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Let the Music Play: Immerse Yourself in Lionsgate Play’s Melodious Offerings

Who doesn’t like a good music-inspired film? Lionsgate Play invites you to immerse yourself in a playlist that spans the spectrum of human emotion – from the raw grit of struggling artists to the electrifying passion of star-crossed lovers and bittersweet romance. Go ahead and nod your head, tap your toes, and step into the rhythm of cinematic magic with Lionsgate Play’s curated selection.

Inside Llewyn Davis (2013)

Inside Llewyn Davis follows a down-and-out young folk singer trying to make a name for himself in 1961 New York City. Struggling to make ends meet in the competitive Greenwich Village scene, Llewyn bounces between friends’ couches and gigs while chasing a musical breakthrough that seems increasingly out of reach. Oscar Isaac stars in the titular role alongside other actors like Carrey Mulligan, John Goodman, Justin Timberlake, and Adam Driver.

La La Land (2016)

While navigating their careers in Los Angeles, aspiring actress Mia (Emma Stone) and pianist Sebastian (Ryan Gosling) attempt to chase their dreams and fall in love. Mia juggles auditions and waitressing gigs while Sebastian fights to keep pure jazz alive in a world of commercialized music. However, as their careers take off, ambition and sacrifice threaten to tear them apart. La La Land is a bittersweet love story about chasing dreams and the sacrifices they demand.

Step Up (2006)

After rebellious Tyler Gage (Channing Tatum) trashes a performing arts school, he gets sentenced to community service – mopping floors and cleaning the halls of the Maryland School of Arts. There, he meets Nora Clark (Jenna Dewan), a talented dancer stuck in a rut after her partner gets injured. Witnessing Tyler’s street moves, Nora takes a chance and lets him help with her choreography. Despite their different backgrounds, sparks fly as the pair create a groundbreaking dance routine, pushing each other to chase their dreams and ignite a love that might just steal the show.

Dirty Dancing (1987)

In the summer of 1963, Frances “Baby” Houseman (Jennifer Grey) vacations with her family at a Catskills mountain resort. Trapped in a predictable summer, she longs for excitement. Baby stumbles into the staff quarters’ electrifying world of dance and music, where she meets Johnny Castle (Patrick Swayze), the resort’s magnetic dance instructor. The pair fall in love despite everyone’s warnings. But social divides and a secret threaten to tear them apart. Will Baby defy expectations and fight for her love, perhaps even discovering a hidden talent for dance, in the face of societal pressure?

Nashville (2012-2018)

Explore the ever-changing world of country music in Nashville, a series that follows the triumphs and heartbreaks of ambitious female musicians. Veteran country star Rayna James (Connie Britton) faces a fading career. To stay afloat, she is forced to share the stage with rising young talent, the ambitious Juliette Barnes (Hayden Panettiere). Meanwhile, aspiring singer-songwriter Scarlett O’Connor (Clare Bowen) navigates the music industry with her own dreams.

Enjoy these titles and so much more. Unlock a world of entertainment with Lionsgate Play’s vast library of titles and start streaming your favorites today. Sign up now at lionsgateplay.com!

About Lionsgate Play

Lionsgate Play, a premium streaming service from Lionsgate India and Starz, offers bespoke quality content to its users. It boasts premium and curated content including Premieres, billion-dollar Franchise Movies and binge-worthy Box Sets. Lionsgate Play is accessible to consumers in the Philippines via the app. For a monthly subscription cost of PHP 79, the titles can be streamed with a PLDT Home account.

For more information about Lionsgate Play Philippines, visit lionsgateplay.com and follow them on Facebook, Instagram, and Tiktok.

About PLDT Home

PLDT Home is trusted by Filipinos to deliver the fastest internet connection and future-ready innovations to their homes. It is the only telco in the Philippines that has received the most prestigious “Fastest Fixed Internet, Five Years In a Row” award at the Ookla® Speedtest Awards™ 2022 – a first for PLDT and the Philippines. Enabling moments that bring the family closer together, PLDT Home offers unli-entertainment including Lionsgate Play and its library of award-winning titles.

About Smart

Smart Communications, Inc. (Smart) is a wholly owned wireless communications and digital services subsidiary of PLDT, Inc., the Philippines’ largest and only integrated telecommunications company. Smart serves approximately 97% of the country’s population with its combined 2G, 3G, 4G LTE, and 5G network, providing mobile communications services, high-speed internet connectivity, and access to digital services and content to Filipinos, supporting the country’s growing digital economy, and providing the best customer experience for an increasingly digital Filipino lifestyle.

May 21, 2024
XG’s Global Roar: First World Tour “The First HOWL” Hits Manila

Are you ready, Manila? XG, the sensational seven-member girl group that has taken the world by storm, is set to mesmerize Manila with their debut world tour “The First HOWL.” As part of their electrifying journey that spans continents from Osaka to Kuala Lumpur and beyond, these dynamic divas are bringing their trailblazing talent to the Smart Araneta Coliseum on August 2, 2024.

Promoted by AEG Presents Asia and Ovation Productions, tickets for XG 1st WORLD TOUR “The first HOWL”Landing at Manila are priced from PHP 4,000. Fan club pre-sale begins May 24 (Friday), 12PM PHT and general on-sale will take place on May 25 (Saturday), 12PM PHT via ticketnet.com.ph.

XG: A Phenomenon in Motion

XG debuted in March 2022 with their 1^st Single ‘Tippy Toes’, since then, they have performed on numerous international stages and media outlets, in countries including the United States, Japan, Korea, Australia, Singapore, the UAE, Malaysia and China. They were the first Japanese artists to have charted 1^st place on the U.S. Billboard chart “Hot Trending Songs Powered by Twitter” and the first Japanese girl group to grace the cover of U.S. Billboard magazine.

The Tour That’s Taking Over

“The First HOWL” isn’t just a tour; it’s a declaration of XG’s global impact. Launching in Osaka and spiraling out to capture hearts worldwide, their tour promises a spectacle of high-energy performances and unforgettable moments. Whether it’s the electrifying beats or the captivating choreography, each concert is a testament to XG’s prowess and passion.

XG 1st WORLD TOUR “The first HOWL” Tour Dates
May 18 & 19 – Osaka @ Osaka Jo Hall
May 25 & 26 – Yokohama @ K-Arena Yokohama
Jul 10 & 11 – Seoul @ Yes24 Live Hall
Jul 13 – Taipei @ Taipei International Convention Center
Jul 16 – Singapore @ The Star Theatre
Jul 19 – Jakarta @ We The Fest
Aug 2 – Manila @ Smart Araneta Coliseum
Aug 4 – Bangkok @ UOB LIVE
Aug 7 – Kuala Lumpur @ Mega Star Arena

More dates to be announced soon…

XG 1st WORLD TOUR “The first HOWL” Landing at Manila
Date: 2 August 2024, Friday
Show Time: 8PM (PHT)
Venue: Smart Araneta Coliseum
Ticket Prices: PHP 13,800 / 8,800 / 8,000 / 6,800 / 5,000 / 4,000 (excluding booking fee)
Ticketing Link: ticketnet.com.ph

Don’t miss any updates! Follow XG – XG Official Website | Instagram | YouTube | TikTok | X | Weverse | Facebook for the latest news and behind-the-scenes glimpses as they prepare for their world tour.

About XG

XG is a 7-member HIPHOP/R&B-inspired girl group consisting of JURIN, CHISA, HINATA, HARVEY, JURIA, MAYA, and COCONA. They debuted in March 2022 with their 1st Single “Tippy Toes” under the global entertainment production company “XGALX,” known for creating artist groups with a unique worldview and broadcasting a “BOLD” culture worldwide. In September 2023, they released their 1st Mini Album “NEW DNA,” which claimed the top spot on the Billboard JAPAN “Hot Albums” chart. In November of the same year, they held their first solo live concert with a live audience, “XG ‘NEW DNA’ SHOWCASE in JAPAN,” at the Pia Arena MM. Operating primarily on a global stage, they have performed at numerous major music festivals and featured on media outlets in countries including the United States, Japan, Korea, Australia, Singapore, the United Arab Emirates, Malaysia, and China. They made history by topping the U.S. Billboard chart “Hot Trending Songs Powered by Twitter” as the first Japanese artists and gracing the cover of the U.S. magazine “Billboard” as the first Japanese girl group. The name “XG” represents “Xtraordinary Girls,” aiming to empower people from various backgrounds worldwide through their unconventional style of music and performances. 

About AEG Presents 

Combining the power of the live event with a focus on true artist development, AEG Presents is a world leader in the music and entertainment industries. Operating across four continents, the company has an unparalleled commitment to artistry, creativity, and community. Its tentpole festivals and multi-day music events — which include the iconic Coachella Valley Music & Arts Festival and the legendary New Orleans Jazz & Heritage Festival alongside American Express Presents BST Hyde Park, Stagecoach, Hangout Festival, Electric Forest, and Firefly — continue to set the bar for the live music experience. AEG Presents promotes global tours for artists such as The Rolling Stones, Elton John, Taylor Swift, Celine Dion, Justin Bieber, Kenny Chesney, Paul McCartney, and Katy Perry, in addition to — through its network of clubs, theatres, arenas, stadiums and renowned partner brands such as Goldenvoice, Messina Touring Group, Concerts West, The Bowery Presents, PromoWest Productions, Marshall Arts, Madison House Presents, and Zero Mile Presents — creating and developing an unmatched infrastructure for artist development and audience reach. More information can be found at www.aegpresents.com.

About Ovation Productions

Through the years, Ovation Productions has handled some of the biggest names in live entertainment. It has expanded the markets for international artists in the Philippines by pioneering in all major and minor provincial cities in the country aside from Metro Manila and has been awarded the Trailblazer Award by Filscap.

In 2022, Ovation Productions started ovationtickets.com in partnership with Singapore’s largest ticketing company, Sistic.com.sg and has sold more than 100,000 tickets to date.

Ovation Productions has recently established BlastTV, an ad-supported streaming platform founded in 2023. With 20+ live channels covering sports and entertainment plus an extensive library of on-demand content including popular TV shows, blockbuster movies, news, and factual entertainment, Blast TV aims to revolutionize the way viewers consume live TV and on-demand programming.

For more information, visit ovation.ph.

May 21, 2024
Anya Taylor-Joy Unleashes Her Inner Fury in Furiosa: A Mad Max Saga

When George Miller, the visionary behind the “Mad Max” franchise, speaks about Anya Taylor-Joy, his words paint the picture of a relentless force of nature. In “Furiosa: A Mad Max Saga“, Taylor-Joy doesn’t just act; she embodies the essence of Furiosa, the indomitable warrior. This isn’t just a performance—it’s a transformation. Miller notes, “There’s something resolute and ferocious in her, seen vividly on the screen.”

From Early Recognition to Leading Lady

It was Taylor-Joy’s early performances that caught Miller’s eye—first in “The VVitch”, and later in a sneak peek of “Last Night in Soho” provided by Edgar Wright. What stood out was her fierce presence. “There’s something very compelling about her,” Miller recalls. “She’s not just present; she’s piercingly intense, even when dancing or singing. This physical precision she brings is, undoubtedly, a testament to her emotional depth as well.”

The Journey of Becoming Furiosa

For Taylor-Joy, Furiosa was more than a role; it was a personal odyssey. “The moment I read the script, I knew this role would blur the lines between character and reality for me,” she shares. Her connection to Furiosa was profound, making the fierce warrior not just a character she played, but a persona she lived during filming.

Training for Battle: Strength Beyond the Physical

The preparation for the role was rigorous. Taylor-Joy underwent intense training, which she describes as transformative, making her stronger than ever. “The real workout was the filming itself—maneuvering around the War Rig and performing stunts,” she explains. This physical ordeal wasn’t just about building muscle; it was about embodying strength, resilience, and determination.

A Cinematic Experience Like No Other

“Furiosa” promises to be a monumental film, not just in its action sequences, but in its emotional and narrative depth. “This film transcends the word ‘epic’. It’s a journey—intense, cathartic, and empowering,” says Taylor-Joy. She hopes the film will inspire, particularly young women, to realize their strength and potential.

The Saga Continues

“Furiosa: A Mad Max Saga” is not just a continuation but a new chapter in the storied “Mad Max” universe. The film, set against a post-apocalyptic backdrop, features Furiosa’s quest for redemption and survival amidst chaos. Directed by George Miller and penned alongside Nico Lathouris, this standalone adventure explores new territories, both geographically and emotionally.

Star-Studded Cast and Global Anticipation

Alongside Anya Taylor-Joy, the film boasts performances from Chris Hemsworth, Alyla Browne, and Tom Burke. As the film makes its debut, it is set to captivate audiences worldwide, distributed in the Philippines by Warner Bros. Pictures.

Join the Epic Journey

“Furiosa: A Mad Max Saga” is set to arrive in Philippine cinemas on May 22. Pre-order your tickets at furiosa.com.ph and join the conversation using #Furiosa.

This all-new original, standalone action adventure, directed by George Miller and co-written by Miller and Nico Lathouris, stars Anya Taylor-Joy in the title role, alongside Chris Hemsworth, Alyla Browne, and Tom Burke. Produced by Miller and his longtime partner, Oscar-nominated producer Doug Mitchell, under their Australian-based Kennedy Miller Mitchell banner, the film promises to be an unforgettable journey.

Don’t miss out on what is sure to be one of the most talked-about films of the year. Catch “Furiosa: A Mad Max Saga“ in theaters and experience the ferocity, the emotion, and the epic adventure that awaits.

May 21, 2024
Apocalyptic Love and Survival in “Love You As The World Ends” – Coming to PH Cinemas on June 12

Get ready for a heart-pounding journey of love and survival as “Love You As The World Ends” hits Philippine cinemas on June 12. This highly anticipated film, based on the hit horror-television series co-produced by Nippon TV and Hulu Japan, brings the intense story of a group of survivors navigating a zombie apocalypse to the big screen. Directed by Shintaro Sugawara, who helmed the original series that dominated Hulu charts for two consecutive years, this movie promises to be a gripping experience.

A Tale of Love and Determination

The plot follows Hibiki Mimiya, portrayed by Takeuchi Ryoma (famous for his role as Shinnosuke Tomari in Kamen Rider Drive), as he embarks on a desperate mission to save his daughter, Mirai. Having endured the heartache of losing his partner, Kurumi Ogasawara, Hibiki is now fixated on rescuing Mirai, who has been taken to Utopia – a once-promising sanctuary now overrun by chaos and zombie-like creatures known as Golems.

The Fight for Survival

Hibiki’s quest leads him to infiltrate Utopia, where he discovers a group of researchers working on a cure, sequestered at the top of this dilapidated refuge. His daughter, Mirai, is believed to hold the key to developing a vaccine against the Golem transformation, making her capture all the more urgent.

In his journey, Hibiki forms a reluctant alliance with other men, each driven by their personal quests. Among them is Shibasaki Yamato, played by Takahashi Fumiya (the voice of Aruto Hiden in Kamen Rider Zero-One), who is determined to find his beloved Hatori Aoi, whose fate in Utopia remains uncertain.

Will Love Conquer All?

As these characters navigate treacherous terrain and face unimaginable horrors, their love and determination are put to the ultimate test. “Love You As The World Ends” offers a thrilling exploration of whether fate will reunite them with their loved ones amidst the apocalyptic chaos.

Don’t miss this edge-of-your-seat adventure when “Love You As The World Ends” opens in Philippine cinemas on June 12. This Encore Films production is distributed by Warner Bros., bringing an unforgettable cinematic experience to audiences nationwide.

May 20, 2024
MOVIE REVIEW: The faulty metaphor that plagues the family-friendly film ‘IF’

There are several structural problems that is plaguing John Krasinski’s latest writing and directing effort, the family friendly ‘IF,’ which kind of makes the film feel like a major misfire from the filmmaker behind the brilliant ‘A Quiet Place.’ While the latter film was so cohesive in terms of its metaphor and the family dynamics, ‘IF’ suffers from a lack of any real backstory that can ground the characters to a plot line that can make you feel like the story is getting somewhere. It doesn’t help that the aforementioned IFs – an acronym for Imaginary Friend – plays out like a metaphor that isn’t representing anything really clear.

‘IF’ is about a young girl, Bea (Cailey Fleming), who goes to live with her grandmother (the brilliant Fiona Shaw) while her father (John Krasinski) prepares for an undefined operation. Bea has already lost her mom to what looks like cancer, so she is guarded, reserved; putting up a brave front. But while living in her grandmother’s apartment (where she grew up as a kid), she begins to see imaginary friends, animated beings who have been abandoned by their kids when they grew up. Her new neighbor, Cal (Ryan Reynolds) can also see them and together, they try to find new kids for the imaginary friends to bond to so that they don’t “disappear” or go away.

With a cast that includes such big names like Ryan Reynolds and John Krasinski, plus the voice acting of people like Steve Carrell, Emily Blunt, Phoebe Waller-Bridge, Sam Rockwell, and so many others; while wrapped up in the tender genre of a built-for-children family drama with lots of CGI characters, you’d think that this would be a sure-fire hit that would be impossible to not get right.

But there are a lot of holes that doesn’t quite get answered by this film that stops it from finding its stride. So, if the imaginary friends are all cut out from their kids because they grew up, how come those who are children now don’t seem to have any of their own? While Bea goes to visit her father at the hospital, she meets Benjamin (Alan Kim), who is recovering from an accident. He doesn’t have his own imaginary friends and becomes a potential new child to bond with the older IFs. But how come the current children don’t seem to have any?

And then, despite moving back to New York City, Bea can enter and leave her grandmother’s house without any fanfare. I’ve never been to New York, but I find it so distant from reality that a young girl could walk around the city streets – sometimes at night – without any adult situation in these scary, and dangerous times. Much more, with a stranger she just met that week. Sure, it’s Ryan Reynolds, but he’s a grown man who can also see IFs.

We don’t know much about Bea and her dad and her mom, though we understand by the implications of flashbacks and quick montages that the loss of the mom had a profound effect on her. It’s why Bea seems so mature and old at the start of the movie. She echoes Ryan Reynold’s Cal in the way he seems so bothered or frustrated by this whole IF business but the moment she is introduced into their world, she suddenly makes a 180 degree turn and does a full-on dance number (to a Tina Turner song) that includes all the abandoned IFs and to annoy Cal even more. It’s tiny shifts like these that create an inconsistency of character and plot that pervades throughout the film that does not allow it to land any of its emotional moments.

In fact, there’s an overuse of a lovely score by Michael Giacchino that relentlessly plays over everything, trying to underscore what should be emotional moments but they don’t quite get there.

Other than the inconsistency, the biggest issue is that the Imaginary Friends are supposed to serve as a metaphor for never losing your inner child – something that can be related to Bea’s father’s inability to take anything seriously – and while that makes for a good premise of a movie; the imaginary friends and their goal for finding new kids to connect with doesn’t quite figure into the overall theme the movie is trying to push. When the theme finally does come through, the whole story pivots but it doesn’t really play out the rewards and consequences of this realisation in any significant manner. There’s a lot of happiness and congratulating happening – as one would expect as the film serves as a family-friendly affair – but we don’t know why, and we don’t know what for.

At a hundred and four minutes, close to two hours, this movie never managed to find its stride and never really managed to pin down their characters or the world-building to a place that allows you to enjoy what is happening. For a filmmaker who managed to score a home run in his first outing with ‘A Quiet Place,’ I feel the marketing may have been too generous with its hyperboles when they were selling this movie. This isn’t the charming little family comedy it’s dressed up to be.

My Rating:

IF is now showing. Check screening times and buy tickets here.

May 19, 2024
MOVIE REVIEW: A cynical hero’s journey, ‘Monkey Man’ is an impressive debut by Dev Patel as a director

There was a peculiar realization to watching the trailer of ‘Monkey Man’ on the big screen that made me a little nervous about watching the film. When I first saw the film’s trailer on social media, I watched it in the little screen of my phone and found the visuals absolutely stunning. The gritty images compounded by the dark color schemes that are suddenly punctuated by bright flashes of light or color; the hard-hitting action scenes that is amplified by the fast-cuts and stirring use of music: I was spellbound by what I saw and couldn’t wait for the release. But the moment I saw the same trailer on the big screen, something was diminished. The shots were so close to their subject, everything was in extreme close-up, the power that was emanating from my cellphone screen was gone in the big screen.

When I finally saw ‘Monkey Man’ in the big screen, it has a similar effect, but it creates a tension in the film that somehow adds to its magic.

Directed and co-written by Oscar nominated actor Dev Patel, ‘Monkey Man’ is the story of a man who is hell bent in taking revenge for the destruction of his home and the murder of his mother. Patel (with co-writers Paul Angunawela and John Collee) follow a sort of mold of revenge films that creates context through its relentless violence. On the top of my head, I can think of films like ‘Kill Bill Part One’ (as I’ve not seen Part Two), the first ‘John Wick,’ and just recently ‘Boy Kills World’ that represents this genre of moviemaking. The story starts with the Monkey Man, who earns a living fighting in an underground fight club wearing a monkey mask (hence the name), already making his moves to take down the corrupt chief of police, Rana Singh (Sikandar Kher), who beat his mother and set her on fire while his men torched his village.

The film takes its time to show us Monkey Man’s motivations, showing us just flashes of imagery triggered by sights and sounds that he experiences on his path of vengeance. He discovers that Rana (and his boss) frequents a high-end brothel called Kings. He makes his way to find work there and get inside so he can get closer and closer to his target. Along the way, his mission allows him to witness the harsh class disparity between the rich and the poor in the city of Yatana, and how the elite class has corrupted the city with their greed, drugs, corruption, and prostitution. Through his journey, he will see the growing popularity of a populist leader disguising himself as a spiritual guru rallying the people to his side while the marginalized groups are harassed and abused much like the farmers of Monkey Man’s home and another set of outcasts: a transgender community living in a temple.

The extreme close ups I was complaining about runs rampant through this film and it gives a sense of claustrophobia and an absence of scale and size, for a film that has such large themes adjunct to its main story. And that’s when I realized, as the film goes on, and Monkey Man’s purpose seems resolute and single-minded in its fury, that the film’s framing of this world is so tiny because the protagonist’s on view is so small. He can only see his revenge.

Patel wanted to create an action thriller with a lot more to offer, including his own culture, and he does in droves. He opens his film with a story of Hanuman, a deity who appears in the shape of a monkey. The imagery and his stories are interspersed into the narrative and Monkey Man takes on this mantle, but he does not envision himself as the hero that a film in this genre may set him up to be. It’s all there, really. But, no, Patel infuses Monkey Man with such a ferocious, singular desire and that’s for revenge. It’s why I feel the camera does not open up. It’s why the social commentary this film makes about the corruption and brokenness of Indian society – in the reality created by the film – never feels addressed or judged. It’s there. It’s present. It causes such suffering, but the film only merely follows Monkey Man.

It’s such a confident, purposeful directorial vision for the first-time director. There’s such a wonderful texture that he creates on screen with the juxtaposition of the worlds of the rich and poor – the neon, luxurious excess of the brother Kings and how it compares to the alleys and side streets that Monkey Man escapes too when it all gets too much. At one moment, you’re listening to dance music from the club and the next moment, you are watching a hard-hitting fight scene to heavy metal music. I’m not an expert in South Asian films or the Bollywood aesthetic but from the little I know; the indulgence of style is heavy in this film and I’m all for it.

It’s visceral experience that revels in its blood and gore with no real intent for redemption or grace or reason. ‘Monkey Man,’ as a movie, is a sort of cynical and jaded hero’s journey with no real catharsis waiting for you at the end. It’s a hell of a ride if you’re up to it.

My Rating:

Monkey Man is now showing. Check screening times and buy tickets here.

May 18, 2024
SM City Caloocan is Ready to Welcome All, Including Persons with Disabilities

On May 14, SM City Caloocan and SM Cares held a sensitivity training for employees at SM Supermalls’ newest mall, focusing on assisting persons with disabilities (PWDs). This initiative is part of SM’s commitment to creating inclusive and welcoming environments in all its malls.

The training included front liners, security guards, and other personnel, educating them on how to better serve PWD customers.

Engr. Bien Mateo, Director of SM Cares’ Program on PWDs, stressed the importance of such training. “It’s vital that our staff are equipped to make our malls safe and inclusive for everyone,” he said.

This training is one of many initiatives by SM Cares, which also includes annual events like the Angels Walk for Autism and the Happy Walk for Down Syndrome, as well as emergency preparedness forums for PWDs and seniors.

For more information on SM Cares’ programs, visit www.smsupermalls.com/smcares.

May 18, 2024
“Furiosa: A Mad Max Saga” Honors Workers, Offers Free Rides on Labor Day, and Pays Tribute to an Iconic Filipino Symbol

Filipinos were in for a wild ride as Warner Bros. Pictures, in anticipation of the opening of “Furiosa: A Mad Max Saga,” unveiled the Furiosa jeepney, which offered free rides to commuters on Labor Day, May 1, as a celebration of all workers who use the essential vehicle in their daily commute to work. The one-of-a-kind ride is a concept that explores both the post-apocalyptic look of the Mad Max vehicles and the ingenuity of the Filipino design. The jeepney activation pays homage to the iconic Philippine mode of transport, and hopes to honor it by giving it a global spotlight.

The jeepney had pick-up and drop off points at the LRT Buendia station and SM Mall of Asia, from 8AM to 3PM. Riders who hopped on the jeep also received exclusive “Furiosa: A Mad Max Saga” freebies.

Watch the Furiosa jeepney give out rides and tour around Metro Manila:

The Furiosa jeepney also traveled throughout Metro Manila during the weekend, with the help of partner exhibitors SM, Ayala, Megaworld, and Gateway. On May 4 the tour started, covering the southern area with stops at the Venice Grand Canal Mall, and Ayala Malls Manila Bay. The jeepney made its final stop for the day in front of the SM Mall of Asia Globe, ending the first leg of the tour.

On May 5 the jeepney blazed through the rest of the region with stops at SM Megamall, Robinsons Galleria, Eastwood, and SM North EDSA. The Furiosa jeepney tour ended at Gateway 2, with the jeepney being showcased along with the trailer for the highly anticipated new Mad Max film playing across the Quantum Skyview.

“Furiosa: A Mad Max Saga,” tells the tale of how the legendary Furiosa came to be, and how she rampaged through the Wasteland to return from where she was taken. Watch the action unfold as “Furiosa: A Mad Max Saga, starring Anya taylor-Joy and Chris Hemsworth, storms into Philippine cinemas on May 22. Pre-order your tickets at www.furiosa.com.ph .

About “Furiosa: A Mad Max Saga”

As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

This all-new original, standalone action adventure was directed by George Miller, script by Miller and “Mad Max: Fury Road” co-writer Nico Lathouris. The film was produced by Miller and his longtime partner, Oscar-nominated producer Doug Mitchell (“Mad Max: Fury Road,” “Babe”), under their Australian-based Kennedy Miller Mitchell banner.

Starring Anya Taylor-Joy in the title role, Chris Hemsworth, Alyla Browne and Tom Burke.

In cinemas May 22, 2024, “Furiosa: A Mad Max Saga” is distributed in the Philippines by Warner Bros. Pictures, a Warner Bros. Discovery company.

Join the conversation using #Furiosa

_{Photo & Video Credit: “Warner Bros. Pictures”}

May 17, 2024
Witness the Birth of Evil: 20th Century Studios’ “The First Omen” Streams on Disney+ May 30
Prepare for a spine-chilling journey into the origins of darkness as 20th Century Studios’ “The First Omen” premieres on Disney+ on May 30. Directed by the acclaimed Arkasha Stevenson and boasting a Certified-Fresh rating on Rotten Tomatoes™, this prequel to the classic horror franchise promises an experience that’s “death-fully intense” (Witney Seibold, Slash Film), “truly petrifying” (Daisy Phillipson, Dexerto), and hailed as “the best horror movie of the year” (Witney Seibold, Slash Film).

The Story Unfolds

Set in 1971, “The First Omen” stars Nell Tiger Free (Game of Thrones) as Margaret, an American nun-to-be journeying to Rome to take her vows. The film unveils the horrifying events leading to the inception of Damien, the infamous anti-Christ. As Margaret delves deeper into the shadows, she confronts a sinister force that shakes her faith and uncovers a terrifying conspiracy to bring evil incarnate into the world.

A Stellar Cast

“The First Omen” boasts an impressive ensemble cast:
- Nell Tiger Free (Servant) as Margaret
- Tawfeek Barhom (Mary Magdalene)
- Sonia Braga (Kiss of the Spider Woman)
- Ralph Ineson (The Northman)
- Bill Nighy (Living)
Directed by Arkasha Stevenson, the film is based on characters created by David Seltzer (The Omen), with a story by Ben Jacoby (Bleed) and a screenplay by Tim Smith, Arkasha Stevenson, and Keith Thomas (Firestarter).

Immerse Yourself in Horror

For die-hard fans and newcomers alike, Disney+ offers a chance to relive the terror with all five Omen films available for streaming. Experience the complete saga and witness the evolution of one of horror’s most iconic franchises.

Bonus Features

The Mystery of Margaret
Join director Arkasha Stevenson and stars Nell Tiger Free, Bill Nighy, and Maria Caballero as they delve into the character of Margaret. Explore her relationships, the manipulations she endures, and her role in unraveling the film’s horrifying mystery.

The Director’s Vision
Arkasha Stevenson discusses her passion for horror, the privilege of expanding The Omen legacy, and her unique approach to crafting “The First Omen” through a female perspective. The cast also shares their experiences working with Arkasha and filming in Rome.

Signs of The First Omen
Discover the hidden symbolism within the set designs and costumes with insights from the director and artists. Learn how practical effects blur the line between reality and the supernatural in the film’s terrifying world.
May 17, 2024
Thrilling Action and Comedy Explode in the Final Trailer for “Bad Boys: Ride or Die,” Starring Will Smith and Martin Lawrence

The world’s favorite Bad Boys are back with their iconic mix of edge-of-your-seat action and outrageous comedy, but this time with a twist: Miami’s finest are now on the run. This action-packed ride takes the duo out of their comfort zone, and the result is nothing short of spectacular – Bad Boys: Ride or Die.

Directed by the dynamic duo Adil & Bilall, known for their visually stunning and fast-paced directing style, Bad Boys: Ride or Die promises to be an unforgettable experience. The screenplay, penned by Chris Bremner, delivers sharp wit and a storyline that keeps you guessing. Produced by the legendary Jerry Bruckheimer alongside Will Smith, Chad Oman, and Doug Belgrad, this film is destined to be a summer hit.

The executive producer team includes industry heavyweights Barry Waldman, Mike Stenson, James Lassiter, Jon Mone, Chris Bremner, and Martin Lawrence, ensuring the film is top-notch in every aspect.

Meet the Star-Studded Cast

The film stars the unbeatable duo, Will Smith and Martin Lawrence, who bring their A-game as Mike Lowrey and Marcus Burnett. Their chemistry is electric, and their comedic timing is flawless. Joining them is a stellar supporting cast including: Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Tiffany Haddish and Joe Pantoliano.

Each actor brings depth and charisma to their roles, adding to the film’s dynamic ensemble.

Heart-Stopping Action

From the very first scene, Bad Boys: Ride or Die throws you into a whirlwind of explosive action sequences. Whether it’s high-speed car chases through the streets of Miami or intense shootouts, the film never lets up. Fans of the franchise will be thrilled with the innovative stunts and special effects that push the envelope.

Hilarious Comedy

Of course, it wouldn’t be a Bad Boys movie without the laugh-out-loud comedy. Smith and Lawrence’s banter is as sharp as ever, delivering plenty of quotable lines and memorable moments. Their comedic escapades balance the film’s intense action, providing a perfect blend of thrills and laughs.

A New Twist

This time, the Bad Boys are not just chasing criminals; they are on the run themselves. This twist adds a fresh dynamic to the story, forcing Mike and Marcus to rely on their wits and each other more than ever. The plot is filled with unexpected turns that will keep you glued to the screen.

Behind the Scenes

The making of Bad Boys: Ride or Die was a colossal effort, with a team dedicated to pushing the boundaries of action-comedy filmmaking. The direction by Adil & Bilall is visually striking, utilizing Miami’s vibrant backdrop to enhance the film’s energy. The script by Chris Bremner is tight and engaging, balancing character development with fast-paced action.

Jerry Bruckheimer’s production expertise shines through, ensuring that every scene is polished and impactful. The executive producers, including Smith and Lawrence, have worked meticulously to stay true to the spirit of the franchise while injecting new life into the series.

Release Date

Mark your calendars for June 5, when Bad Boys: Ride or Die hits theaters nationwide. Distributed in the Philippines by Columbia Pictures, the local office of Sony Pictures Releasing International, this is one cinematic event you don’t want to miss. Stay connected with the latest updates by following the hashtag #BadBoys and tagging @columbiapicph on social media.

Get Ready for the Ride of Your Life

If you’re a fan of high-octane action, gut-busting comedy, and a storyline that keeps you on the edge of your seat, Bad Boys: Ride or Die is the movie for you. Will Smith and Martin Lawrence deliver performances that are both nostalgic and refreshingly new. With its top-tier production, stellar cast, and thrilling plot, this film is set to be a summer blockbuster.

_{Photo & Video Credit: “Columbia Pictures”}

May 17, 2024