While the movie states that the story is based on true events – taken off from the pages of Winston Churchill’s now-declassified papers and turned into a book by Damien Lewis called ‘Churchill’s Secret Warriors: The Explosive True Story of the Special Forces Desperadoes of WWII’ – Guy Ritchie’s ‘The Ministry of Ungentlemanly Warfare’ must be a heavily fictionalized retelling of these people’s endeavours (a quick search on the Internet reveals that these characters really did exist). Project Postmaster actually did exist, and it involved the secret taskforce that then-Prime Minister Winston Churchill had sent to the Spanish-controlled island of Fernando Po in South Africa to sink a tanker that supplied the Nazi U-Boats that kept the Americans from making it to Europe during World War II. Director and co-writer Guy Ritchie (alongside Paul Tamasy, Eric Johnson, and Arash Amel) keeps the story and characterizations thin, and leaves the film as merely the plot points of how the mission may have transpired and did some embellishments to really amplify the violence and action.
Ritchie has a definitive style-over-substance approach to filmmaking, preferring filmmaking techniques that amp up the energy of his films and ensures that things look cool. As stylistic and spectacle-driven his version of ‘Sherlock Holmes’ was or his ‘King Arthur: Legend of the Sword,’ I’ve always found his approach to story as very thin and lightweight. Even his films that I do like ‘The Man from U.N.C.L.E.’ and ‘Lock, Stock, and Two Smoking Barrels,’ were cool and fun but there’s nothing about both films that I remember very much of and that sticks.
It’s on this level that ‘The Ministry of Ungentlemanly Warfare’ operates it. It’s a film with a lot of action, a lot of blood and gore and violence. It’s got big explosions and a whole lot of gun fire. But the film just goes through the motions of the mission. The team, led by Gus March-Phillipps (played by Henry Cavill), must rescue one of their ranks (Geoffrey Appleyard played by Alex Pettyfer) before heading to Fernando Po to sink the Nazi tanker. While they are on their rescue mission, two double agents (played by Eiza Gonzales and Babs Olusanmokun) must ensure the intelligence they received in Fernando Po is legitimate.
There’s no inner motivation here except that many of the team have a score to settle with the Nazis. There are no real personal goals. It’s all plot, no character development. The film, then, takes us through the mission – the things that go right and the things that go wrong – and tries to wow us with all the brutal fight sequences that have no real consequence for the audience because we have no real invested to the characters.
Sure, Cavill, Pettyfer, Gonzales, and Olusanmokun and the rest of the team that includes Alan Ritchson, Henry Golding, and Hero Fiennes Tiffin are all gorgeous and charming but if their characters are archetypes without anything personal attached to them as characters, it’s hard to create any sort of attachment that makes us want to root for them (aside from the fact that they want to kill Nazis).
And that’s where I find the film a little difficult to jump along with. Sure, there’s a lot of action since it is an action film but it’s the joy the film gets in all the wanton killing of Nazis. Since the characters don’t have arcs, the film’s only theme is to fight evil with evil. Sure, I’m against battling all forms of fascism and racism and imperialism at every turn but the film sort of takes joy in the killing of the Nazis. It reduces the enemy into a cartoon and thus makes them unreal.
And we are living in a world now where fascism has risen again in some form or another. I’m worried that the film telegraphs that the best way to deal with these fascists is to destroy them in a similar manner as well. Historically, Project Postmaster turned the tides of World War II to the Allies side (that’s not a spoiler unless you know nothing of World History) but its timing in this day and age, without the benefit of nuance can create an unsettling message.
By the end of the film, the characters are who they were when the film began. Without a character arc to hold on to, the fight scenes are explosive but hold no suspense or tension or danger. It’s pretty to look at but it carries no surprises or says nothing new to what we already know.
Get ready to be captivated! The much-anticipated film “The Fall Guy” is set to premiere in cinemas across the Philippines on May 1, with exclusive sneak previews starting at 5:00 PM on April 26 and 27. This high-octane action-romance-comedy features the stellar pairing of Ryan Gosling and Emily Blunt, directed by the acclaimed David Leitch, who brings his unique stunt-performing expertise to the big screen in a film that celebrates the unsung heroes of cinema.
A Stunt-Packed Adventure Ryan Gosling stars as Colt Seavers, a seasoned stuntman navigating the perilous world of movie stunts—from explosive set-pieces to death-defying falls—all in the name of entertainment. Following a near-career-ending accident, Colt finds himself embroiled in a thrilling quest to locate a vanished movie star, unravel a deep-seated conspiracy, and reclaim the heart of his beloved, played by Emily Blunt.
Behind the Scenes with Ryan Gosling Ryan Gosling not only leads the cast but also steps behind the camera as a producer, enhancing the film with his vision. “Working with David Leitch was incredibly inspiring; as a former stunt performer, he crafts a narrative that feels both genuine and exhilarating, reflecting the real-life feats of those behind the scenes,” shares Gosling.
Why You Can’t Miss “The Fall Guy” “The Fall Guy” is more than just a movie; it’s a tribute to the stunt community, spotlighting the daring individuals who bring the magic of action to life. Gosling’s connection to stunts, dating back to his days on “Young Hercules,” adds a personal touch to his role as Colt.
Prepare for a blend of laughs, romance, and adrenaline-pumping action that promises to be the cinematic event of the season. Make sure to book your tickets early for the sneak previews on April 26 and 27, and join the adventure that everyone will be talking about!
Presented by the Animal Kingdom Foundation in partnership with Robinsons Land and its premier Destination Estate, Bridgetowne, “Love is a Four-Legged Word” is a fundraising event for the rescued animals at the AKF Rescue and Rehabilitation Center. Expect to have a lot of fun at this summer Fur Date with your pets and other pet parents. Think of it as Pet Coachella—it’s a concert and a pet fair, with exciting games, different booths, raffles, mocktails and munchies for you and your pets.
The 32-hectare Bridgetowne Destination Estate, with its sprawling spaces and lush greenery, is the perfect setting for “Love is a Four-Legged Word.” Bridgetowne connects Quezon City and Pasig City with its iconic 200-meter bridge and has plenty of space for both pets and their humans to enjoy. While there, spot the 20-story art installation “The Victor” by Jefrë—another Bridgetowne icon.
“Robinsons Land Corporation believes that pets are very important members of the Filipino family. That’s why it makes sure to provide facilities, activities and programs that uplift animal welfare, conduct activities espousing compassion for animals and responsible pet ownership, and support worthwhile events such as ‘Love is a Four-Legged Word,’’ said SVP and Business Unit General Manager for Robinsons Destination Estates Mybelle V. Aragon-GoBio.
Founded in 2002, the Animal Kingdom Foundation is an NGO that provides shelter and rehabilitation to rescue animals, fights against the dog meat trade and runs pet education and spay and neuter programs. The foundation is caring for more than 300 rescue animals at its AKF Rescue and Rehabilitation Center.
Each “Love is a Four-Legged Word” ticket is equivalent to one sponsored dog or cat. Regular tickets are P800 each and come with munchies, mocktails, a raffle stub and freebies while premium seating tickets are P1,500 and come with munchies, mocktails, a raffle stub and special goodies.
The event starts at 5 p.m. on April 27 at Bridgetowne Central Park. Register at https://bit.ly/2024LFLW.
Nowadays, our streets and public places are overwhelmed with fast fashion – low-priced stylish clothing based on current trends bought from retail stores. But with the emergence of the nostalgia trend in today’s generation, people are now embracing back slow fashion as consumers value sustainability and quality.
With the rise of slow fashion, traditional loom weavers can take advantage of changing consumer behavior.
Traditional loom-weaving methods, practiced for centuries by indigenous peoples (IPs), is a sustainable approach to fashion as it opts to use locally sourced materials. Made with utmost care and precision, woven pieces reflect the hard work of its weaver.
With close to 17 million indigenous peoples in the Philippines, we are rich with cultural expressions. But the United Nations Office for Project Services also point out that they are among the most disadvantage peoples. Protecting indigenous culture and promoting the handloom weaving industry need public, private, and civil society interventions.
In Barangay Capisaan in the upland town of Kasibu in Nueva Vizcaya, Alayan Pag-asa Abot-Palad Association of Women are trying to keep their Ifugao-Twali culture alive through weaving. They are among the pilot beneficiaries of the Loom Weaving Industry program of the Department of Trade Industry – Nueva Vizcaya (Region 2) in 2014.
Among the women weavers’ association’s products is the famous Ifugao shawl crafted in a chain rib weave with embroidered seams. These shawls are worn in various ways including as a skirt or as a scarf.
If you prefer a full attire, the Twali-Ifugao weavers also make skirts paying homage to ancestral woven patterns.
To increase their economic viability, Barangay Capisaan, Municipality of Kasibu, the Didipio Mine of OceanaGold (Philippines), Inc and DTI Region 2 have forged the Mun-Abol (Maximizing Network and Unveiling Natural Talents through Acceleration of Business Opportunities and Livelihood) Project to strengthen the industry through upskilling, training and capital equipment financed through the Didipio Mine’s IP Culture Revitalization Program. The project’s name, “Mun-Abol” is an Ifugao term meaning “to weave.”
Signing of Memorandum of Agreement for the Mun-Abol Project on August 25, 2023 represented by Kasibu Mayor Romeo C. Tayaban; Vice Mayor Alberto D. Bumolo Jr., represented by Sec. Manuel Binwag; DTI Provincial Director Marietta B. Salviejo; and Atty. Joan Adaci-Cattiling, General Manager of OGPI, represented by Ms. Desiree Baldevino, External Affairs and Communication Superintendent.
With an established front store named Mun-Abol Capisaan Weaving, the project supports 16 women weavers, most of whom are mothers, with an additional source of income.
Barangay Capisaan is among the 11 communities supported by the Didipio Mine’s social development and management program.
“The Mun-Abol Project is more than just a social enterprise; it’s a vibrant tapestry of culture, creativity, and community empowerment. Rooted in the rich traditions of Indigenous People, this project weaves together threads of heritage and innovation to support the orange economy and revitalize creative culture,” Vincent Flores, Didipio Mine Community Development Supervisor, said. Apart from its contribution in the Mun-Abol Project, OceanaGold (Philippines), Inc. also established a scholarship program for college students from various indigenous communities in Nueva Vizcaya and Quirino, and sponsors community trainings of indigenous dances for the youth keeping the culture alive.
“This project increases our livelihood sources while transferring our knowledge of weaving to the next generation,” Capisaan Barangay Captain Patrick Batulon said.
So, if you ever come visit Nueva Vizcaya, be sure to visit Mun-Abol Capisaan Weaving’s shop in Kasibu or you can just send them a message on Facebook.
This piece chronicles a self-proclaimed “casual Swiftie’s” unexpected trip to the Singapore leg of Taylor Swift’s Eras Tour. It delves into the beauty of finding your own way to be a fan and the unforgettable spirit of the concert experience. Get ready to sing along (or discover) why Taylor Swift’s music connects with millions!
I never considered myself a Swiftie until much later in life, even though I’ve been listening to her songs since her debut days. The reason for this is that I always believed there was a certain set of strict criteria, and I didn’t quite fit the bill. I don’t buy her albums or merch, and I don’t engage in battles with trolls online or in person to defend her honor. I even had the chance to get a concert ticket when she came to Manila for her Red Tour, but I ultimately passed, partly because it was a VIP ticket being sold at twice the price. The only thing that I have going for me is that I listen to her songs. “I’d Lie” was part of the soundtrack of my 20s and remains one of my all-time favorite songs. I never change the dial when any of her songs play on the radio. I don’t mind being late for anything as long as I get to finish watching her music video on TV or wait for it to come on because her song is still on the top 10 countdown. Ever since Spotify came along, Taylor Swift has been my top artist every single year.
When The Eras Tour was announced, my excitement soared, though I wasn’t overly optimistic about snagging a ticket. Instead, I focused on finding ways to savor the experience, even from a distance.
On the first day of the US tour, my niece Sabie and I got our nails painted to match Taylor’s, and I eagerly tuned into live streams of the shows. Taylor-centric content flooded my TikTok FYP, and I eagerly consumed it during my free moments, always showing support to fellow fans by liking their videos. Even when an international tour was announced, the overwhelming demand for tickets left me feeling uncertain. But against the odds, I managed to secure a ticket for the Singapore leg of the tour. It was pure magic. In this article, I’ll share some of that enchantment and the invaluable lessons I learned from being part of a once-in-a-lifetime moment that truly left me spellbound.
People express their fandom in various ways, and it’s important to respect that diversity. Whenever someone mentions they’re a Swiftie or they enjoy Taylor Swift, I always try to understand what kind of fan they are—not to judge, but to deepen our connection. I consider it a successful encounter if I walk away with new insights or am simply in awe of the passion they display, especially if they’re a more dedicated fan than I am. I’m always willing to share information, but I also pay attention to what would interest the person I’m speaking with. During my concert trip, I discovered that putting on a brave smile, even if you’re naturally introverted, can attract people to approach you. This valuable tip was shared with me by my friend Abba, who attended the Singapore N2 concert with her daughter, Yssa.
Don’t be afraid to embrace your own unique fandom style. As someone who considers herself somewhere in the middle of the fan spectrum, I greatly admire the diehard fans for their creativity, like when they come up with viral memes and dance steps to Taylor’s songs. I love soaking up every little tidbit of information from them.
During the concert, I opted for a basic black dress, staying true to my Rep era roots. But I couldn’t help but admire those who went all out with their outfits or costumes, representing whichever era they loved most. So, my advice? Dress up and go all out! My concert seatmate to the right was a Thai named Mei, who warned me in advance that she’s a Folklore and Evermore enthusiast and might get a bit emotional during those eras. I appreciated her honesty and made sure to hype her up when it was time for those eras during the show. It was a small gesture, but it meant a lot to both of us.
Wear those friendship bracelets! I met my first Swiftie SG friend while walking to the stadium on March 6. Erica’s mom noticed my bracelets and told her to ask me if I was going the same way. She’s from Indonesia and got tickets last minute. We ended up not just walking to the stadium together but also spending the rest of the afternoon waiting in line for our turn to buy merch. We discovered we had other common interests like F1 and both went to Jesuit schools, so now we’re IG friends.
Spread the Swiftie love in all ways possible. Though I didn’t make friendship bracelets myself, my Swiftie niece gave me a bunch of them as a birthday gift, and another friend gave me more a day before I left for Singapore. As a grateful recipient, I made sure to pay it forward. Since I’m not much of a merch person, my VIP box became a pasalubong for my niece. I told her that the VIP pin was missing because I gave it to my new Swiftie friend Erica (see “Wear Those Friendship Places” section). Initially, I gave some of the bracelets to my childhood friends who watched in Tokyo. I traded bracelets with others who were supposed to watch with me, had we all gotten tickets.
If you have the time, fully immerse yourself in the concert experience as a tourist. I went Taylor-gating on Singapore N5, a day before my actual concert date. The atmosphere outside the National Stadium was electric, but what I enjoyed even more was watching from “Cat 1000,” across the Kallang River, a tip I got from a local Swiftie’s TikTok post. I shared bracelets with the girls in the household of my friend Kar, whom I was staying with, so we could all have a complete experience. Imagine our delight when some girls approached us to trade. I was so proud of my fellow Swifties.
Recognize that not everyone likes Taylor Swift, and that’s okay. We all have different tastes, so if I come across people who aren’t interested or even those who are haters, I take it as a sign to conserve my energy for more positive encounters. However, I don’t let this deter me from engaging non-fans who express interest in joining the fun. For example, I watched The Eras Tour movie during its global premiere in Barcelona, and my friend Erika, along with her son Lucas, asked to join me. Another friend from uni, Denisse, tried her best to get me a ticket for the Australia leg, even though she’s not a fan herself. She managed to secure a ticket closer to the date via a reseller, but I opted to go to Singapore instead due to time constraints. Despite this, Denisse still attended the concert with her friends and now has a deeper appreciation for Taylor.
You can go alone and still have the time of your life. I know this from experience as I’m accustomed to doing things solo, including going to Formula One races. However, I cannot stress enough how supportive and welcoming this fandom is, so even the most introverted person like me can enjoy it. To my left that evening was Yanna, a Filipina mom of two, who felt she couldn’t miss the chance and not only went alone but also paid twice the amount for a VIP Cat 2 ticket and traveled back and forth via bus to KL on the day of the concert to save on hotel costs in Singapore. Mei (see “Do not be afraid to be the kind of fan that you are” section) got separated from her best friend, who was seated in the same ticket category but on the other side of the stadium. I had the best time of my life with them, and I never get tired of watching our videos, three strangers singing along together.
Watch it. The Europe and Canada tours are next, and what I tell people who have the means to do so is to find a way to see the concert. For Singapore, they sold additional tickets around a week before the show dates, so there’s always the possibility of obtaining one. While I watched from one of the best sections, it has been confirmed firsthand by friends who watched from different sections, higher or farther from the stage, that there are no bad seats.
To end, I’d like to give a shout-out to the biggest tour crowds in Australia. You were amazing. Den FaceTimed me during the Rep era, and boy, were you loud. To Japan, for implementing the easiest and scam-free lottery system. I say thanks even if my entry wasn’t picked because it spared so many people from the horror stories of fraud that I’ve been seeing online. And to Singapore, you did well, and while it was not perfect, I have always been amazed at how you are able to course correct right away. I went to the last show, and by then everything was smooth sailing. I may be a bit biased because I go back every year for vacation, but I can honestly say that you don’t deserve the hate you’re getting.
As we look forward to the next leg of The Eras Tour in Europe and Canada, I encourage everyone to seize the opportunity to see the concert. From Australia’s passionate crowds to Japan’s efficient ticketing system and Singapore’s resilient spirit, each stop on the tour has its own unique charm. Let’s continue spreading the Swiftie love and embracing the magic of Taylor Swift’s music wherever we go.
And speaking of magic, Taylor just dropped a brand new album, “The Tortured Poets Department“! This introspective double album explores a range of emotions, and it’s guaranteed to be another masterpiece. Don’t miss out, Swifties! Stream it on your favorite platform now!
Watercolor paintings are distinguishable by the brightness and luminosity of their hues. An artist with a deft yet light hand can coax layers of colors by taking the time to draw them out—one careful step at a time.
For all their innate breeziness, watercolors can be a challenge to create for beginners. The unpredictable nature of water and pigments, however, can lead to surprising and beautiful effects.
The Philippine Guild of Watercolorists (PGW) is a group established in 2016 whose aim is to enable its members to connect with the art community by showcasing their talent with watercolors. The guild currently has over 200 official members and 7.8 thousand followers on Facebook, and 27.6K reach on their page.
From April 16 to 30, the PWG is holding “Our Stories in Color,” a two-week exhibit of watercolors at ARTablado at Robinsons Galleria. Artworks to be featured include those created by some of its members as well as those by premier watercolor artists namely Erwin Mallari, Richard Romeo, JC Vargas, Dan Macapugay and Ton Ador.
Mallari has been painting watercolors for just over a decade but already has a catalog of realistic paintings honed by his years as a photographer. In 2012, he was a semi-finalist in the Metrobank Art & Design Excellency competition, and in 2014 he was awarded as one of the five grand prize winners of the Kulay sa Tubig watercolor competition.
An architect by profession, Romeo was one of five grand prize winners at Kulay sa Tubig in 2020 where his painting, “A National Treasure”, and “A Golden Hour in Basilan” in 2022, caught the eye of the jurors. Macapugay was also a grand prize winner at the same competition with his painting “Ina” that was based on a photo taken by a friend. He was drawn to the image because it reminded Macapugay of his grandmother.
Vargas is one who works quickly, as one does when working with watercolors. Earlier this year, he was one of the featured artists at a live watercolor painting session held in another mall. Ador bagged the grand prize at the first Sihag Cebu Watercolor competition held four years ago, and Metrobank Art and Design Excellence (MADE) in watermedia category in 2022.
The works of these five awarded artists will be showcased alongside pieces by 15 members of the PGW. Of the 37 members who submitted watercolor paintings on full sheets for consideration, theirs were the ones chosen by the jurors.
The ongoing ARTablado exhibit is noteworthy as it is only the first where all the pieces on display are watercolors. Visitors to the exhibit will find that the PGW is a home for watercolor artists where everyone is welcome no matter what their skill level may be.
The founding members headed by Karen Sioson have cemented PGW’s aim and the succeeding officers continue to stand strong by these: “We aim to build awareness, interest, and appreciation for the watercolor art and discover, hone, and support local talent through art-related 4Es: education, events, exposure, and experiences,” “One of our promises is to provide the network and platform for artistic exchange and collaboration.”
Education comes in the form of opportunities for its members to learn and master their craft via workshops, demos and other activities. Through events, live or digital, members will get to celebrate and express love for watercolors and the arts. Exposure will build awareness by promoting the exceptional talent of Filipino watercolorists through shows and other activities. Experiences in the form of plein air sessions and on-the-spot challenges will further challenge and improve the skills of its members.
There have only been a few juried exhibitions since PGW was established so “Our Stories in Watercolor” is one that is certainly worth viewing. The list of participating artists include Joseph Balderas, Aileen Barreiro, Aileen Cura, Dinna delos Reyes, Rigie Fernandez, Joanne Cariaso-Gacayan, Alice Atienza-Lee, Kyle Fortu-Legaspi, Judy Liuson, Sarah Liuson-Ongsun, Bids Llorin-Luna, Cher Cabula-Mendoza, Drake Pagulayan, Lorraine Panelo and Eduardo Solana Jr.
The jurors included John Cogley, president of Daniel Smith Artists Materials; Dino Pajao, an honorary member of PGW, a multi-awarded watercolor artist and one of the few Filipino members of the the Singapore Watercolor Society; and Iris Babao-Uy who is also an honorary member of PGW, one of the most sought after multi-media workshop instructors in Manila.
Joanne Cariaso-Gacayan, the current President of PGW, expressed, “We partnered with ARTablado for this exhibition because, in addition to their professionalism, we believe that with the gallery’s support, we can make watercolor painting more accessible to beginners and artists of all levels.”
Walk-ins and prospective buyers can look forward to a showcase of watercolor works not just by the members but by guest artists as well. Auxiliary activities include live painting sessions during the exhibit period to further show the public how members of the guild paint in various watercolor styles.
There’s a lot of misfiring happening in what should be a sure-fire success that is the international co-production ‘Under Parallel Skies’ with Thai superstar Metawin Opas-iamkajorn and Janella Salvador, under the direction of Sigrid Andrea Bernardo. By all means, this should be good. Shot in Hong Kong, Bernardo is quite adept at capturing love amidst the backdrop of a foreign lang. She did it is so capably in ‘Kita Kita,’ presenting us with the surprising kilig-worthy pairing of Alessandra de Rossi and Empoy with great success. But in ‘Under Parallel Skies,’ things are not coming together, and the movie feels disjointed and confused with what story it is trying to tell.
Metawin Opas-iamkajorn is playing Parin, a very wealthy Thai young businessman who heads to Hong Kong in search of his mother. There he runs into Iris, played by Janella Salvador. She’s working at the hotel he is staying in and as his wealthy father has left instructions for the staff to take care of him, Iris ends up working overtime to address all Parin’s needs, including helping him find his mother. In the process, they get close and discover that their feelings have grown from purely professional to something much more.
The first misfire in this film is its lack of a cohesive story. The first act revolves all around Parin’s search for his mom. While he employs the help of Iris, which lays the foundation for the love story to happen after, the goal and direction is finding the mom. Surprisingly, this is resolved faster than expected, switching the entire movie’s direction on the second act to the sudden twist of Parin and Iris dropping everything to start working together as business partners running a small cafe in a provincial, coastal area of Hong Kong while living together. But the third act is a completely different movie altogether that involves one of the character’s hidden secrets that is unconvincingly set up in act one but is never any visible motivating factor until it is revealed in the final act that turns the movie over its head again.
These multiple directions made the film feel like three different movies and never gave us any chance to really get to know the characters well or see their relationship grow into the love story that the second act wanted us to fall in love with. Bernardo fills the first act with Parin’s desperation to find his mother but also peppers the scenes with comedic moments of Iris and Parin verbally sparring or Iris taking care of a drunk Parin to set us up for the love story. Unfortunately, there’s no real chemistry happening between the two leads and the moment Parin meets his mom, the lessons he learns there holds no real learning for the character as it makes no real visible change to his life.
After an hour, as Parin and Iris start to build their little business together, I realise I didn’t know these characters at all. Parin left home to find his mom and it is implied that he ran a business in Thailand (and that it failed) and that he is the youngest son of a wealthy family, but we return to none of that. We do not know what he likes or what drives him and it’s the same with Iris. I don’t know what drives her either. She has a sister back home in the Philippines that she is estranged from, but we don’t know why. So, when the two suddenly realise they fell in love, we don’t see what connects them other than the time they have spent together. The love doesn’t come from any sense of connection other than shared time.
It doesn’t’ help that Bernardo’s directing choices are also quite puzzling. It felt like 90% of the film was shot in extreme close ups of the actor’s faces. It capitalizes a lot on the good looks and star power of its two leads. Except that it makes the film feel very small and confined and claustrophobic. There are barely any establishing shots. The hustle and bustle of Hong Kong is never emphasized and the grandeur of the backdrop of any of the locations end up carrying no consequence for the narrative. Adding to this is Bernardo’s choice to direct the dialogue scenes (of which there are too much of) as cut-to-cut. There are very few moments that Metawin and Janella speak to each other in the same shot. Parin says a line, cut to Iris, who says a line, cut, and then Parin says a line. The characters feel distant and never actually get close when the film should be putting them together.
And this is strange coming from Bernardo who manages to use the full backdrop of Sapporo in ‘Kita Kita’ to help amplify the growing love story between her two leads, or in ‘Untrue,’ where she situates her romance/drama-turned-suspense/thriller in the gorgeous Georgian landscape. Bernardo situates her characters in a vast world and knows how to use the location to amplify her themes and create stunning imagery that elevates the work. None of this skill set is at work in ‘Under Parallel Skies.’ Very little of Hong Kong is scene and it never really fully plays out in the story – it could have been set in Thailand or the Philippines and nothing essentially changes in the story.
There are a lot of cliches that fill up the rest of the film to help fill in the gaps of the underdeveloped characters or storylines. All the elements are presents for a hit – a strong writer/director with a great track record for producing groundbreaking work, two big stars from different countries and cultures, a popular genre, an exotic location – but none of these things come into alignment and the film is way too close for comfort (cinematographically) that it leaves no room to breathe or to gain scope while the story is so thin that it resorts to familiar cliches to fill in the gaps.
Starting April 24, moviegoers are in for a treat as Ayala Malls Cinemas exclusively presents “Challengers,” directed by the renowned Luca Guadagnino. Starring Zendaya, alongside Mike Faist and Josh O’Connor, this film promises to deliver high-stakes drama wrapped in a captivating narrative.
A New Peak in Zendaya’s Career Zendaya, revered for her dynamic acting range, steps into the shoes of Tashi Duncan, a former tennis prodigy and now a determined coach shaping the future of the sport. The plot thickens with a poignant reunion as Tashi’s husband, Art (played by Mike Faist), confronts his past in a climactic match against his once best friend and Tashi’s ex, Patrick, portrayed by Josh O’Connor.
A Story of Love, Rivalry, and Redemption “Challengers” weaves a complex tale of love, rivalry, and personal redemption, set against the backdrop of a professional tennis match. This narrative not only challenges the characters’ relationships but also promises viewers an intense look into what it takes to win at love and sport.
Critical Acclaim and Stylish Cinematics The film has already garnered critical acclaim for its powerful performances and unique aesthetic. The dynamic score by Reznor/Ross adds to the electrifying atmosphere of the movie, making every dialogue scene pulse with intensity. Fashion enthusiasts will appreciate the wardrobe curated by J.W. Anderson, which complements the film’s sizzling narrative.
Experience “Challengers” in Supreme Comfort Ayala Malls Cinemas enhances this gripping story with their state-of-the-art facilities. Viewers can enjoy the film with crystal-clear images thanks to the latest laser projection technology, and immerse themselves in the action with Dolby Sound and Dolby Atmos audio systems. The complete cinema experience is rounded out with a variety of snacks available at The Movie Snackbar.
Exclusive Offers for Ayala Malls Zing Plus Members To make the movie experience even more rewarding, Ayala Malls Zing Plus members can enjoy double Zing points on ticket purchases via Zing-linked GCash, with a minimum spend of P600. This offer is valid through June 30, 2024.
Don’t Miss Out! Prepare to be enthralled by the intensity and drama of “Challengers.” Visit www.sureseats.com or your nearest Ayala Malls Cinema to secure your tickets. Stay connected with Ayala Malls Cinemas through their official Facebook and Instagram pages for the latest updates on movie releases and exclusive promos.
YOLO tells the story of Leying (Jia Ling) who has been staying at home for many years, doing nothing in particular. After graduating from college and working for a while, Leying chooses to withdraw from society, closing herself off from social circles, which she believes is the best way to “reconcile” with herself. Then one day, after several twists of fate, she decides to live life in a different way. In cautiously venturing into the outside world, Le Ying meets boxing coach Haokun (played by Lei Jiayin), who just may change her life.
Find out why YOLO, which has charmed audiences around the world (it has a 91% audience rating on Rotten Tomatoes) is highly rated.
“YOLO made us laugh, cry and root for the director and lead star Jia Ling. It’s eye-opening and life-changing but not without a good dose of light comedy. A must-watch, most definitely. It’s 12 rounds out of 10 for me – total knockout,” raves content creator Coach Abby.
Movie critic Wanggo Gallaga writes “YOLO is a comedy that knows how to tug at the heart strings and uses film language to really amplify the underdog story that is at its core. A well-crafted surprise.”
Film reviewer Jonell Estillore cheers: “YOLO – Five stars! #Oscars2025”
“Get ready to iyak-tawa in cinemas!” advises pop culture blogger Ica Cheng. “YOLO teaches us that we can win in life on our own terms, and not what society, or our family dictates. It is truly a heartwarming and inspiring film that will have you laughing all throughout.”
Entertainment writer Bong Godinez lauds YOLO as a film that “where cinematic poetry intertwines with profound life lessons. It captures this delicate balance, combining subtlety with boldness to deliver its message.”
Raves journalist MJ Marfori, “YOLO is in my Top 5 greatest films of all time. People need to see this!”
YOLO was written and directed by lead star Jia Ling, who became the highest-grossing female director in China in 2021 with her directorial debut film Hi, Mom, which, like YOLO, she also wrote and starred in.
YOLO, distributed by Columbia Pictures, local office of Sony Pictures Releasing International, is now in cinemas. #YOLOmovie @columbiapicph
Filipino families seeking exciting travel experiences in 2024 have an awesome destination: LEGOLAND® Malaysia Resort. The world-renowned family destination is packed with unique LEGO® adventures, Malaysian cultural experiences, and incredible savings with the Book Early and Save promotion.
Filipinos’ growing travel appetite makes LEGOLAND Malaysia a perfect fit. A study from the Philippine Travel Agencies Association (PTAA) revealed that Malaysia is one of Filipinos’ top five travel destinations, alongside Japan, Singapore, Vietnam, and Thailand. LEGOLAND Malaysia’s focus on unforgettable experiences and its partnership with the Malaysian Ministry of Tourism, Arts and Culture (MOTAC) perfectly aligns with this desire, giving Filipinos a one-of-a-kind Malaysian adventure they can’t find anywhere else.
“2023 was a fantastic year for LEGOLAND Malaysia,” said CS Lim, Divisional Director of LEGOLAND Malaysia Resort. “Families rediscovered the joy of our attractions, the shaded MINILAND Amazing Malaysia, captivating LEGO 4D movies, and our new LEGO Friends Rooms at the LEGOLAND Hotel. Our ‘Book Early and Save’ promotion also offers incredible value and encourages visitors to return throughout the year!”
A Year of Brick-tastic Fun All Year Round
Get ready for a year of nonstop fun at LEGOLAND® Malaysia. 2024 brings a whirlwind of exciting experiences, all carrying that unique LEGO spark and sprinkled with surprises drawn from Malaysia’s rich culture. Every month holds a fresh adventure, promising endless opportunities to play, learn, and explore.
Prepare to discover the breathtaking MINILAND Amazing Malaysia, where guests will step into a world where Malaysia’s most iconic landmarks, vibrant cultural scenes, and stunning natural wonders come to life – all built from LEGO bricks. This intricate miniature world captures the essence of Malaysia in playful detail. And now, with added shade structures throughout MINILAND, guests can comfortably immerse themselves in this captivating LEGO adventure.
Fans of LEGO Friends have a double dose of fun at LEGOLAND Malaysia! LEGOLAND Hotel welcomes guests to step into the colorful world of their favorite characters with the addition of LEGO Friends-themed rooms. The adventures continue with a brand-new 4D movie experience, where guests can join the LEGO Friends on a whirlwind journey full of excitement and friendship.
Gear up for a wave of tropical fun! LEGOLAND Water Park’s Splash Carnival returns this July with a brand-new Tropical Beach theme. Imagine swaying palm trees, beach-themed surprises, and a tidal wave of refreshing water-based activities. Get ready to make a splash with exciting challenges, thrilling performances, and maybe even a few celebrity sightings. This summer celebration promises to create memories that will keep you smiling long after the sun sets.
This October, LEGOLAND Malaysia becomes a haven for Halloween mischief during its Brick-or-Treat Celebrations! Join the Monster Party as the park transforms into a spooky, fun-filled wonderland, bursting with festive decorations. Little ones in costume get free entry with a full-paying adult and are invited to unleash their inner ghouls and goblins. Expect thrilling parades, encounters with exclusive Halloween LEGO characters like LEGO Dracula, and the return of the exclusive Halloween 4D Movie “The Great Monster Chase.” Don’t miss the chance to win awesome LEGO prizes in the costume contest!
Celebrate the holiday season with a LEGO twist! LEGOLAND Malaysia sparkles with festive magic during Brick-Tacular Holidays in December. Marvel at Southeast Asia’s largest LEGO Christmas tree, a breathtaking testament to holiday joy. Join in the festive fun with a special LEGO advent calendar, where daily surprises await those who purchase within the park. Of course, the holidays wouldn’t be complete without a visit from LEGO Santa himself. Share your wish list with LEGO Santa and create memories that will last long beyond the season.
SEA LIFE Malaysia continues to amaze, offering a vibrant underwater world ready for discovery. Designed to foster a love for the ocean in guests of all ages, this captivating aquarium delivers interactive learning experiences and unforgettable encounters with over 13,000 sea creatures across 11 stunning habitat zones. This year, LEGOLAND Malaysia reintroduces its exclusive SEA LIFE Underwater Dining experience. Guests savor a delectable meal amidst the aquarium’s wonders after hours, followed by an exclusive behind-the-scenes tour revealing the magic of marine life care.
