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Sinag Maynila 2026 Returns with Powerful Lineup of Filipino Independent Films
The spotlight returns to Filipino storytelling as the Sinag Maynila Independent Film Festival launches its eighth edition, bringing together filmmakers, students, and movie enthusiasts for a vibrant celebration of Philippine cinema.

Happening March 23 to 29, 2026, the festival will present screenings in select Metro Manila cinemas, highlighting compelling stories that reflect Filipino life, culture, and imagination. The festivities will culminate in the Gabi ng Parangal, the festival’s highly anticipated awards night, scheduled for March 28 at Gateway Cineplex.

Championing Local Stories with Global Appeal

Sinag Maynila was founded by Solar Studios, Inc. President Wilson Y. Tieng and internationally acclaimed filmmaker Brillante Ma Mendoza, the first Filipino to win Best Director at the Cannes Film Festival. Since its inception, the festival has aimed to amplify films that present authentic Filipino voices while connecting with audiences worldwide.

This year’s theme, “Sine Lokal, Pang-Internasyonal,” emphasizes that mission—showcasing narratives rooted in local realities yet capable of resonating across borders.

The enthusiasm surrounding the festival continues to grow. For its eighth edition, more than 400 film submissions were received, marking a new milestone for Sinag Maynila and highlighting the thriving creativity of Filipino filmmakers.

Equally noteworthy is the Student category, which continues to flourish with entries from over 30 schools across the Philippines. These emerging filmmakers bring fresh perspectives and fearless storytelling to the festival’s expanding platform.

Feature Film Finalists

Six films will compete in the Feature Film category, each presenting distinctive and emotionally engaging stories.

Pinikas | Halved – Dir. Cris Fuego
A slice-of-life drama about a teen breadwinner in a fishing village, torn between local love and her father’s dream of a foreigner’s promise.

Desperada – Dir. Luisito Lagdameo Ignacio
A traumatized young woman rescued from the streets finds healing and unexpected love in a shelter for the mentally ill.

All About Her – Dir. Joel Lamangan
A crime drama unraveling the mysterious death of a beauty queen, exposing ambition, manipulation, and psychological warfare.

Sweet Escape – Dir. Rommel C. Ricafort
A medical professional entangled in malpractice tragedy enters surrogacy in Bohol, finding redemption and love with a Korean entrepreneur.

Ang Bangkay | The Embalmer – Dir. Vincent M. Tañada
A psychological period piece about an embalmer widower whose coexistence with grieving relatives and corpses reveals greed, abuse, and hidden darkness.

Lanaya – Dir. Clyde Capistrano
A detective enlists a nursing student to spy on an old woman suspected of murder, exploring grief, power, and moral ambiguity.

Documentary (Open) Finalists

• Del Mundo – Dir. Milo Tolentino
• Hope for the Dawn to Come – Dir. Monsi Alfonso Serrano
• Mga Muni-Muni sa Gitna ng Ambon | Contemplations Amidst the Mist – Dir. Gio Gonzalves
• Wordplay – Dir. Che Tagyamon
• Nomo Kween: The Last Woman Standing – Dir. L.A. Oraza

Documentary (Student) Finalists

• Asa ang mga Salida sa Leyte | Where Are the Films in Leyte? (Extended Cut) – Dir. Lebron Ponce and Linus Masandag
• Cemento | Cement – Dir. Justine Borlagdan
• Di Lalim Di Lalum | Not Easy, Not Deep – Dir. Nicole Reyes
• Lila sa Gitna ng Asul | Purple in the Midst of Blue – Dir. Cristina Anandinna B. Iscala
• As the Gong Finds Us – Dir. Joe Macky Bib Canal
• Shalom – Dir. Kiah Resurreccion

Short Film (Open) Finalists

• Azazel (Ang Kabron) | Azazel (The Goat) – Dir. Randy Q. Villanueva and Utes Salazar
• Blind Date – Dir. Victor Villanueva
• Flora – Dir. Francis Ner Marañon
• Hoy! Pili ka na! | Indecisive – Dir. Banjo Hinolan
• Inang Reyna | Queen Mother – Dir. King Louie Palomo
• Kaon | Let’s Eat – Dir. Miguel Dimaiwat
• Magindara – Dir. Ryand Angelo G. Ugalde
• Pagbalik sa Lawod | The Shore Awaits – Dir. Lee Joshua Sardoma and Elaiza Marie Empat
• Paon | Bait – Dir. Seb Valdez
• Relyebo | The Reliever – Dir. Paul Ocampo Untalan
• Sakaling Malimutan Kita | In Case I Forget You – Dir. Ivan Villacorta Gentolizo
• Tanan Nga Makita Kag Indi Makita | All Things Visible and Invisible – Dir. Glydel Beatisula
• Tonton – Dir. Charlene Mead Tupas
• Twenty Years Never Passed – Dir. Fahleen Fang Casidsid

Short Film (Student) Finalists

• Aglibas | The Escape – Dir. Louie Canieso and Yohan R. Yapchiongco
• Alamat ng Anik-Anik | The Legend of Trinkets – Dir. Jann Gabaldon
• Ang Paboritong Anak ni Tatay | My Father’s Favorite Child – Dir. Jun Randel Solvia
• Baga-Baga | Embers – Dir. Mark Jerome Orque
• BAGz – Dir. JD Mardo
• Bilanggo ng Kinahinatnan | Prisoner of Consequence – Dir. Euxim Valonzo Garcia
• Crossings (We Shall Return) – Dir. Josiah Tollison
• Duros | Spear – Dir. Harvey Gozado
• Hataw | Strong Beat – Dir. John Paul Soriano and Francis June Bayangos
• Isa Ka Higayon | One Time – Dir. Chelsea Tasic
• Layo ra’s Tinai | It’s Not That Bad – Dir. Klark Marquez
• Lugud | To Love – Dir. Jarno Malonzo
• Mga Unsa Na Lang Ta Ani | What Will Become of Us? – Dir. Keith Nemenzo
• Mga Ulol | Fools – Dir. Vince Ivan Vasiete
• Odds – Dir. Joshua Antiporta
• Re: Living Kalipay – Dir. Mariel Joanachim Rovero
• Sa Pag-uwi | Homecoming – Dir. Margareth Buendia
• Sino Kamukha Ko? | Who Do I Look Like? – Dir. Darlene Ballano
• Suffer Extra – Dir. Mark A. Delos Santos
• Sunbird – Dir. Kate Biazon
• Tililing: E-motion Sickness – Dir. Dranreb Cimatu
• Under the Table – Dir. Branden Josh Domingo
• Unggoy-ungguyan | Monkey in the Middle – Dir. Mark KC C. Alcaraz
• Young Heart – Dir. Janine Icamen and Angela Legaspi

Festival Details
- Festival Dates: March 23–29, 2026
- Screening Venues: Gateway Cineplex, Eastwood Cinemas, Uptown Cinemas, Venice Cineplex, Lucky Chinatown Cinemas
- Awards Night (Gabi ng Parangal): March 28, Gateway Cineplex
“Sinag Maynila continues to be a beacon for Filipino filmmakers who dare to tell stories that challenge, inspire, and reflect our realities,” said Mr. Wilson Y. Tieng. Festival Director Brillante Ma Mendoza added, “This year’s entries embody resilience, creativity, and the evolving voice of Philippine cinema—local stories with international resonance.”

Festival Director Brillante Ma Mendoza added that this year’s entries reflect the evolving voice of Philippine cinema, highlighting the creativity and resilience of local storytellers whose narratives resonate beyond borders.

For screening schedules, ticket details, and festival updates, follow Sinag Maynila on Facebook and YouTube.
March 24, 2026
The Maya Kitchen Teams Up with FEATR to Celebrate Filipino Culinary Heritage

For more than six decades, the trusted Filipino kitchen staple MAYA has been synonymous with home cooking and baking. Its culinary arts center, The Maya Kitchen, continues to promote culinary education through short courses and lifestyle classes.

Today, the two brands present a new chapter with The Maya Kitchen Culinary Elite—a special cooking demonstration series featuring chefs and restaurateurs who are given a platform to share their curated recipes.

Originally held from 2010 to 2016, the Culinary Elite program now returns with renewed purpose: to highlight heritage Filipino ingredients, strengthen connections with regional food producers, and reintroduce Filipino pantry staples to a new generation through contemporary techniques and storytelling.

A Brand Built in the Filipino Kitchen

Introduced to the Philippine market in 1962, MAYA quickly became a household name with the launch of its pioneering hotcake mix. The product soon became a breakfast staple among Filipino families and remains one of the most recognizable products in the brand’s portfolio today.

For generations, MAYA Hotcakes have been part of Filipino breakfasts, merienda moments, and childhood snacks. The simplicity of preparing hotcakes from the mix introduced many Filipinos to cooking for the first time—helping build confidence in the kitchen.

Over the years, MAYA expanded beyond hotcakes to include a wide range of baking and pantry essentials—from chocolate, oat, and whole wheat hotcake mixes, brownie mixes and premium cake mixes, to flour, cornstarch, and its signature Oven-Toaster mixes.

A New Chapter for the Maya Culinary Elite

According to Ernesto Fajardo, President of Liberty Commodities Corporation, the initiative reinforces the brand’s deeper connection to Filipino culinary culture. “For decades, MAYA has been part of Filipino family traditions – from breakfast hotcakes to first baking experiences in the kitchen. Reviving The Maya Kitchen Culinary Elite allows us to strengthen that legacy by working closely with chefs and storytellers who share our passion for promoting Filipino culinary education and innovation. Through this initiative, we continue the work of both Maya and The Maya Kitchen in inspiring Filipinos to cook, learn, and rediscover our food heritage.”

A Legacy of Culinary Education

For Maya Kitchen consultant Nina Daza Puyat, who has long championed Filipino cuisine and food education, the revival of the program reflects MAYA’s enduring role in shaping Filipino culinary culture. “The Maya Kitchen has always been about sharing knowledge and teaching Filipinos how to cook confidently at home. The Culinary Elite program allows us to promote and preserve our Filipino food heritage while adapting it for the next generation of home cooks.”

A Creative Partnership with FEATR

Rooted in a shared commitment of celebrating Filipino cuisine and championing local ingredients, the collaboration between MAYA and FEATR brings together two platforms that advocate for sustainability, culinary education, and the preservation of Filipino food traditions.

By highlighting regional ingredients and the communities behind them, the partnership encourages more mindful cooking while shining a spotlight on the richness of the country’s culinary heritage.

A key collaborator in the revival is Erwan Heussaff, founder of the food storytelling platform FEATR, whose work focuses on documenting Filipino culinary traditions and regional ingredients. According to Erwan, “Filipino food has always been more than sustenance: it’s a record of who we are, where we came from, and what we’ve been through. FEATR exists to help make sure those stories aren’t forgotten, to deepen how we understand and appreciate our food and ingredients today, and to help shape what Filipino food could become tomorrow. We communicate everything we learn about our culture through our digital platforms and shows, but we always felt like something was missing. This year we hope to hold more events like this, where people can interact with the ingredients and stories that we’ve featr’d in our documentaries.”

Collaboration Rooted in Heritage

For the Maya Culinary Elite, Heussaff presents “Not-So Modern Filipino Pantry”, a culinary concept that reimagines heritage Filipino ingredients through modern, accessible cooking.

The project explores heritage Filipino ingredients many of which come from small communities and traditional food practices – and presents them through contemporary recipes designed for modern kitchens.

A Collaboration Rooted in Heritage: “Not-So Modern Filipino Pantry”

As part of the collaboration, Heussaff introduces “Not-So Modern Filipino Pantry”, showcasing a curated approach to Filipino heritage ingredients through creative, contemporary interpretations.

This initiatives highlights locally sourced ingredients- rooted in regional traditions, and transforms them into thoughtfully crafted recipes suited for today’s kitchens.

Asin Tultol – A rare cooked sea salt from Guimaras created by filtering seawater through burned driftwood before evaporating the brine over fire, producing a mineral-rich finishing salt.

Gamet – A hand-harvested dried seaweed from Sta. Praxedes, Cagayan, known for its natural umami and mineral content.

Pudpod – A traditional smoked fish patty from Eastern Samar made from flaked fish mixed with aromatics, prized for its rich, savory smokiness.

Sukang Paombong – A naturally fermented nipa palm vinegar from Bulacan recognized for its complex acidity and depth of flavor.

Pakaskas – A rare buri palm sugar from Isla Verde, Batangas, valued for its smoky sweetness and grainy texture.

Kinuday – A traditional smoked meat from the Cordilleras rooted in indigenous preservation techniques linked to the Cañao ritual. Known for its deep, bacon-like flavor, it has become a versatile ingredient in both traditional and modern Filipino cooking.

Through these recipes, the series reframes Filipino heritage ingredients as versatile pantry staples— bridging traditional flavors with modern culinary creativity.

Celebrating the Culinary Elite

Throughout the years, the Maya Kitchen Culinary Elite has featured some of the country’s most respected culinary figures and restaurateurs, including chefs and food advocates such as Glenda Barretto, Claude Tayag, JP Anglo, Jessie Sincioco, Tatung Sarthou, Chele Gonzales and the late Margarita Forés.

With the revival of the Maya Culinary Elite, Maya once again places Filipino chefs, ingredients, and culinary storytelling at the forefront of its mission—ensuring that the traditions that shaped Filipino cooking continue to inspire the kitchens of today and tomorrow.

The Maya Kitchen is the culinary center of MAYA, a brand dedicated to promoting food education, recipe development, and the celebration of Filipino cuisine. For over 60 years, Maya has been a trusted name in Filipino kitchens, inspiring generations of home cooks through its baking mixes, flours, and pantry staples.

For recipes and a list of upcoming cooking classes:

Website: https://themayakitchen.com
The Maya Kitchen Facebook: https://www.facebook.com/themayakitchencac
The Maya Kitchen Instagram: https://www.instagram.com/themayakitchencac/

For more information about Maya Hotcakes events and promotions:

Maya Hotcakes and More Facebook: https://www.facebook.com/mayahotcakesandmore/

Maya Hotcakes More Instagram: https://www.instagram.com/mayahotcakesandmore/

Address: 8/F Liberty Building, #835 A. Arnaiz Avenue, Makati City, Philippines

Trunkline: (+632) 8888-5555

March 24, 2026
“Project Hail Mary” Rockets to $140.9M Global Box Office, Now Showing in PH

A Stellar Start for the Year’s Biggest Debut

Amaze. Amaze. Amaze! The epic space adventure “Project Hail Mary” has blasted into theaters with unstoppable momentum, achieving the biggest global opening weekend of the year with an impressive $140.9 million worldwide debut.

The film collected $80.5 million in North America, while international markets added $60.4 million, signaling strong enthusiasm from audiences across the globe. Adapted from the bestselling novel by Andy Weir, the acclaimed author of The Martian, the film is directed by the creative powerhouse duo Phil Lord and Christopher Miller.

With its gripping storytelling, stunning visuals, and emotionally resonant moments, Project Hail Mary has quickly become one of the year’s most exciting cinematic experiences.

A Record-Breaking Opening in the Philippines

The excitement is equally strong in the Philippines. During its first five days in cinemas, Project Hail Mary earned ₱29,258,184, marking the biggest Hollywood opening weekend of 2026 in the country.

Driven by enthusiastic audience reactions and strong word of mouth, the film has also secured the largest opening for a Hollywood original non-franchise film since Oppenheimer—a remarkable milestone in today’s blockbuster landscape.

Moviegoers nationwide are embracing the film’s powerful blend of science, suspense, humor, and heart, making it a must-watch big-screen event.

An Epic Story That Captivates Audiences

Based on Andy Weir’s celebrated novel, Project Hail Mary presents a thrilling narrative that combines science-driven adventure with emotional storytelling. Under the visionary direction of Phil Lord and Christopher Miller, the story transforms into a breathtaking cinematic spectacle filled with wonder, tension, and unforgettable moments.

As audiences embark on this ambitious journey across the cosmos, the film’s themes of resilience, discovery, and hope resonate deeply—reminding viewers of the extraordinary power of human determination.

Watch the Trailer

Experience the adventure here:

Now Showing in Philippine Cinemas

The interstellar mission has begun. “Project Hail Mary” is now showing in cinemas across the Philippines.

The film is distributed locally by Columbia Pictures, the Philippine office of Sony Pictures Releasing International.

Join the conversation online using #ProjectHailMary and follow @columbiapicph for updates and exclusive content.

_{Photo & Video Credit: “Columbia Pictures”}

March 24, 2026
THEATER REVIEW: Emmy Winner Karla Puno Garcia Directs Theater Group Asia’s “A Chorus Line” into a Triumphant Love Letter to the Ensemble

A Chorus Line has won nine Tony Awards and a Pulitzer Prize for Drama, is set at a high-stakes audition for a Broadway show. It is intimate and personal, staged against a bare stage where seventeen actors are interviewed by a director searching for four men and four women to be a part of a powerhouse dancing chorus for his latest show. Conceived in 1975 by writer, director, and choreographer Michael Bennett with music by Marvin Hamlisch, lyrics by Edward Kleban, and book by James Kirkwood Jr. and Nicholas Dante, the musical was famously workshopped using the real-life stories of real members of the chorus to breathe life into the characters of “A Chorus Line.”

Many of them get the chance to do monologues or perform based on real stories and the overall effect is incredible. Almost stripped of the usual grandiose staging typical of many musicals, we are left with the bare bones of a play and somehow, when executed well, it resonates stronger than ever as we get to see the interiority of many of these performers.

Theater Group Asia’s staging of A Chorus Line is a magnificent production, fueled by a cast of extremely committed performers who lay themselves bare, for us to experience their strengths and weaknesses, both their guardedness and their vulnerabilities. During a recent press event, a cast member described the show’s appeal as universal, suggesting that one does not need to be a performer to relate to the narrative. Anyone who has ever desired to be a part of something can connect to these stories, in some shape or form.

Under the direction and choreography of Emmy award winner Karla Puno Garcia, she material is revitalized; she pays homage to the movements of the original production while injecting her own spin on things. By playing to her casts’ unique strength, Garcia creates a show that really gets down and dirty with all the hopes and fears of its performers. The opening number, “I Hope I Get It” is a huge dance number with the cast trying to learn the steps, each one adding their own personal flourishes based on their personality and skill. Some are better, some are lagging. We see the nerves; we see the determination. On stage, it’s absolute joy to watch these movements occupy the stage with the mirror right behind them creating a feeling of an even larger number of dancers than what is already on stage. The show, from its opening number, already sets you in the mood for things to come.

What is truly remarkable about this piece is that it’s an audition for a chorus – for members of an ensemble that have to blend in and work as a unit so as to not steal focus from the star of whatever show they are going to be on – but the play itself, the interview that the director holds for each one brings to light each person’s individuality. The director, Zach, is searching for a team player but he needs to know who they are, as a unique person, to see if they fit together as a whole. By the end of the show, we get to see one big number where, despite having witnessed each actor’s personal story, they all blend in together, with no one outshining anyone else. They sing one of the show’s popular songs, ‘One,’ and it becomes a showstopper like no other.

The cast is incredible. Conrad Ricamora plays Zach, the director. Despite not having a song of his own, he propels the narrative forward, asking questions and breaking down each actors’ walls to try and get to see who they are inside. Ricamora is rarely on stage, instead goes down to the audience, reaches even up to the balcony seats. He’s acting primarily through his voice and it’s a commanding one. A powerful one. We can hear his frustrations and his interest. We can feel it when he cares and when he is calling out BS. It’s an incredible performance even when he is out of sight, his presence is always felt.

There are so many great performances here but I’d like to call out the standouts. One song, “At the Ballet,” performed by Sheila (Mikaela Regis), Bebe (Michaela Marfori), and Maggie (Iya Villanueva), an early favourite. Marfori and Villanueva possess powerful, evocative voices, while Regis is acting through the piece and the way they harmonize together creates a strong imprint at the beginning. As Diana Morales, Christina Glur sings some of my favourite songs from the musical: “Nothing” and “What I Did For Love” and I’m so in love with the original Broadway cast recording but Glur makes these songs her own, finding ways to emphasize particular words in a song that adds layers and tension, which makes her Morales such a grounding force for the production. Universe Ramos, as Paul San Marco, delivers strong monologue that leaves him alone on stage, sharing a beautiful, intimate, and very personal story. All alone on that stage, he fills it up with his character’s story and it’s a high point of the show.

What would constitute a lead in this show is Cassie, played by Lissa De Guzman. De Guzman is a powerhouse. She sings “Music and the Mirror,” which allows her to showcase her singing, acting, and dancing skills. There are so much presence and confidence that we cannot stop looking at her. She’s in full control of her body and her instrument that you can fully connect with Cassie’s struggle. What a truly exceptional performance.

Theater Group Asia’s production of A Chorus Line is a fully realised show. The lighting design by Cha See is nothing short of exquisite, the use of mirrors is exciting – on some numbers, it moves around on stage as if it were dancing too and helps tell the story of that number – and a strong orchestra, led by musical director Farley Asuncion.

The play was written in 1976, so there are certain aspects of it which don’t land just as well. The first act concludes with “Hello Twelve, Hello Thirteen, Hello Love,” a number about their different experiences reaching puberty. It is a hilarious song (featuring a great vocal moment from Rapah Manalo), though it didn’t seem to hit the audience as it did me. But I knew the songs by heart, and I knew the things that they were talking about (having grown up just a decade after the musical’s release). Another song that isn’t as strong as it was back in the 80s is “Dance Ten, Looks Three,” a song about one actor’s need for cosmetic surgery to stay competitive. Performed with a lot of personality by Brie Chappell, the song isn’t as shocking or surprising in 2026 with everyone so accustomed to cosmetic surgery. That song used to raise eyebrows and elicit gasps but now all it manages is a couple of chuckles, considering how well Chappell performed it.

But despite the show’s dated language and colloquialisms, it still is a lovely letter to everyone who has a dream, who faces challenges day-in and day-out to make that dream come true. Karla Puno Garcia’s direction brings this to the forefront, and the cast takes it home.

I’m definitely watching this again.

My Rating: 4.5 Stars

Theater Group Asia’s A Chorus Line is a masterclass in ensemble storytelling that proves some dreams never go out of style. The production runs until March 29, 2026, at the Samsung Performing Arts Theater. Secure your seats at TicketWorld and see why this Pulitzer Prize winner remains a “singular sensation.”

March 23, 2026
‘They Will Kill You’: Zazie Beetz Trapped in a Deadly Nine-Floor Building Inspired by Dante’s Inferno

What if every floor of a building represented a different circle of Hell? That chilling idea fuels the blood-soaked horror-action-comedy “They Will Kill You,” arriving exclusively in cinemas March 25, 2026.

Directed and co-written by Kirill Sokolov, the film traps audiences inside The Virgil, a mysterious nine-floor building that becomes the setting for a relentless night of survival. At the center of the chaos is a young woman played by Zazie Beetz, who must fight her way through a demonic cult’s twisted lair before she becomes their next offering.

Joining Beetz in the cast are Myha’La, Paterson Joseph, Tom Felton, Heather Graham, and Patricia Arquette, forming an ensemble that fuels the film’s dark humor and brutal action.

The Virgil: A Deadly Building With Layers of Hell

At the heart of the film lies The Virgil, a seemingly luxurious condo complex hiding unspeakable horrors behind its walls.

“Our production designer is a mad genius,” Sokolov says of Jeremy Reed, who helped craft the building’s unsettling environment.

Because much of the story unfolds indoors, the creative team had to transform the structure into something visually thrilling.

“The movie mostly is inside of this Virgil building, so it’s all interior,” continues Sokolov. “Making an interior movie, you understand that people can get tired of staring at four walls, and you have to be very clever and creative in a way to make people excited – how to show the same sets differently, how to extend this world, even not leaving the place.”

The solution came from classic literature.

“The Virgil is a nine-floor building, because we used Dante’s ‘Inferno’ as inspiration, where every floor is literally a different circle of hell. That gave us this idea of how we dress the floors, what kind of theme belongs to each floor, what is actually happening on that floor. So, we used this structure to develop the visual style and design of the place.”

The concept allows the building to evolve visually and thematically as the story progresses—turning the structure itself into a character.

A Condo From Hell in the Middle of the City

Originally, the building was imagined as a remote and ominous tower. However, co-writer Alex Litvak says the team quickly realized a different approach would be even more disturbing.

Instead of isolation, they placed The Virgil right in the heart of the city.

“But we quickly pivoted and landed on the idea of an exclusive condo complex in the heart of the city – a seemingly welcoming Rosemary’s Baby-style community most would kill [or die] to live in. That helped fuel some of the film’s themes: class, disposable people, the struggle to belong, to find a home, and the cost that comes with it. We also played with the idea that each floor represents a level of Hell. At one point the metaphor was more explicit, but we felt the building was starting to overshadow the characters, so we dialed that back.”

The shift opened the door to deeper themes.

Beneath the horror, the film explores class, belonging, and the cost of finding a home. The metaphor of Hell remained part of the concept, but the filmmakers eventually softened the symbolism so the characters could stay front and center.

Still, Litvak hints that the terrifying idea might extend far beyond this one building.

“we think we’re only scratching the surface with the Virgil – and there may be more places like it all over the world…”

Watch the Trailer Here:

Escalating Action Across Every Floor

As the story climbs higher through The Virgil, the action grows increasingly wild.

Sokolov designed each level to deliver a new style of combat and spectacle.

“As we move from floor to floor, the world changes, the circles of hell changes, so the vibe of the fights and the choreography also will be different.”

The progression starts with grounded fights before exploding into larger, more stylized sequences.

We start with very grounded and naturalistic fights, a little bit exaggerated. Then we go into some kind of Viking shit with epic scale and much more graphic. Then we go full anime, crazy kung fu type of fighting. They sound different, they look different and they feel different and, I hope, bigger and bigger and bigger and more and more exciting.

The goal: make each level bigger, louder, and more exhilarating than the last.

Horror Masters Behind the Madness

The project gained extra momentum thanks to its producers: Andy Muschietti and Barbara Muschietti, the creative force behind modern horror hits “It,” “It Chapter Two,” and “Mama.”

For Litvak, their involvement felt like the perfect match.

“When we took the script to market, we were fortunate to have two competing buyers. For us, the goal wasn’t just to sell the script – it was to make the movie without losing the unconventional style and the inspired madness we had baked into the pages. The moment we met Andy and Barbara, it was clear we weren’t dealing with producers so much as fellow artists who immediately understood what we were trying to do. They believed in the tone of the film and supported our mission from the start. That ultimately made the choice to go with them a no-brainer, and it turned out to be the best decision we could have made.”

Their support ensured the filmmakers could preserve the script’s wild imagination and dark humor from page to screen.

Enter The Virgil—If You Dare

Blending explosive action, outrageous horror, and wickedly sharp comedy, “They Will Kill You” promises a uniquely bold theatrical experience.

Everyone is invited to step inside The Virgil—just don’t expect to make it out alive.

“They Will Kill You” opens only in cinemas March 25, 2026.

About “They Will Kill You”

From New Line Cinema and Nocturna, They Will Kill You unleashes a blood-soaked, high-octane horror-action-comedy in which a young woman must survive a deadly night inside The Virgil, a demonic cult’s twisted lair, before becoming their next offering.

The film stars Zazie Beetz, Myha’La, Paterson Joseph, Tom Felton, Heather Graham, and Patricia Arquette.

Directed by Kirill Sokolov and written by Sokolov & Alex Litvak, the film is produced by Andy Muschietti, Barbara Muschietti, and Dan Kagan, with executive producers Russell Ackerman, John Schoenfelder, Carl Hampe, Alex Litvak, and Kirill Sokolov.

Behind the camera, Sokolov is joined by director of photography Isaac Bauman, production designer Jeremy Reed, editor Luke Doolan, costume designer Neil McClean, and visual effects supervisor Marc Smith. The film’s score is composed by Carlos Rafael Rivera, with Andrea von Foerster as music supervisor and Richard Delia as casting director.

New Line Cinema and Nocturna present They Will Kill You, distributed by Warner Bros. Pictures. The film opens in North America on March 27, 2026, and internationally beginning March 25, 2026.

_{Photo and Video credit: Warner Bros. Pictures}

March 23, 2026
Prime Video Reveals Teaser and May 13 Premiere Date for “Off Campus” Series
A New College Romance Is Skating Onto Prime Video

Prime Video has officially revealed the teaser and premiere date for its upcoming series Off Campus, an adaptation of the internationally bestselling book series by Elle Kennedy. Created for television by Louisa Levy, the series is set to debut May 13, 2026, with all episodes launching simultaneously on Prime Video in more than 240 countries and territories worldwide.

Adding to the excitement, a new edition of the book cover has also been released, featuring series leads Ella Bright and Belmont Cameli, giving fans a first glimpse of the characters as they appear in the screen adaptation.

Love, Friendship, and Hockey at Briar University

Set in the high-energy world of college athletics, Off Campus centers on an elite ice hockey team at Briar University and the women whose lives intertwine with theirs. The series blends romance, friendship, and personal growth as the characters navigate the challenges of young adulthood.

Season One highlights the “opposites attract” romance between Hannah, a reserved and talented songwriter, and Garrett, Briar’s charismatic star hockey player. As their unlikely connection grows, both must confront their insecurities, ambitions, and the complicated emotions that come with falling in love.

With its mix of heartfelt moments, humor, and relationship drama, the series promises a compelling look at life on and off the ice.

Meet the Cast Bringing the Story to Life

The series features a vibrant ensemble cast portraying the beloved characters from Kennedy’s bestselling novels:
- Ella Bright (The Crown, Malory Towers)
- Belmont Cameli (Until Dawn, Saved by the Bell)
- Mika Abdalla (Snack Shack, Sex Appeal)
- Antonio Cipriano (Pretty Little Liars: Original Sin, National Treasure: Edge of History)
- Jalen Thomas Brooks (The Pitt, Thanksgiving)
- Josh Heuston (Dune: Prophecy, Heartbreak High)
- Stephen Kalyn (Gen V, Motorheads)
Together, the cast brings a fresh and engaging energy to the beloved story.

Behind the Scenes

Creator Louisa Levy serves as co-showrunner and executive producer alongside Gina Fattore. The series is executive produced by Wyck Godfrey, Marty Bowen, and James Seidman for Temple Hill, with Leanna Billings of Billings Productions and Neal Flaherty also attached as executive producers.

From Bestselling Books to Streaming Screens

Author Elle Kennedy is a New York Times, USA Today, and Wall Street Journal bestselling author, known for her popular contemporary romance novels. She has written more than 50 books, with her works translated into over 25 languages and more than 10 million copies sold worldwide.

With its beloved source material, charismatic cast, and a story packed with romance and coming-of-age moments, Off Campus is poised to capture the attention of viewers when it premieres on Prime Video this May.
March 23, 2026
MOVIE REVIEW: Hilda Koronel’s Ever-Powerful Presence is Out in Full Force in “Sisa”

There is a theatricality in Jun Lana’s filmmaking for his film Sisa that heightens the film’s themes, emphasizing the tyranny of colonialism and “colonial mentality” while underscoring the vulnerability of women, not just during war, but at all times. The film opens with a tighter aspect ratio, a box frame reminiscent of classic cinema with stunning cinematography by Carlo Mendoza.

Set during the tail end of the Philippine-American War, the story focuses on one of the concentration camps established to force the insurgents to surrender by holding entire villages hostage by American soldiers. Throughout the film, Lana and Mendoza utilize uncomfortably tight shots, crazy angles, shifting aspect ratios, and vibrant tracking shots to really emphasize the tension and emotional weight of these characters within this narrative. Oftentimes, the mise-en-scene pushes the actors to move towards a gorgeous tableau, creating singular images that emphasize the film’s core theme.

Sisa | Photos courtesy of The IdeaFirst Company

This stylistic treatment allows Sisa to sidestep realism and focus on delivering its message. The film is not so much as a complete narrative, but more of a rallying cry. It’s an illustration of the horrors of war and how much worse it is for women.

Sisa | Photos courtesy of The IdeaFirst Company

The story of Sisa unfolds in one of these concentration camps, where a seemingly crazy woman enters and attacks a guard. When brought to his commanding officers, they take pity on her and allow the villagers to take care of her. Not knowing her name or where she’s from, the village children call her “Sisa,” after the woman in Rizal’s Noli Me Tangere.

Sisa | Photos courtesy of The IdeaFirst Company

There, Sisa becomes part of the community, living under Delia’s home, doing chores and visiting every nook and cranny of the camp. Within the first ten minutes, it becomes clear that Sisa is not the “crazy woman” she appears to be. By the end of the first act, we discover that she’s a spy working with the insurgents planning a take over of the camp.

Sisa | Photos courtesy of The IdeaFirst Company

However, nothing is ever that easy as the town is primarily left with the women, most of the men are either dead, imprisoned, or have fled to join the insurrection. But then again, women are fiercer and stronger than anyone ever thinks they are, and Sisa must work quickly to turn this village of women into members of the revolution.

Sisa | Photos courtesy of The IdeaFirst Company

While the film contains elements of a spy film or a caper, Sisa doesn’t fully operate within those genres. Instead, Lana focuses his attention on the manner by which women are oppressed by both patriarchy and colonialism. He focuses on the way the Americans utilize education and the teaching of English to sway the youth, seen in the way Delia’s daughter, Nena, begins to feel connected with them. For others, like Leonor, who is courted by the camp commander, Eddie Harrison. She is treated better, granted better rations, and because of this, she is shunned by the rest of the community.

Sisa | Photos courtesy of The IdeaFirst Company

Sisa, as both outsider and informant, becomes our eyes and ears. Through her observations, we process, we watch as the patriarchy and colonialism tear away at identity and the will to resist, forcing the colonized into subservient roles to please their oppressors.

Sisa | Photos courtesy of The IdeaFirst Company

After a thirteen-year hiatus, Hilda Koronel returns to the screen to bring Sisa to life. Even with very little backstory, Koronel manages to infuse the role with a history and layers underneath her character’s charade. This is a multi-faceted role that she carries effortlessly, while leading the ensemble forward.

Sisa | Photos courtesy of The IdeaFirst Company

Adding more talents into the production is Eugene Domingo as Delia, who is a force of nature. Completely removed from her comedic persona, Domingo reveals a totally different side of her and the effect is strong. Also delivering a standout performance is Jennica Garcia, whose Leonor is swept up in the confusion of her situation. She feels safe and protected by the commander that she has forgotten how the Americans have turned her into a widow. Her character’s eventual spiral in the film when she discovers the full extent of what the war has done to her and the people around her is arresting, a performance well worth watching.

Sisa | Photos courtesy of The IdeaFirst Company

Sisa is a gorgeous film, designed to push images and themes rather than to unfold a cohesive story. By looking at our past and allowing us to fully grasp what our country had to go through during the transfer of power from one colonial empire to another, we begin to understand how difficult it is for us to unite like other countries have. The sins of these oppressions is part of our lineage which we have yet to shake off. Like many characters in the film, we’d be happy to take scraps and morsels from our tyrants and be genuinely grateful to them while they work us to the bone and treat us less than human. Much like Sisa, we must look beyond the surface and start rousing ourselves to push back and unshackle ourselves from this idea that whatever is foreign is good for us. This movie couldn’t have come at a better time, with more and more stories about women fighting back taking center stage and in the world of politics, America has shown that their public image of being a benevolent protector of democracy is a complete lie. Sisa pulls no punches in delivering this message, clear as day, emboldening us to finally follow suit.

My Rating: 4 Stars

From Hilda Koronel’s haunting presence and Eugene Domingo’s dramatic revelation to Jennica Garcia’s arresting performance, Sisa is a true masterclass in acting. Don’t miss this gorgeous, thematic powerhouse while it’s still in cinemas. Check showtimes here.

March 22, 2026
Lazada Philippines Marks 14 Years with Up to 90% Off and Wellness Fest
Lazada marks its 14th year in the Philippines with a nationwide celebration recognizing more than a decade of enabling digital commerce, empowering brands and sellers, and connecting millions of Filipino consumers to trusted products.

Over the years, Lazada has evolved into a preferred growth partner for both global and local brands, providing the infrastructure, tools, and reach needed to succeed in an increasingly digital retail landscape. The Birthday campaign underscores Lazada’s leadership across three pillars: value, variety, and trust — delivering competitive pricing, an unmatched assortment of premium products, and a reliable shopping experience.

Central to this is LazMall, Lazada’s curated marketplace of official brands and authorized sellers, which continues to serve as a mark of authenticity and quality for Filipino shoppers.

As part of the celebration, shoppers can enjoy:
- LazFlash Deals with up to 90% off
- Up to ₱2,000 in Lazada vouchers
- Exclusive offers from global brands and LazMall partners
- Deals across beauty, electronics, fashion, home, and everyday essentials
- Access to 5,000 new arrivals from global brands such as d’Alba, RedChef, Giordano, Momcozy, and more.
Further reinforcing Lazada’s role as a growth partner, over 30 brands are joining the major consumer event on Sunday, March 22, showcasing strong participation from leading names across categories including Optimum Nutrition, Unilab, Xiaomi, Breville, Bevi, Iwata and Camou.

Alongside the campaign, Lazada will host the Lazada Run Wellness Fest, a community run and wellness street festival designed to bring together shoppers, fitness enthusiasts, content creators, and brand partners in a unique lifestyle experience.

Expected to gather more than 1,000 participants, including run clubs, KOLs, media, and partner brands, the event will feature interactive brand activations, wellness activities, giveaways, and entertainment.

“Our 14th anniversary is more than a birthday milestone, it’s a celebration of the enduring trust that Filipino consumers and brands have placed in Lazada over the years. The sustained growth of our buyer community and the expanding network of brand partners are a testament of Lazada’s role as a trusted, integral part of everyday life for millions of Filipinos,” said Carlos Barrera, CEO of Lazada Philippines.

“As we look ahead, we remain steadfast in our commitment to delivering real value, authentic product choices, and seamless, reliable experiences. We will continue to innovate and empower the digital commerce ecosystem, helping both consumers and businesses thrive in an increasingly digital economy.”

Download the Lazada app to enjoy the Birthday Sale with exclusive deals, vouchers, and brand offers.
March 22, 2026
Robinsons Department Store’s Women’s Fair 2026 Celebrates the Many Roles of Women

Women’s Month in March is a celebration of all the things that make women unstoppable and empowered. It’s about recognizing the women who build businesses, lead teams, raise families, start movements, and show up every single day.

It’s also about treating them to the things they love. This Women’s Month, Robinsons Department Store (RDS) transforms its retail spaces into a celebration of style, strength, and solidarity with its much-anticipated Women’s Month 2026, happening from March 1 to April 15, 2026.

Shopping as shared celebration

Fashion has always been a form of identity, whether it’s the blazer a woman wears to work as part of the Philippines’ 41.6% labor force; the sneakers that power her early morning run in a community; or the lipstick that matches her confidence.

RDS is treating every woman who inspires us with great deals and memorable experiences. It is curating collections made for all women, acknowledging that today’s Filipina wears many hats and many looks at whatever stage she is in her life, whether she’s a Gen Z starting on her first job, or a Gen X passing her business to the younger generation, or a Millennial starting her family and her first business.

Women’s Fair shoppers can enjoy up to 70% off on ladies’ apparel, accessories, and beauty. It’s the best time to refresh wardrobes with brands like Whatever; restock their beauty arsenal with products from Belo Essentials, Snailwhite, Dove, and more; as well as find meaningful gifts for the women who they love and look up to.

The fair also features exclusive promos designed to reward loyalty and celebrate milestones. On International Women’s Day (March 8), shoppers enjoy P200 off with a minimum purchase of P3,000. On Women’s Wednesdays (all Wednesdays of March), Go Rewards members get an additional 10% off with a minimum P2,000 purchase from 3pm to 8pm. Plus, they can enjoy cashback and 0% installment plans when they use select credit cards on their purchases.

This year’s celebration goes beyond retail therapy with in-store events, including a Women’s Forum in Robinsons Galleria on March 7, 2026, which spotlights women across various industries who will share insights into leadership and success. A month-long Women’s Bazaar will also showcase brands and entrepreneurs who champion individuality and craftsmanship.

With physical stores nationwide and official shops available on Lazada, Shopee, and TikTok Shop, Robinsons Department Store makes shopping easy for busy women. Follow RDS on Facebook, Instagram for updates and exclusive offers.

March 22, 2026
Car Care 101: When to Replace Brake Pads with ADVICS

With road trips, long weekends, and daily drives to school and work, many motorists are preparing their vehicles for heavier road use. For owners of older cars, one important safety check that should never be overlooked is the condition of your brake pads.

Brake pads naturally wear down over time. In older vehicles especially, years of daily driving, stop-and-go traffic, and constant exposure to heat and rain can affect braking performance.

Here are some warning signs to watch out for:
● Squealing or grinding sounds when braking
● Vibrations or judder felt on the brake pedal
● Longer stopping distances
● Visibly thin brake pads
● Brake warning light turning on

If you notice any of these, it may be time to have your brakes inspected, ideally before heading out on long drives or during busy travel seasons.

Why Brake Quality Matters
Braking is a complete system. Choosing reliable, well-engineered components helps maintain consistent and balanced stopping performance.

ADVICS, part of the AISIN Group and the company’s dedicated brand for braking systems, is recognized as one of the world’s leading brake manufacturers. The company supplies high-quality braking components and systems to major automotive manufacturers worldwide. Developed using the same standards as original equipment (OE) parts for global automakers, ADVICS products help support vehicle safety and performance.

For everyday drivers, ADVICS offers brake pads designed for dependable daily use. They deliver balanced braking performance while helping reduce noise and vibration, resist cracking and corrosion, and maintain more even wear over time. Its tough body structure design also helps improve durability during frequent braking, making it suitable for city driving, school runs, and long-distance travel.

More Than Just Brake Pads
ADVICS manufactures a full range of brake components, including hydraulics, brake boosters, master cylinders, wheel cylinders, disc rotors, and brake shoes.

These components are produced under OEM-level quality controls and are engineered for durability and smooth braking feel. For older vehicles, maintaining these parts helps support overall brake system performance as the car continues to age.

Brake Performance Goes beyond the Pads
Brake performance does not rely on brake pads alone. Brake and clutch fluid also play a critical role in keeping a vehicle safe and responsive.

Brake fluid transfers the force from the driver’s foot on the pedal into hydraulic pressure, allowing the vehicle to slow down effectively and consistently. To ensure reliable performance, AISIN brake fluids are formulated using fully synthetic oil and are designed to help protect the braking system while maintaining smooth operation.

AISIN brake fluids are engineered to protect against corrosion, help regulate pH levels within the system, maintain proper lubrication of internal components, and remain fluid even under very low temperatures.

Over time, brake fluid can absorb moisture, which may reduce braking efficiency. Regular inspection and timely replacement help maintain responsive and reliable braking, especially important for aging vehicles.

A Timely Reminder for Everyday Drivers
Before heading out on a road trip or navigating heavy school traffic, a simple brake inspection can make a significant difference. Replacing worn brake pads and checking brake fluid condition not only protects other components but also helps ensure safer journeys for everyone inside the vehicle.

For older cars in particular, proactive maintenance isn’t just good practice, it’s peace of mind on the road.

For more information, visit AISIN Philippines on Facebook and Instagram, or shop official AISIN products on Shopee, Lazada. Choose AISIN today!

March 22, 2026