Dinosaurs are taking over suburbia in “The End of Oak Street,” and critics are loving the chaos.

Directed by David Robert Mitchell, the filmmaker behind “It Follows,” the new sci-fi adventure is earning praise for its sharp direction, nostalgic atmosphere, energetic performances, and crowd-ready thrills. Reviews have described the movie as everything from a callback to classic sci-fi adventures to one of the most entertaining dinosaur films in decades.

Now showing in cinemas, “The End of Oak Street” stars Anne Hathaway, Ewan McGregor, Maisy Stella, and Christian Convery as a family suddenly thrown into a terrifying world where survival means staying together.

A Big-Screen Adventure Built for a Crowd

Collider praised the movie as a fun and confident throwback, highlighting Mitchell’s direction and Hathaway’s performance.

It’s 90 minutes of edge-of-your-seat entertainment that commits to its concept and entertains throughout,” they wrote. “Big, loud, and guaranteed to make you jump at least once, it’s another eye-catching performance from the always-busy Hathaway, and proof that blockbuster entertainment doesn’t need to follow a franchise formula.

That sense of old-school spectacle runs throughout the film, which blends sci-fi mystery, family drama, and dinosaur mayhem into one fast-paced adventure.

Set against an ’80s suburban backdrop, the story follows the Platt family after a mysterious cosmic event tears Oak Street away from the familiar world and transports the entire neighborhood somewhere unknown.

With their surroundings transformed and danger lurking around every corner, the family quickly realizes that staying united may be their best chance of making it out alive.

Critics Feel the ’80s Movie Magic

For IndieWire, “The End of Oak Street” captures the spirit of the kind of adventurous, slightly mischievous movies that defined an era.

The publication compared its tone to beloved Amblin Entertainment classics, including “E.T. the Extra-Terrestrial,” “Poltergeist,” and “Back to the Future.”

IndieWire felt they were truly back in the ’80s, a time when Amblin Entertainment (founded by Steven Spielberg) released many of their now beloved classics, including “E.T. the Extra-Terrestrial,” “Poltergeist” and “Back to the Future.” “A crowd-pleasing but winkingly mean-spirited Amblin homage that perfectly captures the sweet menace of movies like ‘Gremlins’ and ‘The Goonies’ (so perfectly, in fact, that it almost feels like you’ve been sucked through a hole in space-time yourself), ‘The End of Oak Street’ is what multiplexes have been missing from recent summers,” they wrote. “Lean, clever, original, cheer-at-the-screen entertainment that will traumatize 10-year-olds for life and make their parents feel like they’re kids again.”

For JoBlo.com, “The End of Oak Street” is the best dinosaur movie since the ’90s, when dinosaurs first became a massive movie phenomenon.

ComingSoon.net wrote that the film is “an extremely entertaining popcorn movie that feels designed to be experienced with a packed theater, complete with jump scares, big thrills, audience screams, and plenty of moments that practically beg you to shout at the screen.”

In other words, this is the kind of movie that gets even more fun when the cinema is full.

David Robert Mitchell’s Dinosaur Dream Comes to Life

For Mitchell, making a dinosaur movie has been a lifelong ambition.

My dad was obsessed with dinosaurs, he had always dreamed of being a paleontologist and was always reading dinosaur books. So, I grew up around it, shares the filmmaker.

Although the fascination was always there, Mitchell wanted to find a concept that felt personal and different from other dinosaur films.

The idea eventually came to him during an ordinary walk through his neighborhood.

I fell in love with the idea of doing it, but I didn’t know what would be my version of a dinosaur film. Then a few years ago I was walking through my neighborhood, just a casual stroll, and I was passing by this really interesting house and this alleyway. And I just imagined that there was a dinosaur there digging through the trash. I just could see it, and I stopped and I looked at this interesting tableau of this fantastical thing in this mundane place in a middle-class neighborhood. And I thought, I want to write something that feels like this. I want to make a movie that feels like this image in my mind.

That contrast between the everyday and the extraordinary became one of the defining ideas behind “The End of Oak Street.”

J.J. Abrams Teases Terrifying Dinosaur Encounters

Producer J.J. Abrams, known for “Super 8” and “Lost,” believes the film contains sequences audiences will remember long after the credits roll.

There are amazing sequences in “The End of Oak Street.” “One in particular I think could be a classic terror scene,” he shares.

For Abrams, much of the movie’s appeal comes from placing enormous prehistoric creatures in an environment audiences instantly recognize.

But I think the big takeaway is the thrill of seeing dinosaurs in a suburban setting. The contrast of these wild creatures in an absolutely mundane neighborhood is spectacular.

It is an unusual combination, but that familiarity also makes the film’s larger-than-life premise feel surprisingly close to home.

“The insane story becomes far more relatable than you might expect,” Abrams adds.

Catch “The End of Oak Street” on the Big Screen

Warner Bros. Pictures presents a Bad Robot Production, a Jackson Pictures Production, a David Robert Mitchell Film: “The End of Oak Street.”

The film is distributed worldwide by Warner Bros. Pictures and opens in theaters and IMAX in North America on August 14, 2026, with its international rollout beginning August 12, 2026.

With critics praising its nostalgic charm, thrilling set pieces, clever concept, and crowd-pleasing energy, “The End of Oak Street” is shaping up to be one of those movies best enjoyed with an audience.

Run to the cinemas and catch “The End of Oak Street,” now showing nationwide.

#EndofOakStreet