much warmth that it amplifies the cold British dry humour of Sarrel and Sawyer that I felt the play’s exploration of friendship wasn’t hitting the right cues.

Freddy Sawyer plays Marc | Photo by: Joel H. Garcia

There are other aspects of the show that confused me, like how the play begins with a movement piece between the three friends that interpret as an imagery of their friendship over time. It’s such a strange place to start when the play in itself is so verbose and articulate. Most of the time, the characters stay on set, and listen to each other’s monologues, which removes the privacy and intimacy of some of what is being said.

I really love Sarreal’s laser-sharp focus and Sawyer’s ability to portray Marc’s posturing. I’ve also always been a fan of everything Sy has done, both on stage and in film. However, I didn’t really see the connection on the opening night. The play in itself is funny and surprising, and I’m hoping that later shows will flesh out their relationship more.

My Rating:

See this acclaimed production brought to life by a powerhouse cast and a globally seasoned creative team. Art runs exclusively at REP’s Eastwood Theater until June 29. Catch it before the final curtain call. Buy tickets at Ticketworld or Ticketmelon.

June 23, 2025
Repertory Philippines Reveals Cast for Tony-Winning Comedy ART, Directed by Victor Lirio

Repertory Philippines (REP) announces the full cast and creative team for its 88^th season offering of Yasmina Reza’s Olivier & Tony award-winning comedy, ART, with a translation by Christopher Hampton and directed by Victor Lirio.

The anticipated production will open on June 13 and run until June 21, with regular performances scheduled from Friday to Saturday at 8PM, and matinee performances on Saturday at 3:30PM. All performances will be at REP’s recently inaugurated REP Eastwood Theater in Quezon City.

REP’s production of ART will be comprised of New York, London, and Manila-based creatives. The international cast features London-based Filipino-British actor Martin Sarreal, who appeared in Season 3 of the hit Netflix series, Bridgerton; award-winning Manila-based actor Brian Sy, who was recently seen in The Sandbox Collective’s Tiny Beautiful Things and is currently in Company of Actors in Streamlined Theatre (CAST) PH’s Othello as Cassio; and British stage, film, and television actor Freddy Sawyer, a Bristol Old Vic alum and who appeared in Apple TV’s hit series, Trying.

Directed by Victor Lirio, ART’s creative and production teams include Miguel Urbino (scenic and costume design), Miriam Crowe(lighting design), Fabian Obispo (original music and sound design), Maisie Carter (fight director), Zoe Littleton (voice coach), Uriel Villar (assistant director), Julia Pacificador (associate scenic designer), Patricia Gregorio (production manager), and Jayvee Carreon (production stage manager).

Written by French playwright Yasmina Reza and translated by British playwright Christopher Hampton, the comedy raises questions about art and friendship and concerns three long-time friends—Serge (Sarreal), Marc (Sawyer), and Yvan (Sy). Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting. Marc is horrified, and their relationship suffers considerable strain as a result of their differing opinions about what constitutes “art.” Yvan, caught in the middle of the conflict, tries to please and mollify both of them.

West End’s Lirio is back at the helm

Lirio directed REP’s critically acclaimed production of Harold Pinter’s Betrayal last season, recipient of several Gawad Buhay citations including Outstanding Production and Direction; the London premiere of Adam Rapp’s Pulitzer Prize nominated Red Light Winter; and in Bristol, UK, the double bill production of Edward Allan Baker’s North of Providence and Dolores, and Richard Greenberg’s Three Days of Rain. In New York, he directed Cassandra Medley’s award-winning Noon Day Sun (starring Emmy Award winner Ron Cephas Jones, Time Out New York Critic’s Choice); Warren Bodow’s Race Music (New York Times Critic’s Pick); and Medley’s plays, Coming Up for Air (starring Tony Award winner Tonya Pinkins) and Cell (starring Tony Award nominee Condola Rashad). Trained at London Academy of Music and Dramatic Art as a classical actor with a Master’s degree in Drama Directing from the Bristol Old Vic, Victor was Resident Director on Dr Semmelweis by Stephen Brown at the Harold Pinter Theatre in London’s West End starring Oscar winner Mark Rylance.

Sanreal’s REP debut, Sy and Sawyer round out Art’s international cast

British-Filipino actor Martin Sarreal appeared in the world premiere of the Elton John and Jake Shears musical, Tammy Faye, at the Almeida Theatre in London. Since graduating from Drama Centre London, he has gone on to star in numerous productions across stage, TV and film. Theatre credits include the Evening Standard Award-winning and Olivier nominated London production of Here Lies Love (Royal National Theatre), Forty Years On (Chichester Festival Theatre), Read Not Dead: The Duke of Milan(Shakespeare’s Globe), Corrina Corrina (Headlong Theatre/Everyman Liverpool). Martin can currently be seen as Lord Barnell in Season 3 of Bridgerton on Netflix.

Award-winning Manila-based actor Brian Sy is the recipient of the Gawad Buhay Award for his portrayal of Aufidius in Tanghalang Pilipino’s Coriolano, for which he also garnered an Aliw Award nomination for Best Featured Actor. He recently appeared in Nia Vardalos’ adaptation of Cheryl Strayed’s Tiny Beautiful Things (The Sandbox Collective, 2024), and as Maximo in Pat Valera’s Mula sa Buwan (Barefoot Theatre Collaborative, 2024). His recent notable works for the stage include: M in Duncan Mcmillan’s Lungs, Kooriyama Tatsuya in Suzue Toshiro’s If He Doesn’t See Your Face, Ronildo ‘Ka Roy’ Ibanag in Guelan Luarca’s theatrical adaptation of Lualhati Bautista’s novel entitled Desaparesidos, Ferdinand in PETA’s adaptation of The Tempest Reimagined, Edmund in both the English and Filipino versions of Dulaang UP’s King Lear/Haring Lear (dir. by Tony Mabesa, 2015). Brian has performed in international theatre festivals in Spain, Taiwan, Malaysia, Belarus, Vietnam, and China. He’s currently appearing in CAST PH’s 2025 run of Othello as Michael Cassio.

Freddy is a London-based actor and writer, who trained at Bristol Old Vic Theatre School after reading Education with Drama & English at the University of Cambridge. Freddy is thrilled to be working with Victor again, having the played the role of Davis in his production of Red Light Winter (by Adam Rapp) at London’s Turbine Theatre in 2021. UK television credits include Life After Life (BBC), Alice & Jack (Channel 4) and Trying (Apple TV). UK/USA screen credits include the role of Derek in the feature film Fair Play (dir. Chloe Domont), which screened at Sundance Film Festival 2023 (currently streaming on Netflix). Freddy’s short film Twenty (co-authored with director Jason Hogan) was featured in numerous international film festivals and received over fourteen awards.

REP’s Bridge Project focuses on classical work for 2025 season

Continuing Repertory Philippines’ partnership with the Bristol Old Vic Theatre School, the Bridge Project 2025 Season will focus on classical work with week-long workshops on Shakespeare Rhetoric, Voice & Alexander Technique, Movement and Stage Combat. It will also offer production arts workshops on scenic design and lighting for theatre performance with visiting tutors from New York and the UK.

Mindy Perez-Rubio, REP’s President & CEO said: “In partnership with Bristol Old Vic Theatre School (“BOVTS”), we are thrilled to be expanding our Bridge Project sessions this year with special focus on stage craft and classical work. In addition to Victor Lirio’s Shakespeare Rhetoric course, we are bringing additional tutors from BOVTS to teach Voice, Movement & Stage Combat.

“We are planning for a major Shakespeare production next year and investing in our local artists here in Manila by providing them with the artistic support, training, and resources. We are grateful for the leadership of REP’s Board of Trustees, support from Fiona Francombe at BOVTS, and the generosity of our donors and sponsors whose support for the Bridge Project is crucial,” she added.

For show-buying and ticket inquiries, contact REP at 0966-905-4013 or 09626918540 send us an email at promotions@repphil.org or sales@repphil.org.

For more information on the Bridge Project 2025 Season and how to register for the workshops, visit www.repertoryphilippines.ph.

For updates and show schedules, visit www.repertoryphilippines.ph, or like and follow repertoryphilippines on Facebook and Instagram.

March 11, 2025